1月4日，记者从静安区文化和旅游局获悉，2026年元旦假期，紧扣"策马迎新 邂逅静安"核心主题，静安区深度融合海派文化底蕴与马年生肖意蕴， 以"文旅+非遗+消费+科技"四维联动为引擎，精心打造覆盖全龄段、贯穿全时段、渗透全场景的百余场高品质文旅活动，构建起"处处是景、时时可玩"的 假日生态。 同时，静安区构建立体化宣传矩阵，元旦假日宣传累计曝光量达222.8万次，持续放大"静安=元旦迎新核心目的地"的品牌认知。全周期传播精准触 达，推出三天两晚CityWalk线路，邀请中外优质达人实地探访，发布体验内容累计阅读量超10万次；整合资源布局春节宣传，实现跨年宣传无缝衔接。数 字化赋能拓宽渠道，与大众点评等平台深度合作，推出线下文旅路线宣传手册，线上话题曝光量达1.7亿。品牌价值持续沉淀，以"旅超"活动为纽带，串 联核心资源，彰显静安"国际范"与"烟火气"并存的独特魅力，让"策马迎新，邂逅静安"品牌形象深入人心。 此次元旦假期，静安区以文化为魂、以融合为翼、以创新为径，不仅为市民游客献上了一场兼具温度与质感的新年盛宴，更以广泛的品牌影响力，彰 显了文旅融合对区域发展的强劲拉动作用。 未来，静安将持续深化文旅商体展联 ...

2026年元旦，《我与上海不可分割》建筑师俞挺空间概念展在上海美术馆揭幕。这场以"家"为起点的展 览，以七个陆续开启的空间装置，串联起个人与城市的情感纽带，也为上海美术馆建馆70周年系列拉开 序幕。 从1956年建馆以来，上海美术馆一直践行着记录城市文化发展的使命。七十年来，美术馆不仅致力于海 派文化的传承与创新，更见证了这座人民城市的日新月异。值此上海美术馆成立70周年之际，《我与上 海不可分割》建筑师俞挺空间概念展率先亮相。 2026年恰逢上海美术馆建馆70周年，从1月1日起，这些作品将陆续登陆上海美术馆，每2个月上线一个 全新艺术装置，一年时间分七次开启，揭开七大展品面纱。伴随每一重宝函的开启，一系列多元的公教 活动、对谈和工作坊将陆续展开，邀请公众从不同视角深入感知上海的城市文化精神。 作为长期在上海生活与创作的本土建筑师，俞挺在这里创作了一系列富有影响力的建筑作品，以独特表 达参与上海的城市叙事，通过设计展现对这座城市的深刻理解与情感投入。此次展览以"家、社区、咖 啡馆、美术馆、花园、圣殿、城市"七个空间为载体，构建出一幅层层递进的城市情感地图。 上海美术馆党委书记，执行馆长王一川表示：七十年来，上 ...

中新社上海1月1日电 题："文化祝福"暖申城 "添彩"跨年仪式感 聆听新年音乐会，是资深乐迷陈洁坚持已久的"跨年仪式"。她在演出结束后说："年轻音乐家们带给大 家朝气蓬勃的艺术感染力，《卡门幻想曲》等曲目也很契合迎接新年的氛围，让我感到古典音乐有着广 阔而富有活力的未来。" 中新社记者 王笈 2026年1月1日，当新年的钟声敲响，指挥家约翰内斯·怀德纳在上海音乐厅向观众撒糖。 (上海音乐厅供 图) 如同维也纳、柏林等音乐名城，上海也有如火如荼的新年音乐会市场，为乐迷的跨年仪式感"添彩"。已 有95年历史的上海音乐厅内，维也纳约翰施特劳斯管弦乐团奏响《蝙蝠》序曲、《蓝色多瑙河》圆舞曲 等轻歌剧片段及经典舞曲。当新年的钟声敲响，指挥家约翰内斯·怀德纳现场撒糖，向观众传递新年暖 意。 对于"00后"中提琴新秀林怡秀来说，2025年12月31日晚注定难忘——她没有宅在家里跨年，而是首次登 台上海新年音乐会，献演帕格尼尼《大中提琴奏鸣曲》。兼具技巧与浪漫表达的演奏声中，流淌着林怡 秀的新年愿望：希望能用自己的力量推广中提琴。 2025年12月31日晚，2026上海新年音乐会在上海交响音乐厅上演。图为"00后"中提琴新秀 ...

《中国民航报》、中国民航网 记者钱擘 报道：12月30日，以"鹤韵申城 展翅远航"为主题的上海航空成 立四十周年庆祝活动暨品牌发布会在上海举行，各界嘉宾齐聚一堂，共同回顾上航四十年的发展历程， 并见证全新品牌形象与服务理念的发布。 此次活动通过图片展、制服秀、舞台剧和空地联动庆生等方式，回顾上航四十年的历程，活动期间所发 布的上航品牌升级举措，涵盖了服务、视觉与体验等多个维度—— 庆祝活动现场的上航历代制服秀 目前，上航机队规模已达88架飞机，由波音787-9和波音737机型组成，航线网络通达国内外80多个城 市，年承运旅客超1550万人次，已成为展示上海城市形象的重要"空中名片"。 四十年来，上航始终坚持"安全第一"，构建了完善的安全管理体系，培育了"三责四心"的企业安全文 化，保持了40年安全飞行记录。作为责任企业，上航在抗震救灾、服务重大国际赛事、保障世博会以及 进博会等重要运输中挺身而出，用实际行动诠释服务社会的责任和担当。 上航成立初期，使用二手波音 707 客机开航起步 上航在国内首家开通 " 上海 — 马赛 " ，连接中法两国的姐妹城市、 " 国歌之城 " （本文图片均由东航提 供） 面向未来， ...

（来源：上观新闻） 兵马未动，粮草先行——明年剧目还未开排，但是剧本、选题、项目已了然于心。音乐剧、话剧领先全 国，沪剧观众广大的上海民营院团在上海市演出行业协会的召集下，日前召开"2026年度上海民营院团 创作题材规划座谈会"。聚焦"凡人微光"的现实主义题材，在民营院团的艺术加工下会"燃"成史诗奇 幻，还有项目期待"出海"。 《加勒比海盗3》里的中国女性故事恢复"原貌" 上海民营院团拥有代表中国原创音乐剧编创水平最高的导演之一——徐俊。他的代表作、音乐剧《赵氏 孤儿》是同类型剧目中口碑最佳的"中国原创"。明年5月，他将推出一部既扎根海洋文明又充满冒险精 神且赞美中国女性的史诗奇幻制作——音乐剧《她的海》。这部音乐剧的故事，挖掘了电影《加勒比海 盗3》中的一位中国女海盗"清夫人"的真人真事，其原型为疍家人、海盗女王石香姑。疍家文化的代表 有妈祖信仰、渔歌、送王船等，其中送王船已被列入联合国教科文组织人类非物质文化遗产代表作名 录。 《加勒比海盗3》中的清夫人 海派话剧《小花园电话亭》聚焦银发、酝酿巡演 渔民出身的石香姑嫁给海盗头目郑毅后，帮助丈夫及其养子张保仔，壮大海盗团队，且只劫掠外国船 只，最强盛时期打败 ...

展览策展人、上海博物馆工艺研究部研究馆员于颖介绍，旗袍廓形、款式的基因元素是多元的，其 中既有汉满融合的女性襦裙或男性长衫，也包含配搭的背心；以及御寒棉袍与坎肩的组合款式，甚至还 受西式"一片式"的礼服裙或舞裙款式的影响。在1935年左右，还出现"祺袍""褀袍"等不同写法，但大家 已经习惯了"旗袍"。 记者 钟菡 "摩登华影：海派旗袍与百年时尚"展布展已近尾声，将于下周在上海博物馆开幕。昨天，记者提前 进入展厅探班。 此次展览以"摩登浪潮"为经、"无界美学"为纬，探寻其背后深厚的文化底蕴和魔幻的时代变迁，汇 集了自1910年代起，跨度超一个世纪的海派旗袍及各类时尚珍品，共计近300件/组展品。展品主要来自 贝洽的捐赠与张信哲的收藏，以及上海市历史博物馆（上海革命历史博物馆）、上海宋庆龄故居纪念 馆、上海汽车博物馆的馆藏和克里斯汀·迪奥、香奈儿、古驰、老凤祥等国内外著名时尚品牌的典藏。 张信哲表示，此次展出的这些旗袍他每一件都推荐，因为每件都是他的"心头好"。回顾自己几十年 收藏之路，他觉得可以从藏品中获得生活中的艺术和美，也可以启发音乐上的灵感。 海派旗袍核心不变的是中国传统的立领、斜襟、收腰，"之前也流行过 ...

Core Insights - The exhibition titled "Echoes of the Past: Portraits of Modern Scholars and Haipai Culture from Zhang Wei's Collection" will take place from November 12 to 17 at the New Poly Plaza, showcasing a selection of modern literature and artifacts curated by researcher Zhang Wei [1][2] - The exhibition focuses on the intersection of scholarly history and Haipai culture, presenting a multifaceted view of the cultural ecology from the Republic of China to the early years of New China [1] Summary by Categories Exhibition Overview - The exhibition is free to the public and aims to provide scholars and enthusiasts with an opportunity to engage closely with historical documents [2] - It will feature four core sections: scholar correspondence postcards, new literature and literature from the "Seventeen Years," folk art literature, and film publications [1] Scholar Correspondence - The first section includes postcards and letters from prominent scholars such as Chen Yinke, Cai Yuanpei, Hu Shi, and Chen Jie, offering firsthand materials for studying modern academic networks and intellectual dynamics [1] Literature - The second section showcases books from the new literature movement and the "Seventeen Years," including classic works by authors like Lu Xun and Xu Zhimo, as well as early examples of red literature, illustrating the evolution of literary thought [1] Folk Art - The third section presents folk art literature, featuring detailed patterns from small schoolyard New Year paintings and the commercial aesthetics of Republic-era monthly calendars, reflecting the aesthetic preferences of Haipai urban culture [1] Film Publications - The fourth section documents early Chinese cinema through scripts and theater advertisements, capturing the creative ecology and popular entertainment landscape of the time [1]

Core Insights - The event focused on the theme of "New Haipai Youth Art Coordinates," emphasizing the importance of Haipai culture's inheritance and innovation in the context of contemporary art [1][2] Group 1: Haipai Culture and Art Innovation - Pan Gongkai, Dean of the School of Arts at Fudan University, highlighted the need for Shanghai's art development to adhere to the essence of Haipai culture, emphasizing "fashion" and "experimentation" as key elements [1] - He stressed the importance of integrating international art trends while drawing inspiration from traditional art to create contemporary art with Chinese characteristics [1] Group 2: Youth Talent Development - Wang Peiyu, a renowned Peking opera performer, called for a supportive environment for young artists, advocating for diverse evaluation standards and a focus on long-term development rather than just "genius narratives" [2] - Gong Yan, Director of the Shanghai Contemporary Art Museum, shared experiences of empowering youth in urban cultural development through various projects that connect young artists with the public [2] Group 3: Cultural Exchange and Global Integration - Wang Tao, Director of the Asian Art Department at the Art Institute of Chicago, discussed the role of museums in cross-cultural art dissemination, emphasizing the need for international cooperation to expand artistic boundaries [1] - He proposed that Eastern art should transcend regional and cultural limitations to integrate more deeply into the global contemporary art scene [1] Group 4: Youth Art Exhibition - The 18th Shanghai Youth Art Exhibition awarded 18 outstanding works from a total of 4,060 submissions, with the theme "Machine·Intelligence" [3] - The event was co-hosted by the Shanghai Municipal Committee of the Communist Party of China and the Liberation Daily, with live coverage by various media platforms [3]

Core Points - The Shanghai Helong Art Museum's new building has opened, adding a cultural landmark in the Qingpu District [1] - The inaugural exhibition, "Wonders of Haipai Art: The First Haipai Art Series Exhibition," showcases significant works from modern Haipai masters [1] Summary by Sections Museum Overview - Established in 2016, the Shanghai Helong Art Museum focuses on collecting works from renowned Haipai artists, with over 300 pieces including works by Zhang Daqian, Lin Fengmian, and others [1] - The new museum features four exhibition areas, including a special gallery for Qing Dynasty lacquerware with over 20 precious pieces from the Qianlong era [1] Architectural Design - The new building is characterized by a modern design using exposed concrete and glass curtain walls, creating an airy and artistic atmosphere [1] - Each exhibition hall has a height of over 7 meters, allowing for large-scale artworks to be displayed prominently [1] Cultural Activities - The museum plans to host various cultural activities, including art appreciation lectures and educational courses, focusing on Jiangnan culture, Haipai culture, and intangible cultural heritage [1] - The museum is open to the public for free, aiming to integrate Haipai art into daily life and encourage community engagement [1]

Core Viewpoint - Huangpu District is recognized as the heart of Shanghai, serving as its political, economic, and cultural center, with a rich historical background and evolving administrative boundaries since its establishment in 1945 [1][2][3]. Historical Context - Huangpu District has undergone several administrative changes, including the merging of various areas and the establishment of a stable district boundary in 1992, which includes notable locations like People's Square and Nanjing East Road [2][3]. - The district's historical significance is highlighted by its transformation from a collection of different areas into a cohesive urban center, with a notable past involving various cultural and social dynamics [4][5]. Architectural Significance - The "Second Facade of the Bund" refers to a collection of approximately 140 historical buildings along the Huangpu River, showcasing architectural beauty and historical depth [6][7]. - Notable buildings include the former Shanghai Customs House and the original site of the Central Bank of China, which reflect the financial and political history of Shanghai [14][15]. Cultural Heritage - The Yangtze Hotel, established in 1933, is recognized as a historical hotel with significant cultural ties, having hosted numerous celebrities and political figures throughout its history [20][21]. - The area around Hankou Road is rich in historical narratives, serving as a hub for the press and various political activities during the early 20th century [17][25]. Modern Developments - The renovation of the Old Municipal Government Building aims to restore its historical integrity and enhance its status as a cultural and commercial landmark in Shanghai [16][27]. - The ongoing evolution of Hankou Road reflects a blend of historical and contemporary urban life, with diverse businesses and cultural activities coexisting [26].