Core Viewpoint - The ancient Shu civilization is significantly boosting the cultural and tourism economy in Sichuan, with key archaeological sites like Baodun, Sanxingdui, and Jinsha driving visitor traffic and cultural product sales to new heights [1][2]. Group 1: Economic Impact - The Baodun National Archaeological Site Park opened in September 2023, attracting numerous visitors [2]. - As of October 24, 2023, the Sanxingdui Museum received a total of 5.11 million visitors, with cultural product sales reaching 150 million yuan from January to September [2]. - The Jinsha Museum welcomed over 1.4 million visitors by October 22, 2023, and its cultural product sales exceeded 35 million yuan from 2021 to 2024 [2]. Group 2: Technological Integration - The application of VR and AR technologies in museums enhances visitor engagement, allowing for a more immersive experience of ancient Shu civilization [2][5]. - The Sanxingdui Museum launched the "Heaven and Earth Echo—Sanxingdui Panoramic Sound and Picture Digital Art Theater," which offers an interactive experience through advanced digital technology [2]. Group 3: Government Support and Policy - The development of Sichuan's cultural and tourism economy is supported by government policies emphasizing the protection and utilization of cultural heritage [4]. - The Sichuan Provincial Committee's decision to promote the deep integration of culture and tourism highlights the importance of cultural heritage in tourism development [4]. Group 4: Cross-Industry Collaboration - The integration of ancient Shu civilization with gaming and film industries expands the cultural economy's reach, with products like educational books, documentaries, and games being developed [4][6]. - Collaborations, such as the partnership between the game "Honor of Kings" and the Sanxingdui Museum, have garnered significant attention and positive feedback from players [6]. Group 5: Future Prospects - The ongoing archaeological research and innovative expression forms related to ancient Shu civilization are expected to provide further growth opportunities for Sichuan's cultural economy [6].

Core Insights - The article emphasizes the significance of cultural heritage protection in China during the "14th Five-Year Plan" period, highlighting the clarity of the nation's cultural assets and the ongoing exploration of Chinese civilization through artifacts [1]. Group 1: Archaeological Discoveries - Recent archaeological findings at the Liangzhu Ancient City site demonstrate that the Liangzhu people were capable of constructing "anti-seepage walls," showcasing advanced engineering techniques similar to modern practices [2]. - The Liangzhu water conservancy system is recognized as the earliest large-scale water conservancy project in China and one of the oldest dam systems in the world, forming a comprehensive "water city" network that managed floods and facilitated transportation of essential goods [2][3]. Group 2: Cultural Heritage and International Recognition - The Sanxingdui and Jinsha sites, significant to ancient Shu civilization, are set to jointly apply for UNESCO World Heritage status, with the Jinsha site housing numerous valuable artifacts, including the renowned Sun Bird gold ornament [4]. - The Jinsha site museum has actively promoted cultural exchange by hosting exhibitions in 31 cities across 17 countries and regions, enhancing the global visibility of ancient Shu civilization [5]. Group 3: Inventory of Cultural Resources - During the "14th Five-Year Plan" period, China has achieved a comprehensive understanding of its cultural heritage resources, with statistics indicating 767,000 immovable cultural relics and over 108 million movable cultural relics, alongside more than 100,000 intangible cultural heritage projects [6]. - The "Archaeology China" initiative has advanced 21 major projects and implemented over 7,700 archaeological excavation projects, deepening the understanding of human, cultural, and civilizational history [6].

以"月从蜀道升，人向镜中圆"为主题 主舞台坐落于德阳玄珠湖畔 晚会内容融入多项四川地方文化精华 以及火锅、干锅等特色美食 古蜀文明标志三星堆、"重装之都"的工业底蕴等 将在节目中呈现 晚会中，设置了硬核工业风场景，搭配青春活力的歌曲，形成视觉与情感上的强烈对比。"德阳 是'东汽精神'的发源地，工业文化底蕴深厚。通过这种艺术对比，我们不仅展现工业的力量感，更希望 展现精神的传承。"杨启舫说。 "今年秋晚可用八个字形容：川味十足，'阳'气满满。"杨启舫介绍，在篇章设计、节目编排上融入 了鲜明的四川风情与德阳特色。晚会分三大篇章："山月满""是吾乡""一轮秋"，均以古典诗词为灵感。 主持形式也有变化，特邀德阳中江籍主持人谢娜加入，主持人阵容由传统的4人增至5人。外拍环节 将延伸至文庙、绵远河、文德湖广场等德阳地标。谢娜以"家乡人"视角，带领观众深入城市街巷。 火锅、三星堆等四川元素多 4年前，杨启舫曾在凉山西昌为2021年中央广播电视总台中秋晚会撰稿；今年，他再次以总撰稿身 份来到德阳。 谈及两届晚会的不同气质，杨启舫做了个形象比喻："西昌那场晚会像是五仁月饼，德阳这场晚会 是麻辣月饼。"他进一步解释，西昌秋晚突出 ...

祭祀坑年代确定为商代晚期 有何意义？ 四川省文物考古研究院发布了三星堆遗址多学科研究最新成果。三星堆祭祀坑埋藏年代是否确定？三星堆青铜器铸造有何独特的技术？三星堆出土的金器制 作技术、铜器彩绘工艺有哪些新发现？ 三星堆祭祀坑的年代问题一直是学界和社会公众关注的焦点。此次研究通过碳十四年代测定等技术，明确祭祀坑埋藏年代为商代晚期，这有什么重要意义 呢？ 通过碳十四年代测定，三号、四号、六号、八号祭祀坑埋藏年代有95.4%的概率处于公元前1201年至公元前1012年，相当于商代晚期。 四川大学文科讲席教授 李水城：北京大学做了一个非常精确标本精选，从坑里边儿挑拣成的木炭，专门挑竹子的，测的年代就更加精确，为什么？因为竹 子的生长年代短，从这个角度来讲，新的测年就是把它定在了公元前的1100年，也是距今3100年，往前拉一点（距今）3200年。 四川省文物考古研究院三星堆遗址工作站站长 冉宏林：准确获取了祭祀坑的精确年代，这是一个填补空白的重要发现。祭祀坑年代的确定，对我们去进一 步认识古蜀文明它的一个演进和华夏化的进程也是非常关键的。 一、二、三、四、七、八号坑中发现的跨坑拼对器物，对确定祭祀坑的年代关系和性质十 ...

Core Insights - The latest research from the Sichuan Provincial Institute of Cultural Relics and Archaeology reveals that the Sanxingdui site contains a significant number of painted bronze artifacts, pushing back the timeline for the emergence of painted bronze in China by nearly a thousand years [1][2] Group 1: Research Findings - The Sanxingdui bronze artifacts, created around three thousand years ago, were made from a copper, tin, and lead alloy, showcasing high creativity and imagination in their design [2] - The research indicates that the colors found on these artifacts include black and red, with black often used for facial features and symbols, while red appears on floral designs and intricate patterns on vessels and clothing [2][4] - The discovery of these painted bronze artifacts challenges the previous belief that painted bronze was primarily seen during the Warring States and Qin-Han periods, highlighting the advanced craftsmanship and natural materials used in Sanxingdui [2][4] Group 2: Cultural Significance - The colorful designs of Sanxingdui artifacts reflect the high level of artistic skill of ancient craftsmen, filling a gap in the understanding of painting art during the bronze age in China [4] - The combination of black and red colors in ancient China symbolized nobility and was seen as an auspicious sign for national peace and stability, further emphasizing the cultural richness of the Sanxingdui site [4]

Core Insights - The latest multidisciplinary research results from the Sanxingdui site have been released by the Sichuan Provincial Institute of Cultural Relics and Archaeology, focusing on the dating of sacrificial pits, unique bronze casting techniques, and new findings in gold and copper artifacts [1][3]. Group 1: Dating of Sacrificial Pits - The dating of the sacrificial pits has been confirmed to the late Shang Dynasty, with a 95.4% probability that pits No. 3, 4, 6, and 8 date between 1201 BC and 1012 BC [5][9]. - The precise dating is significant for understanding the evolution of ancient Shu civilization and its integration into the broader Chinese cultural context [9][3]. - The research utilized carbon-14 dating, with a focus on bamboo charcoal for more accurate results, pinpointing the date to around 1100 BC, approximately 3100 years ago [7][5]. Group 2: Bronze Casting Techniques - The "core-bone and strip core support" technique has been identified as a significant innovation in large bronze casting, marking its first systematic confirmation in domestic archaeological contexts [13][11]. - This technique is compared to the traditional model method used in ancient Chinese bronze casting, showcasing unique local adaptations that contributed to a distinctive bronze culture [15][11]. - The research indicates that the bronze artifacts from Sanxingdui were created using a combination of casting methods, including split casting, which reflects a sophisticated technological system [13][15]. Group 3: Gold and Copper Artifacts - The research confirms that the painted bronze artifacts from Sanxingdui are among the earliest known lacquered copper wares in China, establishing a cultural link between the Sanxingdui and Jinsha sites [19][17]. - Analysis of the gold artifacts indicates that over 2 kilograms of gold were used, employing advanced refining techniques [19][17]. - The findings suggest that the ancient Shu people had developed intensive wetland rice agriculture and standardized pottery production by the late Shang Dynasty, indicating a prosperous society [19][17]. Group 4: Historical Context and Cultural Evolution - The Sanxingdui site represents a long-lasting and extensive archaeological site, encompassing multiple cultural phases, including Baodun, Sanxingdui, and Shierqiao cultures, with significant developmental relationships among them [22][23]. - The Baodun culture period saw the construction of city walls due to resource competition, leading to a landscape of competing settlements [22][23]. - The transition of Sanxingdui from a central state capital to a regular city involved conflicts over capital status, resulting in significant changes to the urban structure and religious practices [23][22].

Core Insights - The latest research from the Sichuan Provincial Institute of Cultural Relics and Archaeology reveals significant findings regarding the Sanxingdui site, including the dating of sacrificial pits and advancements in bronze and gold artifact production techniques [1][3][18]. Group 1: Dating of Sacrificial Pits - The dating of the sacrificial pits has been confirmed to the late Shang Dynasty, with a 95.4% probability that the burial dates range from 1201 BC to 1012 BC [5][10]. - The use of carbon-14 dating, particularly from selected bamboo charcoal, has provided a more precise dating, pinpointing it to around 1100 BC, approximately 3100 years ago [7][10]. - The discovery of cross-pit matching artifacts is crucial for understanding the chronological relationship and nature of the sacrificial pits, confirming they were buried during the same period [9]. Group 2: Bronze Casting Techniques - The "core-bone strip support" technique has been identified as a significant innovation in bronze casting, marking a unique aspect of Sanxingdui's craftsmanship [11][13]. - This technique allows for the creation of complex and large bronze artifacts, showcasing a distinct approach compared to the traditional mold casting methods used in other regions during the same period [15]. - The research indicates that the bronze artifacts from Sanxingdui represent a sophisticated casting technology that integrates multiple methods, including core casting and forging [13]. Group 3: Gold and Painted Bronze Artifacts - The research confirms that the painted bronze artifacts from Sanxingdui are among the earliest known lacquered copper wares in China, utilizing cinnabar and lacquer, establishing a cultural link between Sanxingdui and the Jinsha site [20]. - Analysis of the gold artifacts indicates that over 2 kilograms of gold were used, employing advanced techniques such as the "cupellation" method for purifying gold [20]. - The findings suggest that as early as the late Shang Dynasty, the ancient Shu people had developed intensive wetland rice agriculture and standardized pottery production, reflecting a prosperous society [20]. Group 4: Historical Context and Cultural Significance - The Sanxingdui site represents a long-lasting and extensive archaeological site, encompassing multiple cultural phases, including Baodun, Sanxingdui, and Shierqiao cultures, with significant developmental relationships among them [23]. - The site experienced internal conflicts that led to the decline of its status as a central city, with evidence of warfare impacting its religious and social structures [24]. - The research highlights the interconnectedness of ancient Shu civilization with the Central Plains, emphasizing its role as a vital component of the diverse and unified Chinese civilization [17].

宝墩古城距今约4500年，面积约276万平方米，是我国长江上游地区时代最早、面积最大的史前城 址，被誉为"古蜀文明之源，长江上游文明之光"。从距今4500年左右至秦并巴蜀，成都平原经历了从宝 墩文化到三星堆文化、金沙文化（十二桥文化）、古蜀大型船棺遗存的考古学文化发展脉络，清晰展现 了古蜀文明的演进轨迹，为中华文明起源研究提供了关键例证。这些重大遗址的发现，证明了成都是古 蜀地区的古代文明中心，古蜀文明是中华文明多元一体结构中的重要组成部分，是夏商时代长江流域青 铜文明和城市文明的卓越代表，在中华文明史上占有十分突出的地位。 9月26日，宝墩国家考古遗址公园正式开园。作为古蜀文明、中华文明重要标识的宝墩遗址，从考 古发掘走向全民共享。 今年6月，宝墩古城考古遗址公园入选国家文物局"新一批国家考古遗址公园"，成为继三星堆、金 沙、邛窑后，四川第4家获此殊荣的遗址公园。 作为宝墩遗址的守护地，新津已累计投入超5亿元用于遗址公园规划建设，持续推进宝墩遗址保护 传承、研究利用、展示推广、活化转化，加快与三星堆、金沙共同构建"考古研究、文物保护、文旅融 合"协同发展新格局。（记者 吴晓铃） ...

Core Insights - The Sanxingdui Museum's new building showcases unique artifacts from ancient Shu civilization, attracting a significant number of visitors and enhancing cultural appreciation [1][2][3] Group 1: Museum Features - The new museum features a large collection of bronze and jade artifacts, highlighting the exquisite craftsmanship of ancient Shu civilization [2] - A notable exhibit is the 1.5-meter tall bronze tree, which showcases intricate design and craftsmanship, drawing considerable attention from visitors [1] - The architectural design of the new museum incorporates elements of Sanxingdui culture, creating a seamless connection with the old museum [2] Group 2: Visitor Experience - Visitors engage with the exhibits through interactive experiences, such as "wearing" the gold mask for photos, enhancing their connection to the artifacts [1] - The museum includes a large circular chandelier inspired by the motifs found in Sanxingdui artifacts, adding a mysterious ambiance to the space [2] - A rotating ramp in the new museum has been retained from the old museum, providing a sense of familiarity for returning visitors [2] Group 3: Cultural and Economic Impact - The museum is projected to receive nearly 6 million visitors in 2024, indicating its growing popularity [3] - The annual sales of Sanxingdui cultural products are estimated to reach approximately 200 million yuan, reflecting the commercial success of the museum's offerings [3] - The integration of ancient cultural elements into modern products enhances cultural dissemination and practical value [3]

Group 1: Core Attractions of Sichuan - Sichuan is highlighted as a top travel destination in China, known for its stunning natural landscapes such as Jiuzhaigou, Emei Mountain, and the Leshan Giant Buddha [1][2] - Jiuzhaigou is described as a paradise with clear lakes and vibrant colors, while Emei Mountain offers breathtaking views from its summit [1] - The Leshan Giant Buddha is noted as the world's largest stone-carved sitting Buddha, showcasing the region's rich cultural heritage [1] Group 2: Cultural and Historical Significance - Sichuan boasts a deep cultural history, with sites like the Sanxingdui archaeological site revealing ancient artifacts that reflect the mysterious Shu civilization [2] - The Wuhou Shrine is mentioned as a historical site that commemorates the Three Kingdoms period, allowing visitors to connect with the past [2] Group 3: Travel Experience and Cost - A four-day itinerary in Sichuan is presented, emphasizing the affordability of the trip, with average costs ranging from 1000 to 1500 yuan per person [3] - The itinerary includes visits to various attractions, showcasing the diverse experiences available in the region [6][7][8][9] Group 4: Local Cuisine - Sichuan cuisine is renowned for its bold flavors, with recommendations for dishes such as hot pot, skewers, and traditional noodles [16][17] - The unique taste profiles of these dishes, including spicy and numbing flavors, are highlighted as a significant aspect of the culinary experience in Sichuan [16][17]