Core Viewpoint - The novel "The Heroes of Lüliang" serves as a significant representation of the Chinese revolutionary literature, showcasing the grassroots perspective of farmers during the anti-Japanese war and highlighting their awakening and collective heroism [1][4][6]. Group 1: Creation and Publication - "The Heroes of Lüliang" was created by Ma Feng and Xi Rong, inspired by real-life militia heroes during a conference in the Jin-Sui border area in 1945 [2]. - The novel began serialization on June 5, 1945, in the "Jin-Sui Dazhong Bao" and was completed by August 20, 1946, with a total of 95 installments [2]. - The book was later condensed to 80 chapters and published in October 1949 by Beijing Xinhua Bookstore, becoming part of the "Chinese People's Literature Series" [2]. Group 2: Artistic and Narrative Techniques - The novel employs a unique narrative style that reflects the grassroots storytelling, using authentic dialects and colloquial expressions from the Jin-Western region [4]. - It utilizes a traditional storytelling technique known as "linked narrative," which engages readers with cliffhangers at the end of chapters, making it relatable to the audience [4]. - The work innovates with a "collective narrative" approach, presenting a group of heroes rather than a single protagonist, thus embodying the spirit of mass resistance [5]. Group 3: Historical and Cultural Significance - "The Heroes of Lüliang" authentically depicts the vast landscape of people's war, illustrating real historical events such as the militia's strategies against Japanese forces [6]. - The novel captures the transformation of ordinary farmers into revolutionary figures, reflecting the awakening of their consciousness and collective action against oppression [7]. - It stands as the first modern Chinese novel to portray the nationwide anti-Japanese struggle, establishing a cultural monument that resonates with the spirit of resistance among the Chinese people [7].

Core Viewpoint - The article commemorates the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and highlights the significant role of filmmakers in mobilizing the public for national salvation through anti-Japanese films like "The Sons and Daughters of the Wind" [1][20]. Group 1: Historical Context - The year 2025 marks the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression [1]. - The film "The Sons and Daughters of the Wind," released in 1935, is recognized as one of the earliest films reflecting anti-Japanese themes, symbolizing the artistic mobilization for national salvation [8][20]. Group 2: Role of Film in Resistance - Filmmakers formed a united front in the arts to awaken the public and fulfill the mission of cultural resistance during the war [1]. - The film medium was particularly appealing to the masses, transforming real-life events into compelling visual narratives that resonated with audiences [10]. Group 3: Cultural Impact - The song "March of the Volunteers," which debuted with the film, has become an anthem of national spirit and resilience [6]. - The film's narrative, depicting the transformation of characters from despair to awakening, mirrors the broader national struggle and determination for victory [18][20]. Group 4: Artistic Expression - The film utilized powerful imagery and emotional storytelling to convey the urgency of resistance, making "not to be a slave" a national consensus [23]. - The artistic efforts of filmmakers during this period were characterized by a strong call for collective action against oppression, effectively mobilizing public sentiment [25].

出品方供图 "国破山河在，城春草木深"，中国人对"河山"有着骨子里的眷恋与归属感。面对山河破碎，侵略者的蹂 躏，总能勃发出强烈的民族抗争力量。今年正逢中国人民抗日战争暨世界反法西斯战争胜利80周年，一 批抗战题材精品力作在这个夏天格外燃情。近日正在热播的电视剧《我们的河山》成为其中别具一格的 作品。这部剧以1937年山东沦陷为历史背景，讲述青年党员庄埼风在中国共产党的领导下，在家乡沂蒙 山区，动员群众、发动群众、发展基层武装，经历重重考验，开辟、建设、壮大抗日根据地，最终粉碎 日军扫荡计划，迎来抗战胜利的故事。 视角独特、立意深刻，于细微处见精神 《我们的河山》以"全民抗战"为视角，以沂蒙山区"崮城"为小切口，从敌后战场的微观视角出发，将敌 我军事博弈、民族内部不同势力的立场冲突、军民从陌生到水乳交融的情感递进，乃至世界反法西斯战 争的宏观演变等多条线索紧密编织，通过具体故事深刻阐释了中国共产党在抗战中的中流砥柱作用以及 人民群众作为抗战根基的力量，回答了"共产党为什么能赢"的时代之问。 剧名"我们的河山"蕴含双重深意：字面指寸土不让的"江山"，深层寓意则是人民。从"兵民是胜利之 本"的军事思想，到"为了谁、 ...

Core Viewpoint - The exhibition commemorates the 80th anniversary of the victory in the Anti-Japanese War, showcasing rare newspapers that document the historical events from the September 18 Incident to the victory in 1945, emphasizing the role of journalism in uniting the nation during times of crisis [3][4][5]. Group 1: Historical Significance of Newspapers - The newspapers on display serve as invaluable historical witnesses, published under extreme conditions, reflecting the dedication of journalists during the war [4]. - The exhibition highlights the importance of these newspapers in documenting the collective memory and spirit of the Chinese people during the Anti-Japanese War [4][5]. - The coverage of significant events, such as Japan's unconditional surrender, illustrates the urgency and responsibility of the press in informing the public [5][7]. Group 2: Key Events and Publications - On August 15, 1945, the headline "Japan Surrendered!" in the Dagongbao newspaper captured the excitement of the public, marking a pivotal moment in Chinese history [5]. - The Xinhua Daily published three special editions on August 10-11, 1945, announcing key developments leading to Japan's surrender, showcasing the rapid dissemination of crucial information [7][9]. - The exhibition features notable articles, including Mao Zedong's statements and the military orders issued following Japan's surrender, highlighting the role of the press in shaping public sentiment and military strategy [10][12]. Group 3: The Role of Journalism in the War - During the Anti-Japanese War, newspapers became essential in conveying war information, fostering patriotism, and promoting anti-Japanese sentiments among the populace [15][19]. - The Dagongbao and other publications maintained a commitment to reporting truthfully despite censorship and threats, exemplifying the resilience of the press [22][29]. - The exhibition underscores the collaborative efforts of various newspapers in mobilizing public support for the war effort and documenting the struggles faced by the Chinese people [28][34].