Core Viewpoint - The article discusses the admission results of the Shanghai Theatre Academy's doctoral program for 2025, highlighting the acceptance of Jin Shijia and the absence of Huang Xiaoming from the list [1][2]. Group 1: Admission Results - Jin Shijia was admitted with a total score of 278.84, achieving scores of 94.34 in the first subject, 90 in the second subject, and 94.5 in the interview [1]. - The doctoral program in Directing and Creation accepted three candidates, while the Art Management/Drama Planning direction only accepted one candidate [3]. Group 2: Huang Xiaoming's Response - Huang Xiaoming, who was also on the preliminary list, expressed his intention to try again next year after not being admitted [4]. - Huang Xiaoming has a significant background in the entertainment industry, with numerous notable roles and a wide range of business interests, including over 40 associated companies in various sectors [4].

Group 1 - The article discusses the controversies surrounding the drama "Cang Hai Chuan" and its comparison to "Nirvana in Fire," highlighting a cultural disconnect in the current audience's preferences for ancient costume dramas [1] - The ancient costume drama market has shifted focus towards suspense and power struggles, while traditional martial arts dramas have become niche, indicating a significant change in content consumption [1] Group 2 - The history of martial arts dramas in China is traced back to the 1970s and 1980s, with significant contributions from Hong Kong production companies adapting works from famous authors like Jin Yong and Gu Long [2][4] - The 1983 version of "The Legend of the Condor Heroes" marked a turning point, achieving an average viewership rating of 60% and a peak rating of over 90%, indicating its immense popularity [4] - The 2000s were considered the "golden decade" for mainland martial arts dramas, with over a hundred productions, yet only 14 received ratings above 8 on Douban [11] Group 3 - The rise of fantasy dramas has overshadowed martial arts dramas, with "Xianjian Qixia Zhuan" being a notable example that achieved high ratings and shifted audience interest towards fantasy elements [12][14] - The decline of martial arts dramas is attributed to the oversaturation of adaptations and a lack of original content, leading to a dilution of the genre's appeal [18] - The emergence of female-centric narratives in fantasy dramas has further shifted audience preferences, leading to the development of ancient idol dramas [20] Group 4 - The production quality and audience expectations have evolved, with modern viewers demanding high visual effects and star power, which has made traditional martial arts dramas less viable [25][27] - The cultural significance of martial arts dramas is diminishing, as the ideals of chivalry and justice portrayed in these dramas do not resonate with contemporary societal values [30][31] - New interpretations of martial arts themes are emerging, blending elements of mystery and emotional growth, as seen in recent productions like "Xue Zhong Han Dao Xing" and "Lian Hua Lou" [28]