Core Viewpoint - The Beijing government is focusing on high-quality cultural development during the "14th Five-Year Plan" period, emphasizing the integration of various cultural resources and enhancing the city's cultural heritage and offerings [3][5][6]. Group 1: Cultural Achievements - Beijing has made significant progress in cultural construction, guided by Xi Jinping's thoughts, focusing on ancient, red, and innovative cultures [3]. - The city has developed three major red cultural theme areas and protected 31 early revolutionary sites, attracting over 31 million visitors [5]. - The protection and revitalization of historical cultural heritage have been prioritized, with over 100 restoration projects and the recognition of 312 historical buildings [6]. Group 2: Cultural Events and Participation - The city plans to host 57,000 commercial performances in 2024, with an expected audience of over 12.8 million and ticket sales exceeding 3.9 billion yuan, marking historical highs [7][9]. - Cultural consumption has expanded, with new cultural facilities and events enhancing the experience for residents and tourists [8][9]. Group 3: Integration of Culture and Economy - A mechanism for integrating culture, commerce, tourism, and sports has been established, promoting a "one-stop" consumption experience [8]. - The city has seen a rise in cultural tourism, with innovative initiatives like "follow the movie to travel" enhancing consumer engagement [8]. Group 4: Public Cultural Services - The city has improved public cultural services, achieving basic coverage of cultural facilities and creating a 15-minute public cultural service circle for residents [8]. - The use of technology in public cultural services has been emphasized, with initiatives like "cloud reading season" and "digital central axis" enhancing accessibility [9].

Core Viewpoint - The article emphasizes the importance of cultural integration and the promotion of a shared national identity among various ethnic groups in Xinjiang, highlighting the efforts made since the 18th National Congress of the Communist Party of China to enhance cultural recognition and unity [1][3][8]. Group 1: Cultural Integration Efforts - Since July 2022, initiatives have been implemented to deepen cultural integration in Xinjiang, aiming to enhance recognition of Chinese culture and strengthen the sense of community among various ethnic groups [1][3]. - The "New Era Xinjiang Cadre Lecture Hall" and other educational programs have been established to instill loyalty to the Party and a commitment to serving the people among party members and officials [3][4]. Group 2: Cultural Heritage and Tourism - Significant archaeological sites, such as the Mo'er Temple ruins, have been recognized as key cultural heritage, with ongoing restoration and public access planned, contributing to the understanding of Chinese cultural history [4]. - The tourism sector in Xinjiang has seen a boost, with over 300 million visitors expected in 2024, driven by the promotion of cultural and historical sites [7][8]. Group 3: Cultural Products and Arts - A variety of artistic works, including dance and music, have gained recognition, showcasing the vibrant cultural scene in Xinjiang and contributing to the promotion of socialist advanced culture [5][6]. - The development of cultural and creative products has been emphasized, with numerous series launched that blend historical elements with modern life, serving as a medium for cultural transmission [8].

Group 1 - The core issue in recent thematic creations is the lack of depth in topic selection, leading to repetitive themes and mediocre intentions, which discourages talented creators from participating [1] - There is a significant problem with the organizational strength of artistic creation, where temporary teams are assembled without a focus on quality, resulting in shallow ideas and outdated techniques [1][2] - The market awareness and user thinking are weak, with insufficient evaluation of market prospects and a lack of incentive mechanisms, leading to a focus on input rather than output [1][2] Group 2 - To address these issues, it is crucial to implement detailed organizational work in thematic creation, ensuring that topic feasibility and audience acceptance are thoroughly evaluated [2] - Emphasizing the role of market mechanisms is essential, as social effects cannot be achieved without market participation, and there should be a balance between social and economic benefits [2] - Professional creators should be engaged in their respective fields to ensure that both talent and effort are fully utilized, as demonstrated by the success of the drama "Mountain Flowers Blooming" due to a dedicated and skilled creative team [3]