位于赣西的靖安县渔桥村，绿树青竹掩映下的靖窑陶瓷坊古朴自然。一早，陶瓷坊创始人伍映方和两个 儿子便忙着把装满陶瓷坯体的匣钵安放在窑炉内。守在窑口旁，伍映方像30多年来的每一次烧窑一样， 满心期待泥与火相融合的精彩。 今年54岁的伍映方，家中世代以制瓷为业，父亲曾是当地一家陶瓷厂的大师傅。上学前，他经常跟在父 亲身边"玩泥巴"，六七岁时，伍映方就能做出一些简单的小玩意。上高中时，他随父亲来到靖安县，提 出想学习陶瓷制作。起初，父亲坚决不同意，却拗不过铁了心的伍映方。 恰巧，县里正想请他复烧蛋壳黑陶，伍映方一口应允。没有资料可供参考，伍映方从零开始。"要实 现'薄如纸'，用的肯定不是普通泥料，得具备高黏性、高硬度、强可塑性。"他上山找泥料，一遍遍做 试验，"最后，就在本村找到一种合适的白胶泥。" 蛋壳黑陶最薄处仅0.2毫米，拉坯成型环节，考验着手艺人的技艺极限。以前，伍映方只拉出过1毫米厚 度的陶坯，挑战更薄的坯，能做到吗？"其实，突破的过程就是反复尝试，从1毫米到0.9毫米、0.8毫 米……"炉火纯青时，伍映方通常能根据修坯刀滑过坯体的声音来判断坯体厚薄。 拉坯成型尚有路径可循，烧窑更让人伤透脑筋。黑陶，通体都 ...

如何让传统技艺不被时间湮没，让文化遗产在当代焕发新生？在近日举办的"世界市长对话·景德镇暨 2025景德镇论坛"上，与会嘉宾就人才培养和非遗技艺的传承保护展开深入探讨。 《 人民日报 》（ 2025年10月31日 11 版） (责编：白宇、卫嘉) 了解到景德镇拥有培养陶瓷专业人才的大学时，意大利蒙特卢波·菲奥伦蒂诺市市长西蒙·隆迪表示："虽 然我们没有大学，但是有关于陶瓷的专业学校。很多企业在化学、材料领域为陶瓷手工艺的发展提供支 持，用现代技术手段为研究提供支持。" 景德镇市市长陈克龙分享了陶瓷人才培养方面的做法与经验。景德镇拥有7所专门培养陶瓷专业人才的 学校，3200多名非遗传承人和100多个生产性保护示范基地。"景德镇随时欢迎大家来喝茶、交流技艺， 我们也希望去其他城市，体会古老技艺、融入新的创意。"陈克龙说。 土耳其伊兹尼克市市长卡根·穆罕默德·乌斯塔分享了伊兹尼克陶瓷技艺活化利用的经验。伊兹尼克市因 精湛的陶瓷工艺及悠久的陶瓷文化，被称为土耳其"瓷都"。"伊兹尼克陶瓷始于罗马帝国时期，16、17 世纪陶瓷业达到顶峰。"卡根·穆罕默德·乌斯塔表示，伊兹尼克传统瓷器艺术具有无可替代的价值。伊兹 尼克市 ...

Core Viewpoint - The article highlights the supportive policies in Shaanxi province that encourage young artisans, like Hu Jinwei, to return to their hometowns and start businesses in traditional crafts, specifically Fengxiang clay sculpture, blending creativity with heritage [1][2]. Group 1: Entrepreneurial Initiatives - Hu Jinwei, a young artisan, combines his product design knowledge with traditional Fengxiang clay sculpture to innovate and promote this ancient craft [1][2]. - The local government supports Hu's entrepreneurial efforts through a "company + cooperative + farmer" model, uniting scattered artisans for standardized training and skill enhancement [2][5]. - Hu has successfully attracted over 300,000 visitors to his new educational experience center, which he established with a loan from the Shaanxi provincial graduate entrepreneurship fund [5]. Group 2: Policy Support - Shaanxi province has implemented a series of comprehensive policies to support various talents, including college graduates, in returning to their hometowns for entrepreneurship [5]. - Recent initiatives include optimizing entrepreneurship training, improving services, and enhancing policy awareness through employment policy promotion activities [5].

Core Viewpoint - The article highlights the efforts of a 38-year-old Thangka painter, Zhangzhe, in preserving and innovating traditional Thangka painting techniques while promoting cultural interaction and education in Sichuan Province's Ganzi Prefecture [1]. Group 1: Artist's Activities - Zhangzhe is actively teaching Thangka painting skills to students of various ages, from those born in the 2000s to individuals over 50 years old [1]. - The studio showcases various raw materials used for Thangka pigments, including realgar and vermilion, and features cultural products that reflect local traditions [1]. Group 2: Cultural Preservation and Innovation - Zhangzhe is working on the establishment of an intangible cultural heritage (ICH) training center, aiming to integrate over 30 local ICH items for collaborative development [1]. - The artworks created by Zhangzhe depict auspicious symbols and scenes from local life, as well as festive celebrations, emphasizing the connection between art and community [1].

Core Viewpoint - The article highlights the collaboration between the Palace Museum and China Construction Bank to launch limited edition commemorative jewelry inspired by the museum's collection, showcasing traditional craftsmanship and cultural heritage [2][6]. Group 1: Product Offerings - The Palace Museum has released limited edition commemorative jewelry pieces, each inspired by its collection, aimed at sharing the beauty of cultural artifacts and traditional craftsmanship with customers [2][6]. - The jewelry features designs by renowned Chinese artisans, including Yuan Changjun and Liu Yongseng, who are masters in traditional techniques such as cloisonné and goldsmithing [4][6]. - The products include symbolic elements like the Pi Xiu, which represents wealth and prosperity, and the butterfly, symbolizing good fortune and happiness [7][14]. Group 2: Cultural Significance - The jewelry pieces are designed to embody auspicious meanings, such as wealth accumulation and family harmony, reflecting traditional Chinese cultural values [8][11]. - The use of materials like jade and gold in the jewelry signifies wisdom, prosperity, and peace, aligning with the cultural significance of these elements in Chinese society [19]. - The designs incorporate traditional motifs and craftsmanship, aiming to preserve and promote the rich heritage of Chinese art and culture [6][18].

Core Viewpoint - The article highlights the historical significance and ongoing cultural revival of the ancient paper-making industry in Fuyang, particularly focusing on the archaeological site of the Sizhou paper workshop, which is recognized as the largest and earliest known paper-making site in China, showcasing the region's rich heritage and its potential for cultural tourism and economic development [3][5][6]. Group 1: Historical Significance - The Sizhou paper workshop site dates back to the Song Dynasty and has a total area of approximately 16,000 square meters, making it the largest, earliest, and most complete paper-making site discovered in China [5]. - Fuyang paper was historically significant, with its production accounting for one-fourth of the national total during its peak, earning the reputation of being the "best paper" in the capital [3][5]. Group 2: Archaeological Discoveries - The site was discovered during road construction in 2008, leading to a rescue excavation that revealed various artifacts, including drainage ditches and pottery, indicating the site's historical importance [4]. - The archaeological work has led to the site being recognized as a national key cultural heritage unit, with significant milestones in its preservation and study from 2009 to 2013 [5]. Group 3: Cultural Revival and Tourism Development - The Sizhou paper workshop archaeological park is set to cover 560 acres and aims to integrate cultural heritage with tourism, offering various experiences such as non-heritage tourism and educational programs [6]. - The Sizhou paper museum, with a planned area of 57,000 square meters, will serve as a center for paper culture display and industry development, enhancing the region's cultural tourism appeal [5][6]. Group 4: Modern Craftsmanship and Innovation - Traditional paper-making techniques are still practiced in Fuyang, with artisans like Zhu Zhonghua reviving ancient methods, including the restoration of the "Wujin paper" production process [7][8]. - The article emphasizes the importance of blending traditional craftsmanship with modern marketing strategies, as demonstrated by artisans like Li Wende, who have successfully integrated e-commerce and experiential learning into their practices [10][11].

Core Insights - The article highlights the innovative "Talent Loan" product launched by the Industrial and Commercial Bank of China (ICBC) Dali Branch, aimed at supporting the development of traditional crafts in Dali, Yunnan, such as pottery, wood carving, silverware, and Bai embroidery [1][7] - The "Talent Loan" has successfully provided financial support to artisans and small businesses, facilitating the transformation and upgrading of traditional crafts into viable industries [7] Group 1: Talent Loan Product - The "Talent Loan" product has a loan balance of 30 million yuan as of the end of May, specifically designed to support talent development in traditional crafts [1] - The loan features favorable interest rates, flexible terms, and simplified procedures, which significantly aid the transformation and market expansion of traditional handicraft industries [3][7] - The Dali Branch has successfully disbursed over 20 million yuan in credit loans to more than 20 silverware merchants in Xinhua Village, demonstrating the effectiveness of the "Talent Loan" in revitalizing local craftsmanship [3] Group 2: Impact on Traditional Crafts - The Dali Branch has provided a 3 million yuan "Talent Loan" to a silver jewelry processing factory in Xinhua Village, marking a significant step in supporting the local silverware forging craft [3] - A wood carving company in Jianchuan received a 2 million yuan loan, which helped expand its scale and support the training of successors in traditional wood carving techniques [4] - The financial support has enabled a pottery artisan to enhance his workshop facilities, leading to improved production efficiency and increased tourist engagement in traditional pottery making [5] Group 3: Cultural Preservation and Innovation - The "Talent Loan" not only addresses financial challenges but also plays a crucial role in preserving and promoting traditional cultural heritage through innovative financial solutions [7] - Artisans like Yang, who focus on Bai cultural elements in their creative products, benefit from the financial support, allowing them to continue their craft and innovate within their traditional practices [5][7]

Core Viewpoint - The article highlights the efforts of Liu Yi, a bamboo weaving master, in preserving and promoting the traditional bamboo weaving craft in Xinchang, Zhejiang Province, through workshops, exhibitions, and community engagement [1][7]. Group 1: Bamboo Weaving Craft - Liu Yi has been dedicated to the bamboo weaving craft for over 30 years, teaching and creating intricate bamboo art pieces [2][6]. - The bamboo weaving history in Xinchang is rich, with Liu's father, Liu Guocai, starting his training at the age of 16 and later becoming the director of a bamboo weaving factory [4][6]. - The bamboo weaving industry in Xinchang once had around 2,000 practitioners, but the number has dwindled to about 200 due to the rise of plastic products and declining demand for traditional items [6]. Group 2: Art and Community Engagement - Liu Yi's workshop features impressive bamboo art, including a scaled-down replica of the Temple of Heaven, which took nearly a year to complete and involved extensive research and craftsmanship [3][6]. - Liu Yi has actively participated in exhibitions and awards since 2014, increasing the visibility of Xinchang bamboo weaving and attracting over 2,000 visitors to the non-heritage craftsman museum [7][8]. - The local government has established a bamboo weaving research center and community workshops to provide training and employment opportunities for local residents, with over 600 people participating in bamboo weaving training [8][9]. Group 3: Economic Impact - The bamboo resources in Xinchang are abundant, with over 200,000 acres of moso bamboo, providing a strong foundation for the bamboo weaving art [8]. - Workers in Liu Yi's workshop can earn approximately 150 yuan per day, and there are plans to expand the workforce and apply bamboo weaving to other design fields [8][9]. - Liu Yi is transforming his old house into a bamboo workshop to further engage the community and help villagers regain traditional skills, aiming to boost local income [9].