Core Viewpoint - The Shanxi Provincial Government has approved the "Land Spatial Planning of the Yellow River Basin in Shanxi Province (2021-2035)", emphasizing the need to strengthen land spatial security and set specific targets for agricultural land, ecological protection, and urban development boundaries by 2035 [1][3]. Group 1: Land and Agricultural Planning - By 2035, the agricultural land in the Yellow River Basin of Shanxi Province is required to be no less than 39.9179 million acres, with permanent basic farmland protection of at least 33.2547 million acres [1]. - The ecological protection red line is set to cover no less than 24,400 square kilometers, while urban development boundaries are to be controlled within 3,267.44 square kilometers [1][3]. Group 2: Ecological and Resource Management - The plan aims to systematically optimize land development and protection layouts, consolidating major agricultural production areas and expanding modern agricultural development spaces [3]. - It emphasizes the comprehensive protection and restoration of water sources, mountains, forests, grasslands, lakes, and wetlands, treating upstream and downstream areas as a whole for integrated management [3][5]. Group 3: Infrastructure and Economic Development - The plan includes improving the population, resource, and industry configuration along the Fenwei Ecological Economic Belt, promoting overall coordination of industrial and supply chains [5]. - It aims to construct a modern infrastructure network and enhance disaster prevention and relief infrastructure to improve land spatial resilience [5]. Group 4: Cultural and Heritage Protection - The initiative seeks to promote the Yellow River culture and strengthen the overall protection and systematic revitalization of cultural and natural heritage, integrating heritage management into land spatial planning [5].

报道称，嫌疑人为79岁的首尔居民金某。他11日早上8时左右在石墙上先写下了"致人民和世界的信 息"，随后在书写"特朗普总统"时被当场制止。警方随即将其抓获，并以涉嫌违反《文化遗产保护及利 用相关法律》立案调查。因其供词内容含糊不清且年事已高，警方随后将其紧急送医。 【环球时报驻韩国特约记者 黎枳银】据韩联社24日报道，首尔景福宫正门光化门的外墙日前遭人用黑 色马克笔涂写了"特朗普总统"等字样。韩国国家遗产厅表示，清除这批涂鸦共耗时约7小时，费用接近 1000万韩元（1000韩元约合5.2元人民币）。 韩国国立古宫博物馆文物科学科的5至6名工作人员11日上午开始在现场作业，最终借助专业设备与细微 石粉喷涂技术，将长约1.7米、宽约0.3米的字迹彻底清除。据景福宫管理所透露，清理工作的初步费用 统计至少为850万韩元。根据韩国现行法律，破坏文化遗产者不仅需承担全部修复费用，还可能被追究 法律责任。 这并非景福宫首次遭遇涂鸦破坏。2023年底，一名青少年在他人教唆下，以300万韩元为报酬对景福宫 进行喷漆涂鸦，清理费用高达约1.3亿韩元，事件引发韩国社会广泛谴责。 景福宫是朝鲜王朝的正宫，由太祖李成桂于1395年下 ...

Core Viewpoint - The 212 off-road vehicle brand is evolving from extreme exploration to taking on responsibilities for civilization and ecological protection, reflecting a new connotation of contemporary off-road culture [1][2]. Group 1: Brand Transformation - The transformation of the 212 brand is evident in its recent activities, including participation in extreme racing events like the Dakar Rally and the Mille Miglia 2025, showcasing its off-road genes [2]. - The brand has expanded its application scenarios to include cultural and ecological protection, such as donating 8 units of the 212 T01 for the protection of the Niya ruins and ecological patrols in the Dariyabuyi village [2]. Group 2: Ecological and Cultural Responsibility - The donation of vehicles to the International Wild Bactrian Camel Research Center in the Ananba Protection Area demonstrates the brand's commitment to wildlife protection and scientific research [5]. - The 212 T01 has undergone 366 reliability tests and has been driven over one million kilometers, proving its performance in complex terrains, which is crucial for ecological monitoring in remote areas [5]. Group 3: Sustainable Development Model - The brand is forming a sustainable development model that relies on its products and involves multiple stakeholders, including government agencies and research institutions [6]. - The shift from "exploring nature" to "guarding coexistence" aligns with societal expectations for sustainable development and cultural heritage protection, enriching the brand's spiritual legacy [6]. Group 4: Manufacturing Value Awakening - The practices of the 212 brand reveal a value awakening in Chinese manufacturing, emphasizing that true "hardcore" spirit lies in respecting life through technology rather than merely conquering nature [6]. - The evolution of off-road vehicles from competitive tools to ecological protectors signifies a leap from an efficiency revolution to a responsibility revolution in Chinese manufacturing [6].

Core Viewpoint - The article emphasizes the importance of the Potala Palace as a cultural heritage site, highlighting its historical significance and the ongoing efforts to protect and preserve it in the context of Chinese civilization and national unity [1][2][8]. Group 1: Cultural Heritage Protection - The guardians of the Potala Palace are implementing Xi Jinping's directive on the protection of historical and cultural heritage, focusing on management, value excavation, and effective utilization [2]. - Advanced technologies such as drones, 3D scanning, and multi-angle imaging are being utilized to create a comprehensive digital model of the Potala Palace, aiding in the preservation and research of its structure and artifacts [4][9]. - A monitoring system with over 1,000 sensors is in place to track environmental conditions and structural stability, ensuring the long-term preservation of the palace [4][9]. Group 2: Cultural Exchange and National Unity - The Potala Palace serves as a testament to the historical interactions among various ethnic groups in China, showcasing artifacts that reflect the unity and diversity of Chinese civilization [5][6]. - An exhibition titled "Witness and Guardian" features over 100 artifacts that illustrate the historical exchanges between Tibet and other regions of China, reinforcing the concept of a shared national identity [5][6]. Group 3: Innovative Restoration Efforts - The Potala Palace has achieved significant progress in the experimental restoration of palm-leaf manuscripts, with a focus on innovative techniques and materials [8][9]. - A 10-year project with an investment of approximately 300 million yuan has been initiated for the protection and restoration of ancient texts, aiming to make these cultural treasures accessible to a wider audience [9]. Group 4: Cultural Products and Outreach - The Potala Palace is exploring ways to transform its cultural resources into high-quality cultural offerings, collaborating with various regions to showcase its artifacts [9]. - Over 1,000 cultural and creative products have been developed in partnership with museums, aimed at promoting traditional Chinese culture and enhancing cultural confidence [9].

Core Perspective - The article emphasizes the significance of the Potala Palace as a cultural heritage site, showcasing its historical importance and the ongoing efforts for its protection and preservation in the context of Chinese civilization and national unity [1][2][8]. Group 1: Cultural Heritage Protection - The Potala Palace is recognized as the highest and largest palace-style building in the world, symbolizing the historical interactions among various ethnic groups in China [1]. - The management of the Potala Palace has implemented modern technologies such as drones, 3D laser scanning, and multi-angle imaging to create a comprehensive digital model for preservation and research purposes [4][9]. - A monitoring system with over 1,000 sensors has been installed to track structural changes and environmental conditions, ensuring the stability of the palace [4][9]. Group 2: Cultural Exchange and National Unity - The Potala Palace serves as a testament to the historical integration of different ethnic groups, with artifacts and exhibitions highlighting the interactions between Tibet and other regions of China [5][6][7]. - An exhibition titled "Witness and Guardian" features over 100 artifacts that reflect the theme of national unity, showcasing the rich history of cultural exchanges [5][6]. Group 3: Innovative Restoration Efforts - The Potala Palace has initiated a 10-year project with an investment of approximately 300 million yuan for the protection and restoration of ancient texts, including the unique palm-leaf scriptures [9]. - Recent advancements in restoration techniques for palm-leaf scriptures have been achieved, with plans to complete the protection of 46,500 ancient texts by 2028 [9]. - The palace is also exploring ways to transform its cultural resources into high-quality cultural offerings, collaborating with various regions to showcase its artifacts [9].

Core Viewpoint - The study published in Cultural Heritage Magazine indicates that rising sea levels may threaten the iconic Moai statues on Easter Island as early as 2080, along with approximately 50 other cultural sites on the island [1] Group 1: Impact of Rising Sea Levels - The research highlights that waves could reach the island's largest ceremonial platform, which houses 15 significant Moai statues, potentially impacting the tourism economy that relies on these sites [1] - The main author of the study emphasizes that rising sea levels are a real and imminent threat, not a distant concern [1] Group 2: Methodology and Broader Implications - Researchers utilized computer simulations to assess the impact of future sea level rise on wave effects and overlaid these results with maps of cultural sites to identify areas at risk of flooding in the coming decades [1] - While the focus is on Easter Island, the findings reflect a broader reality that cultural heritage sites worldwide are increasingly threatened by rising sea levels, as noted in a recent UNESCO report identifying around 50 World Heritage sites at high risk from coastal flooding [1]

Core Insights - The "2025 Forever Lost Heritage" Global Maker Competition aims to integrate cultural heritage with modern life, focusing on the theme "One City, One Tower, One River" [1][3] - The "Silk Road Echo" team won the competition with their creative installation "Garden of Sound Bells," inspired by the historical sound bells of the Dabaoen Temple [1][2] - The event saw participation from nearly 700 young creative talents from 19 countries, showcasing innovative proposals for cultural heritage revitalization [1][2] Event Highlights - The competition was organized by the Dabaoen Temple Ruins Museum, with support from UNESCO and various international institutions, enhancing its global perspective [1][2] - 31 young creators presented their digital art installation models, emphasizing interactivity and engagement with cultural heritage [2] - The winning team's design aims to awaken the historical memories of Nanjing, reflecting the city's rich cultural heritage [2] Future Implications - The creative installations developed during the competition will be integrated into public life, forming a growth chain of "creativity—product—industry—economy" [2] - The Dabaoen Temple Ruins Museum plans to officially unveil the "Garden of Sound Bells" installation on its rooftop, inviting global youth to participate in the narrative of Nanjing [2][3] - The competition serves as a model for sustainable development in museums, demonstrating how cultural roots can be preserved amid transformation [3]

Group 1 - The article highlights the comprehensive preservation efforts for the World Cultural Heritage site of Suoyang City, which includes advanced technologies like remote sensing and new materials to enhance the site's durability [1][2] - Over the past five years, the government has invested more than 10 million RMB in various preservation projects, including the restoration of city walls and archaeological excavations [2] - The archaeological findings at the site, including artifacts from the Tang and Sui dynasties, underscore the historical significance of Suoyang City as a vital hub for Silk Road trade and cultural exchange [3] Group 2 - The site has implemented a monitoring and early warning system to track environmental conditions affecting the heritage site, ensuring ongoing protection and maintenance [2] - Recent enhancements to visitor facilities, such as wooden walkways and viewing platforms, aim to provide an immersive experience of the site's historical and cultural significance [3] - Future plans include the establishment of a digital preservation experience center that will utilize holographic projections and AR technology to engage visitors with the history of Suoyang City [3]

Core Perspective - The successful application for the World Heritage status of Beijing's central axis has initiated a new path for cultural heritage protection that emphasizes public participation [1][2][3] Group 1: Value Transformation and Education - The challenge post-heritage application is to transform heritage protection into a driving force for sustainable urban development, integrating heritage value with social education [2][3] - A significant initiative has been the integration of the central axis's heritage value into basic education, aiming to foster recognition and pride among students regarding their cultural heritage [3][4] - The educational materials developed for different age groups utilize a progressive cognitive design to enhance understanding of the central axis's historical and cultural significance [4] Group 2: Public Participation and Community Engagement - The protection of the central axis requires active public participation, moving beyond the misconception that the successful application is the endpoint [5][6] - Various initiatives, such as the creative competition for the central axis, have engaged hundreds of thousands of participants, demonstrating the potential for cultural heritage to foster community involvement and economic benefits [7][8] - Digital platforms have enabled widespread public engagement in monitoring and protecting the central axis, allowing citizens to contribute actively to heritage conservation [8][9] Group 3: Digital Technology in Heritage Protection - Digital technology has revolutionized cultural heritage protection by enhancing public access and understanding through innovative platforms [9][10] - The use of digital tools allows for immersive experiences that convey the historical evolution of the central axis, making it more relatable to the general public [10][11] - The integration of technology not only broadens the audience's understanding but also maintains the depth of cultural heritage discussions [11][12] Group 4: Long-term Vision and Cultural Significance - The journey of protecting the central axis is viewed as a continuous process, with the goal of making it a living part of the community and a driver for urban development [13][14] - The central axis is seen as a cultural backbone that connects the past, present, and future, emphasizing its role in contemporary society [14][15] - The protection efforts are not merely about preservation but also about cultural innovation and relevance in modern life [15]

Core Points - The incident of vandalism at Gyeongbokgung Palace highlights ongoing issues with cultural heritage preservation in South Korea [1][3] - The perpetrator, a 79-year-old man, was arrested after defacing the palace with graffiti, which included references to former President Trump [3] - The South Korean government has committed to responding firmly to any acts of vandalism against national heritage sites [3] Summary by Sections - **Incident Details** - A 79-year-old man named Kim was arrested for vandalizing Gyeongbokgung Palace with a black marker [3] - The graffiti included a message "to the people and the world" and a reference to "President Trump" [3] - The motive behind the act remains unclear [3] - **Government Response** - The Cultural Heritage Administration of South Korea plans to remove the graffiti on the same day and has vowed to take strong action against any damage to national heritage [3] - According to South Korean law, individuals who damage cultural heritage are required to restore the site and cover all repair costs [3] - **Historical Context** - Gyeongbokgung Palace, built in 1395 by King Taejo of the Joseon Dynasty, has faced multiple instances of damage and reconstruction throughout its history [4] - This is not the first instance of vandalism at the palace; a previous incident involved a teenager who was incentivized to graffiti the site, resulting in significant public outrage and repair costs of approximately 130 million KRW [3]