一谈到记忆，有很多朋友会有类似的感受： 昨天晚上吃了什么，干了什么，完全断片了。 …… 我也如此。就在此刻，我发现书桌上放着一听刚打开的可乐，却丝毫回忆不起来自己什么时候把它从冰箱里拿出来的——莫不是「田螺姑娘」吧？怎么可 能！我该不是得了阿兹海默症吧？！ 先别急着担心。这不代表你的大脑生病了，也不一定是衰老的表现。所谓的记性不好、健忘，往往是因为我们误解了大脑的运行机制，把它的正常功能当 成了 Bug。为了解决这类日常健忘问题去练「记忆宫殿」这种复杂的助记术，往往是杀鸡用牛刀，很难坚持也没必要。 相比之下，了解大脑的工作原理、调节你的思考方式和生活习惯，才是更轻松更有效的解决方案。 现象一：转头就忘——我刚刚要干什么来着？ 很多人都有「转头就忘」的感受：打开手机，本来只想看一眼天气或查一下快递进度，结果看到有微信提醒，就点进去看了一眼。短短几秒的工夫，等你 退回主屏幕时就会陷入恍惚：我刚才解锁手机，是要干嘛来着？ 我这几年的记性真是越来越差了。 上一秒打开手机，下一秒就不知道该做什么了。 怎么回事？我是什么时候下单的这个快递？一点印象都没有…… 这不是手机普及以后才出现的问题。类似现象一直就有，心理学上有个 ...

Core Insights - The Chinese AI market is expected to be highly competitive in 2026, with major players like Alibaba, Tencent, and ByteDance vying for dominance [2][58] - Alibaba's strategic investment in "Qianwen" and Tencent's aggressive marketing tactics, such as distributing "Yuanbao red envelopes," are significant moves in this competitive landscape [2][58] - ByteDance is positioned as a formidable competitor, having established a leading presence in the AI to consumer (AI To C) market and holding substantial user traffic [2][58] Group 1: Competitive Landscape - The competition in the AI sector is likened to previous major battles in ride-hailing, payments, and food delivery, indicating its critical importance [3][58] - The "AI Six Tigers" have reached a pivotal moment with recent IPOs and funding rounds, necessitating a focus on self-sustainability and differentiation in their business models [3][59] - The urgency for these companies to find unique commercial paths is emphasized, as the current market lacks mature business models [4][60] Group 2: Business Models and Commercialization - Various business models are emerging, including subscription and advertising for consumer services, API sales for businesses, and performance-based pricing [4][60] - The AI application space is seen as the most promising for startups, with aspirations to achieve significant revenue and acquisition by larger firms [4][60] - The current state of AI commercialization is still in exploration, with no single model deemed fully mature yet [4][60] Group 3: Company Strategies - ByteDance's decision to prioritize multi-modal capabilities and its recruitment of top talent are crucial for maintaining its competitive edge [6][64] - Alibaba's "Qianwen" aims to serve as both a consumer-facing AI entry point and a foundational AI capability platform for its diverse business units [10][69] - Tencent's strategy involves refining its product offerings and clarifying the roles of its various platforms, such as WeChat and Yuanbao, to enhance user experience [13][75] Group 4: Future Trends and Challenges - The AI market is expected to see significant growth, with opportunities for new entrants to carve out niches in vertical markets [29][31] - The need for companies to adapt quickly to user demands and iterate on their products is highlighted as a key factor for success [11][70] - The integration of AI capabilities into existing services and the development of personalized user experiences are critical challenges for all major players [18][78]

（来源：上观新闻） 一个人的经历藏在他的记忆里，而记忆是无法被看见的，作为记忆载体的照片、日记、书信就经常代表 记忆来发言，因为它们可以被看见，可以拿出来说事儿。它们都与记忆有关，但它们都不是记忆本身， 充其量只是记忆的替身。一个人的经历永远贮存于他自己的脑子里，是完整的、鲜活的、流动的、与情 感血肉相连的。一个人的生命记忆不需要照片、日记、书信这些物证来证明，这些物证只能配合我们重 温往事，但真正的记忆不需要证明。 记忆，是个体的生动回想。王蒙先生在小说《青春万岁》序诗中写："所有的日子都来吧，让我编织你 们，用青春的金线，和幸福的璎珞，编织你们。"年轻的时候，我们有太多的"明天"，所以要把所有接 踵而至的日子编织起来，美丽如画，这是一个年轻人对未来的期待与梦想。但编织完了呢？王蒙在序诗 结尾说："有一天，擦完了枪，擦完了机器，擦完了汗，我想念你们，招呼你们，并且怀着骄傲，注视 你们。"原来编织是为了想念，为了注视。所有经历过的那些零散的岁月，最终都将被记忆纳入它的大 叙事中，留待将来的想念、召唤与注视。十九岁的王蒙，写得真好。 假如一个人失忆了，生病了，甚至死了呢？他经历的一切都被那失去的记忆裹挟走了，像 ...

（原标题：娜布其和汉克·维奇 双个展 "玩具和低语声"） 娜布其于2013年毕业于中央美术学院。她曾参加多个重要国际展览，包括：「玩具和低语声」，娜布其 和汉克·维奇双个展（CLC画廊，北京，2025）；「目：中国新一代的艺术家们」，（蓬皮杜艺术中 心，巴黎，2024）；「娜布其：关于一片无水之海的地理诗学」，（马凌画廊，香港，2024）；「娜布 其：绿幕游戏」（木木美术馆，北京，2024）；「一切都回到了开始的地方」，(西岸美术馆，上海， 2022）；「镜像：中国身份的转变」，(亚洲协会博物馆，纽约，2022）；「摸着石头过河：第 一届迪 里耶双年展」（2021）；「暗光」，（昊美术馆，上海，2020）；「格物致知。或一则关于喷泉，砖， 锑，硬币，蜡，石头，贝壳，窗帘和人的故事」，（广东时代美术馆，广东，2020）；第58届威尼斯双 年展「愿你生活在有趣的时代」(2019）；「寒夜」，(UCCA当代艺术中心，北京，2017）；「缺失的 段落」，（Museum Beelden aan Zee， 海牙，2017）；「球场」(中央美术学院美术馆，北京， 2017）；第十一届上海双年展「何不再问？正辩，反辩，故事」 ...