Core Viewpoint - The exhibition "Liuli Light and Color" at the National Museum of China highlights the cultural significance of Zibo Liuli, elevating it from a local intangible heritage to a national cultural symbol, showcasing its artistic value and contemporary innovation [1][2]. Group 1: Exhibition Overview - The exhibition represents a significant cultural recognition for Zibo Liuli, indicating its transition from a regional craft to a symbol of Chinese traditional craftsmanship and contemporary innovation [1]. - The showcased works reflect the artistic journey and challenges faced by the artists, emphasizing the depth of skill and patience required in the creation of each piece [1]. Group 2: Focus on Key Works - The exhibition features notable works such as the "Liuli Phoenix Crown" and "Butterfly Spirit Snake Crown," created by young artists born in the 2000s and 1990s, respectively, showcasing a clear generational shift in craftsmanship [2]. - The "Liuli Phoenix Crown," inspired by a Ming Dynasty artifact, involved the meticulous crafting of 4,800 glass pearls, demonstrating the technical challenges and innovative approaches taken by the young artist Sun Qiye [3]. - The "Butterfly Spirit Snake Crown" by Liu Yuan embodies a personal artistic expression, merging themes of beauty, fragility, and danger, reflecting a deeper exploration of nature's dualities [4]. Group 3: Artistic Exploration - The work "Eternity" by Liu Yuan delves into the philosophical exploration of beauty and fragility, questioning the nature of true eternity within the context of ephemeral life [6]. - Wang Kaibing's "Monet's Garden" represents a cross-cultural dialogue between Eastern Liuli art and Western Impressionism, showcasing the adaptability and global perspective of contemporary Zibo Liuli artists [6]. Group 4: Conclusion and Future Outlook - The exhibition illustrates the continuous evolution of Zibo Liuli, emphasizing its living tradition that thrives on innovation while respecting its historical roots [7]. - The courage and creativity of young artisans signify a promising future for traditional crafts, ensuring the enduring legacy of Chinese culture [7].

这件作品以明孝端皇后九龙九凤冠为灵感，耗时两个月完成。凤冠冠身，龙、凤及冠上的珍珠、宝石等 均以琉璃烧制，既保留了传统凤冠的庄严规制，又借琉璃的幻彩质感消解了礼器的厚重感。 琉璃凤冠。 以上图片均为受访者提供 没想到，我们做的琉璃，进了国家博物馆，展出时还如此火爆。"琉光璃彩——淄博琉璃艺术展"开展第 一天，展厅里熙熙攘攘的观众围着琉璃凤冠"打卡"拍照，我自己也只能挤在人群外远远观望。 孙启烨在制作琉璃作品。 （作者为山东省淄博市彭青艾琉璃艺术馆主理人，大众日报记者刘磊、于魁采访整理） 《 人民日报 》（ 2025年07月03日 10 版） (责编：胡永秋、牛镛) 说起国博的热门藏品，九龙九凤冠几乎无人不知，就连同款冰箱贴都成了抢手的文创产品。今年3月接 到参展通知时，我们还有些意外。毕竟我们只是琉璃行业的新人，我今年23岁，从业仅一年半，同伴邹 宇曦和陈屿强也都是95后的年轻人。 整个作品由近5000个零部件组成，涉及七八种工艺。单是凤冠上的琉璃珠子就用了4800颗，每一颗都要 在火焰中反复塑形，既要保证圆润度，又要兼顾透光度。几千颗珠子需逐一捏制打孔，最小的直径仅 2.5毫米，操作起来困难重重。我们三人光 ...