转自：北京日报客户端 为强国建设、民族复兴伟业凝聚强大精神力量 ——宣传思想文化工作高质量发展展现新气象、新作为 "文化是灵魂。" 一个多月前盛大阅兵仪式所激发的爱国情感仍然炽热。10月的北京，秋意正浓，天安门广场红旗猎猎， 人们在这里感悟历史与文化，满怀对伟大祖国的热爱和自豪。 "传承和弘扬伟大抗战精神，踔厉奋发、勇毅前行，为以中国式现代化全面推进强国建设、民族复兴伟 业而团结奋斗！"习近平总书记坚定的话语，激荡起亿万人民的爱国情、报国志。 民族复兴需要精神引领，思想光辉照亮奋斗征程。 2023年10月，习近平文化思想在全国宣传思想文化工作会议上正式提出。 习近平文化思想所蕴含的科学真理价值、博大文化胸怀和鲜明实践品格，在新时代波澜壮阔的文化实践 中不断彰显，为推进强国建设、民族复兴伟业凝聚起强大精神力量。 文化强国建设迈出新步伐 9月3日的天安门广场，气壮山河—— 《松花江上》《在太行山上》《保卫黄河》《没有共产党就没有新中国》，诞生于抗战烽火中的经典歌 曲连唱，串联起从苦难觉醒到浴血抗争、再到走向胜利的壮阔历程。 纪念中国人民抗日战争暨世界反法西斯战争胜利80周年文艺晚会，感人至深—— 今年，《习近平经 ...

Core Viewpoint - The controversy surrounding the drama "赴山海" (Journey to the Sea) is primarily due to the incorporation of "light comedy" elements, which are seen as incompatible with the original narrative style, leading to a negative overall viewing experience [2][3][5]. Group 1: Impact of Light Comedy - The introduction of light comedy in "赴山海" has been criticized for disrupting the original narrative rhythm and style, which is rooted in themes of chivalry and national duty during the Southern Song Dynasty [3][4]. - The light comedic elements have not enhanced the drama but rather diluted its martial arts essence, resulting in viewer backlash against the creative team's approach [5][6]. - The trend of light comedy in historical dramas has been prevalent since the success of "庆余年" (Joy of Life), which effectively blended modern humor with a historical setting [7][8]. Group 2: Market Trends and Audience Demand - The success of "庆余年" sparked a wave of light comedy adaptations in the drama market, with subsequent series like "赘婿" (The Son-in-Law) continuing this trend [9][10]. - Light comedy has become a ubiquitous element in various genres, appealing to a broad audience due to its accessibility and ability to provide entertainment amidst real-life pressures [12]. - However, the indiscriminate application of light comedy across all genres has raised concerns about its suitability and effectiveness, as not all narratives can accommodate such elements without losing their core essence [14][20]. Group 3: Creative Challenges - Successful integration of light comedy requires careful consideration of narrative pacing, thematic consistency, and character logic, which is often overlooked in recent adaptations [18][20]. - The failure to appropriately blend light comedic elements with the original story can lead to a loss of emotional depth and viewer engagement, as seen in "赴山海" and "折腰" (Bending Waist) [15][17]. - Even previously successful light comedies like "庆余年" faced criticism in their sequels for excessive comedic content that did not align with the overall narrative tone [19].

Core Insights - The series "赴山海" has become a new flow password in the internet space, marking a significant event in the drama market for the second half of 2025 [1] - Despite high initial viewership and popularity, the series has faced criticism regarding its quality, leading to a complex evaluation of the lead actor 成毅's ability to carry a show [3][12] - The phenomenon of "black-red" (negative publicity leading to increased attention) has emerged, indicating that the series' flaws have generated significant online discussion, overshadowing its actual quality [9][11] Group 1: Series Performance and Reception - "赴山海" achieved over 700 million views within 10 days of its release, topping the drama popularity charts for 10 consecutive days [1] - The lead actor 成毅's character has garnered over 200 million views on iQIYI, showcasing his significant role in driving the series' initial success [1] - However, the series has been criticized for its production quality, with common complaints about the plot, pacing, and technical errors, leading to a decline in audience reception [6][11] Group 2: Actor's Market Position and Future Projects - 成毅 is set to star in the upcoming series "两京十五日," indicating that despite the current setback, he continues to secure high-profile projects [3] - The market's perception of an actor's ability to carry a show has become increasingly complex, with traditional metrics of success being challenged [3][18] - The concept of "single-person approval" has emerged, where top actors can secure projects based on their individual influence, reflecting a shift in how projects are evaluated in the industry [20][22] Group 3: Industry Trends and Actor Dynamics - The dual nature of flow (popularity) and its backlash has created a cycle where actors can quickly rise and fall based on a single project's reception [11][12] - The industry is witnessing a trend where both flow actors and established talent must continuously prove their worth, as the market allows for limited mistakes [29] - The emergence of a new generation of actors who can balance both popularity and acting skills is reshaping the competitive landscape, with a focus on diverse roles and strong performances [30]

Core Viewpoint - The article highlights the achievement of Chinese actress Xin Zhilei, who won the Best Actress award at the 82nd Venice International Film Festival for her performance in the film "Day Hanging in the Sky" [1]. Summary by Sections Film and Awards - "Day Hanging in the Sky," directed by Cai Shangjun, features Xin Zhilei alongside Zhang Songwen and Feng Shaofeng, telling a tragic story of former lovers reuniting after many years in a southern city [1]. - Xin Zhilei is the third Chinese actress to win the Best Actress award at the Venice International Film Festival, following Gong Li and Deanie Ip [1]. Personal Achievements - Xin Zhilei expressed her dreams of becoming an international star during her acceptance speech, encouraging young girls to pursue their dreams boldly [1]. - She was born in 1986 in Hegang, Heilongjiang Province, and graduated from the Central Academy of Drama, with notable works including "Embroidered Spring Knife," "Blossoms," "Joy of Life," and "Ruyi's Royal Love in the Palace" [1]. Previous Recognition - In 2016, Xin Zhilei starred in "The Yangtze River" which was the only Chinese film nominated for the main competition at the 66th Berlin International Film Festival [2]. - In 2023, she won the lead actor award at the 32nd Shanghai White Magnolia Drama Performance Arts Award for her solo performance in "Initial Evidence" [2].

Core Viewpoint - The article highlights the achievement of Chinese actress Xin Zhilei, who won the Best Actress award at the 82nd Venice International Film Festival for her performance in the film "Day Hanging in the Sky," marking a significant milestone for Chinese actresses on the international stage [2][4]. Group 1: Xin Zhilei's Career Progression - Xin Zhilei, born in 1986 in Heilongjiang, China, faced a long journey in the entertainment industry, transitioning from minor roles to a leading actress over more than a decade [5][7]. - Her breakthrough came in 2011 with the role of a blind woman in the fantasy drama "Painted Skin," which helped her gain recognition [5]. - A pivotal moment in her career was in 2016 when she starred in "The Yangtze River" which was nominated for the main competition at the 66th Berlin International Film Festival and won the Silver Bear award [5][7]. Group 2: Recent Achievements and Recognition - Xin Zhilei's performance in "Day Hanging in the Sky" was praised for its emotional depth, leading to her winning the Best Actress award at the Venice Film Festival, a recognition that had not been awarded to a Chinese actress since Gong Li in 1992 [2][4]. - She has also gained popularity through various roles in acclaimed films and series, such as "Ruyi's Royal Love in the Palace" and "Joy of Life," which expanded her visibility in the industry [7][9]. - Beyond acting, Xin Zhilei has successfully ventured into theater, earning the Best Actress award at the 32nd Shanghai White Magnolia Drama Performance Arts Awards for her role in the play "Initial Evidence" [9]. Group 3: Fashion and Brand Collaborations - Xin Zhilei's distinctive look and fashion sense have made her a sought-after figure for luxury brands, including Chanel and Montblanc, enhancing her profile in the fashion industry [9]. - Her recent appearance on the cover of Vogue alongside other actresses signifies her rising status and influence in both the film and fashion sectors [5][9].

Core Viewpoint - Chinese actress Xin Zhilei won the Best Actress award at the 82nd Venice International Film Festival for her performance in the film "Day Hanging in the Sky," marking a significant achievement for her career and for Chinese actresses on the international stage [1][3]. Group 1: Award and Recognition - Xin Zhilei received the Best Actress award at the Venice International Film Festival, becoming the second Chinese actress to achieve this honor since Gong Li in 1992 [1]. - The film "Day Hanging in the Sky," directed by Cai Shangjun, explores the emotional dilemmas and fate entanglements of middle-aged individuals and was a contender in the main competition section of the festival [1][3]. Group 2: Career Journey - Xin Zhilei, born in 1986 in Heilongjiang Province, faced a long period of minor roles before gaining recognition in 2011 with her role in the fantasy drama "Painted Skin" [3][4]. - Her career took a significant turn in 2016 when she starred in "The Yangtze River," which was nominated for the main competition at the 66th Berlin International Film Festival and won the Silver Bear award [4]. Group 3: Versatility and Impact - Xin Zhilei has participated in various acclaimed films and popular series, expanding her recognition through diverse roles, including her performances in "Ruyi's Royal Love in the Palace" and "Joy of Life" [6]. - She has also ventured into theater, earning the Best Actress award at the 32nd Shanghai White Magnolia Drama Performance Arts Awards for her role in the Chinese version of "Preliminary Evidence," showcasing her range as an actress [8]. Group 4: Fashion and Future Prospects - Xin Zhilei's distinctive appearance and fashion sense have made her a favored choice for several luxury brands, including Chanel and Montblanc, indicating her influence in the fashion industry [8]. - Critics and industry figures, including Wong Kar-wai, suggest that Xin Zhilei's career is just beginning, with her best years ahead [8].

Group 1 - The article discusses the evolution of online romance literature, particularly focusing on female-centric narratives and their significance in expressing women's desires and experiences [2][11][19] - It highlights the academic efforts to legitimize online literature as a serious field of study, bridging the gap between academia and popular culture [10][11] - The work of Xue Jing, particularly her book "The Powder Empire: Online Romance Novels and Women's Discourse Politics," is emphasized as a critical analysis of the genre's transformation and its underlying themes [2][10][11] Group 2 - The article notes that early online romance novels often mirrored traditional narratives, but contemporary works have shifted to explore complex themes of power dynamics and personal desires [15][17][19] - It points out that the portrayal of male characters has evolved from idealized figures to more flawed representations, reflecting a deeper understanding of women's aspirations and societal roles [17][18][24] - The concept of "love as a tool" is introduced, suggesting that romantic relationships in these narratives often serve as a means for women to explore their own identities and desires [21][25][26] Group 3 - The article discusses the emergence of "love for women" literature, which emphasizes female values and experiences, and the dynamics between readers and authors in this context [48][49] - It addresses the societal implications of female empowerment through literature, highlighting the importance of creating a supportive community among women [56][57] - The narrative also touches on the broader themes of power and identity, suggesting that the exploration of female experiences in literature reflects ongoing societal changes and challenges [40][41][42]

Core Viewpoint - The recent implementation of the "21 Regulations" by the National Radio and Television Administration (NRTA) is expected to significantly benefit the Chinese film and television industry, particularly in the production of historical dramas, which have been a major source of revenue and popularity [2][10][12]. Group 1: Impact of "21 Regulations" - The NRTA has relaxed restrictions on the number of historical dramas, signaling support for market-oriented creation in the industry [2][10]. - The regulations allow for an increase in the maximum number of episodes for dramas, which could lead to the production of higher-quality long dramas [11]. - The introduction of policies such as "border examination and broadcasting" for series and seasonal dramas is expected to shorten content production cycles and align broadcasts with current social sentiments, enhancing capital efficiency for companies like iQIYI [11][12]. Group 2: Industry Response - Following the announcement of the "21 Regulations," many film and television stocks experienced significant gains, indicating a positive market reaction [3]. - Major companies in the industry, such as the Yuewen Group, anticipate launching more film and television projects due to the new regulations [12]. - The regulations are seen as a potential attractor for more investment in the film and television sector, which is currently facing financial challenges [13][14]. Group 3: Current Challenges - The film and television industry is experiencing financial difficulties, with iQIYI reporting an 11% year-on-year revenue decline to 6.628 billion yuan and a net loss of 133.7 million yuan [14]. - Tencent Video also reported a decrease in paid subscribers, losing 3 million to a total of 114 million [15]. - The reduction in content budgets due to financial constraints may lead to fewer high-quality productions, creating a vicious cycle that could further diminish audience engagement [16][17]. Group 4: Future Outlook - While the "21 Regulations" may increase the likelihood of producing popular dramas like "Empresses in the Palace," the actual success will depend on the ability to create high-quality content that meets evolving audience tastes [19]. - The rise of short videos poses additional risks to traditional film and television investments, making the landscape more competitive and uncertain [19].

Core Viewpoint - The "Guan Dian 21" policy from the National Radio and Television Administration is expected to significantly benefit the Chinese film and television industry by relaxing restrictions on historical dramas, potentially leading to an increase in high-quality productions like "Zhen Huan Zhuan" [1][2]. Group 1: Impact on Market and Content Creation - The relaxation of restrictions on historical dramas is a clear signal of support for the Chinese film and television industry, which heavily relies on such genres for viewership and revenue [2]. - The new policy allows for an increase in the number of episodes for dramas, lifting the previous 40-episode cap, which opens up opportunities for more detailed storytelling and longer series [2]. - The introduction of policies such as "border review and broadcast" for seasonal dramas is expected to shorten content production cycles and align broadcasts with current social sentiments, enhancing financial efficiency for companies [2][4]. Group 2: Financial Implications and Industry Challenges - The film and television industry is currently facing financial difficulties, with companies like iQIYI reporting a year-on-year revenue decline of 11% to 6.628 billion yuan and a net loss of 133.7 million yuan, contrasting with previous profitability [4]. - The "Guan Dian 21" policy is anticipated to attract more investment into the industry, which is crucial given the current cash flow challenges faced by major players [4]. - The success of high-quality productions is seen as vital for the recovery of long-video platforms and the overall film and television sector, with historical dramas like "Zhen Huan Zhuan" continuing to generate significant interest even years after their release [4][5].

Core Viewpoint - The recent implementation of the "21 Regulations" by the National Radio and Television Administration (NRTA) is expected to significantly benefit the Chinese film and television industry by relaxing restrictions on historical dramas, potentially leading to an increase in high-quality productions like "Empresses in the Palace" [2][3][10]. Group 1: Impact of "21 Regulations" - The NRTA's new regulations indicate a flexible approach to the control of historical dramas, which is a clear signal of support for the Chinese film and television industry [10]. - The regulations allow for the lifting of the 40-episode limit on dramas, creating opportunities for longer, high-quality series [11]. - The introduction of policies such as "border examination and broadcasting" for series and seasonal dramas is expected to shorten content production cycles and align broadcasts with current social sentiments, enhancing capital efficiency for companies like iQIYI [11][14]. Group 2: Market Reactions and Financial Implications - Following the announcement of the "21 Regulations," many film and television stocks experienced significant gains, indicating a positive market reaction [3]. - iQIYI reported a year-on-year revenue decline of 11% to 6.628 billion yuan, with a net loss of 133.7 million yuan, highlighting the financial struggles within the industry [15]. - Tencent Video also saw a decrease in paid subscribers, losing 3 million to a total of 114 million, reflecting the financial challenges faced by major players [16]. Group 3: Future Prospects - The potential for more popular dramas akin to "Empresses in the Palace" is anticipated, as the relaxed regulations may lead to the creation of more engaging content [12][23]. - Companies like Yuewen Group, which owns popular IPs, expect to see an increase in film and television projects following the new regulations [13]. - Despite the positive outlook, the ability to produce high-quality works remains crucial, as audience preferences continue to evolve [21].