汤炳生 在剧场里，常见锣鼓响起，大幕拉开，舞台上空无一人，稍一停顿，左侧幕内传来一声悠长的京腔京 韵："马——来！"。主人公挥动马鞭，出场亮相。随着那一声"马——来！"有关马的一切都会涌现在我 眼前。比如：一马当先、万马奔腾、马不停蹄、马踏五福、老骥伏枥等成语；比如清代宫廷画家意大利 传教士郎世宁的《百骏图》《十骏图》，我国著名画家徐悲鸿的《奔马图》等传世名画；比如《秦琼卖 马》《红鬃烈马》《马前泼水》《盗御马》《瘦马御史》等京剧剧目，还有24集革命历史题材剧《马背 摇篮》。歌曲带马的那就更多了，比如《马儿啊，你慢些走》《我骑着马儿过草原》《马铃儿响来玉鸟 儿唱》《像马一样奔跑》《马背上的思念》…… 2026年的马年，天干为丙，是为丙午年，干支都是火，一定是雷厉风行的一年，轰轰烈烈的一年，兆民 欢腾的一年。 迎着走来的新春，我也用京韵京腔吼了一嗓子"马——来！" 历代帝王都以忠孝节义治理国家，而忠孝节义的具象却是四个动物，即马、羊、虎、狗。狗属义，哪怕 它的主人穷困潦倒，食不果腹，早已顾不了看家护院的狗狗了，而狗狗却绝不改换门庭，饿了去外面觅 食，回来仍不离不弃地守护着主人；虎属节，据说老虎终身只生一胎，绝无 ...

转自：贵州日报 剧中的文纫秋既是延安第二保育院保育科长，也是保育员们的"文大姐"，还是孩子们的"文妈妈"。蓝盈 莹这样理解自己的角色："保育科长是她的工作职务；'文大姐'是她在工作与生活中，像个热心大姐姐 一样；而'文妈妈'，则源于她也是一位女性，对孩子们除了照顾的义务，更有发自内心的真爱。文纫秋 不是一个孤立的个体，而是无数保育员的缩影，她身上融合了众多保育员的特质。" 在蓝盈莹看来，文纫秋与自己过往饰演角色的最大不同，在于情感重心的彻底外化与升华，"她要守护 136个孩子，其中还包括自己的骨肉，这要求她必须平衡好私情与大爱的关系。"剧中那句"大人在，孩 子在；大人不在，孩子也要在"的誓言，成为了文纫秋的精神支柱。 为求真实，剧组沿着历史路线辗转多地拍摄，并搭建了保育院、窑洞、汾河渡口、雪山等场景。这种制 作上的"尊重历史"，让蓝盈莹在身体力行中获得了深刻的历史共鸣。"尽管马匹、器材、演员调度起来 都非常有难度，但剧组在拍摄中尽最大努力还原历史场景。"蓝盈莹回忆，在拍摄翻越雪山的重场戏 时，演员们需要真的背着孩子艰难行军。"在那个环境下，我们会自然而然地产生一种使命感，就是要 保护好孩子，完成好拍摄。我们也 ...

Core Viewpoint - The recent controversy surrounding a micro-drama featuring underage actors highlights the ethical concerns and adult themes present in some productions aimed at minors, prompting regulatory bodies to issue guidelines for better protection of children's rights and well-being in media content [1][2][3] Group 1: Industry Trends - There has been an increase in micro-dramas featuring minors, which, while enriching the genre, also shows a trend towards adult themes and commercialization [1] - The State Administration of Radio and Television has issued management guidelines emphasizing the need for content to respect the growth patterns of minors and to avoid adult themes [1][3] Group 2: Positive Examples - Recent micro-dramas like "The Cradle on Horseback" and "Northeast Boy Chen Er Gou" have successfully focused on age-appropriate themes, showcasing the potential for positive storytelling that resonates with young audiences [2] - These productions have received positive feedback for their efforts to create content that aligns with the developmental needs of minors, highlighting the industry's capacity for responsible storytelling [2] Group 3: Recommendations for Creators - Creators are encouraged to avoid adult themes and instead focus on relatable experiences for minors, such as school life and family interactions, to foster a sense of connection and understanding [3] - The industry should establish mechanisms for the protection of minors involved in productions, ensuring that their participation does not compromise their well-being or education [3]

Core Viewpoint - The recent controversy surrounding a short drama featuring minors in inappropriate roles has led to its removal, highlighting the industry's need for adherence to ethical standards and sensitivity towards content involving minors [1][4]. Industry Overview - The short drama industry has transitioned from rapid growth to steady evolution, producing high-quality works such as "Summer Fendela," "Adventurer Langya," and "Home and Away," which have received positive feedback from authorities and audiences [1]. - The backlash against the controversial short drama reflects a societal and industry sensitivity to the boundaries of acceptable content for minors, emphasizing the importance of maintaining high standards in production [1][2]. Minors in Entertainment - There is a long-standing consensus that minors should portray positive, lively, and warm characters in entertainment, which aligns with the overall expectations for such works [2][4]. - Notable examples of successful child actors in the past have contributed positively to family and educational narratives, showcasing the irreplaceable value of such representations [2]. Caution and Responsibility - The industry must exercise caution when involving minors in productions, ensuring that their participation does not interfere with their education or well-being, and that all regulations regarding content and working conditions are strictly followed [4][6]. - The recent incident serves as a reminder for production companies to prioritize quality and ethical considerations, avoiding any actions that could harm the industry's reputation [1][9]. Positive Examples - Recent short dramas featuring child actors, such as "Home and Away 2" and "Cradle on Horseback," have been well-received, demonstrating the potential for minors to contribute meaningfully to quality storytelling [6]. - Productions like "Pray for Anlan" and "Northeast Boy Chen Ergou" have effectively utilized child actors to convey important themes, resonating with audiences and showcasing the positive impact of appropriate roles for minors [6].

Core Viewpoint - The recent controversy surrounding a micro-drama featuring underage actors highlights the ethical concerns and adult themes present in such content, prompting regulatory bodies to issue guidelines aimed at protecting minors and ensuring appropriate content creation [1][3]. Group 1: Regulatory Response - The National Radio and Television Administration has issued management guidelines emphasizing that micro-dramas focusing on minors must respect their growth patterns and avoid adult themes [1][3]. - The guidelines aim to prevent the commercialization of childhood and ensure that content does not exploit minors for profit, reinforcing the need for strict content review and value guidance [1][3]. Group 2: Positive Examples - Recent micro-dramas like "The Cradle on Horseback" and "Northeast Boy Chen Er Gou" have successfully portrayed age-appropriate themes, showcasing the potential for micro-dramas to convey positive values and emotional warmth [2][3]. - These dramas have received positive feedback for their efforts to create content that resonates with minors, emphasizing themes of resilience and kindness [2][3]. Group 3: Industry Responsibility - The micro-drama industry is urged to take social responsibility seriously by establishing mechanisms for the protection and rights of underage actors, ensuring that their participation does not compromise their well-being [3]. - It is essential for creators to involve experts in child education and psychology to ensure that the content is suitable for different age groups, fostering a safe and supportive environment for young actors [3].

Group 1 - The core viewpoint emphasizes the importance of authenticity in artistic representations of the Anti-Japanese War, warning against the dangers of excessive entertainment that distorts historical truths [1][2][3] - The rise of micro-short dramas as a new cultural form provides opportunities to explore Anti-Japanese War themes, but there is a concern about some productions prioritizing sensationalism over historical accuracy [1][2] - The National Radio and Television Administration has issued guidelines to eliminate absurd plots and ensure that creative works respect historical logic, aiming to improve the quality of Anti-Japanese War themed micro-short dramas [1] Group 2 - The success of films like "Nanjing Photo Studio" highlights the audience's appreciation for genuine historical narratives, reinforcing the need for a respectful and responsible approach to storytelling [2] - Micro-short dramas are seen as a dynamic medium with the potential to engage a wide audience, but they must balance innovation with social responsibility and avoid content that undermines historical significance [2] - Technological innovations in storytelling, such as AI-driven projects, can enhance the emotional connection to history, provided they serve the content rather than distract from it [2]

Group 1 - The article discusses the commemoration of the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, highlighting various cultural and artistic activities planned for this occasion [1][4][6] - A series of performances and exhibitions will take place from August to October, including a major gala on September 3 in Beijing, featuring prominent artists and a focus on affordable tickets to ensure public access [4][5] - The theme exhibition at the Chinese People's Anti-Japanese War Memorial Hall will showcase 1.22 million square meters of space, displaying 1,525 photographs and 3,237 cultural relics, emphasizing the historical significance of the war and the role of the Communist Party of China [6][7] Group 2 - The article outlines a nationwide media campaign titled "Mountains and Rivers Witness - Our Anti-Japanese Memory," which will involve live broadcasts from significant historical sites related to the war, aiming to foster a sense of historical remembrance and national pride [5][8] - Various artistic works, including documentaries and short dramas, will be produced and broadcasted, with a focus on both grand narratives and personal stories from the war, appealing to a diverse audience [8][9] - The article mentions the inclusion of classic artworks and new creations in exhibitions, with over 300 pieces of art planned for display, showcasing the contributions of artists to the commemoration [7][8]

Group 1 - The central theme of the upcoming events is to commemorate the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War, with a focus on cultural and artistic expressions [1] - A grand cultural gala will be held on the evening of September 3 in Beijing, organized by multiple central departments and local authorities [2] - The National Radio and Television Administration plans to showcase a variety of classic anti-war themed audiovisual works across national television and online platforms, including a new "Revisit Classics" channel launching in July 2024 [2] Group 2 - The popularity of micro-short dramas has surged, with user numbers reaching 662 million by the end of last year, and nearly 60% of internet users engaging with this format [2] - The integration of micro-short dramas with anti-war themes is expected to diversify and modernize the portrayal of historical narratives, with new titles like "Horseback Cradle" and "Angry Sting" set to premiere in September and October [2][3] - Various local and online platforms are organizing diverse audiovisual activities, such as the "Hot Blooded National Soul" thematic exploration in Heilongjiang Province, aimed at creating engaging content that resonates with younger audiences [3]

Core Viewpoint - The 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War will be commemorated through various cultural and artistic events, including a gala, exhibitions, and the presentation of significant artistic works [1][2][5]. Group 1: Events and Activities - A commemorative gala will be held on the evening of September 3 in Beijing, organized by multiple government departments [1]. - From August to October, a series of excellent stage art performances will be organized to celebrate the anniversary [1]. - An art exhibition featuring anti-war themes will take place at the National Art Museum of China from August to September [1][2]. Group 2: Artistic Contributions - A variety of television dramas, documentaries, and short plays related to the Anti-Japanese War are in production, including titles like "Victory 1945" and "Lugou Bridge: Our Commemoration" [3]. - The National Radio and Television Administration will promote a multimedia campaign titled "Mountains and Rivers Witness - Our Anti-Japanese War Memories" from late July to late August [3]. - The Central Radio and Television General Station has planned several documentaries and special programs to honor the anniversary, including "Our Rivers and Mountains" and "Return to the Team" [4]. Group 3: Thematic Exhibition - A major exhibition titled "For National Liberation and World Peace" will open at the Anti-Japanese War Memorial Museum starting July 7, featuring 1.22 million square meters of space and showcasing 1,525 photos and 3,237 artifacts [5]. - The exhibition emphasizes the role of the Communist Party in the war and includes significant historical documents and artifacts [5][6]. - The exhibition aims to highlight China's position as the main battlefield in the East during the war and its contributions to the global anti-fascist efforts [6].

Core Viewpoint - The company is committed to both long-form and short-form content, emphasizing the importance of developing original IPs and maintaining a long-term vision in the industry [1][3][5]. Group 1: Long-form Content Strategy - The company has successfully developed the long-form series "Tang Dynasty Strange Stories," focusing on historical accuracy while allowing for fictional characters [3][5]. - The production process for "Tang Dynasty Strange Stories" involved extensive development and filming time, which has garnered respect from peers in the industry [3][5]. - The company aims to create a sustainable original IP ecosystem, moving away from reliance on web novels and celebrity-driven content [5][9]. Group 2: Short-form Content Strategy - The company is launching the micro-drama "Lion City Mountains and Seas," which is the first micro-drama with an investment exceeding 100 million yuan, showcasing a significant commitment to the short-form market [1][5]. - Other upcoming short-form projects include "Identification," "Soul Ferry: Ten Years," and "Smoke and Rain Mythical Journey," indicating a diverse portfolio of content [7][9][10]. - The rise of vertical short dramas is seen as a new opportunity for the industry, with expectations for the market size to exceed 60 billion yuan this year [15][16]. Group 3: Industry Insights and Challenges - The company acknowledges the challenges faced in the short-form market, including financial losses from earlier projects, but emphasizes the learning experiences gained [18][19]. - The introduction of a "minimum guarantee plus bonus" policy by platforms like iQIYI is viewed as a positive development for the short-form content sector [18]. - The company believes that the boundaries between short-form and long-form content will blur, making both types essential in the future of the industry [19][21].