Company Overview - Founded in 1992, the company has been focused on the content industry for over 30 years and went public in 2010 [1] - Currently the leading domestic film and television production company, with a business ecosystem centered around TV dramas and movies, expanding into animation, music, talent management, copyright operations, international new media, integrated marketing, and cinema operations [1] - As of June 2023, the company's monetary funds and trading financial assets totaled 5 billion yuan [3] TV Drama Business - The TV drama industry has undergone significant changes: (1) healthier industry chain value with reduced talent costs and increased production costs, leading to improved content quality [3] (2) optimized industry chain value with downstream channels improving profitability through efficient content procurement [3] (3) industry demand shifting towards niche markets, with stable platform procurement volumes [3] - The company focuses on producing high-quality content, with 6 new pre-sales and a total of 15 pre-sales in the first half of the year [3] - IP value is shifting from first-round revenue to long-tail effects, providing opportunities for copyright operations, international distribution, and commercialization [3] Film Business - Entered the film business in 2013, focusing on content development and talent cultivation [3] - Currently collaborating with top mid-generation directors in China [3] - Plans to produce 1 major S-level film annually and participate in key seasonal projects [3] - The film "Misjudgment" is scheduled to start production in September 2023 [3] Copyright Operations - In 2022, the copyright business generated a net profit of 65.5951 million yuan, with 36.4186 million yuan in the first half of 2023 [4] - Established the "MetaVision" platform to digitize and internetize copyright content, exploring new commercial opportunities [4] - Acquired Senlian Film and Television for 485 million yuan, increasing the company's film and television copyright library from over 30,000 hours to more than 50,000 hours [4] International Business - Chinese content is gaining popularity in Southeast Asia, the Middle East, and South America, with increasing demand for remake rights [4] - The company's YouTube channel has over 17 million subscribers, with efforts to increase new media operational income [4] Technology and Innovation - Exploring virtual shooting technology, with a virtual shooting base established in Shanghai's Songjiang district [4] - Building a virtual asset library through 3D modeling, aiming to reduce production costs in the long term [4] - Established an AIGC Application Research Institute, focusing on improving production efficiency and content quality through AI tools [5] Investor Q&A - Virtual shooting can save costs, but the savings vary depending on the type of production [5] - AI in scriptwriting can shorten production cycles and increase efficiency, while also encouraging more original scripts [5] - The company plans to produce 1 S-level film annually, with the number of co-investments depending on profitability [6] - Revenue recognition standards vary depending on the distribution platform, with a time gap between cash flow and revenue recognition [6] - Virtual actors in TV dramas are still experimental, with cost and actor adaptability being key factors [6]

Financial Performance - The company reported a net profit of CNY 47,564,815.31 for the first half of 2023, with a significant contribution from government subsidies amounting to CNY 15,964,808.69[40]. - Total revenue for the reporting period was CNY 1,136,657,004.98, a decrease of 4.22% compared to the same period last year[49]. - Net profit attributable to shareholders was CNY 240,474,262.81, an increase of 0.23% year-on-year[49]. - Net cash flow from operating activities was CNY 189,063,497.22, reflecting a growth of 5.11% compared to the previous year[49]. - The company's operating revenue for the reporting period was approximately ¥1.14 billion, a decrease of 4.22% compared to the same period last year[100]. - The company's operating costs increased by 6.57% to approximately ¥818 million, primarily due to increased business promotion expenses[100]. - The company reported a significant increase in investment income of 76.04%, amounting to approximately ¥17.27 million, due to higher financial management returns[100]. - The gross profit margin for television drama production and distribution was 19.26%, reflecting a decrease of 7.17% compared to the previous year[101]. - The company reported a total of 1,226,544,319.32 CNY in goodwill at the end of the reporting period, unchanged from the previous period[195]. Strategic Development - The company has established a comprehensive industrial ecosystem focusing on television dramas and films, with strategic developments in animation, music, artist management, copyright operations, and international new media[42]. - The company emphasizes a long-term strategy of "content is king, industry-based, going global, and technology-driven" to enhance its market position[42]. - The company is actively exploring cross-industry collaborations to enhance content monetization and develop new business models, leveraging its content advantages[77]. - The company aims to strengthen its core business through strategic partnerships and acquisitions, focusing on creative resource aggregation and AI technology applications[80]. - The company is committed to global expansion and aims to lead the upgrade of the Chinese content industry in response to the growing trend of Chinese cultural exports[74]. Content Production and Innovation - The company plans to launch 8 new television projects in the second half of the year, with over 30 new works in development[57]. - The establishment of the AIGC Application Research Institute aims to drive technological advancements and innovation in the film and television industry[61]. - The company has developed a digital copyright management system and a digital asset platform, enabling stable revenue generation from technology copyright business through API connections with partners[63]. - AIGC technology has reached a rapid development stage, showcasing capabilities in digital content creation across various modalities, indicating significant potential in commercial applications[76]. - The company has integrated a technology digital growth center to improve production efficiency and quality through advanced data analysis and virtual filming technologies[116]. Risk Management - The company faces risks related to macroeconomic fluctuations, regulatory changes, market competition, and intellectual property disputes[16]. - The company has established a comprehensive risk management system, including an internal legal team and external legal counsel, to address potential litigation and arbitration risks[155]. - The company operates in the cultural and film industry, primarily relying on advertising and membership revenue, making it susceptible to macroeconomic fluctuations and industry cycles[143]. - The cultural and film industry faces strict regulatory policies, and any violations during content production could lead to significant financial losses and operational penalties[144]. - The risk of intellectual property disputes remains, as the company’s original works are vulnerable to piracy and copyright infringement despite improvements in legal protections[147]. Talent and Human Resources - The company attracted over 50 new talents from top universities and leading companies, enhancing its talent pool for creative and technological development[83]. - The number of students in the vocational education program under the major shareholder is expected to exceed 2,500 by the second half of 2023, providing long-term talent support for the industry[83]. - The company has initiated a youth talent program and international creative talent selection to strengthen its resource accumulation capabilities[83]. Financial Position and Assets - The company’s total assets decreased by 3.08% to CNY 9,301,164,995.73 compared to the end of the previous year[49]. - Cash and cash equivalents at the end of the reporting period amounted to ¥3,128,305,739.02, representing 33.63% of total assets, an increase of 6.10% from the previous year[124]. - Accounts receivable decreased to ¥680,053,787.58, accounting for 7.31% of total assets, down by 3.95% year-on-year due to improved collection[124]. - Inventory decreased to ¥1,490,642,200.81, representing 16.03% of total assets, a reduction of 3.78% compared to the previous year[124]. - The company’s total liabilities increased, with short-term borrowings being a significant contributor to the overall increase in financial leverage[124]. Dividend and Shareholder Information - The company plans not to distribute cash dividends or issue bonus shares for the reporting period[17]. - The employee stock ownership plan has seen 5,388,800 shares sold, representing 0.29% of the company's total equity[173]. - The company has not reported any cash dividends or profit distributions during the reporting period[182].

关于股东股份质押的公告 公司控股股东杭州大策投资有限公司保证向本公司提供的信息内容真实、准 确、完整，没有虚假记载、误导性陈述或者重大遗漏。 本公司及董事会全体成员保证公告内容与信息披露义务人提供的信息一致。 浙江华策影视股份有限公司（以下简称"公司"）近日收到公司控股股东杭州 大策投资有限公司（以下简称"大策投资"）的通知，大策投资将其持有本公司 部分股份进行了质押。具体事项如下： 二、股东股份累计被质押的情况 截至公告披露之日，上述股东及其一致行动人所持质押股份情况如下： | | | | | | | | 已质押股份情况 | | 未质押股份情况 | | | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | | | 持股数 | 持股比 | 本次质押 | 本次质押 | 占其所 | 占公司 | 已质押 | 占已质 | 未质押 | 占未质 | | 股东名 | | | 前质押股 | 后质押股 | 持股份 | 总股本 | 股份限 | | 股份限 | | | | 量 | 例 | | | | | | 押股份 | | 押股份 | | 称 | | ...

Financial Performance - The company's operating revenue for 2022 was ¥2,474,961,700.54, a decrease of 34.99% compared to ¥3,806,933,413.24 in 2021[22] - The net profit attributable to shareholders was ¥402,703,933.35, showing a slight increase of 0.58% from ¥400,394,377.75 in the previous year[22] - The net profit after deducting non-recurring gains and losses was ¥301,260,585.34, which represents a 19.88% increase from ¥251,310,356.65 in 2021[22] - The cash flow from operating activities was ¥289,589,378.50, a significant decrease of 79.44% compared to ¥1,408,817,194.67 in 2021[22] - The total assets at the end of 2022 amounted to ¥9,596,307,142.29, an increase of 9.68% from ¥8,749,522,568.00 at the end of 2021[22] - The net assets attributable to shareholders increased by 3.46% to ¥6,866,039,941.41 from ¥6,636,419,960.89 in 2021[22] - The basic earnings per share for 2022 was ¥0.21, a decrease of 4.55% from ¥0.22 in 2021[22] - The weighted average return on equity was 6.00%, down from 6.44% in the previous year[22] Revenue Breakdown - The company's revenue from the film and television industry reached ¥2,484,552,861.52, accounting for 49.34% of total revenue, with a year-on-year decrease of 32.82%[35] - The revenue from television series sales was ¥1,874,145,719.20, representing a 40.90% decrease year-on-year[35] - The cinema box office revenue was ¥22,020,475.36, reflecting a 38.65% decline compared to the previous year[35] - The overseas revenue was ¥147,591,287.95, with a year-on-year increase of 3.09%[35] - The total revenue for 2022 was approximately ¥2.47 billion, a decrease of 34.99% compared to ¥3.81 billion in 2021[67] - Main business revenue accounted for ¥2.46 billion, representing 99.58% of total revenue, down 35.02% from ¥3.79 billion in the previous year[107] - Revenue from TV series sales was ¥1.87 billion, making up 75.72% of total revenue, a decline of 40.90% from ¥3.17 billion in 2021[107] Profitability and Margins - The gross profit margin for the film and television industry was 32.07%, down by 9.60% compared to the same period last year[35] - The gross profit margin for the advertising segment was 29.84%, down by 33.31% year-on-year[35] - The gross margin for television and film sales increased by 8.33% and 8.36% respectively, driven by high-quality content and effective cost control measures[67] Content Strategy and Production - The company plans to enhance its content strategy and focus on high-quality productions to adapt to market changes[49] - The company launched 10 new television series with a total of 331 episodes in 2022, and the production cycle from revenue recognition to airing has been significantly shortened[68] - The film "The Journey Home" generated a box office revenue of 1.593 billion yuan, becoming the champion of the National Day box office[71] - The company owns 574 IPs, including 33 films and 248 television series, with a total copyright duration of approximately 30,000 hours[72] - The company has achieved a significant scale in content production, with a focus on IP development and full network penetration to meet user demands in the internet era[85] - The company has a robust pipeline of upcoming series, including "Please Love Me Like This" and "Our Translator," with a total of 40 and 36 episodes planned respectively[100] - The company plans to produce a total of 40 episodes for the series "Please Love Me Like This" and "Where the Wind Blows" in Q1 2022, indicating a strong content pipeline[88] Innovation and Technology - R&D personnel increased by 32% and R&D expenses rose by 40.89%, indicating a significant enhancement in the company's innovation capabilities[75] - The company is exploring new business models and innovative formats to complement traditional long-form video content[50] - The company is actively integrating AIGC technology into its content creation and production processes to improve efficiency and innovation[105] - The company is fully embracing AI technology to find value growth points, focusing on "text + AI" applications to shorten project development cycles[188] - The company has launched a technology digital growth center to enhance product innovation and improve production efficiency through advanced data analysis and virtual filming technologies[84] Risk Management and Governance - The company faces risks including macroeconomic fluctuations, regulatory changes, and market competition, which may impact future performance[3] - The company acknowledges risks from macroeconomic fluctuations and industry cycles, which could impact market demand for its content[191] - The company is committed to improving governance structures and ensuring compliance with relevant laws and regulations, enhancing operational transparency[198] - The company has established a risk prevention system for its financial investments, although it remains exposed to potential market fluctuations[191] Talent and Organizational Structure - In 2022, the company completed a board and management restructuring, integrating younger, more professional, and international talent into the core team to enhance organizational efficiency[80] - The company has a robust talent system and has implemented a partnership system, career development framework, and long-term incentive mechanisms to attract and retain top creative talent[79] - The company is focusing on optimizing talent structure by attracting professionals with expertise in both technology and cultural film and television[199] - The company will implement a "striver-oriented" organizational culture and incentive mechanism to enhance performance and talent development[183] Investment and Financial Management - The total investment amount for the reporting period was CNY 2,460,000,000, representing a 207.50% increase compared to CNY 800,000,000 in the same period last year[155] - The company made a new equity investment of CNY 300,000,000 in Hangzhou Cebo Equity Investment Partnership, acquiring a 47.62% stake[155] - The company also increased its investment in New Mang (Zhuhai) Equity Investment Fund by CNY 20,000,000, holding a 7.38% stake[155] - The company plans to use surplus funds of CNY 2,887,700 permanently to supplement working capital for daily operations[161] - The company plans to permanently supplement working capital with a surplus of RMB 2.8875 million from fundraising projects that have reached their intended use status[168] Future Outlook - The company plans to launch several new projects in the second half of 2023, including "I Know My Mom" and "My First Brother" among others[114] - In 2023, the company will focus on creative content, supporting talented producers, and optimizing project management for sustainable development[181] - The company aims to lead the globalization trend in the Chinese content industry, capitalizing on the growing demand for Chinese content overseas[87] - The company is exploring diversified monetization strategies, including cross-industry collaborations and new business models[103]

证券代码：300133 证券简称：华策影视 | --- | --- | --- | |------------|---------------------------|-------------| | | √特定对象调研 □分析师会议 | | | | □媒体采访 | □业绩说明会 | | 投资者关系 | □新闻发布会 □路演活动 | | | 活动类别 | □现场参观 | | □其他 序号 参会者姓名 机构名称 1 沈敏迪 招商证券 2 刘玉洁 招商证券 参与单位名 3 李海 白犀投资 称及人员姓 名 4 解骄阳 中国人保资产管理有限公司 5 朱登科 上海亘曦私募基金管理有限公司 6 张立烽 同巨投资 时间 2023 年 5 月 9 日 地点 公司会议室 上市公司 董事会秘书：张思拓 接待人员 证券事务代表：毛婷婷 一、介绍公司经营发展情况 投资者关系 2022 年，面对国内外经济环境复杂多变，影响影视剧项目开发进度的不 活动主要内 确定因素给剧集开发、拍摄、后期制作等带来冲击，项目进度延后。面对挑 容介绍 战，公司坚持聚焦头部作品、创新客户价值、优化项目成本, 强化系列 IP 开 发和运营，大力拓展科技版权运 ...

证券代码：300133 证券简称：华策影视 浙江华策影视股份有限公司投资者关系活动记录表 编号：2023-001 | | □特定对象调研 □分析师会议 | | --- | --- | | | □媒体采访 √业绩说明会 | | 投资者关系 | □新闻发布会 □路演活动 | | 活动类别 | □现场参观 | | | □其他 | | 参与单位名称 | 通过同花顺路演平台参与 2022 年度网上业绩说明会的投资者 | | 及人员姓名 | | | 时间 | 2023 年 5 月 5 日 15:00-16:30 | | 地点 | 网络平台 | | 上市公司 | 公司董事长赵依芳女士，独立董事杜烈康先生，总裁傅斌星女士，财务总 | | 接待人员 | 监陈敬先生，董事会秘书张思拓先生，保荐代表人裘捷先生。 | | | 主持人发言： | | | 浙江华策影视股份有限公司（简称：华策影视），为了让投资者更好 | | | 的了解公司经营业绩情况，董事长赵依芳，独立董事杜烈康，总裁傅斌星， | | | 财务总监陈敬，董事会秘书张思拓，保荐代表人裘捷将于 2023 年 05 月 05 | | | 日（星期五） 15:00-16:30 ...

Financial Performance - The company reported a net profit of 66,785,184.05 CNY for the year 2022, a decrease of approximately 6.5% compared to 71,696,738.68 CNY in 2021[33]. - The company's operating revenue for 2022 was ¥2,474,961,700.54, a decrease of 34.99% compared to ¥3,806,933,413.24 in 2021[39]. - The net profit attributable to shareholders for 2022 was ¥402,703,933.35, showing a slight increase of 0.58% from ¥400,394,377.75 in 2021[39]. - The net profit attributable to shareholders after deducting non-recurring gains and losses increased by 19.88% to ¥301,260,585.34 from ¥251,310,356.65 in 2021[39]. - The net cash flow from operating activities significantly decreased by 79.44% to ¥289,589,378.50 from ¥1,408,817,194.67 in 2021[39]. - The total assets at the end of 2022 were ¥9,596,307,142.29, an increase of 9.68% from ¥8,749,522,568.00 at the end of 2021[39]. - The company's weighted average return on equity for 2022 was 6.00%, down from 6.44% in 2021[39]. - The total revenue for 2022 was approximately ¥2.47 billion, a decrease of 34.99% compared to ¥3.81 billion in 2021[87]. - Main business revenue accounted for ¥2.46 billion, representing 99.58% of total revenue, down 35.02% from ¥3.79 billion in 2021[87]. - The revenue from TV series sales was ¥1.87 billion, which constituted 75.72% of total revenue, reflecting a 40.90% decline from ¥3.17 billion in 2021[87]. Investment and Dividends - The company plans to distribute a cash dividend of 0.22 CNY per 10 shares, based on a total share base of 1,870,516,701 shares[19]. - The company plans to establish a film industry investment fund with a total scale of 500 million RMB, contributing 395 million RMB as a limited partner[162]. Risks and Challenges - The company faces risks including macroeconomic fluctuations, regulatory changes, and market competition, which could impact future performance[4]. - The company is focusing on expanding its market presence and diversifying its content offerings to mitigate risks associated with its business model[4]. Operational Developments - The company achieved a significant increase in investment income from entrusted asset management, rising to 26,899,901.91 CNY in 2022 from 7,247,577.97 CNY in 2021, marking an increase of approximately 271%[33]. - The company recorded a loss of 428,827.74 CNY from non-current asset disposal in 2022, compared to a gain of 508,095.69 CNY in 2021[33]. - The company launched two animated films and two animated series in 2022, continuing to strengthen partnerships with leading global animation companies[55]. - The company produced 10 premiere dramas totaling 331 episodes during the year, with 5 new productions starting, totaling 196 episodes[72]. - The company maintained the highest annual production capacity in the TV series industry, with a focus on high-quality content output[101]. Technological Advancements - The company is actively pursuing new product development and technological advancements to enhance its competitive edge in the media industry[4]. - The company is focusing on technological advancements in AR/VR to enhance content production and drive innovation[85]. - AIGC technology is being applied across the entire film production chain to enhance product innovation and production efficiency[116]. - The technology and digital growth center was upgraded to a primary department to drive product innovation and improve production efficiency[100]. International Expansion - The company expanded its international business, achieving over 4 million USD in revenue from content distribution on platforms like YouTube, with over 15 million followers[74]. - The company is actively pursuing global expansion, aligning with the trend of Chinese content going overseas[104]. - The company is expanding its international collaboration, including partnerships with major media groups like Netflix and Disney[84]. Governance and Compliance - The company has appointed Tianjian Accounting Firm for auditing, ensuring compliance and accuracy in financial reporting[35]. - The company is under continuous supervision by Huatai United Securities, which will last until December 31, 2023, to ensure adherence to regulatory standards[38]. - The Audit Committee approved the 2022 semi-annual report and the special report on the use of raised funds, indicating a thorough review process[135]. - The company's internal control self-evaluation report was reviewed, ensuring compliance with regulatory requirements[146]. - The company has not implemented any stock incentive plans during the reporting period, maintaining a focus on other employee incentive measures[141]. Sustainability and Social Responsibility - The company has not been classified as a key pollutant discharge unit by environmental protection authorities, indicating a commitment to sustainability[148]. - The company is committed to enhancing its employee training system, promoting a culture centered on customer focus and teamwork[139]. Shareholder and Stakeholder Relations - The company completed a share repurchase plan, acquiring a total of 14,814,000 shares, which represents 0.78% of the total share capital, at a total cost of 80,014,456 RMB[186]. - The company has fulfilled its commitment regarding the lock-up period for shares, which is effective for 36 months from the date of listing[151]. - The controlling shareholder is Hangzhou Dace Investment Co., Ltd., primarily engaged in film and television cultural park operations and film education investment[196].

Financial Performance - The company's operating revenue for Q1 2023 reached ¥964,289,990.83, representing a 104.83% increase compared to ¥470,777,779.28 in the same period last year[6] - Net profit attributable to shareholders was ¥146,976,784.69, up 28.95% from ¥113,976,865.13 year-on-year[6] - The basic earnings per share rose to ¥0.08, reflecting a 33.33% increase from ¥0.06 in the same quarter last year[6] - The total comprehensive income for the period was 136,180,663.57, compared to 83,705,064.54 in the previous year, representing an increase of about 62.8%[57] - The total revenue for the first quarter of 2023 was 194,414,119.40, an increase from 151,075,067.42 in the same period last year, representing a growth of approximately 28.7%[55] Cash Flow - The net cash flow from operating activities was ¥170,973,649.56, a significant increase of 1,007.65% compared to -¥18,836,913.57 in the previous year[9] - Operating cash inflow totaled CNY 585,032,429.91, a decrease from CNY 661,507,540.25 in the previous period[36] - The company's total cash outflow for operating activities was CNY 414,058,780.35, significantly lower than CNY 680,344,453.82 in the previous period[36] - Cash flow from investment activities showed a net outflow of CNY 366,400,283.82, slightly improved from a net outflow of CNY 381,169,983.86[36] - Cash flow from financing activities resulted in a net inflow of CNY 79,273,487.22, down from CNY 227,775,918.64 in the previous period[36] Assets and Liabilities - The company's total assets decreased by 1.87% to ¥9,416,918,063.39 from ¥9,596,307,142.29 at the end of the previous year[6] - The total liabilities amounted to 2,359,805,559.82, down from 2,601,020,357.75, which is a reduction of about 9.3%[53] - The total non-current assets amounted to RMB 1,713,954,532.23, down from RMB 1,753,872,877.71, reflecting a decrease of about 2.3%[30] - The company's cash and cash equivalents increased to RMB 2,725,906,866.43 from RMB 2,642,037,695.35, reflecting a growth of approximately 3.2%[30] - The accounts receivable decreased to RMB 1,027,133,242.36 from RMB 1,080,154,771.83, indicating a reduction of about 4.9%[30] Expenses - Research and development expenses increased by 50.18% to ¥4,251,558.75, attributed to higher personnel costs related to R&D[8] - The company reported a 196.65% increase in operating costs, totaling ¥742,108,835.82, driven by the growth in TV series sales[8] Shareholder Information - The total number of shareholders is not specified, but the top ten shareholders hold significant stakes, with the largest shareholder holding 325,481,020 shares[23] - The company plans to repurchase shares using RMB 80 million to RMB 120 million within 12 months at a price not exceeding RMB 7.00 per share[26] - The company repurchased a total of 14,814,000 shares, accounting for 0.78% of the total share capital, at a total cost of CNY 80,014,456[48] - The company’s employee stock ownership plan sold 5,388,800 shares, representing 0.2881% of the total share capital[49] Other Financial Metrics - The weighted average return on equity improved to 2.14%, up from 1.71% in the previous year[6] - The deferred income tax liabilities rose to 15,879,483.27 from 2,078,424.19, reflecting a significant increase of approximately 664%[53] - The total equity attributable to the parent company increased to 6,922,331,173.63 from 6,866,039,941.41, which is an increase of about 0.8%[53] - The inventory decreased significantly to RMB 1,352,015,529.00 from RMB 1,901,348,449.65, representing a decline of approximately 28.9%[30] - The short-term borrowings increased to RMB 715,421,055.56 from RMB 550,910,680.56, showing an increase of about 29.9%[30]

证券代码：300133 证券简称：华策影视 公告编号：2023-040 一、网上业绩说明会的安排 会议时间：2023 年 5 月 5 日（星期五）15:00-16:30 交流网址：同花顺网上路演互动平台 https://board.10jqka.com.cn/ir 浙江华策影视股份有限公司 关于举办 2022 年度网上业绩说明会的通知 本公司及董事会全体成员保证信息披露的内容真实、准确、完整，没有虚假 记载、误导性陈述或重大遗漏。 浙江华策影视股份有限公司（以下简称 "公司"）2022 年度报告于 2023 年 4 月 26 日披露，为了让广大投资者能进一步了解公司 2022 年度报告和经营情况， 公司将于 2023 年 5 月 5 日（星期五）下午 15:00 - 16:30 在同花顺网上路演互动 平台举办 2022 年度网上业绩说明会，本次年度业绩说明会将采用网络远程方式 举行。具体安排如下： 出席本次年度业绩说明会的人员有：公司董事长赵依芳女士，独立董事杜烈 康先生，总裁傅斌星女士，财务总监陈敬先生，董事会秘书张思拓先生，保荐代 表人裘捷先生。 二、征集问题事项 为充分尊重投资者、提升交流的针对性，现就 ...