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盘点十年暑期档:票房乏力,电影公司洗牌,真的没人看电影了吗?
Hu Xiu· 2025-10-10 14:04
暑期档票房十年回望,昔日《捉妖记》、《战狼2》与《哪吒》《封神》的辉煌已成往事,如今票房连 连下滑,明星云集却无人买单。 我们真的不爱看电影了吗?从大公司到大导演,到底谁在赚钱? ...
吴京,咋又火了?
虎嗅APP· 2025-08-31 13:28
Core Viewpoint - The article discusses the recent resurgence of Wu Jing's popularity, driven by social media reactions to his past interviews and performances, particularly in light of his latest film's poor box office performance [5][9][50]. Group 1: Wu Jing's Recent Popularity - Wu Jing has become a topic of discussion due to a resurgence in interest sparked by old interview clips, particularly from the promotion of "Wolf Warrior 2" [5][11]. - His recent film "Goodbye, Bad Guy" has underperformed at the box office, leading to a wave of online mockery and commentary on his past statements [9][50]. - The revival of interest in Wu Jing's past interviews has led to a trend of social media users creating humorous content based on his quotes and mannerisms [25][28]. Group 2: Social Media and Cultural Commentary - The article highlights how social media platforms have allowed users to remix and reinterpret Wu Jing's past statements, creating a new layer of engagement with his persona [26][43]. - The phenomenon reflects a broader cultural trend where audiences engage in a form of collective humor and critique, often blurring the lines between admiration and ridicule [49][52]. - The article also touches on the idea that Wu Jing's self-assured and often brash communication style has polarized public opinion, leading to both fervent support and significant backlash [44][50]. Group 3: The Concept of Suffering and Success - The narrative around Wu Jing ties into a larger societal belief in the value of suffering as a pathway to success, a theme echoed in the current social media trend of sharing personal hardships [72][92]. - The article suggests that the cultural ethos of "eating苦" (suffering) is deeply rooted in Chinese society, where hard work and perseverance are often seen as prerequisites for success [72][78]. - It critiques the notion that suffering alone guarantees success, arguing that many factors, including social background and opportunity, play a crucial role in determining outcomes [88][89].
吴京,咋又火了?
Hu Xiu· 2025-08-31 01:37
Group 1 - The article discusses the recent resurgence of Wu Jing's popularity due to a viral video from a past interview, highlighting the public's fascination with his persona and statements [1][3][30] - Wu Jing's latest film "Goodbye, Bad Guy" has performed poorly at the box office, leading to public mockery and the revival of his past quotes for comedic effect [3][5] - The article notes that Wu Jing's unique speaking style and confidence contribute to his appeal, despite mixed public reactions to his statements [32][36][40] Group 2 - The article explores the phenomenon of internet culture where Wu Jing's past interviews and performances are reinterpreted and shared widely, creating a new wave of memes and commentary [15][19][21] - It highlights the duality of public perception, where some admire Wu Jing's confidence while others criticize him for being overly self-important [36][42][61] - The discussion extends to broader societal themes, such as the cultural significance of hardship and the perception of success in contemporary China, reflecting on how these themes resonate with audiences [57][64][66]
《南京照相馆》,拯救暑期档?
投中网· 2025-08-03 07:04
Core Viewpoint - The article discusses the unexpected box office success of the film "Nanjing Photo Studio," which has revitalized the sluggish summer film market in 2023, highlighting the importance of quality content in attracting audiences [6][10][21]. Group 1: Film Performance - "Nanjing Photo Studio" achieved a remarkable opening day box office of 60 million, with a total of over 600 million by July 29, and a high rating of 8.6 on Douban from 100,000 users [7][10]. - The film's box office predictions were significantly revised upwards, with initial estimates of 1.2 billion later adjusted to 3.2 billion by the AI prediction models [7][10]. - The film's success contrasts with other major releases, which underperformed despite star-studded casts and high expectations [20][24]. Group 2: Market Context - The summer box office in 2023 was described as "frozen," with total earnings only reaching 54.6 billion by July 29, compared to 206 billion in 2022 [16][18]. - The lack of blockbuster films has led to a significant decline in cinema attendance, with average audience numbers per screening dropping to 2-4 people [18][24]. - The film industry is facing a disconnect between filmmakers and audiences, with many films failing to resonate despite similar quality to past hits [24][25]. Group 3: Audience Insights - Female viewers made up 65.8% of the audience for "Nanjing Photo Studio," with a diverse age distribution, particularly strong among those aged 20-24 and over 40 [15]. - The article notes a shift in audience expectations, with films needing to achieve higher ratings (above 8) to attract viewers, contrasting with previous years where ratings above 6 sufficed [25][26]. - The competition from alternative entertainment forms, such as micro-dramas, has intensified, making it crucial for films to deliver compelling stories to draw audiences back to theaters [26].
免费的露天电影来啦!居民自己的社区“电影节”
Sou Hu Cai Jing· 2025-06-23 03:36
Core Viewpoint - The article highlights the vibrant community engagement through outdoor movie screenings in the Gumei area, emphasizing the cultural and social benefits these events bring to residents. Group 1: Community Engagement - The "Hi! Gumei" initiative provides a platform for residents to access new cultural experiences and community activities starting from April 25 [1] - Outdoor movie screenings have become a popular social event, transforming how residents interact, with conversations shifting from "Have you eaten?" to "What are we watching tonight?" [17] - The community atmosphere is enhanced by the presence of families and friends gathering to enjoy films together, fostering a sense of belonging [3][8] Group 2: Movie Experience - The screenings feature a mix of mainstream and diverse films, catering to various audience preferences, including family-friendly options and critically acclaimed titles [10] - The flexibility of the screening locations allows for quick adjustments in case of weather changes, ensuring uninterrupted cultural services [5] - Unique experiences, such as a sudden rain leading to an indoor screening, create memorable moments for attendees [8] Group 3: Cultural Impact - The outdoor movie events serve as a bridge between different generations, with older residents expressing nostalgia for classic films [12] - The integration of music and film events, such as the special screenings during the Qixi Festival, enhances cultural consumption and community life [15] - The initiative contributes to building a "15-minute cultural life circle," promoting creativity and discussion among residents [17] Group 4: Upcoming Events - The article announces upcoming outdoor movie screenings scheduled for June, inviting residents to participate and enjoy the summer nights [22] - Additionally, a drone skills competition is set to take place, showcasing the community's engagement with technology and innovation [23]
大力出奇迹
猫笔刀· 2025-02-15 14:23
今天没发生大新闻,咱们就碎碎嘴闲聊吧。 第一个话题是后台有不少读者留言让我说说中国历史上top10人物,我想了一下给出我个人的看法。 孔子:儒家创始人。 嬴政:第一位皇帝,统一文字、货币、度量衡。 司马迁:开创纪传体史学,中国史学祖师爷。 孙中山:领导辛亥革命,推翻帝制。 主席:开国领袖。 这样就9位了,还多一个位置正好留给你们发挥,其实我心里面的人选是邓公,他主导的改革开放是华夏文明一个重要的转折点,重要性超过了以往中国 史上的任何一次变革。 有些遗憾的是古代中国没有成体系的科学,所以榜单里没有科学家,大都还是以君主和文学家为主。现在互联网上有一个段子,说各个门类的科学都在 《永乐大典》里有记载,欧美那边是拿到了流传出去的碎片才研究出了现代科学。可笑的不是这个段子,而是我发现互联网上真的有不少人信了这个段 子,前几天我说牛顿是科学家no1的时候就真有不少人用这个来劝说我,我真的... ps:成吉思汗我没想好算不算中国人,如果算的话那就再加上他。 …… 李世民:创立大唐,文治武功没有短板,我心目中最优秀的古代君王。 李白:古代浪漫主义文学的最高峰。 苏轼:古往今来第一才子。 康乾:祖孙两捆绑算一个吧,主要功劳 ...
烧钱无底洞
猫笔刀· 2024-12-14 14:21
先给昨晚的文章纠个错,吴京当年拍战狼2拿过影帝,还不止一个,百花和华表的最佳男演员都是战狼京。 后台有读者给我纠正的时候我还愣了一 下,搜索确认后确实是这样。 原片片长接近3小时,我当时开着1.25倍速都觉得节奏偏慢,你们有兴趣的话搜一下b站或者抖音的电影精讲版本,中年人看了会更有感触。 …… 昨天贴的那张股市波动和收益分析图,有不少读者感兴趣,问我哪里能看完整的pdf,我上传到了百度网盘,你们自行提取下载。 链接: https://pan.baidu.com/s/1KYmQ9TvyZZVRQIqbh0sczQ 提取码: 3z85 我是被固有经验给想当然了,通常这类超级英雄的商业动作片是很难拿影帝的,比如007、碟中谍这些电影虽然卖的好,但默认都拿不了影帝,连提名都 没有,所以吴京战狼拿2个确实让我意外。 传统意义上华语电影三大电影节是金鸡(大陆)、金像(香港)、金马(台湾),我查了一下那一年的影帝分别是金鸡《地久天长》王景春、金像《沦落 人》黄秋生、金马《我不是药神》徐峥。 我这不是要暗示什么,我直说了战狼2是一部商业反馈很好的作品,但吴京在里面的表演比较脸谱化,并不是影帝级别。《沦落人》我没看过,但《地久 ...