（来源：团结报） 转自：团结报 张玲还谈道，抗日战争时期，台湾涌现出许多英雄人物，他们的精神和事迹值得两岸文艺工作者共同挖 掘和呈现。 《沉默的荣耀》在两岸引起的"同频共振"，也给文艺创作带来启示。在山东省政协委员，青岛市文联副 主席、市作家协会主席铁流看来，文化基因、情感羁绊是两岸文艺创作的深厚土壤，文艺界应深入挖掘 两岸共同的文化乡愁，如习俗、方言、美食等，多讲述反映两岸共同历史记忆的故事。 除《沉默的荣耀》外，电视剧《藏海传》、话剧《孔子》等也在台湾收获良好反响。山东省人大代表， 山东大学文学院院长、山东省作协主席黄发有认为，这些作品紧扣两岸民众关注的话题，激起台湾同胞 的情感共鸣，引导民众思考家国命运、民族发展等宏大命题。"尤其《沉默的荣耀》，清晰诠释了个人 选择与国家发展同频共振、休戚与共的深刻内涵。" 黄发有建议两岸文艺工作者携手创作形式丰富、立意深远的作品，以优质内容打动人心，让民众通过文 艺作品增进对中华优秀传统文化的认同，为推动两岸融合发展注入文化力量。 □ 赵 晓 李明芮 2025年，大陆电视剧《沉默的荣耀》在两岸掀起追剧热潮，其热播效应也延伸至正在济南举行的山东省 两会现场。 "《沉默的 ...

Core Viewpoint - The fifth Guangdong-Hong Kong-Macao Greater Bay Area Cultural Arts Festival will take place from September 16 to October 16, featuring over 100 performances, 18 art exhibitions, and 150 public welfare performances across 11 cities, aiming to create a cultural feast for the public [1][2][8] Group 1: Event Overview - The festival includes five main sections: "Art Gathering in the Bay Area," "Art Harmony," "Artistic Coexistence," "Artistic Life," and "Artistic Exchange," showcasing a diverse range of performances and exhibitions [1][2] - A total of 35 selected performances will be featured, including 10 international productions, 17 domestic productions, and 8 provincial productions, covering various art forms such as opera, dance, drama, and concerts [2][3] Group 2: Featured Productions - International highlights include productions like the Russian Vakhtangov Theatre's "Eugene Onegin" and the Greek National Opera's "La Traviata," while domestic productions feature acclaimed works such as "Four Generations Under One Roof" and "Confucius" [3][4] - The opening performance, a themed symphonic concert titled "Bay Area Chapters," will be conducted by Huang Yi, showcasing selected original symphonic works from Guangdong [3] Group 3: Academic and Trade Initiatives - The festival will host high-profile art lectures and an international performing arts trade fair, aiming to enhance the quality of performing arts in the Bay Area [5][6] - The trade fair will feature nearly 300 performing arts institutions from 20 countries and regions, promoting international collaboration and cultural exchange [7] Group 4: Community Engagement and Accessibility - The festival emphasizes public welfare, offering significant ticket discounts and free tickets for specific groups, with some performances having over 50% of tickets priced at 30 yuan [8] - Activities such as outdoor performances and a writing contest titled "Art Lights Up Life" will encourage community participation and engagement [9]

Core Viewpoint - The article emphasizes the importance of promoting Chinese culture globally, highlighting the role of art, particularly sculpture, in conveying Chinese stories and values to the world [1][2]. Group 1: Cultural Promotion through Art - The bronze sculpture "Purple Qi Comes from the East: Laozi Exits the Pass," created by renowned sculptor Wu Weishan, was unveiled at the National University of Arts in Russia, marking a significant cultural exchange between China and Russia [1][2]. - Wu Weishan has established numerous sculptures in various countries, including South Korea, Brazil, Germany, France, Italy, Greece, and Japan, showcasing Chinese culture and philosophy through art [2][3]. Group 2: Dialogue between Civilizations - Wu Weishan believes that art serves as a mirror of human civilization, allowing for a dialogue between different cultures and the sharing of universal values such as truth, goodness, and beauty [3][4]. - The artist's works often feature dialogues between historical figures from China and the West, such as Confucius and Socrates, to foster cultural resonance and understanding [5][6]. Group 3: Factors for Successful Cultural Export - Wu Weishan identifies four key factors that contribute to the successful international presence of his sculptures: the significant contributions of historical figures, increased global attention on China due to its economic development, unique cultural expressions, and the forward-looking dialogue value of the selected themes [7]. Group 4: Future Expectations for Cultural Exchange - The article discusses the need for China to actively implement the concept of building a community with a shared future for mankind, promoting mutual understanding and emotional connections through cultural and artistic exchanges [8]. - The establishment of alliances such as the "Silk Road National Art Museum Alliance" and the "BRICS National Art Museum Alliance" reflects China's commitment to international cultural collaboration [8][9]. Group 5: Challenges and Strategies in Cultural Dissemination - Wu Weishan highlights the challenges faced in promoting Chinese culture abroad, emphasizing the need for a two-way cultural exchange rather than a one-sided output [10][11]. - The article suggests that cultural dissemination should involve a comprehensive approach, showcasing both historical and contemporary Chinese achievements while adapting to the cultural contexts of different countries [11][12]. Group 6: Advice for Young Artists - Young artists are encouraged to deeply understand Chinese culture and the cultural backgrounds of the countries they wish to engage with, ensuring that their work is both meaningful and relatable [13]. - The importance of creating impactful art that represents China's image on the global stage is emphasized, as each piece can serve as a window into Chinese culture for international audiences [13].

Core Viewpoint - The article discusses the ongoing issue of box office manipulation in Chinese cinemas, particularly focusing on the recent "补票房" (supplementing box office) actions taken by cinemas that were found to have engaged in fraudulent practices during the Spring Festival period. This has led to significant financial implications for the industry, with the total amount of supplementary box office exceeding 2 billion yuan, marking one of the largest actions of its kind in history [1][5]. Group 1: Box Office Manipulation - "补票房" actions are a response to cinemas that engaged in fraudulent practices, such as inflating box office numbers, which were discovered through big data analysis [3][5]. - The concept of "影厅服务费" (theater service fee) was introduced to compensate cinemas for the operational costs of special screening rooms, but some cinemas exploited this by charging excessive fees that did not contribute to the official box office [4][5]. - The recent crackdown on these practices has revealed that many cinemas were charging service fees exceeding 30%, violating established regulations [5][6]. Group 2: Historical Context of Box Office Fraud - The term "偷票房" (stealing box office) refers to cinemas underreporting ticket sales to retain a larger share of revenue, a practice that has been prevalent since the implementation of the revenue-sharing system [6][8]. - The first major public awareness of box office fraud occurred with the release of "Avatar" in 2010, where it was estimated that over 20% of ticket sales were unreported [8]. - "挪票房" (moving box office) is another fraudulent practice where ticket sales from one film are reported under another, often to meet funding requirements or revenue-sharing agreements [9][10]. Group 3: Regulatory Measures and Industry Response - In response to the rampant box office fraud, the National Film Administration has implemented stricter regulations and is utilizing advanced technology for monitoring and enforcement [15][16]. - The industry has seen a reduction in the scale of box office fraud, with estimates suggesting that currently about 4% of total box office revenue may still be unreported [15][16]. - The involvement of fans and the public in monitoring box office practices has been highlighted as a significant factor in increasing transparency and accountability within the industry [14].