Core Viewpoint - The article discusses the rise and challenges of the "all-female economy" in China, highlighting its initial popularity driven by feminist discussions and the subsequent wave of business closures that reveal underlying issues in this business model [3][4]. Group 1: Rise of the "All-Female Economy" - The "all-female economy" gained rapid popularity, particularly in major cities, as it aligns with the growing feminist discourse [6][8]. - Popular services in the "all-female" sector include traditional businesses, event spaces, and entertainment, accounting for 40%, 18%, and 16.4% respectively [7]. - The "all-female economy" can be categorized into two main types: creating exclusive spaces for women and providing female-centric services [8][19]. Group 2: Business Models and Consumer Experience - "All-female" gyms offer a private environment, addressing women's concerns about being judged or harassed in mixed-gender gyms [9][12]. - "All-female" bars aim to create a safe space for women, focusing on female-centric activities and community building [13][15]. - The emergence of "all-female" accommodations and bookstores caters to the increasing number of solo female travelers, providing safety and a supportive atmosphere [16][19]. Group 3: Commercial Viability and Criticism - As of May 2025, the "all-female" term has garnered over 16.91 million views on social media, indicating a significant flow of interest in feminist topics [26]. - Despite the initial success, many businesses labeled as "all-female" face criticism for failing to deliver genuine female-friendly services, leading to a perception of "hanging a sheep's head while selling dog meat" [29][30]. - Issues such as inadequate facilities, male staff presence, and high prices have led to dissatisfaction among female customers, questioning the authenticity of the "all-female" experience [31][32][35]. Group 4: Sustainability and Future Outlook - The closure of a female-focused bookstore after only 198 days highlights the challenges of sustaining the "all-female economy" amid high operational costs and limited customer base [37][40]. - The article suggests that the "all-female model" may not be a viable long-term solution for women's empowerment, as it often excludes a significant portion of the population and fails to meet consumer expectations [41][44]. - The ongoing debate about whether the "all-female model" represents progress or retreat for women continues, with calls for more inclusive approaches to address women's needs in society [44].

Core Viewpoint - The "female economy" in China, characterized by businesses exclusively catering to women, is facing challenges and potential decline despite its initial popularity driven by feminist discussions and consumer interest [2][5][6]. Group 1: Definition and Rise of "Female Economy" - The "female economy" refers to business models where both employees and customers are exclusively female, including establishments like all-female bookstores, bars, and fitness centers [4]. - This concept gained traction alongside the rise of feminist discussions, becoming a significant consumer trend and a source of revenue for various platforms [5][8]. Group 2: Types of "Female Economy" - The "female economy" can be categorized into two main types: those creating exclusive spaces for women and those providing specialized services tailored to female needs [11][24]. - Examples include all-female gyms that address safety concerns and provide a comfortable environment for women, as well as all-female bars that aim to create a safe social space [12][18]. Group 3: Market Performance and Consumer Sentiment - As of May 2025, the term "female" on social media platforms has garnered over 16.91 million views, indicating a significant interest in feminist topics [35]. - However, many consumers have expressed dissatisfaction with the actual services provided by businesses claiming to be "female-friendly," leading to accusations of false advertising and unmet expectations [39][40]. Group 4: Challenges and Criticism - The "female economy" is experiencing a wave of business closures, with some establishments failing to deliver on their promises of safety and comfort for women [6][56]. - Criticism has emerged regarding the high prices of services in "female" establishments, which often exceed those of mixed-gender venues, raising questions about their sustainability and true value to consumers [62][63]. Group 5: Future Outlook - The ongoing debate about whether the "female economy" represents progress or retreat for women suggests that the current model may need reevaluation to align better with consumer expectations and market realities [66].

Group 1 - The novel "Beyond the Mountain" revolves around the story of a guesthouse owner who creates a retreat after losing his wife, connecting various travelers' stories, including a sick and heartbroken customer, a young woman returning home, a scientist conducting field research, an elderly couple burdened by history, and college students on a breakup trip [4] - The author, Jiang Yun, has received multiple literary awards, including the Lu Xun Literary Prize and the Lao She Literary Prize, and has published several novels that have been translated into multiple languages [4] Group 2 - The book "My Emily Dickinson" aims to provide a deeper understanding of Emily Dickinson's life and work, challenging the misconceptions surrounding her as a "fairy" or "madwoman" and highlighting her insights into the external world and her revolutionary approach to language [6] - Susan Howe, the author, is a prominent figure in American language poetry and offers a rich interpretation of Dickinson's poetry and letters, while translator Wang Baihua is a professor at Fudan University with extensive research on Dickinson's poetry [6] Group 3 - "This Gender is Not One" critiques the male-centric discourse that defines women as lacking subjectivity, analyzing the historical marginalization of women's sexual experiences and the contradictions in their societal roles [8] - The author, Luce Irigaray, challenges traditional views of women as passive victims, emphasizing their agency and the need for a shift in societal perceptions regarding women's bodies and identities [8] Group 4 - The book "Artificial Wombs" discusses the advancements in technology that allow for the simulation of an external uterine environment, raising ethical and social questions about the implications of such technology on reproductive rights and parental identity [11] - Author Claire Horn emphasizes the existing inequalities and biases in society that must be addressed before the widespread adoption of artificial womb technology [11] Group 5 - "The Crossroads of Hesitation" focuses on the small scholars of the late Ming dynasty, exploring their struggles and choices amidst various intellectual movements, and how their grassroots efforts influenced cultural and ideological landscapes [13] - The author, Zhang Yixi, is a professor with a focus on Ming-Qing thought history and local history, highlighting the significance of these lesser-known figures in shaping historical narratives [13] Group 6 - "The Abandoned Husband's Escape" examines the legal cases involving women in Beijing during the wartime period, revealing how economic instability forced women into desperate situations, leading to actions often viewed as criminal [17] - Historian Ma Zhao challenges the notion of women as mere victims, showcasing their resilience and strategies for survival in a male-dominated society [17] Group 7 - "On Idols, Thinking While Entangled" explores the complexities of idol culture from a feminist perspective, addressing issues such as the commodification of personalities and the societal implications of idolization [20] - The book features contributions from various authors who analyze the contradictions within idol culture, including the empowerment of female idols and the restrictive norms they face [20]

以下文章来源于谷雨实验室 ，作者乔雨萌 谷雨实验室 . 腾讯新闻出品、谷雨工作室旗下栏目，聚焦深度图文内容。 女性网文作者频频遭受网暴和开盒，大多因为被读者认为"厌女"和"爱男"。 文 ｜ 乔雨萌 编辑 ｜ 荆欣雨 来源｜ 腾讯新闻谷雨工作室(ID：guyulab) 封面来源 ｜ IC Photo 网文作者变成高危职业 被开盒是怎样一种噩梦般的感受？ 网文作者郑蓝生不幸经历了。去年11月，在小红书、微博、豆瓣、抖音等六个社交平台上，一个使用相似用户名的账号多次@和评论郑蓝生，表达对她八年 前一篇文中男主角的强烈不满以及对她本人"厌女"的指责，语气激愤，并提到她的真名以示威胁。郑蓝生意识到，自己被开盒了。 八年前的那篇小说中，女主暗恋男主，除了男主只谈过一段恋爱，而男主谈过几任女友。 这位读者对此发帖怒斥："现女主接盘前女主玩烂的lhg（烂黄瓜）……可怜的女主宝宝必须清清白白献身给公交车男。" 几个月里，郑蓝生和家人遭到持续的骚扰。今年二月，这名读者以郑蓝生妹妹的名义在一个政务平台举报了她。三月下旬，对方又一次举报，甚至写明了郑 蓝生家具体到门牌号的地址。郑蓝生在微博上说，几个月以来她噩梦频频，经常跟孩子玩着玩 ...

Group 1 - The article discusses a rising trend of "gender reversal" in online content, where women are exploring the experiences of men, highlighting the historical privileges men have enjoyed for centuries [1][2] - Female creators are engaging in a movement to replace female characters in male-centric novels with male counterparts, challenging traditional gender roles and perspectives [3][4] - The creators express their motivations rooted in personal experiences and societal observations, aiming to critique and reflect on the male gaze prevalent in literature and media [4][8] Group 2 - The trend is characterized by a collaborative nature, where audiences actively engage with and expand upon the creators' works, indicating a strong community involvement [12] - The creators acknowledge that while their works may seem extreme, they aim to confront and validate the experiences of women, fostering a sense of empowerment and self-confidence [16][20] - Despite the popularity of gender-reversal content, it remains a niche interest, primarily appealing to female audiences, with limited impact on broader societal views [17][19] Group 3 - The creators are aware of the potential for their works to exacerbate gender tensions, yet they strive for a more balanced representation of both genders in future narratives [20][21] - The article concludes that regardless of the longevity of this trend, it represents a significant attempt by women to engage in societal narratives and assert their perspectives [21]

Core Viewpoint - The article discusses the film "There is Tomorrow," which highlights the struggles of women in a patriarchal society, particularly focusing on the character Dilia, who represents the plight of women in post-war Italy and their fight for rights and autonomy [5][11][41]. Summary by Sections Film Overview - "There is Tomorrow" is a black-and-white film that has achieved significant box office success in Italy, surpassing "Oppenheimer" and becoming one of the top ten films in Italian history [5]. - The film is directed by Paula Cortellisi and is noted for its feminist themes, exploring the exploitation of women within the family unit as a microcosm of patriarchy [5][6]. Character Analysis - Dilia is portrayed as a typical mother and wife, constantly busy with household chores and subjected to her husband's verbal and physical abuse [3][10]. - The film illustrates Dilia's struggle in the gig economy, where she juggles multiple low-paying jobs while her earnings are controlled by her husband [8][9]. Themes of Patriarchy and Violence - The narrative emphasizes the systemic nature of domestic violence, showing how Dilia's husband embodies the patriarchal values passed down through generations [20][21]. - The film creatively depicts domestic violence through a surreal lens, blending art and brutality in a way that critiques the normalization of such violence [16][18]. Generational Impact - The relationship between Dilia and her daughter Marcella reflects the cycle of abuse and the struggle for empowerment, with Dilia ultimately seeking to break this cycle for her daughter [22][24]. - The film culminates in a powerful moment where Dilia chooses to participate in the first political election allowing women to vote in Italy, symbolizing a shift towards empowerment and agency [37][40]. Social Commentary - The article draws parallels between the film's themes and contemporary issues, highlighting the ongoing struggles women face in society [40][41]. - It emphasizes the importance of political engagement and awareness of women's rights, suggesting that the fight for equality is ongoing and requires active participation [42][43].