Core Viewpoint - The article highlights the cultural exchange between mainland China and Taiwan through the performances of renowned Peking opera artists, emphasizing the significance of these events in fostering appreciation for traditional Chinese culture and building connections across the strait [1][6]. Group 1: Performance Details - A group of 80 renowned Peking opera artists, led by Yu Kuiti and Li Shengsu, performed classic plays such as "The Four Sons Visit Their Mother" and "The Red Mane Horse" in Taipei from August 12 to 17, providing a rich cultural experience for local audiences [1][2]. - This event marks a continuation of a 32-year tradition of Peking opera performances in Taiwan, which began in 1993 with the first visit of the National Peking Opera Company [1][2]. Group 2: Cultural Significance - The performances serve as a cultural bridge, allowing Taiwanese audiences to experience the charm of traditional Chinese art, thereby enhancing cultural ties between the two regions [1][6]. - The event is seen as a platform for the transmission of Peking opera, with a focus on nurturing young talent from the China National Academy of Chinese Theatre Arts, showcasing a range of performers from students to seasoned professionals [3][5]. Group 3: Audience Engagement - Taiwanese audiences have shown great enthusiasm for the performances, often waiting after shows for autographs and photos, indicating a strong appreciation for the artists and their craft [8]. - The article notes that both older and younger generations of Taiwanese are increasingly engaging with Peking opera, reflecting a growing interest in traditional culture [8].

Core Viewpoint - A renowned group of Chinese opera artists, led by Yu Kuiti and Li Shengsu, will perform in Taipei from August 12 to 17, showcasing classic plays such as "The Four Sons Visit Their Mother," "Phoenix Returns to the Nest," "Flower Field Mistake," and "Red Mane Horse" for six consecutive days [1] Group 1 - The performance is organized by Taiwan Chuan Da Arts Co., Ltd., which has been inviting mainland Chinese opera masters to Taiwan for over 30 years, making it a highly anticipated annual event for Taiwanese opera fans [1] - Yu Kuiti and Li Shengsu are considered idols by many Taiwanese opera enthusiasts and are widely popular [1] - Tickets for the performances of "The Four Sons Visit Their Mother" and "Red Mane Horse" have already sold out [1] Group 2 - The delegation consists of 80 members, including renowned masters and many outstanding young actors and students from Chinese opera academies, reflecting the traditional "passing on skills" approach in Peking opera [1] - The inclusion of young actors is expected to bring new elements to the performances, providing a refreshing experience for the Taiwanese audience [1] - The aim of the performances is to enhance the understanding and recognition of Chinese traditional culture among Taiwanese viewers [1]

Core Points - The "Mei Zhan Dong Fang" cultural heritage walking route dedicated to Mei Lanfang has been selected as an excellent cultural route for 2024 by the National Cultural Heritage Administration, Ministry of Culture and Tourism, and National Development and Reform Commission [2] - This route highlights 34 immovable cultural relics associated with Mei Lanfang's life and career in Shanghai, showcasing his significant influence on Peking opera and the city's cultural landscape [2][6] - The route is organized into three main themes: "Old Shadows of the Pear Garden," "Friendship in Stone," and "Searching for Traces in Shanghai," connecting various historical sites related to Mei Lanfang [6] Summary by Sections Cultural Significance - Mei Lanfang is recognized as a world-renowned performing arts master, with Shanghai serving as a crucial location for his artistic development and public acclaim [1][5] - The cultural route allows visitors to explore the deep connections between Mei Lanfang and Shanghai's historical architecture, enhancing understanding of his artistic journey [2][5] Route Details - The "Mei Zhan Dong Fang" route includes 34 immovable cultural relics, with 2 being national key cultural relics, 8 municipal cultural relics, and 5 district-level cultural relics [6] - Key locations include the Meiqi Theatre, Zhangjia Garden, and Tianchan Stage, among others, which were significant in Mei Lanfang's performances and social interactions [6][16] Historical Context - Mei Lanfang first arrived in Shanghai in 1913, quickly gaining fame and establishing a lasting relationship with the city until his return to Beijing in 1951 [5][28] - The route reflects the historical significance of various venues, such as the Daguangming Theatre, where Mei Lanfang performed and made notable appearances [9][15] Research and Discovery - The planning of the route involved extensive research, including reviewing historical documents and interviews with Mei Lanfang's descendants, to identify key locations [26][28] - Some historical sites have been lost to time, highlighting the challenges of preserving cultural heritage in a rapidly changing urban landscape [28][30]