立春将至，国家大剧院以多元艺术盛宴奏响春日序章。国家大剧院原创剧目彰显活力，《雨燕》即将开 启世界首演，还原历史质感，聆听中轴回响；原创歌剧《兰花花》唱响民族情怀，《嫌疑人福尔摩斯》 贝克街再探迷局。国际钢琴系列与中外交响音乐会相映成章，悠扬旋律传递新春祝福；从弗拉明戈、芭 蕾舞，到古典舞、民族舞，多元舞剧尽显东西方形韵之美；还有经典话剧演绎世间百态，"冬日童话之 旅"点亮亲子时光，戏曲、曲艺轮番登场，从评弹的吴侬软语到杂技的惊险奇趣，让传统技艺在当代舞 台焕发新生。 早春寻艺，国家大剧院诚邀您走进剧场，让艺术与团圆相伴，镌刻马年新春难忘时光！ 国家大剧院制作 国家大剧院原创话剧《雨燕》 1月31日-2月3日 19:30 2月1日 14:30 国家大剧院·戏剧场 "雨燕"，每年往返约三万公里，因生理结构无法落地，一生几乎持续飞翔。自北京建成之日起，它便栖 居古建之上，被誉为"楼燕儿"，是飞翔在北京中轴线上的"精灵"。这种永不停歇、执着归巢的姿态，恰 如那群在抗战烽火中默默测绘中轴线古建、守护文明根脉的青年。 国家大剧院原创话剧《雨燕》首次将日据时期北平古建测绘的隐秘往事搬上舞台。这是一场没有硝烟的 文明保卫战 ...

Core Viewpoint - The dance drama "Five Stars Rising from the East," launched by the China Foreign Cultural Group, has made its international debut in Canada, showcasing the Silk Road civilization through dance [1][2]. Group 1: Performance Details - The dance drama has been performed over 100 times since its premiere in 2021, with 7 performances scheduled in Ottawa and Toronto from December 12 to 20 [2]. - The performance features elements from the Han Dynasty, specifically a brocade armguard unearthed from the Xinjiang Hetian site, and combines various Chinese ethnic dance styles [1]. Group 2: Cultural Significance - The drama aims to present the stories of ethnic integration and cultural exchange along the ancient Silk Road, bringing to life over 2,000 years of history [1]. - Chinese Ambassador to Canada Wang Di emphasized the importance of cultural exchanges in strengthening bilateral relations, marking the 55th anniversary of diplomatic ties and the 20th anniversary of the strategic partnership between China and Canada [1]. Group 3: Audience Reception - Audience members expressed emotional responses to the themes of friendship and love depicted in the performance, with some moved to tears [1].

Core Insights - The dance drama "Five Stars Rising from the East" has maintained high popularity over four years, reflecting its contemporary value and artistic charm, as well as the mainstream trend of Xinjiang's artistic creation from traditional to modern and multi-faceted focus [1] - The drama is inspired by the Han Dynasty textile artifact "Five Stars Rising from the East" unearthed from the ancient Silk Road in the Hetian region of Xinjiang, using artistic imagination to activate symbols of Chinese culture and narrating a legendary story of deep friendship between the ancestors of the Western Regions and the Central Plains [1] - The success of this dance drama lies not only in its artistic achievements but also in its profound social significance, promoting cultural exchange and integration among different regions and ethnicities, which is both a historical trend and a pressing need of the times [1] Industry Trends - In contemporary Xinjiang, the consensus among artists is to break through and innovate on the basis of tradition, which will drive better creative transformation and innovative development in the arts, continuously advancing from "plateau" to "peak" [2]

Core Viewpoint - The article highlights the success and cultural significance of the dance drama "Five Stars Rising from the East," which reflects the integration of diverse ethnic cultures and promotes national unity through artistic expression [4][7]. Group 1: Cultural and Artistic Development - The dance drama "Five Stars Rising from the East" has been performed over a hundred times nationwide, showcasing its popularity and the effectiveness of its artistic narrative [5][7]. - The production integrates high-level coordination and resource sharing between Beijing and Xinjiang, aiming to create high-quality artistic works that reinforce the sense of a shared national identity [4][6]. - The dance drama draws inspiration from historical artifacts, specifically a Han Dynasty textile found in the Xinjiang region, to create a narrative that connects ancient history with contemporary cultural themes [5][7]. Group 2: Social Impact and Cultural Identity - The success of "Five Stars Rising from the East" is not only an artistic achievement but also serves a significant social purpose by fostering cultural exchange and integration among different ethnic groups [7][8]. - Recent years have seen a surge in high-quality artistic works in Xinjiang, such as the acrobatic drama "Tianshan Snow" and the dance "Under the Sun of Maigaiti," which reflect the region's rich cultural heritage and contemporary narratives [7][8]. - The article emphasizes the importance of cultural identity as a foundation for national unity and harmony, highlighting the ongoing efforts in Xinjiang's artistic community to innovate while respecting traditional forms [8].

Core Viewpoint - The Beijing government is focusing on high-quality cultural development during the "14th Five-Year Plan" period, emphasizing the integration of various cultural resources and enhancing the city's cultural heritage and offerings [3][5][6]. Group 1: Cultural Achievements - Beijing has made significant progress in cultural construction, guided by Xi Jinping's thoughts, focusing on ancient, red, and innovative cultures [3]. - The city has developed three major red cultural theme areas and protected 31 early revolutionary sites, attracting over 31 million visitors [5]. - The protection and revitalization of historical cultural heritage have been prioritized, with over 100 restoration projects and the recognition of 312 historical buildings [6]. Group 2: Cultural Events and Participation - The city plans to host 57,000 commercial performances in 2024, with an expected audience of over 12.8 million and ticket sales exceeding 3.9 billion yuan, marking historical highs [7][9]. - Cultural consumption has expanded, with new cultural facilities and events enhancing the experience for residents and tourists [8][9]. Group 3: Integration of Culture and Economy - A mechanism for integrating culture, commerce, tourism, and sports has been established, promoting a "one-stop" consumption experience [8]. - The city has seen a rise in cultural tourism, with innovative initiatives like "follow the movie to travel" enhancing consumer engagement [8]. Group 4: Public Cultural Services - The city has improved public cultural services, achieving basic coverage of cultural facilities and creating a 15-minute public cultural service circle for residents [8]. - The use of technology in public cultural services has been emphasized, with initiatives like "cloud reading season" and "digital central axis" enhancing accessibility [9].

Core Viewpoint - The article emphasizes the importance of cultural integration and the promotion of a shared national identity among various ethnic groups in Xinjiang, highlighting the efforts made since the 18th National Congress of the Communist Party of China to enhance cultural recognition and unity [1][3][8]. Group 1: Cultural Integration Efforts - Since July 2022, initiatives have been implemented to deepen cultural integration in Xinjiang, aiming to enhance recognition of Chinese culture and strengthen the sense of community among various ethnic groups [1][3]. - The "New Era Xinjiang Cadre Lecture Hall" and other educational programs have been established to instill loyalty to the Party and a commitment to serving the people among party members and officials [3][4]. Group 2: Cultural Heritage and Tourism - Significant archaeological sites, such as the Mo'er Temple ruins, have been recognized as key cultural heritage, with ongoing restoration and public access planned, contributing to the understanding of Chinese cultural history [4]. - The tourism sector in Xinjiang has seen a boost, with over 300 million visitors expected in 2024, driven by the promotion of cultural and historical sites [7][8]. Group 3: Cultural Products and Arts - A variety of artistic works, including dance and music, have gained recognition, showcasing the vibrant cultural scene in Xinjiang and contributing to the promotion of socialist advanced culture [5][6]. - The development of cultural and creative products has been emphasized, with numerous series launched that blend historical elements with modern life, serving as a medium for cultural transmission [8].

Group 1 - The core issue in recent thematic creations is the lack of depth in topic selection, leading to repetitive themes and mediocre intentions, which discourages talented creators from participating [1] - There is a significant problem with the organizational strength of artistic creation, where temporary teams are assembled without a focus on quality, resulting in shallow ideas and outdated techniques [1][2] - The market awareness and user thinking are weak, with insufficient evaluation of market prospects and a lack of incentive mechanisms, leading to a focus on input rather than output [1][2] Group 2 - To address these issues, it is crucial to implement detailed organizational work in thematic creation, ensuring that topic feasibility and audience acceptance are thoroughly evaluated [2] - Emphasizing the role of market mechanisms is essential, as social effects cannot be achieved without market participation, and there should be a balance between social and economic benefits [2] - Professional creators should be engaged in their respective fields to ensure that both talent and effort are fully utilized, as demonstrated by the success of the drama "Mountain Flowers Blooming" due to a dedicated and skilled creative team [3]