用面团擦拭名画上的油污，蘸烈酒去除上面残留的污渍……这个看起来不够"高大上"的书画修复场景， 出自充满夸张与反转的古装微短剧《墨韵新生》。剧中，民间匠人吴墨林与耿直文官刘定之联手护宝， 用到不少这样的绝活儿。它们神奇得好像魔法，寻常得又和国宝不太般配，却都是获得国家图书馆古籍 修复师认可的正统古法。借助微短剧，严肃雅正的专业技能变得诙谐有趣，吸引了不少青年观众的目 光。 《 人民日报 》（ 2025年08月26日 20 版） 这类作品走红并不意外。近两年，艺术态度严谨，核心知识过硬，表现手法和情节走向出奇制胜，成为 经过观众检验的微短剧创作法则。无论是早期让人耳目一新的《逃出大英博物馆》，还是横扫诸多奖项 的《重回永乐大典》、以小我映照大山河的《祈安澜》，及至硬核知识满满的《墨韵新生》，都凭借初 看难以置信、细想有据可循的情节，在"神反转"、强冲突、快迭代的潮流中赢得关注。 (责编：杨光宇、胡永秋) 受限于12集的篇幅，原著小说还有很多"包袱"没有抖开，修复师的故事也还不够完整，如果能拍成系 列，生动有趣传播传统文化的效果可能会更好。 （北京市海淀区 许苗苗） ...

Core Insights - The key focus of the news is the launch of the micro-short drama "Zhouji Qianlihao Songlai" and its connection to the cultural heritage of the Grand Canal, highlighting the integration of cultural tourism and modern storytelling techniques [1][4][7] Group 1: Project Overview - "Zhouji Qianlihao Songlai" is part of the "Beijing Big Audio-Visual" key online cultural project and aims to promote cultural landmarks in Tongzhou, Beijing, coinciding with the 11th anniversary of the Grand Canal's UNESCO World Heritage status [1][3] - The project includes over 60 cultural landmarks, creating a narrative matrix for the "Cultural Tourism Brand of Tongzhou" [1][4] Group 2: Narrative and Themes - "Zhouji Qianlihao Songlai" consists of 30 episodes and features a storyline that connects two generations through the "Tongzhou Canal Boatman's Song," addressing themes of youth, family, and cultural heritage [4] - The drama incorporates non-material cultural heritage into its narrative, showcasing the vitality of the Grand Canal culture through modern musical interpretations [4][7] Group 3: Technological Integration - The micro-short drama "Qianlan" employs 4K HD filming and AI virtual production to create an engaging narrative that intertwines cultural relics with contemporary storytelling [5] - The use of technology aims to bring static cultural heritage to life, enhancing audience engagement with traditional culture [5][7] Group 4: Cultural and Economic Impact - The initiative "Travel with Micro-Short Dramas" promotes cultural tourism in Beijing, encouraging young audiences to engage with the city through these innovative narratives [7][10] - The micro-short dramas are designed to stimulate cultural consumption and tourism, transforming viewership into economic activity [7][10]