历经一个多月的火热征集，第六届"童心绘安全 筑梦话平安"杭州市青少年主题绘画比赛初评工作 圆满落幕。1688幅画作充满童真与想象力，不仅数量较去年增加561件，整体创作水平也再上新台 阶。"不少作品对'平安'主题的深入理解、精准表达，令人惊喜。"大赛评审表示。 六载精心耕耘，"童心绘安全 筑梦话平安"绘画比赛已成为颇具影响力的青少年美育平台。本届大 赛影响力继续扩大，参赛范围从杭州扩展至省内其他地区，甚至成都、银川等省外城市。除了个人创作 者，更有106所学校与艺术机构集体报名，共同绘就"平安"长卷。 今年大赛，小学组收到1292件作品，中学组与幼儿组共有396件作品。杭州青少年活动中心美术部 专家团队受邀进行初评，最终494件优秀作品成功进入终评。 随着赛事宣传与引导不断深化，"平安"这一主题在孩子们笔下越发具象且多彩。今年，围绕"有纠 纷，找调解、到综治中心"和"人人讲安全、个个会应急，人人能自救、个个会逃生，查找身边安全隐 患"的比赛主题，小画家们以天马行空的构思，创作出一幅幅颇具童趣的作品。 "作品巧妙融入了梅花、松树、如意等传统吉祥符号，以及彩带、烟花、烛光等节日元素，用画笔 诠释对平安喜乐的向往， ...

11月22日，由南京师范大学音乐学院主办的"二十届四中全会精神指引下艺术学科集群战略咨询会暨数 智时代艺术学科建设高质量发展大会"在南京师范大学随园校区隆重举行。 南京师范大学校长华桂宏、教育部思政司原一级巡视员、中国教育发展战略协会常务理事俞亚东、中国 文联副主席、中国音乐家协会主席叶小纲等领导与专家出席开幕式。来自中央音乐学院、北京电影学 院、上海音乐学院、中国音乐学院、北京舞蹈学院、中国传媒大学、中国艺术研究院、中国社会科学 院、清华大学、浙江大学、上海交通大学、南京大学、东南大学、厦门大学、四川大学、南京艺术学 院、北京师范大学、浙江师范大学、郑州大学、首都师范大学、福建师范大学、江苏省音乐家协会、江 苏省文化艺术研究院、澳门科技大学、国际说唱艺术联盟的数十位知名学者齐聚金陵。 本次大会以"数智赋能·集群协同：新时代艺术学科高质量发展战略研讨会"为主题，聚焦数智时代艺术 学科发展的核心命题，围绕艺术学科集群建设的战略路径、本硕博一体化人才培养模式创新、艺术学当 代阐释与批评范式转型等关键议题展开深度交流与跨界对话，旨在凝聚学界共识，共绘艺术学科在数智 时代的创新发展蓝图。 开幕式上，南京师范大学校长华 ...

做好美育工作，弘扬中华美育精神，近年来不仅为国家所重视，亦成为社会关注的热点。今年，"老先 生 新时代"美术作品展走出校园赴各地巡展，《美育大先生》出版并荣获第三十五届"金牛杯"优秀美术 图书·铜奖，中央美术学院不断发扬优良传统、发挥自身优势，为新时代美育注入强劲力量。 中央美术学院的百年发展史，也是一部恢弘厚重的百年美育史。作为知名美术学府，中央美术学院的前 身之一是成立于1918年的国立北京美术学校。彼时，蔡元培先生怀揣"以美育代宗教"的理想，倡导创办 了这座中国历史上第一所官办现代美术学府，开启了中国现代美术教育的新纪元。此后，一代又一代的 央美师生——无论是来自延安鲁艺的革命美术家，还是来自国立北平艺专的美术家，都自觉赓续这一传 统，将个人创作、研究和教学与国家、民族的命运紧密相连。美育的基因与使命深深融入学校血脉，照 亮了每一位师生的心田，指引着他们在各自精彩的艺术人生道路上不断耕耘。 传薪有斯人，"大先生"们便是众多央美教师中的杰出代表，尽管他们有着各不相同的人生经历与艺术成 就，但对国家、民族、时代以及美育事业的责任和热爱，是他们共同的底色。"大先生"们将满腔热忱与 毕生精力都奉献给了祖国的美术 ...

央视网消息：中央美术学院城市设计学院通报：近日，学院关注到网上关于学院学生涉嫌抄袭的举报信息。学院高度重视，积极开展调查核实。 经调查，该生完成的一年级《设计思维与表达2》课程作业，作业19幅构图中的两幅涉嫌未经作者许可，借用他人创作元素，情况属实。经批评教育，该 生已经深刻认识到错误。目前学生奖学金评审正在院系公示阶段，经审查决定该生奖学金公示不予通过。 ...

据悉，未来，南京晓庄学院及新质数媒创意产业学院将秉持"科技赋能、艺术引领、产教融合、服务社会"的宗旨，持续推进艺术教育数字化创新，助力艺 术教育高质量发展。 扬子晚报/紫牛新闻记者王赟 开幕式上，"元宇宙未来艺术与设计产教融合实践基地"揭牌。南京晓庄学院美术学院与南京外国语学校明远小学签署实习实践基地协议，双方积极推动元 宇宙校园2.0项目建设，校企合作与教育实践迈入新阶段。 江苏省科普美术家协会秘书长郑静表示，此次巡展不仅推动了元宇宙艺术普及，也为高校艺术教育创新提供了示范经验，进一步强化了艺术与科技深度融 合的价值。 南京晓庄学院副校长刘光祥在讲话中充分肯定了美术学院在人才培养改革、产教融合及社会服务方面的成就，并对"艺科融合"未来发展提出期望。 近日，"虚实无界.艺科融合"设计学术论坛暨江苏省元宇宙艺术巡展在南京晓庄学院行知当代美术馆开幕。活动旨在推动艺术与科技深度融合，探索元宇 宙技术在艺术创作、教育教学与文化传播中的创新应用，展示AI+艺术最新成果，深化产教融合，打造学术交流与社会服务品牌。 本次巡展汇聚了30余件元宇宙数字艺术作品，通过AR/MR互动体验区、AIGC创作工作坊以及配套科普讲座，呈现 ...

Core Viewpoint - The dance piece "Under the Sun of Maigaiti" has won the 18th Wenhua Program Award, showcasing the vibrant development of cultural arts in Xinjiang and the successful educational practices of art institutions [1]. Group 1: Awards and Recognition - "Under the Sun of Maigaiti" stood out among 428 entries to win the Wenhua Program Award, following its previous success in 2021 when it won the gold medal at the 13th China Dance "Lotus Flower" Award [1]. - The dual recognition of the piece reflects the effectiveness of art education in Xinjiang, with different student performers participating in each award [4]. Group 2: Creative Process and Community Engagement - The creative team engaged deeply with the local community in Maigaiti County, Xinjiang, to capture authentic emotions and expressions, moving away from "ivory tower" creation [2]. - The integration of "Daolang Dance" and Shandong Yangge in the choreography illustrates the happiness of various ethnic groups in Xinjiang, emphasizing cultural exchange and fusion [3]. Group 3: Educational Impact and Artistic Development - The success of "Under the Sun of Maigaiti" is attributed to a robust educational framework that supports organized creative projects, allowing students to refine their skills through various platforms [6]. - The commitment to nurturing artists with strong cultural backgrounds and social responsibility is evident in the institution's mission to produce works that reflect contemporary Chinese values and traditional culture [7].

Core Insights - The article discusses the integration of ideological education into art practice at the Central Academy of Fine Arts, emphasizing the importance of understanding local culture and social conditions through fieldwork [2][10][16] Group 1: Educational Approach - The "Social Practice and Art Investigation" course has a history of over 80 years, with 147 teams and approximately 3,000 students participating in fieldwork across 156 cities and towns this year [2] - The inclusion of ideological education teachers in the fieldwork aims to deepen students' cultural understanding and national insight, transforming traditional art practice into a more meaningful exploration of social issues [2][10] - The course emphasizes the dual core goals of ideological value guidance and artistic professional ability, moving beyond mere observation to a deeper engagement with local communities [10][11] Group 2: Student Experiences - Students initially struggle with the rural environment but gradually find inspiration through interactions with local villagers, leading to a more profound understanding of beauty and culture [3][4][12] - The process of observing and engaging with local life allows students to translate theoretical knowledge into practical artistic expression, enhancing their creative output [15][16] - The experiences in rural settings help students recognize their roles as future artists and contributors to society, fostering a sense of responsibility and connection to their cultural heritage [6][16] Group 3: Cultural Significance - The program encourages students to explore the relationship between traditional culture and modern development, prompting discussions on how to preserve the essence of rural life while promoting innovation [5][10] - Students are guided to create works that reflect the emotional and cultural narratives of ordinary people, emphasizing the importance of grassroots perspectives in artistic creation [6][15] - The initiative aims to cultivate a methodology for observing the world, allowing students to approach their art with a sense of social responsibility and historical awareness [16]

Core Viewpoint - The design of the Shenzhou 21 manned spaceflight mission emblem, created by graduate student Dong Qian from Sichuan Fine Arts Institute, has been officially adopted by the state, showcasing the integration of artistic design into national strategic projects [1][3]. Design Process - The initial design featured dynamic lines and a tilted composition to express the speed of space travel, but was revised to reflect the perspective of an astronaut looking back at the universe from their helmet [3][7]. - The design team shifted focus from traditional spacecraft elements to the astronaut's helmet, emphasizing a human-centered perspective that aligns with the philosophy of human achievement in space exploration [7][8]. - The final design underwent significant adjustments, including a symmetrical layout that conveys a sense of solemnity and stability, with key elements arranged vertically [7][11]. Color and Symbolism - The color scheme includes national flag red and yellow to symbolize national honor, while deep blue represents the vast universe, and white signifies the spacecraft and space station [11]. - The design avoids complex gradients, opting for a flat expression to ensure clarity across various media [11]. Educational Impact - The project highlights the role of Sichuan Fine Arts Institute in contributing to national aerospace initiatives, reinforcing the institution's commitment to producing talent and impactful works [11][15].

Core Viewpoint - The article discusses the systematic deployment of art-driven rural development in China, initiated by Sichuan Fine Arts Institute, highlighting its successful practices and the establishment of a sustainable model for integrating art into rural life and community building [1][2][4]. Group 1: Art and Rural Development Initiatives - The "Art and Beautiful Countryside" work plan (2025-2027) was jointly issued by seven departments of the Central Propaganda Department, aiming to promote art in rural construction across the country [1]. - Sichuan Fine Arts Institute began its art-driven rural development journey in 2012, accumulating replicable experiences through various projects in different regions [1][2]. - The establishment of the Art and Rural Research Institute in 2018 marked a significant step in creating a systematic approach to art in rural development [2]. Group 2: Community Engagement and Trust Building - The most challenging aspect of art-driven rural development is breaking down psychological barriers between artists and villagers to establish genuine emotional connections and trust [3]. - The "art consultation" concept has been implemented, where artists and students live and work closely with villagers, integrating art into daily life and community affairs [3]. Group 3: Sustainable Development and Innovation - To ensure sustainable development, the focus is on maintaining the vitality of art in rural areas even after artists leave, utilizing ceremonial festivals and digital infrastructure to keep the community engaged [4]. - Projects like the "Youyang Rural Art Season" have been created to embed art into agricultural rhythms, fostering new local customs [4]. - The establishment of the "People's Art Co-Creation Society" in Youyang exemplifies a collaborative model that transcends material construction to achieve effective governance through art [4]. Group 4: Long-term Impact and Educational Integration - Over 13 years of exploration, the transformation of art from a mere aesthetic element to a social method that revitalizes rural areas has been observed [4]. - The continuous efforts of art institutions in integrating art education and talent cultivation into the broader rural revitalization process provide ongoing innovative momentum for cultural enrichment [4].

Core Points - The 2025 Beijing International Jewelry Art Exhibition recently debuted at the Wanda Plaza in Beijing, showcasing over 500 jewelry pieces from designers, artists, and practitioners from 17 countries and regions [1][3][5] - The exhibition theme is "Harmony and Coexistence," featuring six exhibition areas including "Digital Domain," "Craft Domain," and "Material Domain" [3] - Accompanying events include the Beijing International Jewelry Art Dynamic Performance, a forum on international jewelry art, and a seminar on international jewelry design education [3] Company and Industry Insights - The "Science, Art, Fashion" festival serves as an important academic and cultural event for Beijing Institute of Fashion Technology, aimed at showcasing educational achievements and promoting academic exchanges [5] - The collaboration with Fengtai District for this exhibition is a significant practice to deepen school-local cooperation and promote cultural exchange [5]