"听说过海南文昌鸡，这是啥？""求地址！下周我也去海南。"河北游客杨泽萌在海南文昌铺前镇发 了一条"打卡糟粕醋"的朋友圈，十几条评论涌来。 "第一次吃是因为一家糟粕醋火锅打折。"来自河南的学生曹越记得，竹编簸箕盛着雪白鱼丸、粉嫩 大虾、鲜扇贝与时蔬，一勺入口，鲍鱼弹牙、扇贝软嫩、大虾鲜甜，米发酵的醇厚酸香混着蒜头油回 甘，海菜软滑带咸鲜，牛杂吸满酸汤滋味。 糟粕醋之于海南，就像胡辣汤之于河南、豆汁之于北京，是刻在骨子里的味觉符号。这碗在民间流 传百年的汤底，早已不只是寻常食材，更是一部浓缩的海岛味觉史，承载着海岛人民的生活智慧与文化 记忆。 饮食符号 热带季风造就的高温高湿，为酒糟发酵提供了天然温床，又让祛湿开胃的饮食需求尤为迫切。渔民 们将酿酒剩下的糟粕发酵成醋，加入辣椒、蒜、姜等香料，制成酸辣鲜香的酱料。"变废为宝"的民间智 慧代代相传，逐渐成为海南饮食文化的重要符号。 来自山东的学生才智在海南读研时与糟粕醋结缘："以前只知道清补凉和椰子鸡，来这边上学才听 说糟粕醋。"查过后，他才知道这是一种汤底，可以煮粉也可以作汤底涮火锅。 "早先用番薯酿酒，后来才换成大米。我们家从奶奶嫁过来就开始做糟粕醋，镇上的人都 ...

Core Insights - The 8th China International Import Expo opened in Shanghai on November 5, showcasing Jiangsu's cultural heritage and innovative expressions through its traditional brands [1] - Jiangsu has a significant number of traditional brands, with 113 national and 352 provincial time-honored brands, highlighting its rich cultural legacy [1] Group 1: Traditional Brands and Innovations - Jiangsu's cultural exchange exhibition featured unique products like the "Su Super Zisha Pot Series," which combines traditional craftsmanship with modern themes, representing the cultural stories of 13 cities in Jiangsu [2] - The Nanjing Yunjin Research Institute presented exquisite works that blend ancient weaving techniques with modern materials, showcasing the evolution of traditional crafts [2][3] - The Nantong Benlan Craft Co., known for its blue print fabric, has modernized its offerings to appeal to younger consumers, significantly increasing brand recognition and sales since participating in the expo [3] Group 2: High-End and Artistic Products - The high-end silk scarf brand "Zhangyu Deva-Vani" showcased silk paintings and artistic scarves, emphasizing the fusion of traditional silk culture with contemporary design [4] - Jiangsu's ceramics, particularly from Gaochun Ceramics Co., presented a banquet set that merges traditional patterns with modern craftsmanship, aimed at enhancing diplomatic relations [6] Group 3: Cultural Exchange and Market Expansion - The expo serves as a platform for cultural exchange, with companies like Suzhou Embroidery Silk Co. receiving international orders and exploring collaborations to bring traditional crafts to global markets [6][7] - The event is viewed as an opportunity for companies to optimize cross-border supply chains and expand their international presence, with many brands actively seeking partnerships and collaborations [6][7]

Core Insights - The first batch of Hanzhong rattan weaving products has successfully been exported to the United States, marking the first self-declared export of intangible cultural heritage products from Hanzhong City [1][3] - The local tax authority played a crucial role in facilitating the export process by providing guidance and support to the company, helping them navigate the complexities of self-export declaration [3][4] Group 1: Export Achievement - Hanzhong Liangshun Craft Industry Co., Ltd. has achieved its first self-declared export of rattan weaving products, a significant milestone for the company [1][5] - The company faced challenges in self-exporting due to lack of experience, prompting the local tax bureau to form a dedicated team to assist with the export process [3][4] Group 2: Government Support - The Hanzhong tax bureau actively engaged with local enterprises to understand their tax-related needs and provide tailored support for international expansion [4][7] - The tax authority's assistance included comprehensive guidance on key export procedures, ensuring the company could successfully complete all necessary steps for the export [4][7] Group 3: Cultural Heritage and Market Expansion - Hanzhong rattan weaving, recognized as a national intangible cultural heritage, is being modernized and marketed both domestically and internationally [3][7] - The local government is committed to enhancing the cross-border tax service quality to support the growth of local enterprises in the global market [7]

Group 1 - The core viewpoint emphasizes the importance of innovation in the traditional craft of Cloisonné, which is essential for its continued relevance and vitality in modern times [5] - Cloisonné, also known as "copper wire enamel," has a rich history dating back to the Yuan Dynasty and became prominent during the Ming Dynasty, particularly in the Jingtai period [2][3] - The production process of Cloisonné involves six intricate steps: making the base, wire inlay, applying enamel, firing, polishing, and gilding, highlighting the craftsmanship required [2][3] Group 2 - A significant project involved creating an outdoor fountain using Cloisonné, presenting challenges such as size limitations and high defect rates during firing [4] - The successful completion of the "Flower Blooming Prosperity" fountain marked a breakthrough in the application of Cloisonné, leading to further projects in prestigious locations like the Capital Airport and the Beijing Yanqi Lake International Conference Center [4] - The company has been introducing over 20 new products annually, showcasing a range of items from grand pieces to practical decorations, reflecting the ongoing evolution of Cloisonné [5]

Core Viewpoint - The exhibition "Liuli Light and Color" at the National Museum of China highlights the cultural significance of Zibo Liuli, elevating it from a local intangible heritage to a national cultural symbol, showcasing its artistic value and contemporary innovation [1][2]. Group 1: Exhibition Overview - The exhibition represents a significant cultural recognition for Zibo Liuli, indicating its transition from a regional craft to a symbol of Chinese traditional craftsmanship and contemporary innovation [1]. - The showcased works reflect the artistic journey and challenges faced by the artists, emphasizing the depth of skill and patience required in the creation of each piece [1]. Group 2: Focus on Key Works - The exhibition features notable works such as the "Liuli Phoenix Crown" and "Butterfly Spirit Snake Crown," created by young artists born in the 2000s and 1990s, respectively, showcasing a clear generational shift in craftsmanship [2]. - The "Liuli Phoenix Crown," inspired by a Ming Dynasty artifact, involved the meticulous crafting of 4,800 glass pearls, demonstrating the technical challenges and innovative approaches taken by the young artist Sun Qiye [3]. - The "Butterfly Spirit Snake Crown" by Liu Yuan embodies a personal artistic expression, merging themes of beauty, fragility, and danger, reflecting a deeper exploration of nature's dualities [4]. Group 3: Artistic Exploration - The work "Eternity" by Liu Yuan delves into the philosophical exploration of beauty and fragility, questioning the nature of true eternity within the context of ephemeral life [6]. - Wang Kaibing's "Monet's Garden" represents a cross-cultural dialogue between Eastern Liuli art and Western Impressionism, showcasing the adaptability and global perspective of contemporary Zibo Liuli artists [6]. Group 4: Conclusion and Future Outlook - The exhibition illustrates the continuous evolution of Zibo Liuli, emphasizing its living tradition that thrives on innovation while respecting its historical roots [7]. - The courage and creativity of young artisans signify a promising future for traditional crafts, ensuring the enduring legacy of Chinese culture [7].

Core Insights - The event "High-Quality Development Observation Tour" in Zhejiang showcased the province's advancements in various sectors, including private economy, ecological protection, digital agriculture, and cultural innovation, through the lens of international youth broadcasters [1][12]. Group 1: Private Economy and Ecological Integration - In Wenzhou, the participation of private capital in high-speed rail projects was highlighted, demonstrating its positive impact on local employment [2]. - The innovative "artificial wetland + micro-hydropower" model in Sanjiang Wetland Park exemplified the synergy between ecological conservation and agricultural irrigation [2]. Group 2: Cultural and Tourism Integration - The Hangzhou-Wenzhou high-speed rail was recognized as a new engine for regional connectivity and cultural tourism, with onboard performances enhancing the travel experience [3]. - The immersive experience at the "Clearing the River" night tour in Hengdian Film City captivated international broadcasters, showcasing the rich cultural heritage of the Song Dynasty [3]. Group 3: Manufacturing and Ecological Transformation - The "Hardware Capital" in Yongkang demonstrated strong industrial capabilities with automated production lines and smart equipment, reflecting the robust strength of Zhejiang's manufacturing sector [5]. - The implementation of the "Two Mountains" concept in scenic areas illustrated how ecological protection can be transformed into rural tourism branding [8]. Group 4: Digital Agriculture and Urban Revitalization - The "Panda Pig" farm in Jinhua utilized innovative digital agriculture techniques, impressing broadcasters with its modern approach to farming [9]. - The revitalization of ancient towns like Wuzhou Ancient City highlighted the integration of cultural heritage and creative industries, enhancing tourism through unique local characteristics [10]. Group 5: Silk Industry Innovation - The Wan Shili Innovation Center in Hangzhou combined traditional silk craftsmanship with AI technology, showcasing the commitment to preserving cultural heritage while embracing modern market demands [12].

Core Perspective - The article highlights the significance of Beihai shell carving as a national intangible cultural heritage, emphasizing its historical roots in the Maritime Silk Road and its evolution from traditional craftsmanship to modern artistic expression [1][2]. Group 1: Historical Context - The Maritime Silk Road, starting from the Tang and Song dynasties, facilitated the exchange of exotic treasures and led to the development of the Ming Dynasty's "Babaohuan" technique, merging foreign influences with traditional Chinese craftsmanship [2]. - Beihai shell carving was recognized as a national intangible cultural heritage representative project in 2021, showcasing its cultural importance [2]. Group 2: Craftsmanship and Techniques - The process of creating a shell carving involves multiple steps, including cleaning, polishing, carving, and assembling, with some pieces requiring up to two tons of raw materials and hundreds of different shell types [15]. - The technique of "thin carving" demands precision, with shells being polished to a translucency of 0.1 millimeters, highlighting the skill and endurance of artisans [15]. Group 3: Revival and Innovation - In the 1990s, Beihai shell carving faced a decline, but efforts by artisans like Lin Xiong revived the craft by recalling experienced artisans and exploring new artistic directions [6][19]. - Lin Xiong's approach to using natural shell colors and textures has been described as a revolution in Chinese shell carving, leading to the establishment of a materials warehouse with thousands of shell types [9][11]. Group 4: Education and Modernization - Educational institutions like Guilin University of Electronic Technology and Beihai Vocational School have introduced courses on shell carving, fostering a new generation of artisans and creative professionals [22]. - The integration of traditional patterns into modern life has led to a resurgence of interest in shell carving, with various companies and workshops in Beihai producing both artistic and practical items [26].

Core Perspective - The article highlights the significance of Beihai shell carving as a national intangible cultural heritage, showcasing its evolution from traditional craftsmanship to contemporary artistic expressions, while emphasizing its historical connection to the Maritime Silk Road [1][5]. Group 1: Historical Context - The Beihai shell carving tradition dates back to the Tang and Song dynasties, influenced by exotic treasures brought by the Maritime Silk Road, leading to the development of the Ming dynasty's "Babaohuan" technique [1]. - In the 20th century, Beihai shell carvings gained international recognition, with products exported to over 40 countries and regions during the 1970s and 1980s [5]. Group 2: Challenges and Revival - The Beihai shell carving faced a decline in the 1990s due to various factors, risking the loss of this traditional craft [5]. - Lin Xiong, a representative inheritor of the intangible cultural heritage, revitalized the craft by recalling 26 veteran artisans from the original Beihai Arts and Crafts Factory, marking a new exploration path for Beihai shell carving [5][11]. Group 3: Artistic Innovation - Lin Xiong introduced a revolutionary approach by utilizing the natural colors and textures of shells, moving away from artificial dyeing, which was previously common in the craft [7]. - The production process of a shell carving involves multiple intricate steps, with some pieces requiring up to two tons of raw materials and taking several months to complete [9]. Group 4: Education and Modernization - Educational institutions like Guilin University of Electronic Technology and Beihai Vocational School have incorporated shell carving courses, fostering a new generation of artisans and creative professionals [11][14]. - The current landscape in Beihai includes around 20 companies and workshops engaged in shell carving, employing thousands of artisans from various age groups, thus ensuring the craft's sustainability and innovation [17].