藤椅装船起航的那一刻，唐芳发了一条朋友圈。她说："从签订订单到顺利报关再到装船启运，今天汉中藤编告别了依托三方公司的出口方式，我们终于实 现了自营出口零的突破！"兴奋之情溢于言表。 9月29日，陕西良顺匠心实业有限公司一批汉中藤编产品经海关部门核验后，顺利走出国门启运美国。这是汉中市第一笔以自主申报形式出口的非遗产品订 单。"在税务部门的辅导下，我们公司顺利地实现了自主出口申报。"良顺公司总经理唐芳说。 图为南郑国家级非遗产品"藤编" 地处秦巴山区腹地的南郑区，青藤资源丰饶，村民世代传承藤编技艺，更孕育出国家级非物质文化遗产汉中藤编。如今，这项古老技艺在传承中创新，既深 耕国内市场，又逐步提升海外影响力，正以"传统工艺+现代审美"的新姿态走向世界。早在今年3月，汉中市税务部门在开展国际税收管理暨服务"走出去企 业"活动时，得知部分海外消费群体对中国藤编产品感兴趣，便一边收集海外采购意向信息，一边第一时间将信息传递给良顺公司，积极推动并协助达成藤 编制品出口交易。 眼看订单落地，新的难题却随之而来。"以前有过产品出口，但都是销售给第三方外贸企业，真正自己做出口，完全没经验。以后海外订单增加，我们想试 着自己报关 ...

Group 1 - The core viewpoint emphasizes the importance of innovation in the traditional craft of Cloisonné, which is essential for its continued relevance and vitality in modern times [5] - Cloisonné, also known as "copper wire enamel," has a rich history dating back to the Yuan Dynasty and became prominent during the Ming Dynasty, particularly in the Jingtai period [2][3] - The production process of Cloisonné involves six intricate steps: making the base, wire inlay, applying enamel, firing, polishing, and gilding, highlighting the craftsmanship required [2][3] Group 2 - A significant project involved creating an outdoor fountain using Cloisonné, presenting challenges such as size limitations and high defect rates during firing [4] - The successful completion of the "Flower Blooming Prosperity" fountain marked a breakthrough in the application of Cloisonné, leading to further projects in prestigious locations like the Capital Airport and the Beijing Yanqi Lake International Conference Center [4] - The company has been introducing over 20 new products annually, showcasing a range of items from grand pieces to practical decorations, reflecting the ongoing evolution of Cloisonné [5]

Core Viewpoint - The exhibition "Liuli Light and Color" at the National Museum of China highlights the cultural significance of Zibo Liuli, elevating it from a local intangible heritage to a national cultural symbol, showcasing its artistic value and contemporary innovation [1][2]. Group 1: Exhibition Overview - The exhibition represents a significant cultural recognition for Zibo Liuli, indicating its transition from a regional craft to a symbol of Chinese traditional craftsmanship and contemporary innovation [1]. - The showcased works reflect the artistic journey and challenges faced by the artists, emphasizing the depth of skill and patience required in the creation of each piece [1]. Group 2: Focus on Key Works - The exhibition features notable works such as the "Liuli Phoenix Crown" and "Butterfly Spirit Snake Crown," created by young artists born in the 2000s and 1990s, respectively, showcasing a clear generational shift in craftsmanship [2]. - The "Liuli Phoenix Crown," inspired by a Ming Dynasty artifact, involved the meticulous crafting of 4,800 glass pearls, demonstrating the technical challenges and innovative approaches taken by the young artist Sun Qiye [3]. - The "Butterfly Spirit Snake Crown" by Liu Yuan embodies a personal artistic expression, merging themes of beauty, fragility, and danger, reflecting a deeper exploration of nature's dualities [4]. Group 3: Artistic Exploration - The work "Eternity" by Liu Yuan delves into the philosophical exploration of beauty and fragility, questioning the nature of true eternity within the context of ephemeral life [6]. - Wang Kaibing's "Monet's Garden" represents a cross-cultural dialogue between Eastern Liuli art and Western Impressionism, showcasing the adaptability and global perspective of contemporary Zibo Liuli artists [6]. Group 4: Conclusion and Future Outlook - The exhibition illustrates the continuous evolution of Zibo Liuli, emphasizing its living tradition that thrives on innovation while respecting its historical roots [7]. - The courage and creativity of young artisans signify a promising future for traditional crafts, ensuring the enduring legacy of Chinese culture [7].

Core Insights - The event "High-Quality Development Observation Tour" in Zhejiang showcased the province's advancements in various sectors, including private economy, ecological protection, digital agriculture, and cultural innovation, through the lens of international youth broadcasters [1][12]. Group 1: Private Economy and Ecological Integration - In Wenzhou, the participation of private capital in high-speed rail projects was highlighted, demonstrating its positive impact on local employment [2]. - The innovative "artificial wetland + micro-hydropower" model in Sanjiang Wetland Park exemplified the synergy between ecological conservation and agricultural irrigation [2]. Group 2: Cultural and Tourism Integration - The Hangzhou-Wenzhou high-speed rail was recognized as a new engine for regional connectivity and cultural tourism, with onboard performances enhancing the travel experience [3]. - The immersive experience at the "Clearing the River" night tour in Hengdian Film City captivated international broadcasters, showcasing the rich cultural heritage of the Song Dynasty [3]. Group 3: Manufacturing and Ecological Transformation - The "Hardware Capital" in Yongkang demonstrated strong industrial capabilities with automated production lines and smart equipment, reflecting the robust strength of Zhejiang's manufacturing sector [5]. - The implementation of the "Two Mountains" concept in scenic areas illustrated how ecological protection can be transformed into rural tourism branding [8]. Group 4: Digital Agriculture and Urban Revitalization - The "Panda Pig" farm in Jinhua utilized innovative digital agriculture techniques, impressing broadcasters with its modern approach to farming [9]. - The revitalization of ancient towns like Wuzhou Ancient City highlighted the integration of cultural heritage and creative industries, enhancing tourism through unique local characteristics [10]. Group 5: Silk Industry Innovation - The Wan Shili Innovation Center in Hangzhou combined traditional silk craftsmanship with AI technology, showcasing the commitment to preserving cultural heritage while embracing modern market demands [12].

Core Perspective - The article highlights the significance of Beihai shell carving as a national intangible cultural heritage, emphasizing its historical roots in the Maritime Silk Road and its evolution from traditional craftsmanship to modern artistic expression [1][2]. Group 1: Historical Context - The Maritime Silk Road, starting from the Tang and Song dynasties, facilitated the exchange of exotic treasures and led to the development of the Ming Dynasty's "Babaohuan" technique, merging foreign influences with traditional Chinese craftsmanship [2]. - Beihai shell carving was recognized as a national intangible cultural heritage representative project in 2021, showcasing its cultural importance [2]. Group 2: Craftsmanship and Techniques - The process of creating a shell carving involves multiple steps, including cleaning, polishing, carving, and assembling, with some pieces requiring up to two tons of raw materials and hundreds of different shell types [15]. - The technique of "thin carving" demands precision, with shells being polished to a translucency of 0.1 millimeters, highlighting the skill and endurance of artisans [15]. Group 3: Revival and Innovation - In the 1990s, Beihai shell carving faced a decline, but efforts by artisans like Lin Xiong revived the craft by recalling experienced artisans and exploring new artistic directions [6][19]. - Lin Xiong's approach to using natural shell colors and textures has been described as a revolution in Chinese shell carving, leading to the establishment of a materials warehouse with thousands of shell types [9][11]. Group 4: Education and Modernization - Educational institutions like Guilin University of Electronic Technology and Beihai Vocational School have introduced courses on shell carving, fostering a new generation of artisans and creative professionals [22]. - The integration of traditional patterns into modern life has led to a resurgence of interest in shell carving, with various companies and workshops in Beihai producing both artistic and practical items [26].

Core Perspective - The article highlights the significance of Beihai shell carving as a national intangible cultural heritage, showcasing its evolution from traditional craftsmanship to contemporary artistic expressions, while emphasizing its historical connection to the Maritime Silk Road [1][5]. Group 1: Historical Context - The Beihai shell carving tradition dates back to the Tang and Song dynasties, influenced by exotic treasures brought by the Maritime Silk Road, leading to the development of the Ming dynasty's "Babaohuan" technique [1]. - In the 20th century, Beihai shell carvings gained international recognition, with products exported to over 40 countries and regions during the 1970s and 1980s [5]. Group 2: Challenges and Revival - The Beihai shell carving faced a decline in the 1990s due to various factors, risking the loss of this traditional craft [5]. - Lin Xiong, a representative inheritor of the intangible cultural heritage, revitalized the craft by recalling 26 veteran artisans from the original Beihai Arts and Crafts Factory, marking a new exploration path for Beihai shell carving [5][11]. Group 3: Artistic Innovation - Lin Xiong introduced a revolutionary approach by utilizing the natural colors and textures of shells, moving away from artificial dyeing, which was previously common in the craft [7]. - The production process of a shell carving involves multiple intricate steps, with some pieces requiring up to two tons of raw materials and taking several months to complete [9]. Group 4: Education and Modernization - Educational institutions like Guilin University of Electronic Technology and Beihai Vocational School have incorporated shell carving courses, fostering a new generation of artisans and creative professionals [11][14]. - The current landscape in Beihai includes around 20 companies and workshops engaged in shell carving, employing thousands of artisans from various age groups, thus ensuring the craft's sustainability and innovation [17].