中国民航网讯：2025年11月20日，由陕西省西咸新区宣传文旅局主办、西咸新区作家协会承办的" 争创 精品力作，讲好西咸故事 ——廉涛荣获冰心散文奖座谈会 "在文脉厚重的西安市文化小镇诗经里召开。 中国作协原副王席、散文委员会主任，陕西省作协主席，茅盾文学奖获得者贾平凹向座谈会致贺辞，西 咸新区宣传文旅局副局长杨彬彬，中国散文学会副会长、陕西省散文学会会长陈长吟，陕西省作协副主 席、西咸新区作协主席王海，有关专家学者作家等40余人出席座谈会。座谈会由西咸新区作协副主席、 文学院院长周伟团主持。 第十一届冰心散文奖获得者廉涛深情地说:" 西部这片广袤的土地，一直都是我写作的'根'。' 做真人， 写真事，动真情 '始终是我散文写作的坚守。这次获奖，不是创作的终点，而是一个崭新的起点，它就 像一束光，照亮我文学创作前行的方向。我将脚踏厚土，倾听更多百姓的故事，以更敬畏的心对待文 字，以更真诚的态度深入生活，努力创作出更多有温度、有力量、有真情的作品，讲好西咸故事，陕西 故事，西部故事，中国故事。" 座谈会上，与会专家学者作家还围绕廉涛散文创作的思想性和艺术性、如何营造文学创作氛围、提升个 人创作路径等进行了深入探讨 ...

不久前，作家莫言开通了新的社交媒体账号一条逛北师大的小视频获得年轻人10万+点赞；一个对"莫言和余华、史铁生偷瓜"的虚构故事的回答，又是近 10万点赞……不到半个月，涨粉超过百万。已经70岁的莫言写道，"我依然对世界充满好奇……我想和年轻人聊聊天。" 13年前，莫言成为第一位获诺贝尔文学奖的中国人，也是迄今为止唯一一位。颁奖词说，"在莫言的作品中，世界文学发出的怒吼淹没了很多同时代人的 声音"。 四十四年重看莫言 电影《红高粱》剧照 1987年，电影《红高粱》拍摄时合影，左起：巩俐、莫言、姜文、张艺谋 其实早在上个世纪八十年代，莫言就已经名扬中国，他的小说《红高粱》被导演张艺谋改编为同名电影，1988年在西柏林电影节上获得金熊奖，《人民日 报》用整整一个专版进行了报道，"妹妹你大胆地往前走"吼遍大江南北。 莫言在家乡高密 他从此变成了一个职业小说家，发明了"高密东北乡"这个文学王国，在其中肆意开垦、建造：《丰乳肥臀》《檀香刑》《生死疲劳》《蛙》……遍拿国 内、国际的文学大奖，当选为中国作家协会副主席。 一条曾面对面采访莫言，他说："我的创作动机曾经非常低俗""要说我对人类精神有什么贡献，那就是打破了作家的神秘 ...

11月17日，第十届"西湖·新锐文学奖"在浙江工业大学屏峰校区颁奖。 "西湖·新锐文学奖"是《西湖》杂志于2007年创办的文学双年奖，旨在发掘中短篇小说创作领域的 新锐作家。本届评奖于2025年1月启动，评选范围是自2023年1月至2025年7月在全国各文学刊物发表的 中短篇小说。经过严格遴选，最终，张玲玲的中篇小说《阿耆尼》、龚万莹的中篇小说《出山》、周于 旸的中篇小说《雪泥鸿爪》捧得大奖。 张玲玲出生于江苏，已出版小说集《嫉妒》《夜樱与四季》，曾获2021年首届短篇小说双年奖。她 的中篇小说《阿耆尼》以两个相对独立的故事，展开对中年人婚姻、情感的精微观照。评委会认 为："张玲玲以结实如大理石的零度叙事，书写两性间的相互摧折，为当代人的情感生活写下了传记。" 龚万莹生于福建，2024年出版首部中短篇小说集《岛屿的厝》，曾获郁达夫小说奖·中篇小说 奖。"出山"，是闽南语"出殡"的意思。小说《出山》借助殡葬业这一职业设定，将小岛上人们的生死悲 欢一一呈现，每个人都幽默、顽强、坚韧，在艰难的生活中活出勃勃生机。评委会的评语是："龚万莹 以结实成熟的现实主义笔法，专注于对人的生命、死亡与救赎的探索，是向死而生。" ...

Core Insights - The article highlights the journey and achievements of Malaysian Chinese writer Li Zishu, particularly focusing on her novel "Flowing Common Land" and its upcoming adaptation into a television series. The author expresses gratitude for the readers' support and reflects on the significance of literary awards in gaining visibility for writers in Malaysia [1][5][7]. Group 1: Author's Journey and Achievements - Li Zishu has gained significant recognition in the literary world, with her novel "Flowing Common Land" achieving a high rating of 9.2 on Douban from nearly 40,000 users [1]. - The author has been actively engaging with readers through lectures and book signings across various cities in China, indicating a strong connection with her audience [1]. - She has been appointed as a judge for the 2025 Baofeng Ideal Country Literary Award, marking her first involvement in literary award evaluations in China [4]. Group 2: Themes and Style of "Flowing Common Land" - The novel features a blind protagonist, Yin Xia, who observes the lives of Malaysian Chinese in the 1960s and 70s, presenting a detailed narrative of ordinary lives and societal dynamics [2][7]. - Li Zishu's writing style is characterized by a focus on the mundane aspects of life, avoiding grand narratives, which she believes resonates more authentically with readers [11][12]. - The author emphasizes the importance of reader engagement in her work, suggesting that literature is a collaborative experience between the writer and the audience [4]. Group 3: Challenges and Perspectives in Malaysian Literature - Li Zishu acknowledges the challenges faced by Malaysian Chinese writers, including a lack of stories, platforms, and readership, which complicates the literary landscape [7][9]. - She reflects on her evolution as a writer, moving away from writing for awards to focusing on personal standards and authentic storytelling [11][12]. - The author expresses a desire to see more ambitious and daring works in the Malaysian literary scene, encouraging younger writers to pursue their unique voices [5][9].

Group 1 - The article highlights the significant impact of a teacher, referred to as Teacher Cao, on students' love for reading and writing, emphasizing the importance of engaging with literature beyond the classroom [1][4] - Teacher Cao's teaching methods included using personal experiences and humor, which made lessons more relatable and enjoyable for students, fostering a deeper understanding of the material [1][2] - The narrative describes a memorable field trip organized by Teacher Cao to the Ming Tombs, which served as an experiential learning opportunity, allowing students to connect history with real-life observations [2][3] Group 2 - The article illustrates how Teacher Cao encouraged students to observe their surroundings and draw inspiration from real life for their writing, promoting a practical approach to literature [2][3] - The influence of Teacher Cao extended beyond academics, as he instilled a lifelong passion for writing in students, leading to their eventual literary achievements [3][4] - The lasting gratitude and respect for Teacher Cao's mentorship are expressed, highlighting the profound and enduring effects of his guidance on students' personal and professional lives [4]

Core Viewpoint - The ancient ginkgo tree in Juxian Fulaishan is recognized as the oldest ginkgo tree in the world, with a trunk circumference of approximately 16 meters and a height of about 27 meters, symbolizing the passage of time and cultural heritage [1][2]. Group 1: Historical Significance - The ginkgo tree has historical importance, as it was the site of a significant alliance meeting between the rulers of the Ju and Lu states in 715 BC, as recorded in the historical text "Spring and Autumn" [1]. - The tree is estimated to be over 3,000 years old, as noted by a stele erected in 1654 during the Qing Dynasty [1]. Group 2: Cultural Impact - The ginkgo tree has inspired numerous literary works throughout history, with poets and writers praising its beauty and significance, such as Sima Xiangru's "Upper Forest Fu" and Ouyang Xiu's poetry [3][4]. - The ginkgo leaf's unique golden color in autumn has been celebrated in literature, evoking feelings of nostalgia and beauty [2][4]. Group 3: Connection to Liu Xie - Liu Xie, a prominent literary figure, is associated with the Fulaishan area, where he spent years studying and writing, leading to the creation of his influential work "Wenxin Diaolong" [5][6]. - The connection between Liu Xie and the ginkgo tree reflects the deep cultural roots of the region, as both represent the enduring legacy of Chinese literature and philosophy [8].

Core Points - The 10th Beijing October Literature Month officially commenced with the theme "Literature Reflecting Contemporary Life, October Gathering Youth Power" [1] - Notable authors and poets, including Wang Meng, A Lai, Mai Jia, and others, participated in the event [1] Group 1: Authors' Perspectives - A Lai emphasized the importance of literature in understanding humanity and life, advocating for an open mindset to embrace new expressions while maintaining a connection to the past [5] - Mai Jia discussed the necessity for writers to distill the essence of humanity from complex realities, likening the creative process to steel refining, which requires continuous tempering [7] - Liu Liangcheng shared his "Literature on the Ground" philosophy, highlighting the significance of rootedness in reality while exploring literary fiction [9] Group 2: Interactive Activities - The event featured performances of classic literary excerpts by renowned artists, fostering a connection between different generations through shared literary memories [11] - A reader interaction segment allowed "October" signed authors to engage with readers, enhancing the sense of community and literary participation [13] Group 3: Literary Initiatives - The "Wang Meng Young Writer Support Program" announced its selected young authors, encouraging them to weave personal experiences into their narratives [15] - The "New Popular Literature Beijing Creation Plan" was launched, encompassing various literary forms and aiming to integrate literature into everyday life [15] Group 4: Event Overview - The 10th Beijing October Literature Month is organized by multiple cultural and governmental bodies, featuring a series of activities aimed at promoting literary creation and public reading [16]

Core Points - Hungarian writer László Krasznahorkai won the 2025 Nobel Prize in Literature for his captivating and visionary works that reaffirm the power of art amidst apocalyptic fears [1] - Krasznahorkai is recognized as one of Hungary's most significant contemporary writers, having won numerous prestigious literary awards including the 2015 International Booker Prize [4] - His notable works include "Satan's Tango," which was published in Chinese in 2013, and a recent collection of short stories titled "The World is Advancing" [4][9] Author Background - László was born in 1954 in Győr, Hungary, and initially pursued a career in law before turning to literature [5] - He has a long-standing friendship with translator Yu Zemin, who has introduced his works to Chinese readers [5] - Krasznahorkai's early experiences, including a period of unemployment and various odd jobs, inspired the themes and narratives in his writing [6] Literary Style and Themes - His writing is characterized by a complex structure and philosophical reflections on human despair and hope, often drawing comparisons to Kafka [8] - The narrative style is described as challenging, requiring readers to engage deeply with the text to appreciate its nuances [8] Cultural Influence - Krasznahorkai has a profound appreciation for Chinese culture, having traveled to China and written books reflecting his experiences [9] - He has expressed admiration for Chinese poet Li Bai, considering him a modernist figure in Tang Dynasty literature [9]

Core Viewpoint - The work "Like a Poem on the Land - Chronicles of Xinjiang in 70 Years" by He Jianming aims to highlight the beauty of Xinjiang, not just in its natural landscapes but also in the struggles and achievements of its people over the past 70 years [1][2]. Group 1: Preparation and Research - He Jianming undertook a comprehensive preparation process, reviewing historical materials and conducting over 200 research and interview points across a journey of more than 50,000 kilometers over 13 months [2][3]. - The challenges faced during the research included high altitude reactions, extreme weather conditions, and physical exhaustion, which tested his resilience [3]. Group 2: Structure and Themes - The book is structured into three parts: historical, poetic, and epic, reflecting the grandeur of Xinjiang's history, its poetic landscapes, and its significance in the broader narrative of China's history [5][6]. - The choice to begin with the stories of intellectuals and revolutionaries emphasizes the foundational role of these figures in the development of Xinjiang [5][7]. Group 3: Character Selection and Narrative - The narrative weaves together individual stories to create a larger theme, portraying Xinjiang as a land of diverse experiences and contributions [6][9]. - He Jianming focuses on ordinary yet remarkable individuals whose stories reflect the spirit of dedication and resilience, aiming to present a rich tapestry of human experience in Xinjiang [7][9]. Group 4: Insights and Reflections - The author expresses a newfound understanding of Xinjiang, recognizing the complexity and beauty of its narrative, and emphasizes the importance of portraying the region's grandeur and beauty in literature [15]. - The writing style incorporates poetic language to convey the emotional and historical significance of Xinjiang, aiming to resonate with readers and evoke a sense of pride [15].

Core Points - The "New Youth Literature Forum" aims to promote the creative transformation and innovative development of traditional Chinese culture, nurturing a new generation of literary creators and enhancing contemporary literary creation and dissemination [1] - The event marks the 110th anniversary of the publication of "New Youth," emphasizing the importance of historical awareness and the role of youth in contributing to literature and culture [2] - The discussion highlighted the challenges faced by young writers in the digital age and the importance of personal experience in literary creation [3][5] Group 1 - The "New Youth Literature Forum" was launched to foster the development of contemporary literature and support young writers [1] - The event featured discussions on the historical significance of literature and the role of youth in shaping cultural narratives [2] - The speakers emphasized the need for young writers to engage with history and literature as a means of personal and cultural expression [2][3] Group 2 - The forum addressed common concerns among young writers, such as the fear of obscurity and the challenge of finding a unique voice [3] - The speakers advocated for continuous writing and encouraged young authors to express their thoughts and experiences without the pressure of grand themes [5] - The importance of balancing digital platforms with traditional literary practices was highlighted, with a call for young writers to engage in both reading and real-world experiences [5]