陈彦先生的最新长篇小说《人间广厦》，写的是分房，或者说是一场惊心动魄的"战争"。作者借一栋三 十层的高楼，搭了个戏台，让"西京文化艺术研究院"的各色人等轮番登场，唱了一出关于欲望、坚守、 体面与苟且的人间大戏。陈彦最厉害的地方，就是在"分房"里塞进了秦腔、面花、民歌、涂鸦、考古、 书画，让柴米油盐的算计撞上琴棋书画的清雅，撞出了最真实的人性火花，也撞出了"安居"不只是有房 住，更是心有归处的深层叩问。 小说第一章标题"分房是一场战争"——懂的都懂。快退休的院长满庭芳，本想平稳着陆，却被上头逼着 必须在退休前把分房事了了。这个研究院说是"文化航母"，其实是好几家破落户凑一块儿——戏曲研究 所、民俗所、美术书法印社，还有个西秦腔传习所，一百七十九号人，鱼龙混杂。为了多分一套房，单 位里突然冒出来几十个离婚的，真假难辨；退休的老干部拿着功劳簿堵门，青年骨干举着学历职称要政 策，连边缘部门的职工都来"逼宫"。小说中分房名单一榜二榜出台后，有人直接一命呜呼，其子到单位 设灵堂大闹，又从老满办公室窗户一跃而下。 陈彦延续了《装台》《主角》《星空与半棵树》的现实主义路子，却又写出了新花样，其中，刁顺子、 忆秦娥、胡三元、温 ...

▌雷焕 陈彦先生的最新长篇小说《人间广厦》，写的是分房，或者说是一场惊心动魄的"战争"。作者借一栋三 十层的高楼，搭了个戏台，让"西京文化艺术研究院"的各色人等轮番登场，唱了一出关于欲望、坚守、 体面与苟且的人间大戏。陈彦最厉害的地方，就是在"分房"里塞进了秦腔、面花、民歌、涂鸦、考古、 书画，让柴米油盐的算计撞上琴棋书画的清雅，撞出了最真实的人性火花，也撞出了"安居"不只是有房 住，更是心有归处的深层叩问。 副院长应天长，那就是个典型的投机分子，满脑子想的都是算计，分房这事儿在他眼里就是个夺权的工 具。他表面上对满庭芳客客气气，背地里却煽风点火，总想给他的小圈子里的人多分房。他身边的盖天 旗，见了应天长点头哈腰，见了普通职工耀武扬威，跟着应天长后面干了不少缺德事儿，俩人一唱一 和，把单位搅得乌烟瘴气。盖天旗的丑事暴露，作为主子他极力灭火试图掩盖，他在学术调研报告上弄 虚作假，结果可想而知。陈彦没把他们写成脸谱化的坏人，而是通过细节展现他们的贪婪和虚伪。 面花大师喜春来和民歌大王贺新郎，是书中的一股清流。喜春来专注于面花手艺，手指巧得能把面团变 成花，不管单位里闹得多凶，他该做面花还是做面花，开始分房名单上有 ...

应我的邀请，华东师范大学紫江学者、历史系教授、博士生导师许纪霖于近日到国华合悦家养老社区， 进行了一场"活力长者的精神家园"的讨论。他的诸多见解与我近年来深耕养老领域的实践感悟不谋而 合，令人深感共鸣。 在征得许教授的同意后，我把我们本次讨论的核心观点整理成文，和读者分享。 打破刻板印象：长者本有活力，需空间唤醒 谈及"活力长者"这一概念，许教授直言其精准捕捉了老年人的真实状态，更戳中了时代发展下老年群体 的核心需求。在大众固有认知中，长者往往与衰老、沉寂绑定，仿佛晚年便是生命走向落幕的过程， 是"等待时光流逝"的阶段。但许教授却提出了截然相反的观察："今天最有活力的就是老年人，他们生 气勃勃，自身蕴藏着充沛的内在动力。" 让不同个性、不同追求的老年人都能找到契合自己的"精神家园"。 对此，我深表认同。在与众多长者及其家人的沟通中，我发现越来越多的人开始意识到，晚年的幸福并 非缘于财富的积累，而是来自生活品质的提升与心灵的安宁。许教授所说的"对自己好"，核心是选择一 个能让心灵安宁、安身立命的空间，这与我们倡导的养老理念不谋而合——养老不是被动接受照料，而 是主动选择一种更有品质、更有尊严的生活方式。 许教授 ...

Core Viewpoint - The story of Liu Shili, a construction worker who continues to pursue his love for reading despite his challenging circumstances, has resonated deeply with many people, highlighting the importance of perseverance and passion for knowledge in everyday life [4][5][6]. Group 1: Background and Context - Liu Shili, a 58-year-old farmer from Henan, has been working in construction in Beijing while maintaining a strong passion for reading [8][9]. - He has a background as a primary school teacher and has been working away from home to support his family, which includes two married sons and grandchildren [8][9]. Group 2: The Viral Video and Public Reaction - A video capturing Liu Shili's visit to a book signing event went viral, garnering over 100,000 views and prompting emotional responses from viewers who admired his dedication to reading [4][5][6]. - The video showcased a touching interaction between Liu and author Chen Xingjia, who gifted him a book and expressed admiration for his commitment to reading despite his difficult life [5][6]. Group 3: Liu Shili's Reading Habits and Philosophy - Liu Shili views knowledge as a form of wealth, emphasizing the importance of learning skills relevant to his work in construction [10][12]. - He enjoys browsing dictionaries and books related to construction techniques, believing that self-study can be more effective than traditional apprenticeship [11][12]. Group 4: Community Impact and Future Aspirations - The story of Liu Shili has sparked widespread interest, leading to numerous media inquiries and offers of support, although he has declined material assistance, stating he can support himself and his family [12]. - Liu expressed a desire to continue learning, particularly in areas that will enhance his work skills, such as electrical and welding techniques [12].

Group 1 - The history of Chinese gardens dates back to the Shang and Zhou dynasties, evolving from "囿" to "苑囿" during the Spring and Autumn and Warring States periods, incorporating more scenic elements [1] - The peak of garden art was reached during the Ming and Qing dynasties, characterized by grand imperial gardens and intricate private gardens, with theoretical works like "园冶" and "长物志" marking the maturity of Chinese garden art [1] - Chinese gardens uniquely blend nature with culture and philosophy, standing out in global landscaping practices [1] Group 2 - Couplets in gardens reflect cultural origins and the sentiments of ancient scholars, with examples from Suzhou's gardens showcasing the emotional and aesthetic depth of the landscapes [2] - The aesthetic standards of Chinese gardens are deeply rooted in cultural practices, contrasting with Western gardens that favor geometric symmetry; Chinese gardens utilize winding paths and scattered pavilions to create subtle Eastern aesthetics [2] - The philosophy of "though made by man, it seems to arise from nature" highlights the artistic approach in Chinese garden design, emphasizing the beauty of incompleteness [2] Group 3 - Gardens serve as both a retreat from the world and a metaphor for societal engagement, with each landscape representing moral character [3] - The modern desire for "poetic dwelling" persists, as people incorporate contemporary techniques into traditional garden designs, reflecting a return to "slow living" amidst a fast-paced lifestyle [3]