大学期间，诗歌成为我主要的阅读和写作对象。从海子、昌耀的诗歌读起，继而接触北岛、顾城、张枣、洛夫等诗人，他们深深改变了我对诗歌的认知与创 作方向。后来，在本省诗人马丁、韩文德和郭建强老师的影响下，我开始了解国外诗人、阅读国外诗歌：艾略特的深邃、洛尔卡的浪漫、阿多尼斯的哲思、 波德莱尔的反叛、狄金森的细腻……这些文字拓宽了我的视野，也让我得以窥见唐诗宋词之外的异域诗风。2021年9月，我的第一本诗集《出黄河》出版， 这是我对诗歌写作的一次总结，这本诗集见证了我的写作与人生的成长，成为我人生中最绚丽的印记。 作者简介马索里么，青海化隆人，撒拉族，青海省作家协会会员，中国诗歌学会会员。在《诗刊》《青海湖》《雪莲》等刊物发表作品若干。出版有长篇小 说及散文集《西北望》，诗集《出黄河》。 □马索里么 说起写作的初衷，世人总期待有个"高大上"的理由，于我而言，最初提笔不过是为排遣心中烦闷。我的写作始于大学，彼时，离开熟悉的故土，踏入一个全 然陌生的世界，心里总有种说不清的情绪无处排解。一个偶然的机会，写作为我打开了一扇奇异的大门——我发现，文字原来可以安放一个人的孤独。自 此，一首首诗歌成为我表达的方式，将我的思想与情绪 ...

2005年，刘心武站上了百家讲坛的舞台，普罗大众第一次接触到了《红楼梦》的索隐派学说，感受曹雪芹个人的家族兴衰。 时隔20年，中国再次掀起了一股红学热潮，但这一次借着索隐派和短视频的双重东风，《红楼梦》从一部家族兴衰史，变成了所谓的悼明之作。这些内容 与当年的《达芬奇密码》如出一辙：看客们享受的是一种类似于"古董局中局"式的解码快感，并承接了各种隐秘的民族情绪。 《红楼梦》的大火无疑引发了一个老问题：明明位列四大名著榜首，《红楼梦》为何一直没有得到很好的影视化改编呢？ 新《三国》里的关羽 相比之下，其价值基底已和原著相差极大的《西游记》，能源源不断地进行IP裂变，即使是魔改作品也能被市场接纳。 是的，四大名著在改编难度上存在着一条清晰的"鄙视链"——从T0级别的《西游记》到地狱难度的《红楼梦》。这背后的原因，不仅关乎文学体裁的差 异，更折射出当下观众对历史、英雄以及魔改边界的复杂心态。 #本文已采访三位相关人士，他们也是「娱乐资本论」2025年采访的第597—599位采访对象 在河豚君看来，谜底就在谜面上：正因为《红楼梦》具有极高的文学价值，甚至是索隐价值，受众群体不是人均红学大拿就是人均考证狂魔，所以才不适 ...

2025.12. 16 本文字数：3028，阅读时长大约5分钟 作者 | 第一财经 吴丹 12月15日，演员何晴的告别仪式上，儿子许何一身黑衣、戴着黑口罩，抱着遗像，与众人送别母亲 最后一程。 "我妈妈很喜欢下雪，12月12日（北京）下了今年的第一场雪，我坐在她病床旁，摸着她的脸对她 说，妈，北京下雪了。这场大雪在我心里，好像刻意为她下的一样。"许何在告别仪式上说。 何晴好友六小龄童、翁虹、唐国强等演员送来挽联，与粉丝送来的花圈堆满了走道，不少市民则自发 前去送别。 "只要你记住她，她就永远在。"演员王卫国与何晴既是邻居也是朋友，在何晴生病后的几年，他每次 见到她总是笑吟吟的，心态乐观。 何晴最后一次公开亮相是在2024年的浙江卫视晚会上，当时的她妆容精致、气质恬静，微笑起来还 跟当年一样，完全看不出患病多年。 这些年，久别荧幕的何晴几乎退出公众视野，鲜少露面。直到她去世，人们才知道，早在2015年她 就确诊脑瘤，之后隐退。 好友黄绮珊多年前曾发文为她祈祷，但没人知道何晴患什么病、有多严重。她始终希望以最好的状态 呈现在观众面前，从不向公众透露病情。她曾以为，自己可以像前辈李雪健那样，走过患癌的至暗时 刻，重 ...

中新人物丨何晴，美丽温柔与快意恩仇 中新网北京12月14日电(记者 王昊)伴随着初雪，北京迎来了一次降温，演员何晴去世的消息就在这样冷 冽的天气里传来。12月13日，何晴在北京安然去世，享年61岁。 "天堂多丽色，人间失倩影。"有人这样评价何晴的离开。她在屏幕上的身影印在了几代观众的心中，她 也几乎成为了"古装美人"的代名词。角色带来的标签印在她身上，是她性格的一部分，而在此之外，何 晴还有着人们不熟悉的但同样充满魅力的另一面。 "那小姑娘真好看" 1984年，电视剧《西游记》正在紧张拍摄。猪八戒撞天婚这场戏，三位菩萨的化身中，怜怜的扮演者一 直未能确定。 一次偶然的机会，导演杨洁从北京坐火车到杭州，在火车站，她偶遇了"怜怜"。"猛然看到前面那个车 厢门，我说那小姑娘真好看，真可爱。"杨洁曾如此回忆。 这个"小姑娘"正是何晴。那时的她恰好刚完成一部作品的拍摄，就这样机缘巧合加入了《西游记》剧 组。 多年以后，人们提起何晴，最常说的就是她在四大名著中均贡献了经典的表演。1984年，何晴在《西游 记》中饰演文殊菩萨化身的怜怜；1988年，在电影《红楼梦》里，她演绎了命运坎坷的秦可卿；1993 年，在《三国演义》中 ...

据扬子晚报消息，12月13日，一份家属发布讣告显示，著名演员何晴在北京安然离世，享年61岁。告别 仪式将于2025年12月15号早10点在北京昌平殡仪馆久安厅举行。 何晴以清秀的古典美和温柔恬静的气质，出色地塑造了一系列古典美女的形象，她也是唯一一位演遍"四 大名著"的女演员。 据中 新网，14日，六小龄童对记者表示：何晴是他在浙江昆剧团学员班学艺时的小班同学。何晴深谙昆 曲，会戏甚多。尤其在日后从事的影视艺术中收获颇盛，观众都称她"怜怜姐姐" （央视版《西游记》中 她饰演的角色）。她是唯一演遍"四大名著"的女演 员，成就非凡。"我们永远怀念她。天堂没有病痛，何 晴同学一路走好！" "电影守望者余泳"向记者证实了这一消息，他于社交平台发布何晴的黑白肖像照，并配文"天堂没有病 痛，何晴，大美女，一路走好"，引发网友与演艺圈人士的集体缅怀。余泳透露，何晴生病后一直希望低 调，让大家永远记住她美好的形象。 1964年1月13日，何晴出生于浙江省衢州江山市，从小热爱文艺，13岁进入浙江昆剧团学习昆曲。1983 年，何晴被华山导演选中，在《少林俗家弟子》影片中饰演了一个机智勇敢的少女小琴，从此迈上了演艺 道路。 198 ...

据扬子晚报消息，12月13日，一份家属发布讣告显示，著名演员何晴在北京安然离世，享年61岁。 告别仪式将于2025年12月15号早10点在北京昌平殡仪馆久安厅举行。 1964年1月13日，何晴出生于浙江省衢州江山市，从小热爱文艺，13岁进入浙江昆剧团学习昆曲。 1983年，何晴被华山导演选中，在《少林俗家弟子》影片中饰演了一个机智勇敢的少女小琴，从此 迈上了演艺道路。 "电影守望者余泳"向记者证实了这一消息，他于社交平台发布何晴的黑白肖像照，并配文"天堂没有 病痛，何晴，大美女，一路走好"，引发网友与演艺圈人士的集体缅怀。余泳透露，何晴生病后一直 希望低调，让大家永远记住她美好的形象。 1984年，20岁的何晴偶遇电视剧《西游记》总导演杨洁，被选中扮演《西游记》中灵吉菩萨怜怜。 何晴出场不到10分钟，但她以爽朗的笑声把菩萨化身少女的俏皮可爱表现得淋漓尽致。1988年，她 被电影《红楼梦》的导演谢铁骊选中，在片中饰演多情又不幸的秦可卿；1993年，她在电视剧《三 国演义》里扮演美艳动人的小乔；1996年，她在电视剧《水浒传》中，出演一代名伎李师师 。 何晴以清秀的古典美和温柔恬静的气质，出色地塑造了一系列古典美 ...

Core Insights - The 77th Frankfurt Book Fair showcases a diverse representation of Chinese culture, highlighting traditional philosophy, historical literature, and modern development concepts, attracting significant attention from attendees [1][2][3] Group 1: Traditional Chinese Culture - A large number of translated books focusing on Chinese traditional culture were exhibited, including the Spanish version of "The Wisdom of Daoism: Laozi's Wisdom" and the German version of "Research on Tao Yuanming," showcasing the appeal of Chinese philosophical thought [1] - The "Siming Library," featuring 342 types of literature covering historical documents from Ningbo, received interest from foreign publishers and visitors, emphasizing the significance of local cultural heritage [1] Group 2: Contemporary Chinese Literature and Art - The China Social Sciences Press and Taylor & Francis Group launched four English-language new books, aiming to deepen global understanding of contemporary China's development and theoretical innovations [2] - The original Chinese comic "Canglan Jue" gained popularity among young attendees, and a collaborative ink painting was created by a German high school student and the comic's author, highlighting the depth of Chinese culture and art [2] - A discussion event titled "How Chinese Young Writers Are Seen by the World" featured contemporary Chinese authors engaging with German scholars and audiences, promoting awareness of modern Chinese literature [2]

Core Viewpoint - The article discusses the historical inaccuracies and creative liberties taken in the animated film "The Stars of the Three Kingdoms," particularly regarding the relationship between Emperor Xian of Han and Cao Cao, which may mislead audiences about historical events [4][12][19]. Summary by Sections Historical Context - The film is based on the historical backdrop of the Three Kingdoms period, focusing on the relationship between Cao Cao and Yuan Shao, culminating in the Battle of Guandu [1]. - The narrative introduces the controversial "clothing edict" incident, where Emperor Xian allegedly issued a secret edict to assassinate Cao Cao, which is depicted in a way that suggests a close alliance between the two [4][10]. Analysis of Historical Sources - The article references key historical texts, including "Records of the Three Kingdoms," "Book of the Later Han," "Comprehensive Mirror in Aid of Governance," and "Chronicles of Huayang," to analyze the authenticity of the clothing edict [5][7]. - It highlights that while some texts suggest the edict's existence, others imply it may have been fabricated by Dong Cheng, leading to ambiguity about Emperor Xian's intentions [9][10]. Critique of the Film's Portrayal - The film's portrayal of a close friendship between Emperor Xian and Cao Cao is criticized as historically implausible, given the documented animosity and political tension between them [12][15]. - The article argues that the film's attempt to "whitewash" Cao Cao's character contradicts historical accounts of his violent actions, which have shaped his reputation as a ruthless leader [19]. Implications for Future Productions - The article warns that misrepresenting historical figures can lead to audience dissatisfaction and market rejection, suggesting that creators should approach historical narratives with caution and respect for the source material [20][19].

Core Viewpoint - The emergence of the "weak scholar" reflects a significant manifestation of the "emasculation" of masculinity in pre-modern Chinese literature and society, indicating a complex relationship between gender roles and societal expectations [4][6][9]. Group 1: Representation of Gender in Literature - The portrayal of women in classic Chinese literature often reflects a misogynistic attitude, where female beauty is seen as a corrupting influence on male virtues such as restraint and bravery [1][9]. - Works like "Romance of the Three Kingdoms" and "Water Margin" contain explicit misogynistic themes, with female characters often depicted as catalysts for male conflict and downfall [1][9]. - The "weak scholar" archetype, as analyzed in "The Weak Scholar: Masculinity in Pre-Modern China," suggests that despite the appearance of gender equality in narratives like "The West Chamber," misogyny remains prevalent [4][9]. Group 2: Evolution of Masculinity - The "weak scholar" character, exemplified by Zhang Sheng in "The West Chamber," represents a shift in masculinity that aligns with the Confucian ideal of the gentleman, yet still operates within a patriarchal framework [5][6][9]. - The narrative structure of "The West Chamber" emphasizes the importance of literary achievement over martial prowess, suggesting a cultural valorization of intellect over physical strength [7][8]. - The character's ultimate success is contingent upon traditional markers of masculinity, such as passing the imperial examination and achieving social status, reinforcing the patriarchal hierarchy [6][9]. Group 3: Historical Context - The historical backdrop of the Song and Yuan dynasties contributed to the emergence of the "weak scholar" archetype, as societal shifts and the establishment of the civil service examination system elevated the status of literati [7][10]. - The Mongol rule during the Yuan dynasty created a unique context for the development of male identity, leading to a distinct construction of masculinity that diverged from previous dynasties [7][10]. - The analysis of "The West Chamber" reveals that the interplay of gender roles and societal expectations is deeply rooted in the historical experiences of humiliation and loss faced by the literati [7][10].

Core Viewpoint - The article discusses the varying perceptions and experiences of students regarding the classic Chinese novel "Dream of the Red Chamber" as a recommended reading in high school, highlighting differences based on gender and regional educational practices [2][6][12]. Group 1: Student Experiences - Students' attitudes towards "Dream of the Red Chamber" differ significantly, with boys often favoring action-oriented classics like "Romance of the Three Kingdoms" and girls showing a preference for "Dream of the Red Chamber" due to its nuanced portrayal of female characters [5][6][12]. - In Jiangsu province, "Dream of the Red Chamber" has been included in the high school entrance examination since 2008, leading to a more structured approach to its study compared to other regions where its examination content is less complex [3][7][9]. - The collective reading experience in Jiangsu, where students discussed the novel in class, contrasts with the more isolated study methods in other provinces, affecting their understanding and appreciation of the text [9][12]. Group 2: Character Preferences - Students express diverse preferences for characters in "Dream of the Red Chamber," with some finding deeper connections to characters like Jia Tanchun and Wang Xifeng, reflecting their personal values and life experiences [10][11][12]. - The tragic elements of the characters' fates resonate with students, particularly the sense of struggle against societal constraints, which adds to the novel's appeal [11][12]. Group 3: Cultural Context and Modern Relevance - The article notes that while "Dream of the Red Chamber" remains a staple in literature education, modern distractions such as short videos and games have diminished the reading culture among youth [16][20]. - Despite the challenges of adapting "Dream of the Red Chamber" into contemporary media formats, there is still a significant interest in its themes and characters, indicating its lasting impact on Chinese literature [17][18]. - Students believe that the novel's themes, such as gender roles and familial dynamics, still hold relevance today, allowing for connections to modern societal issues [12][20].