以下文章来源于那个NG ，作者阿珂可 那个NG . 用关注决定视界｜复杂世界的策展人 出品 | 虎嗅青年文化组 作者 | 阿珂可 编辑、题图 | 渣渣郡 本文首发于虎嗅年轻内容公众号"那個NG"（ID：huxiu4youth）。在这里，我们呈现当下年轻人的面貌、故事 和态度。 最近，只要拥有手机的人大概会产生同一个疑惑：吴京，咋又火了啊？ 这位中国队长、最骁勇善战的狼、绿色痛衣推广者，男人中的男人，编外军人，纯血统北京爷们儿，因为尘封 多年的采访语录重新成了为B友们的乐子来源。 之所以会拿他找乐，是因为京子最近遭了难。 新出品的电影《再见，坏蛋》票房惨淡，之前讲话又太狂，一些好事者就开始拿他的经典发言开始做反讽，整 活了。 这次翻红的，是一段2017年《战狼2》上映时央视的旧日采访。 在采访的前半部分，吴京的回答还算中肯。他不仅把电影比作"精神股东们的小火柴"，还谦虚地说："当文化作 品变成一个社会现象的时候，更多的已经是运气。" 到后面的时候却初见端倪。 主持人提问在电影的拍摄中有哪些难点后，吴京先是眯眼，然后开始挥舞签字笔："对于这种国产军事动作类型 片里，我有别人没有拥有过的经验。这份经验，不是拿钱、不 ...

Group 1 - The article discusses the recent resurgence of Wu Jing's popularity due to a viral video from a past interview, highlighting the public's fascination with his persona and statements [1][3][30] - Wu Jing's latest film "Goodbye, Bad Guy" has performed poorly at the box office, leading to public mockery and the revival of his past quotes for comedic effect [3][5] - The article notes that Wu Jing's unique speaking style and confidence contribute to his appeal, despite mixed public reactions to his statements [32][36][40] Group 2 - The article explores the phenomenon of internet culture where Wu Jing's past interviews and performances are reinterpreted and shared widely, creating a new wave of memes and commentary [15][19][21] - It highlights the duality of public perception, where some admire Wu Jing's confidence while others criticize him for being overly self-important [36][42][61] - The discussion extends to broader societal themes, such as the cultural significance of hardship and the perception of success in contemporary China, reflecting on how these themes resonate with audiences [57][64][66]

Core Viewpoint - The article discusses various recent developments in the entertainment, technology, and retail sectors, highlighting both challenges and opportunities for companies involved. Group 1: Entertainment Industry - The film "Goodbye, Bad Egg," produced by Wu Jing, was withdrawn from release after only six days, earning a mere 26.7 thousand yuan at the box office [2][3] - The total box office revenue for the film was only 25.4 thousand yuan after distribution, with the production team expected to receive 9.3 thousand yuan and cinemas 13.3 thousand yuan [3] Group 2: E-commerce and Retail - Alibaba's China e-commerce group reported Q1 revenue of 1400.72 billion yuan (approximately 19.55 billion USD), marking a 10% increase from 1276.70 billion yuan in the same period last year [3] - Pinduoduo is preparing to produce its own short dramas and is actively recruiting talent for this initiative [15] - Good Products apologized for a misleading advertisement that depicted peanuts growing on trees, attributing the error to AI-generated content [7] Group 3: Technology and AI - The U.S. government has permanently terminated the tax exemption policy for small packages valued under 800 USD, effective August 29 [21] - A survey indicated that 51% of American consumers believe Tesla's support for Full Self-Driving (FSD) does not influence their purchasing decisions [22] - Nvidia is facing a trial over allegations of an engineer inadvertently revealing stolen autonomous driving trade secrets during a video conference [22] Group 4: Automotive Industry - Zero Run Auto's senior vice president responded to rumors about China FAW planning to acquire a stake in the company, stating that collaboration projects are ongoing [21] - The new generation of Zhiji LS6 has received over 48,000 pre-orders since its launch on August 15, with more than 52% of orders coming from traditional fuel vehicle users [26] Group 5: Financing and Investment - Commonwealth Fusion Systems (CFS) secured 863 million USD in funding, with Nvidia and Google among the investors, aimed at advancing fusion energy technology [23] - Source Intelligent Robotics completed a multi-million yuan financing round led by Qiancheng Capital [23]

8月28日，电影《再见，坏蛋》官宣撤档。 片方表示，经过综合考量，无奈做出撤档决定。"短暂的告别是为了日后的重逢，我们希望所有主演主创的 倾心努力能被更多人看见……期待在不久的将来，我们再次相遇！" 2025.08. 29 本文字数：702，阅读时长大约1分钟 封面图 | CCTV6《中国电影报道》 公开资料显示，《再见，坏蛋》是由俞钟编剧并执导，陈明昊、陈宇喆、陶慧领衔主演，北京登峰国际文化传播有限公司等联合出品的剧情喜剧片， 以武汉老城区市民生活为背景，讲述了陈明昊饰演的大武因追债结识陈宇喆饰演的男孩豆豆，在帮助豆豆完成遗愿的过程中，大武与街坊们让"幸福 里"焕发新生机，展现了平凡人的善良与温情的故事。 据猫眼专业版数据显示，该电影于8月22日上映，上映6天，票房仅有26.7万元。影片分账票房只有25.4万元，预计片方分账9.3万元，影院分账13.3万 元。 据中国电影报道，吴京为《再见，坏蛋》出品人。吴京也在片中露面客串。 吴京推荐该电影表示，"电影是做梦的艺术，也是生活的艺术，在这个什么都很快的时代，我们还能慢悠悠品尝烟火，还能为未来天马行空。即便身处 泥沼，仍能仰望星空。《再见，坏蛋》小体量有大能量 ...

Core Insights - The film "Goodbye, Bad Egg" has been officially withdrawn from release after a disappointing box office performance, earning only 267,000 yuan in its first six days [1][3] - The film's background is set in the old neighborhoods of Wuhan, focusing on the life of ordinary citizens and their kindness [5] - The summer box office for 2025 has reached 11.46 billion yuan, surpassing the same period in 2024, with total audience attendance of 307 million [9] Film Performance - "Goodbye, Bad Egg" generated a box office of 267,000 yuan, with a revenue share of 254,000 yuan, leading to an estimated distribution of 93,000 yuan for the film side and 133,000 yuan for cinemas [3] - The film's narrative revolves around the character played by Chen Minghao, who helps a boy fulfill his last wish, showcasing themes of warmth and community [5] Industry Trends - The summer film season has seen a diverse range of genres, including historical, animation, comedy, and suspense, catering to various audience preferences [12] - The film "Nanjing Photo Studio" has topped the box office with over 2.8 billion yuan since its release on July 25, setting a record for historical films in China's summer box office [12] - Upcoming films include "731," "Survival," and "Rescue Flying Tigers," which will continue to attract audiences in September [14]

Core Insights - The fourth KKWORLD event, hosted by Kuaikan Manhua, took place in Guangzhou, showcasing the growing influence of domestic animation and comics in China [1][3] - The event featured over 30 popular comic IPs, emphasizing immersive experiences and interactive elements, marking a shift from traditional comic exhibitions [1][2] Group 1: Event Highlights - KKWORLD attracted a large audience, with a total exhibition area of 10,000 square meters, featuring high-profile comic titles such as "Goodbye, My King" and "Mermaid's Fall" [1] - The exhibition focused on "immersive interaction," allowing attendees to engage with comic scenes and participate in character interaction tasks [1][2] Group 2: Industry Impact - Kuaikan Manhua aims to build a complete offline influence matrix for comic IPs, enhancing the recognition of domestic comics through various offline formats [2][3] - The increasing collaboration with brands at KKWORLD reflects a trend towards youth-oriented branding and consumer engagement, highlighting the importance of comic content in contemporary youth culture [3]

Core Insights - The "Belt and Road" Film Week showcases the cultural depth and breadth of film industries in co-building countries through diverse film screenings, cultural forums, and lifestyle markets [1][3] - The event emphasizes the importance of international collaboration among filmmakers from "Belt and Road" countries, aiming to promote local films to a global audience [3][5] Film Week Highlights - The 27th Shanghai International Film Festival featured the "Belt and Road" Film Week, which has evolved to present a wider range of themes and cultural exchanges [1][3] - The Golden Goblet Film Forum focused on the theme "Future of Light and Shadow: Transformation of Film Festivals and Cross-Cultural Co-Creation," gathering industry leaders to discuss youth talent support and international co-production mechanisms [3][4] Cultural Exchange and Audience Engagement - The event aims to bridge cultural gaps and enhance understanding of diverse narratives, particularly from countries along the "Belt and Road" [4][5] - The significance of showcasing films from various countries is highlighted, as it allows audiences to appreciate diversity and find common emotional connections [5][8] Market Trends and Opportunities - The Chinese film market is experiencing a shift towards differentiated and niche films, with a growing appreciation for smaller, unique productions [5][6] - Successful examples of low-budget films, such as "Initial Evidence," demonstrate the potential for diverse storytelling to resonate with audiences [6][9] Youth Focus and Future Directions - Engaging young audiences is crucial for the future of film festivals, as seen in initiatives from the Yogyakarta Asian Film Festival, which connects local filmmakers with educational institutions [7][9] - The importance of maintaining dialogue and collaboration among filmmakers from different countries is emphasized, particularly in the context of cultural exchange [8][9]