《鹿鼎记》
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从传统评点看金庸|《书剑恩仇录》篇:金庸的幽默感
Xin Lang Cai Jing· 2025-12-20 08:47
评点是中国古典小说独有的鉴赏传统,经金圣叹、脂砚斋而发扬光大,其将批者的妙语附在小说字里行 间,兼具文化与美学意义。金庸小说的根脉深处,也流淌着中国古典小说的血液。本专栏便从中国传统 评点学视角,对金庸小说逐一复盘,细读金庸江湖的叙事美学与技法得失。 1981年1月中国台湾地区初版的《书剑恩仇录》(当时书名改作《书剑江山》) 谈及武侠小说中的趣笔,人们通常首先想到古龙,其实金庸也是此中高手。 《庄子·徐无鬼》中有"市南宜僚弄丸,而两家之难不战而解"的典故,本意是指一位居于市南、名叫宜 僚的勇士,不持兵戈,不费辞令,仅凭阵前弄丸之戏,便令两家息争罢战。移至小说评点,可指作者在 笔墨紧张、剑拔弩张之际,忽以闲笔、趣笔调节气氛,正如弄丸之戏,举重若轻,于雷霆万钧中见优游 不迫,显出一种游刃有余的大家气度。 金庸便是"弄丸"的高手。金庸成熟期的小说中,这种角色多由桃谷六仙、老顽童这类"丑角"或"至人"承 担,往往在情节趋于低沉、压抑之时横空出世,以其天真烂漫或插科打诨冲淡悲剧色彩,调节阅读节 奏,譬如《神雕侠侣》中小龙女中毒无药可解,老顽童的出现便是一抹亮色。 而在《书剑恩仇录》这部处女作中,金庸的幽默笔法,虽未臻纯 ...
金庸海外七十年
Bei Jing Wan Bao· 2025-10-29 12:13
Core Insights - The global influence of Jin Yong's novels is significant, with translations available in over twenty countries and regions, starting from 1958 [1] Translation and Dissemination - Jin Yong's novels began to be translated in Southeast Asia, with Thailand being the first country to publish a translation of "The Legend of the Condor Heroes" in 1958 [15] - Following Thailand, Indonesia and Vietnam also produced multiple translations of Jin Yong's works, indicating a growing popularity in these regions [15] - The translation of Jin Yong's novels in Cambodia and Myanmar is less clear, with no confirmed Cambodian translations and a focus on adaptations in Myanmar through film rather than direct translations [16][17] Academic Research - Academic research on Jin Yong's works in Southeast Asia began relatively late, with Thailand starting serious studies around 2000, while Vietnam has produced a wealth of scholarly work on the subject [21][22] - In East Asia, Japan and South Korea have also developed significant academic interest in Jin Yong's novels, focusing on various aspects such as literary analysis and cultural comparisons [22] Western Reception - Jin Yong's novels began to gain attention in the West in the 1990s, with early English translations appearing but not achieving the same level of popularity as in Asia [18][19] - The first complete English translations emerged in the 1990s, with subsequent translations into multiple European languages, indicating a growing interest in Jin Yong's works outside of Asia [19] Ongoing Influence - The influence of Jin Yong's novels continues to grow, with new translations and academic studies being published, suggesting that his works are on the path to becoming "world literature" [24][25]
港剧“金牌绿叶”许绍雄逝世
券商中国· 2025-10-28 04:45
Core Viewpoint - The article reports the passing of TVB actor Xu Shaoxiong at the age of 76 due to multiple organ failure caused by cancer, highlighting his significant contributions to the television and film industry in Hong Kong [1]. Biography and Career Highlights - Xu Shaoxiong was born in 1948 in Hong Kong and later moved to Guangzhou with his father for business before returning to Hong Kong in 1958, where his family faced financial challenges [2]. - He joined the TVB artist training class in 1972 and began his acting career, initially working at TVB before moving to another television station and returning to TVB later [3]. - His first film role was in the 1974 movie "Ghostly Twins," and he gained recognition in 1983 for his role in the TVB version of "The Legend of the Condor Heroes" [4][5]. - Xu starred in several popular TV dramas throughout the 1980s and 1990s, including "The Deer and the Cauldron" and "The Heaven Sword and Dragon Saber" [6][8]. - He received a nomination for Best Supporting Actor at the 19th Hong Kong Film Awards for his role in the 1999 film "Dark War" [9]. - His notable roles include "Brother Huanxi" in "Line Walker," which earned him the title of "Most Favorite TV Male Character" at the TVB Anniversary Awards [11][13]. Recent Works and Legacy - In recent years, Xu participated in several dramas such as "The Season of Love" and "The Storm of Drug Enforcement," with upcoming projects including a collaboration with actress Sheren Tang [13].
53岁前TVB演员马浚伟升职,下月起任香港知名公司CEO!曾出演《鹿鼎记》
Sou Hu Cai Jing· 2025-06-18 06:20
Core Points - The current Managing Director of Hong Kong's New Town Broadcasting Company, Song Wenhui, will retire on August 1, 2025, after a 25-year career, with Chief Operating Officer Ma Junwei being promoted to Chief Executive Officer effective July 15, 2025 [1][4] - Ma Junwei expressed gratitude towards the management and staff in a public letter, emphasizing teamwork and commitment to enhancing the company's influence and potential [4] - Ma Junwei has a background as a well-known actor in Hong Kong television, having transitioned to management roles, including serving as the Creative Director at Radio Television Hong Kong before joining New Town Broadcasting [6][8] Company Overview - New Town Broadcasting Company is undergoing a leadership transition with the retirement of Song Wenhui and the promotion of Ma Junwei, indicating a shift in strategic direction and management style [1][4] - The company aims to strengthen its market presence and operational effectiveness under the new leadership, focusing on collaboration and innovation [4] Leadership Background - Ma Junwei, who has a notable acting career, returned to academia to pursue an EMBA at Peking University in 2018, showcasing a commitment to professional development [6] - His previous roles in the entertainment industry, including significant television productions, contribute to his understanding of media and audience engagement [8][14]
TVB业绩会现场释疑“止血”改革:成本砍15%、香港业务增收、大湾区拓展,“2025年目标盈利”
Mei Ri Jing Ji Xin Wen· 2025-03-27 08:13
Core Viewpoint - Hong Kong Television Broadcasts Limited (TVB) has faced continuous losses for over seven years since 2018, but it reported a positive EBITDA of HKD 295 million for 2024, with a significant reduction in losses compared to previous years [2][3] Financial Performance - TVB's revenue improved in 2024, with a 17% growth in its core Hong Kong television broadcasting business [5] - The company reported a net loss of HKD 88 million for 2024, a decrease of HKD 519 million year-on-year, despite still being in the red due to asset impairment [2][5] - TVB expects EBITDA for 2025 to be significantly higher than in 2024 and aims to achieve positive net profit for shareholders in 2025 [2] Cost Control and Operational Efficiency - The company has implemented various cost control measures, including merging two television channels and reducing operational costs by 15% [5] - TVB has focused on both cost control and revenue expansion as part of its strategy for 2024 [5] AI and Technology Integration - TVB has begun utilizing AI tools for various applications, including content creation and copyright protection [6] - The company is exploring partnerships with technology firms like Huawei and Tencent to enhance its AI capabilities [6] Talent Management - TVB has adjusted its talent management approach, encouraging artists to pursue opportunities outside the company while still supporting their development within [7] International Business Development - TVB is shifting its international business strategy from solely content licensing to exploring new revenue streams, leveraging its extensive IP resources and international distribution network [8][9] - The company has successfully engaged in international promotion projects, such as assisting local governments in marketing efforts [9] Mainland China Market Strategy - TVB views its mainland China operations as a critical component of its overall strategy, with plans to integrate Hong Kong content with mainland elements [10][12] - The company has started directly managing advertising in mainland China, which is expected to enhance its revenue potential [11][12]