本报讯 1月7日，儋州市公安局发布通报，对中侨长盛影业有限公司及关联企业涉嫌非法吸收公众存款 案开展侦查工作，呼吁相关集资参与人限期报案登记。 通报称，经查，中侨长盛影业有限公司伙同中侨基业文化集团有限公司等关联企业，以投资《流浪地球 2》《独行月球》《长津湖之水门桥》等热门电影项目、承诺保本付息为诱饵，向社会公众非法吸收资 金，其行为已涉嫌非法吸收公众存款罪。 为全面查清案件事实、最大限度挽回群众损失，警方提醒尚未报案的集资参与人，需在通告发布之日起 30日内，携带本人身份证、电影收益权认购协议、银行交易明细等材料的原件及复印件，前往儋州市公 安局环新英湾公安分局刑事侦查大队办理报案登记。 报案咨询可联系陈警官（0898-31559743）、刘警官（0898-31559755）。 记者 畅凯 警方强调，将严格依法办理案件，保障集资参与人的合法权益。同时呼吁相关人员积极配合调查，如实 反映情况，不信谣、不造谣，通过法律途径理性表达诉求。对散布谣言、寻衅滋事等扰乱社会秩序的行 为，警方将依法追究责任。 ...

Core Insights - The 2025 Global Cultural IP Industry Development Conference was held in Shanghai, focusing on the theme "IP Without Boundaries: Intelligent Creation for the Future - Global Exploration of Cultural IP and Technology Integration" [3][8] - The conference highlighted the dual wave of cross-industry integration and technological empowerment in the global cultural IP industry, emphasizing the role of film IP as a core vehicle for cultural dissemination [3][8] Industry Trends - The global film box office is projected to reach $27.8 billion in 2024, which is only 1/10 of the $369.6 billion film IP licensing market, indicating significant potential for full-chain IP development [3][8] - AI and virtual filming technologies are breaking creative boundaries, injecting new momentum into film IP development, with AI participating deeply in the entire film production process [4][9] Chinese Market Insights - The Chinese film market is expected to surpass $50 billion in box office revenue by 2025, maintaining the largest cinema scale and number of screens globally [4][9] - Despite its size, the influence of Chinese films in overseas markets remains limited, with many films' international box office not matching China's status as a film powerhouse [4][9] Global Collaboration - The concept of a "Symbiotic IP Ecosystem" was proposed, emphasizing the need for collaboration to evolve from mere copyright transactions to full-process co-creation [5][10] - Successful global IP must transcend cultural differences and resonate with universal human emotions, as exemplified by films like "Coco" [5][10] Future Directions - The integration of technology, cultural warmth, local wisdom, and a global perspective is essential for IPs to stand out in the global market [5][10] - AI technology is reducing the cost of derivative product development and activating the long-tail effect of IP, facilitating a shift from reliance on physical assets to digital assets and smart experiences in the film and tourism sectors [5][10]

12月31日，临河里街道、中仓街道等5个街道及乡镇的市民活动中心，将放映《人生路不熟》《送你一朵小红花》 等温情影片。 2026年1月1日至3日，远洋乐堤港B1层公益影厅每日放映《流浪地球2》《潜艇总动员：寻龙》等影片，凭观影凭 证可享商户饮品折扣、线上小程序优惠。 新京报讯 据"北京通州发布"微信公众号消息，新年脚步渐近，通州区元旦文化活动已准备就绪，不仅有多家影院 推出通宵放映、互动抽奖等跨年专属活动，还有覆盖商圈、书店、社区的公益电影放映。 通州区6家影院筹备跨年活动，为市民打造沉浸式迎新体验。 首都电影院（城市副中心店）12月31日营业至次日凌晨5点，除特惠贺岁电影连映外，还推出科学秀互动、亲子跳 蚤市场、新年音乐会、跨年脱口秀等活动。 万象影城（北京通州万象汇杜比巨幕店）设零点跨年场，凭票根可参与抽奖，有电影票、电影周边等礼品。 万达影城、大稿国际影城、银兴万达影城均营业至次日凌晨2点，设置多场跨年连映场。银兴万达影城同步开展电 影周边主题市集。 博纳天时影院则根据当日影片排期，计划放映零点跨年场，满足不同观众的观影需求。 此外，2025年12月31日至2026年1月3日，"光影贺岁·乐享元旦"运河 ...

Core Insights - The integration of cultural industries with advanced technology is a new trend driven by the digital economy, with the Wuxi National Digital Film Industry Park emerging as a key representative in Jiangsu's cultural industry landscape [1][2] - The park has established itself as a national-level park co-built by the government and provinces, achieving significant development speed and quality during the 14th Five-Year Plan period [1] - The park has built China's first 5G smart virtual photography joint laboratory and houses over 800 film and related industry enterprises, contributing to the production of over a thousand films [1] Industry Development - The park's annual output value is projected to exceed 8 billion yuan, with 343 film project applications and 315 productions planned for 2024, positioning it as a core engine for the digital film industry in the Yangtze River Delta [1] - The continuous rise in industry strength has led to the creation of critically acclaimed films, showcasing the park's content creation capabilities and the city's dedication to film art [2] - The digital film industry cluster, supported by advanced technology and strong service capabilities, is rapidly emerging, injecting new momentum into Jiangsu's cultural industry for high-quality development [2]

Core Points - The "2025 China Film Week" event opened on the evening of October 20 in Panama City, showcasing multiple Chinese films at the University of Panama cinema [1][3] - The event aims to provide cultural insights into contemporary China through various film genres, including science fiction, drama, and comedy [1] - The film "Hot-Blooded" was screened at the opening, telling the story of a young woman who regains her passion for life through boxing training [3] Summary by Category Event Overview - The "2025 China Film Week" is co-hosted by the Chinese Embassy in Panama and the University of Panama cinema, running until October 24 [1][3] - A total of six Chinese films will be showcased, including "The Wandering Earth 2," "Eight Corner Cage," and "Fengshen Part 1: Chaos in Chao Ge" [1][3] Audience Reception - Roberto King, the cinema manager, emphasized the importance of cultural diversity and described Chinese films as a significant cultural addition [3] - Juan Cavallero, a student at the University of Panama, expressed that "Hot-Blooded" was powerful and moving, indicating a desire for more Chinese films to be screened in Panama [3]

Core Insights - The animation film market in China is rapidly evolving, with over 50 domestic and foreign films expected to be released by 2025, highlighting the growing popularity and acceptance of animated films among audiences [1][3][12] - The film industry is experiencing a shift towards integrating technology and cross-disciplinary talent, which is essential for meeting the changing demands of viewers and enhancing the quality of productions [10][20][22] Industry Trends - The increasing number of animated films, such as "Wang Wang Mountain Little Monster," which has grossed over 1.6 billion yuan, indicates a richer and higher-quality market for animation [1][3] - Filmmakers are now required to connect more deeply with audiences by addressing contemporary issues and trends in their storytelling [3][12] - The film industry is seeing an influx of cross-disciplinary talent, including scientific consultants, to enhance the quality and appeal of films [10][12][22] Talent Development - There is a growing need for filmmakers to continuously learn and adapt to new technologies and audience expectations, which are becoming more complex and sophisticated [5][12] - Educational institutions are responding to industry changes by establishing new programs focused on integrating technology with artistic expression, such as artificial intelligence and virtual reality [18][20] - The film industry is moving towards a model that emphasizes the importance of understanding both the artistic and technological aspects of filmmaking, requiring a new generation of talent [15][17][20] Market Dynamics - The film investment landscape is shifting from a focus on box office revenue to a broader value development approach, necessitating investors to have a comprehensive understanding of both film and technology [12][15] - The integration of digital technologies like AI, VR, and big data is transforming the entire film production process, leading to innovative storytelling and enhanced viewer experiences [20][22] - The film industry is evolving into a collaborative ecosystem, where talents from various sectors, including gaming and internet, are contributing to the creation of immersive and engaging cinematic experiences [22][23]

Group 1 - The core viewpoint of the article highlights the fruitful cooperation in the film industry among the member countries of the Shanghai Cooperation Organization (SCO), with significant box office achievements and cultural exchanges [1][3]. Group 2 - A total of 43 Indian films and 47 Russian films have been introduced to China, with 10 Indian films achieving over 100 million yuan in box office revenue, including "Dangal," which grossed nearly 1.3 billion yuan in China, surpassing its performance in India [3][5]. - Films from other SCO countries, such as Kazakhstan's "Divorce" and Kyrgyzstan's "Black, Red, Yellow," have also received recognition at the Shanghai International Film Festival, winning the Golden Goblet Award for Best Film [5]. Group 3 - Chinese films like "Ne Zha" and "The Wandering Earth 2" have successfully entered international markets, serving as important windows for SCO countries to understand Chinese culture and aesthetics [5][7]. - The Chinese film industry has seen significant growth, with "Ne Zha" breaking global box office records for animated films, indicating a strong potential for future collaborations with SCO countries [7]. Group 4 - China has signed film co-production or cooperation agreements with eight out of the nine SCO member countries, with two of the five cross-border co-productions initiated this year being collaborations with SCO members, specifically Belarus and Uzbekistan [9].

Core Viewpoint - The 2025 China Film Festival has opened in Botswana's capital, Gaborone, to celebrate the 50th anniversary of diplomatic relations between China and Botswana, as well as the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War [1] Group 1 - The festival is organized by the Chinese Embassy in Botswana and the National Film Administration of China, with the China Film Archive as the executor [1] - A total of 8 films will be screened during the festival, including the opening film "The Wandering Earth 2" [1] - Special events will be held on August 29 to commemorate the 80th anniversary of the victory in the Anti-Japanese War, featuring films such as "My Father and Me" and the documentary "The Sinking of the Lisbon Maru" [1] Group 2 - The event marks the first time a China Film Festival is held in Botswana, aimed at showcasing excellent Chinese films and enhancing mutual understanding [1] - Nearly 200 attendees participated in the opening ceremony, including Botswana's Deputy Speaker of Parliament, representatives from diplomatic missions, university students, and members of the Chinese community in Botswana [1]

Core Insights - The article highlights the emergence of Yichuang Town as a cultural and creative hub in China, particularly in the animation and film industry, with significant contributions from local companies [5][9][10] - The success of the animated film "Wang Wang Mountain Little Monster," which grossed over 200 million yuan within three days of release, exemplifies the thriving creative ecosystem in Yichuang Town [5][6] Group 1: Industry Achievements - Yichuang Town has produced several blockbuster projects, including "Nezha 2" and "The Wandering Earth 2," showcasing its capability in animation and film production [5][7] - The town is home to key industry players such as CCTV Film Channel Hangzhou Base and various animation companies, contributing to its reputation as a cultural highland [5][7] Group 2: Collaborative Ecosystem - The establishment of an "IP Mutual Aid Community" fosters collaboration among companies, leading to the co-creation of successful projects and a vibrant creative atmosphere [6][8] - The success of "Wang Wang Mountain Little Monster" has spurred demand for related merchandise, such as the "Little Pig Demon" toys, which have sold over 30,000 units [8] Group 3: Government Support - The local government has implemented policies to support cultural projects, providing over 21 million yuan in funding to more than 140 cultural enterprises [9] - Initiatives like the "Yichuang Government Market" facilitate administrative services and support for businesses, enhancing the operational environment for creative companies [9] Group 4: Future Prospects - Yichuang Town aims to continue its focus on integrating technology and art, leveraging local educational resources to foster innovation in the cultural sector [10] - The town is set to expand its influence in the micro-short film industry, aiming to become a nationally recognized center for cultural and creative industries [10]

Core Viewpoint - The film "East Extreme Island" has significantly underperformed at the box office, with initial projections of nearly 1 billion yuan now revised down to only 400 million yuan, indicating a major financial disappointment for a high-budget production [1][22]. Group 1: Box Office Performance - The film opened on August 8 and grossed over 200 million yuan in its first three days, but has only reached slightly over 300 million yuan after more than half a month [1]. - The total box office forecast has been drastically reduced to just 400 million yuan, which is disappointing given the film's extensive production time and investment [1][22]. Group 2: Critical Reception - The film has received poor reviews, with many long reviews on Douban rating it only one or two stars, suggesting a low likelihood of achieving a favorable score [3]. - In contrast, several other films released during the same summer season have received high ratings, with five films scoring above 8 on Douban, indicating a competitive landscape [3][9]. Group 3: Production Quality and Direction - Despite being considered a passable commercial film in terms of production quality, story, and performances, "East Extreme Island" is viewed as a significant failure when compared to the works of its director, Guan Hu, and other contemporary directors [4][5][6]. - The film's narrative choices, including the fictionalization of historical events and character development, have been criticized for lacking depth and failing to resonate with audiences [18][19]. Group 4: Industry Context - The film is part of a larger trend where many films under the "Alibaba Pictures Chinese Blockbuster" label have also underperformed, leading to a pessimistic outlook on the future of Chinese industrial blockbusters [22][23]. - The industry has seen a mix of high-quality productions and disappointing box office results, with only a few films like "The Wandering Earth 2" achieving profitability [25][27]. Group 5: Future Prospects - Upcoming films in the next two years, including those directed by well-known filmmakers, are expected to have significant box office potential, which could help restore confidence in the industry [29][30]. - The success of these films could positively impact the film industry, boosting morale and encouraging further investment in high-quality productions [29][31].