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慈文传媒(002343) - 公司章程(2026年3月)
2026-03-23 03:46
慈文传媒股份有限公司 章 程 二○二六年三月 1 | 第一章 | 总则 | 3 | | --- | --- | --- | | 第二章 | 经营宗旨和范围 4 | | | 第三章 | 股份 | 4 | | 第一节 | 股份发行 | 4 | | 第二节 | 股份增减和回购 11 | | | 第三节 | 股份转让 | 12 | | 第四章 | 股东和股东会 13 | | | 第一节 | 股东的一般规定 13 | | | 第二节 | 控股股东和实际控制人……………………………………………………………………………..15 | | | 第三节 | 股东会的一般规定 16 | | | 第四节 | 股东会的召集 18 | | | 第五节 | 股东会的提案与通知 20 | | | 第六节 | 股东会的召开 21 | | | 第七节 | 股东会的表决和决议 24 | | | 第五章 | 董事会 | 29 | | 第一节 | 董事的一般规定 29 | | | 第二节 | 董事会 | 32 | | 第三节 | 独立董事 ……………………………………………………………………………………………36 | | | 第四节 | 董事会专门委 ...
慈文传媒(002343) - 关于完成注册资本工商变更登记及《公司章程》备案的公告
2026-03-23 03:46
股票代码:002343 股票简称:慈文传媒 公告编号:2026-005 慈文传媒股份有限公司 1.南昌市市场监督管理局出具的《公司变更通知书》; 2.换发的《营业执照》; 3.备案后的《公司章程(2026 年 3 月)》。 特此公告。 关于完成注册资本工商变更登记及《公司章程》备案的公告 本公司及董事会全体成员保证信息披露内容真实、准确和完整,没有虚 假记载、误导性陈述或重大遗漏。 一、本次变更注册资本、修订《公司章程》及办理相关工商登记备案的情况 慈文传媒股份有限公司(以下简称"公司")于 2025 年 12 月 24 日召开第九届董事会 第三十二次会议,于 2026 年 1 月 9 日召开 2026 年第一次临时股东会,审议通过了《关于 变更注册资本及修订<公司章程>的议案》。公司因完成股份回购并注销,注销后公司股份 总数由 474,949,686 股变更为 473,680,286 股;根据上述变动情况,公司对注册资本进行相 应变更,并结合实际情况,对《公司章程》部分条款进行修订。具体内容详见公司分别于 2025 年 12 月 25 日和 2026 年 1 月 10 日披露于《证券时报》及巨潮资讯网的《关 ...
慈文传媒(002343) - 关于全资子公司完成工商变更登记的公告
2026-03-05 10:30
股票代码:002343 股票简称:慈文传媒 公告编号:2026-004 慈文传媒股份有限公司 关于全资子公司完成工商变更登记的公告 本公司及董事会全体成员保证信息披露内容真实、准确和完整,没有虚 假记载、误导性陈述或重大遗漏。 慈文传媒股份有限公司近日收到全资子公司无锡慈文传媒有限公司(以下简称 "无锡慈文")的通知,无锡慈文现已办理完成了变更注册地址的工商登记手续,注 册地址由"无锡市新吴区菱湖大道111-2号软件园飞鱼座A302室-F32"变更为"无锡 市新吴区菱湖大道111号软件园天鹅座C栋311室",并于近日取得了无锡高新技术产 业开发区(无锡市新吴区)数据局换发的营业执照。 本次变更后,无锡慈文主要工商登记信息如下: 企业类型:有限责任公司(非自然人投资或控股的法人独资) 注册地址:无锡市新吴区菱湖大道 111 号软件园天鹅座 C 栋 311 室 经营范围:广播电视节目制作、发行;摄影服务、文化教育信息咨询、经纪服务; 设计、制作、代理、发布国内各类广告业务;自营和代理各类商品及技术的进出口(国 家限定公司经营或禁止进出口的商品和技术除外);计算机领域内的技术开发、技术 咨询、技术服务、技术转让;影 ...
慈文传媒:截至2026年2月13日收盘公司股票持有人总数为45702户
Zheng Quan Ri Bao Wang· 2026-02-24 12:41
Group 1 - The core point of the article is that Ciweng Media (002343) reported the total number of shareholders as of February 13, 2026, which is 45,702 households [1]
横店影视10天7板,Seedance 2.0带飞影视股“涨停潮”?
Xin Lang Cai Jing· 2026-02-12 02:43
Core Viewpoint - The recent surge in the film and entertainment sector is driven by a combination of factors, including the upcoming Spring Festival box office and advancements in AIGC technology, particularly the Seedance 2.0 model, which is expected to revolutionize content production [1][5][4]. Group 1: Market Performance - Major entertainment stocks like Damai Entertainment and Maoyan Entertainment have seen significant gains, with Hengdian Film and Television achieving a strong performance of 5 out of 6 trading days hitting the limit up [1]. - The Spring Festival box office has shown a consistent year-on-year increase over the past three years, with the longest holiday period contributing to initial market optimism [4]. - The pre-sale performance for the Spring Festival films indicates a total box office of over 1 billion yuan, which is approximately 60% of the previous year's first-day pre-sale results, reflecting a 40 percentage point decline in growth [4]. Group 2: Factors Driving Growth - The anticipation of major film releases, coupled with the success of last year's blockbuster "Nezha 2," has attracted investor interest in the film sector, leading to a continuation of positive sentiment into this year [4]. - The entertainment sector's valuation is at historical lows, and as consumer demand for cultural products increases, many companies are seeing improvements in their fundamentals, leading to a recovery in valuations [4]. - The introduction of Seedance 2.0, a new video generation model by ByteDance, has sparked significant interest and is expected to lower production costs and enhance efficiency in the film industry [5][6]. Group 3: Company Earnings Forecasts - Light Media is projected to report a net profit of 1.5 to 1.9 billion yuan for 2025, marking a growth of 413.67% to 550.65% year-on-year, largely due to IP licensing revenue from "Nezha 2" [8]. - Wanda Film expects a net profit of approximately 480 to 550 million yuan for 2025, recovering from a loss of 94 million yuan the previous year [9]. - Hengdian Film anticipates a net profit of 130 to 180 million yuan for 2025, reversing its previous losses [9]. Group 4: Challenges and Risks - Companies like Bona Film and Beijing Culture are facing significant losses, with Bona Film projecting a net loss of 1.477 to 1.261 billion yuan for 2025, attributed to underperforming films [10]. - Huayi Brothers is expected to report a net loss of 400 to 289 million yuan for 2025, raising concerns about potential delisting risks due to negative net assets [12]. - The industry is witnessing a trend towards more stable investment strategies, with a shift from high-risk blockbuster productions to collaborative projects [12].
慈文传媒:截至2月10日收盘,公司股票持有人总数为53806户
Zheng Quan Ri Bao· 2026-02-11 12:13
Group 1 - The core point of the article is that Ciweng Media reported the total number of its stockholders as of February 10, which stands at 53,806 households [2]
影视股集体走强,横店影视涨停,幸福蓝海涨超7%
Ge Long Hui· 2026-02-05 02:31
Group 1 - The A-share film industry stocks experienced a collective surge, with Hengdian Film reaching the daily limit, and other companies like Happiness Blue Sea, Light Media, Bona Film, and others also showing significant gains [1] - Seven films have been scheduled for release during the Spring Festival, with six of them set to premiere on the first day of the new year [1] Group 2 - Hengdian Film saw a price increase of 10.01%, with a total market capitalization of 20.1 billion and a year-to-date increase of 90.95% [2] - Happiness Blue Sea increased by 7.87%, with a market cap of 8.943 billion and a year-to-date increase of 15.44% [2] - Light Media rose by 6.43%, with a market cap of 59.7 billion and a year-to-date increase of 24.24% [2] - Bona Film increased by 4.34%, with a market cap of 13.6 billion and a year-to-date increase of 29.74% [2] - Other companies like Jinyi Film, Huazhi Digital Media, and Huayi Brothers also reported gains of over 3% [1][2]
A股公告精选 | 宁德时代(300750.SZ)回购近1600万股 总金额超43亿元





智通财经网· 2026-02-03 12:05
Buybacks and Shareholder Actions - Guizhou Moutai has repurchased a total of 416,900 shares, accounting for 0.0333% of its total share capital, with a total payment of 571 million yuan [1] - Contemporary Amperex Technology Co., Ltd. has repurchased 15,990,800 shares, representing 0.3628% of its total A-share capital, with a total transaction amount of 4.386 billion yuan [2] - SF Holding has repurchased 5,095,850 shares, which is 1.01% of its total share capital, with a total amount of approximately 2 billion yuan [10] - Wireless Media has seen its major shareholders reduce their stakes, with Wensheng Fund and its concerted parties reducing 4% of the total share capital [12] Corporate Actions and Financial Updates - Tai Ling Microelectronics announced that its second-largest shareholder, the National Integrated Circuit Industry Investment Fund, has reduced its stake from 6.95% to 5.97% by selling 2,321,300 shares [3] - Nape Mining has terminated its investment in Swiss Veritas Resources AG due to changes in delivery conditions, with no breach of contract [4] - Huangshan Tourism plans to invest approximately 530 million yuan in the construction of a hotel project, with a total building area of 79,178.15 square meters [8][9] - *ST Jinling's restructuring plan has been approved by the court, allowing the company to enter the execution phase of the plan [7] Performance and Sales - Country Garden reported a contract sales amount of approximately 2.21 billion yuan for January 2026, with a sales area of about 280,000 square meters [11] - Industrial Fulian has accumulated a total buyback fund of 247 million yuan as of January 31, 2026 [17] - Yutong Bus produced 2,167 vehicles in January 2026, a decrease of 15.35% year-on-year [17]
慈文传媒:截至1月30日公司股票持有人总数为42356户
Zheng Quan Ri Bao· 2026-02-02 11:40
Group 1 - The core point of the article is that Ciweng Media reported the total number of shareholders as of January 30, which stands at 42,356 [2]
“精品剧未必成为爆款,但爆款剧必定是精品”
Bei Jing Ri Bao Ke Hu Duan· 2026-02-02 10:47
Core Insights - The discussion at the "2025 Annual Evaluation List" event focused on how long dramas can continue to attract viewers amidst the popularity of short videos and how to break the "sequel curse" in the industry [1] Group 1: Long Drama Production Insights - The producer of "Silent Glory," Ma Zhongjun, highlighted the challenges faced during the show's development, particularly regarding the portrayal of Taiwan's historical struggles, which ultimately received support for its production [3] - The creative team of "Silent Glory" worked extensively to seek authorization from the descendants of historical figures, successfully portraying the heroism of underground workers without overly glorifying them [3] - The core message of "Silent Glory" emphasizes the unfulfilled wishes of martyrs for national unity and reunion, resonating with audiences and reflecting a shared sentiment for cross-strait unity [3] Group 2: Successful Themes in Recent Dramas - The rural-themed drama "Life of All Things" achieved both critical acclaim and popularity by focusing on the relationship between land and people, showcasing authentic rural life [5] - Director Liu Jiacheng emphasized the importance of creating quality content without following trends, stating that true masterpieces require sincere effort and dedication [6] - "Life of All Things" was adapted from a novel that won a literary award, demonstrating the value of strong literary foundations in enhancing the artistic quality of adaptations [6] Group 3: Innovations in Series Production - The producer of "Tang Dynasty Strange Stories," Wang Bing, discussed how the series maintains its appeal to young audiences by integrating profound explorations of human nature and incorporating national treasures into the storyline [9] - The series has successfully aired three seasons with 24 stories, thanks to actively listening to audience feedback, and the next season is set to return to a Three Kingdoms backdrop [9] - Zhang Ben, producer of "Cang Hai Chuan," noted that the success of long dramas lies in their ability to tell compelling stories, countering the notion that audiences prefer fast-paced content [11] Group 4: The Future of Long Dramas - The forum addressed the impact of short videos on audience attention spans, with Ma Zhongjun asserting that long and short dramas serve different viewing experiences and both have their value [14] - Liu Jiacheng mentioned that the rise of short videos encourages long drama creators to innovate storytelling techniques, emphasizing the need for engaging openings [14] - Zhang Ben highlighted that long dramas can provide deeper emotional and human expressions due to their length, which is an irreplaceable value in storytelling [14]