记者 诸葛漪 天蟾逸夫舞台总经理潘熠文介绍，贯穿2026年全年的"百年天蟾"系列活动以"演展、服务、环境、 内控"四大板块为框架，全面提升剧场艺术呈现、服务、空间优化与内部管理。"除京昆群英会、京剧名 家名段演唱会以及'乾旦坤生女花脸''东西南北中·皮黄振蟾宫''天蟾书会'等专题演出外，还推出剧场史 料展、场史专题讲座、全国戏曲院团长及剧场经理论坛、艺术普及教育活动、线上直播推广、特色文创 产品开发等一系列延伸项目，增强观众的沉浸式体验与文化获得感。" 马年新春，上海杂技团第一次将动物演员带到商区，马戏沉浸式体验闪现大宁国际、张园等商业地 标。"《时空之旅2》《欢乐马戏》《精灵宝盒的秘密》三大驻场演出新春期间演出34场，接待观众2万 余人次，票房收入近300万元。"上海杂技团团长梁弘钧表示，"我们还参与静安区'策马迎新，邂逅静安 ——奔马戏春风'系列主题迎新活动，在上海马戏城、大宁国际商业广场、大宁音乐广场、大宁公园、 张园、永源路街区六大点位演出55场，线下观众超10万人次。" "越剧名家赵志刚领衔主演的《红楼梦》都卖完了。"昨天，宛平剧院工作人员表示，借着春节长假 一连三晚不同版本、阵容《红楼梦》的高人气 ...

《秦琼卖马》是谭派经典剧目，取材于《隋唐演义》，以"英雄落魄，宝马寄情"为核心，尽显江湖义气 与人生沉浮。 剧情梗概 中国戏曲，尤其是国粹京剧，在众多的剧目中，还有许多特殊的剧目，如逢年过节的节令戏，二十四节 气的节气戏，还有十二属相的生肖戏，五花八门，还都有个说法，所以说，中国文化博大精深。眼下农 历蛇年已经过去，迎来了奔腾的马年，那么丙午马年又有什么生肖戏呢？下面讲几出与马相关的马戏， 既有引人入胜跌宕多姿的剧情，又彰显着京剧艺术的独特魅力。 《秦琼卖马》 谭派唱腔百年不衰 隋末，山东好汉秦琼（字叔宝）押解犯人途中病倒，困于潞州天堂县旅店，盘缠耗尽，连旅店饭钱都无 力支付。店主索债紧迫，秦琼无奈之下，只得将自己心爱的坐骑——黄骠马牵到集市售卖。恰逢当地豪 杰单雄信路过，见黄骠马神骏非凡，得知是秦琼所卖，便知秦琼必有难处。单雄信素来仰慕秦琼威名， 当即买下宝马，又暗中资助秦琼银两，助他渡过难关。后来，秦琼与单雄信结为生死之交，成为隋唐好 汉聚义的一段佳话。 《秦琼卖马》又称《卖马》，是老谭（谭派创始人谭鑫培）的名剧，后来经过余叔岩的再创新，将老生 唱腔推向新的高峰，其演唱讲究"韵味醇厚、行腔圆润、吐字清晰、 ...

中新网北京2月14日电 (记者 应妮)新春戏曲盛宴《鹳雀楼上 梨园情深》将于大年初一亮相央视戏曲频 道，节目以"戏韵贺新春，文脉传千年"为核心，汇聚南北戏曲名家，融合室内联欢与外景探访，用铿锵 唱腔与欢声笑语，为全国观众奉上一场集戏曲精粹、民俗风情与文化底蕴于一体的团圆大餐。 《鹳雀楼 上 梨园情深》节目海报。 节目组供图 "新春美食戏韵大挑战"中，嘉宾分组"你比划我猜"，"戏曲""新春""山西美食"等主题全覆盖。嘉宾临场 互动创意十足，京剧名家王平、王珮瑜等或本人属马，或唱词带马，或流派含"马"，连番上演《红鬃烈 马》《盗御马》等经典片段，汇聚成《马年唱马》的精彩呈现。 节目精彩剧照。 节目组 山西永济的普救寺是戏曲中经典IP《西厢记》的发生地，在"西厢情缘一线牵"的趣味环节，张佳春化 身"红娘"乱点鸳鸯谱，陈雪萍、李敏演绎《月下听琴》，王航、张建峰反串《月下相会》，许娣与张佳 春飙戏《拷红》，即兴表演，高潮迭起，妙趣横生；更有昆曲、蒲剧、赣剧、京剧等多剧种《西厢记》 经典唱段依次呈现，为戏迷朋友们带来"西厢大礼盒"。(完) 供图 节目录制地山西省永济市位于黄河之畔，以深厚的历史文化底蕴和丰富的旅游资源著称 ...

骏马贺岁 | 万象更新 《红鬃烈马》 朱强 饰 薛平贵 （大登殿） 张凯 饰 薛平贵 （武家坡、算粮、银空山） 窦晓璇 饰 王宝钏 2月18日 19:30 （正月初二 晚场） （大登殿） 陈张霞 饰 王宝钏 （武家坡、算粮） 王岳凌 饰 代战公主 （大登殿） 张婉婷 饰 代战公主 （银空山） 剧情简介 薛平贵离家十八年后，自西凉归里，于武家坡得遇其妻王宝钏。王已不识薛，薛假借问路试王心未果， 薛追王至寒窑后叙述别后经历，夫妻始得相认。王允寿辰，薛向王允、魏虎讨算十八年累欠之粮饷。后 王允篡位，欲杀薛平贵，薛逃，王允遣高嗣继追之。代战公主接薛信鸽，知其遇险，率兵救援，高嗣继 不敌，投降后引薛反攻长安获胜。薛自立为王，贬王允、斩魏虎，分封宝钏、代战。迎请王母，共庆团 圆。 演职员表 剧中人 ............ 扮演者 薛平贵 ............ 朱强 （大登殿） 薛平贵 ............ 张凯 （武家坡、算粮、银空山） 王宝钏 ............ 窦晓璇 （大登殿） 王宝钏 ............ 陈张霞 （武家坡、算粮） 代战公主 ............ 王岳凌 （大登殿） 代战公 ...

汤炳生 在剧场里，常见锣鼓响起，大幕拉开，舞台上空无一人，稍一停顿，左侧幕内传来一声悠长的京腔京 韵："马——来！"。主人公挥动马鞭，出场亮相。随着那一声"马——来！"有关马的一切都会涌现在我 眼前。比如：一马当先、万马奔腾、马不停蹄、马踏五福、老骥伏枥等成语；比如清代宫廷画家意大利 传教士郎世宁的《百骏图》《十骏图》，我国著名画家徐悲鸿的《奔马图》等传世名画；比如《秦琼卖 马》《红鬃烈马》《马前泼水》《盗御马》《瘦马御史》等京剧剧目，还有24集革命历史题材剧《马背 摇篮》。歌曲带马的那就更多了，比如《马儿啊，你慢些走》《我骑着马儿过草原》《马铃儿响来玉鸟 儿唱》《像马一样奔跑》《马背上的思念》…… 2026年的马年，天干为丙，是为丙午年，干支都是火，一定是雷厉风行的一年，轰轰烈烈的一年，兆民 欢腾的一年。 迎着走来的新春，我也用京韵京腔吼了一嗓子"马——来！" 历代帝王都以忠孝节义治理国家，而忠孝节义的具象却是四个动物，即马、羊、虎、狗。狗属义，哪怕 它的主人穷困潦倒，食不果腹，早已顾不了看家护院的狗狗了，而狗狗却绝不改换门庭，饿了去外面觅 食，回来仍不离不弃地守护着主人；虎属节，据说老虎终身只生一胎，绝无 ...

Core Viewpoint - The article emphasizes the transformative power of reading in shaping individuals' lives and perspectives, highlighting its role in personal growth and cultural understanding [6][18]. Group 1: Importance of Reading - Reading is portrayed as a vital activity that enriches individuals' inner worlds and provides strength in challenging times [10][21]. - The implementation of the "National Reading Promotion Regulations" aims to enhance the legal framework for building a reading society, fostering a culture of reading [6][18]. Group 2: Personal Experiences with Reading - Various authors share their personal journeys, illustrating how reading has influenced their life choices and career paths, such as becoming educators or cultural workers [15][16][19]. - The narratives reflect on the impact of specific books and authors, demonstrating how literature can inspire and guide individuals through different life stages [15][19]. Group 3: Cultural and Historical Context - The evolution of Chinese drama and literature is discussed, showcasing the blend of romanticism and realism throughout history, which has been a source of inspiration for many artists [9][10]. - The article highlights the importance of understanding cultural heritage through reading, as it connects individuals to their roots and broadens their worldview [9][10][19].

Core Viewpoint - The article highlights the cultural exchange between mainland China and Taiwan through the performances of renowned Peking opera artists, emphasizing the significance of these events in fostering appreciation for traditional Chinese culture and building connections across the strait [1][6]. Group 1: Performance Details - A group of 80 renowned Peking opera artists, led by Yu Kuiti and Li Shengsu, performed classic plays such as "The Four Sons Visit Their Mother" and "The Red Mane Horse" in Taipei from August 12 to 17, providing a rich cultural experience for local audiences [1][2]. - This event marks a continuation of a 32-year tradition of Peking opera performances in Taiwan, which began in 1993 with the first visit of the National Peking Opera Company [1][2]. Group 2: Cultural Significance - The performances serve as a cultural bridge, allowing Taiwanese audiences to experience the charm of traditional Chinese art, thereby enhancing cultural ties between the two regions [1][6]. - The event is seen as a platform for the transmission of Peking opera, with a focus on nurturing young talent from the China National Academy of Chinese Theatre Arts, showcasing a range of performers from students to seasoned professionals [3][5]. Group 3: Audience Engagement - Taiwanese audiences have shown great enthusiasm for the performances, often waiting after shows for autographs and photos, indicating a strong appreciation for the artists and their craft [8]. - The article notes that both older and younger generations of Taiwanese are increasingly engaging with Peking opera, reflecting a growing interest in traditional culture [8].

Core Viewpoint - A renowned group of Chinese opera artists, led by Yu Kuiti and Li Shengsu, will perform in Taipei from August 12 to 17, showcasing classic plays such as "The Four Sons Visit Their Mother," "Phoenix Returns to the Nest," "Flower Field Mistake," and "Red Mane Horse" for six consecutive days [1] Group 1 - The performance is organized by Taiwan Chuan Da Arts Co., Ltd., which has been inviting mainland Chinese opera masters to Taiwan for over 30 years, making it a highly anticipated annual event for Taiwanese opera fans [1] - Yu Kuiti and Li Shengsu are considered idols by many Taiwanese opera enthusiasts and are widely popular [1] - Tickets for the performances of "The Four Sons Visit Their Mother" and "Red Mane Horse" have already sold out [1] Group 2 - The delegation consists of 80 members, including renowned masters and many outstanding young actors and students from Chinese opera academies, reflecting the traditional "passing on skills" approach in Peking opera [1] - The inclusion of young actors is expected to bring new elements to the performances, providing a refreshing experience for the Taiwanese audience [1] - The aim of the performances is to enhance the understanding and recognition of Chinese traditional culture among Taiwanese viewers [1]

Core Viewpoint - A grand performance featuring renowned Peking opera artists will take place in Taipei from August 12 to 17, showcasing classic plays that are well-known among fans [1][2]. Group 1: Event Details - The performance will include traditional plays such as "Four Generals Visit Their Mother," "Flower Field Mistake," "Lost Street Pavilion · Empty City Strategy · Decapitation of Ma Su," "Legend of the White Snake," "Red Mane Horse," and "Dragon and Phoenix Present Auspiciousness" [1]. - The event is organized by Taiwan Chuan Da Arts Co., which has been hosting Peking opera performances for 32 years [1]. Group 2: Artist Participation - The performance will feature a cast of 80, including prominent artists Yu Kuitai and Li Shengsu, who have a long history of performing in Taiwan [1][2]. - The event aims to promote younger talent by implementing a "double performance" or "triple performance" model, allowing both young and veteran actors to portray the same role [1]. Group 3: Audience Engagement - The event is highly anticipated by audiences on both sides of the Taiwan Strait, with tickets for "Four Generals Visit Their Mother" and "Red Mane Horse" already sold out [2]. - The performance is expected to provide a rich artistic experience for Taiwanese audiences, featuring both established and emerging talents from the China National Peking Opera Company and the China Academy of Traditional Chinese Opera [2].