当日下午，舞蹈诗剧《只此青绿》主演张翰、吴宇婷、谢素豪齐聚新加坡中国文化中心，与观众们展开 一场充满温度的艺术对话。见面会现场，三位主演分别从"希孟""青绿"与"展卷人"的视角，畅谈这部作 品如何与他们自身的艺术生命交织融合。互动环节，观众们踊跃举手提问。 中国东方演艺集团党委副书记尹寿松指出，在中新建交三十五周年的重要历史时刻，《只此青绿》再度 来到新加坡，具有特殊意义。期待通过本次演出，让新加坡观众深入感受中华美学的独特魅力，见证两 国"山水相依、心意相通"的深厚情谊，携手书写中新文化交流的新篇章。 《只此青绿》2024年首次亮相新加坡时，就连演六场且一票难求。新加坡主办方代表表示，将继续推动 该剧在当地的定期演出，不仅要把中国优秀的舞台艺术带来狮城，更期待未来能将新加坡的精彩艺术创 作引进中国，实现两地艺术家的双向交流。 责编：李磊、王瑞景 中新网北京11月24日电（记者 应妮）记者24日从中国东方演艺集团获悉，为庆祝中国与新加坡建交三 十五周年，舞蹈诗剧《只此青绿》21日晚在新加坡滨海艺术中心剧院再度展卷，千年青绿与狮城灯火交 相辉映。 演出现场，舞台上的"青绿"从暗处缓缓浮现，仿佛从《千里江山图》的 ...

艺坛百花，竞相盛放。第十八届文华奖单项奖揭晓，23个剧目的有关创作和演职人员获奖，充分肯定了 编剧、导演、音乐、舞台美术、表演5个创作环节的杰出贡献，彰显了舞台艺术发展的风向标。本版"创 作谈"栏目今起约请第十八届文华奖单项奖获奖者，畅谈创作感悟，共话艺术人生。 ——编 者 毫无疑问，中国舞台视觉艺术正进入多元融合、创新突破的黄金期：从哲学思考到技术应用，从传统转 化到当代表达，从彰显地域特色到追求更广泛的共鸣共情。文华奖获奖作品所展现的创新趋势表明，中 国舞台美术正在形成独具特色的发展路径，这条路既深植于中华文化的丰厚土壤，又面向现代科技的广 阔天地。 舞台之下，观众不仅记住了精彩的表演，更记住了那些震撼的视觉画面——《天下大足》的光影交错、 《永不消逝的电波》的光影故事、《正义必胜》的光影史诗。这些画面汇成新时代中国舞台艺术的"视 觉志"，作为见证者和创造者，与有荣焉。 （作者为北京舞蹈学院舞台美术系主任、一级舞美设计） 《 人民日报 》（ 2025年11月20日 20 版） 新时代舞台艺术的视觉创意，体现出从单一到多元的叙事转变。不同题材、不同风格的作品形成了各具 特色的视觉语言。 由任冬生担任视觉总监 ...

Group 1 - The core idea emphasizes the importance of encouraging consumption while opposing waste, highlighting the need for a balance between the two for sustainable economic growth [1] - The "14th Five-Year Plan" suggests expanding domestic demand as a strategic foundation, focusing on improving people's livelihoods and promoting consumption [1] - The integration of consumption and waste reduction is seen as essential for achieving effective demand and high-quality supply, driving the economy's main engine [2][3] Group 2 - The drone industry is highlighted as a key growth point in the low-altitude economy, with the rise of new professions such as drone pilots contributing to quality employment [2] - The electric vehicle market is experiencing growth due to supportive policies, with potential annual earnings of nearly 3,000 yuan for participating vehicle owners [3] - Cultural consumption is on the rise, with significant increases in ticket sales and performance attendance, reflecting changing consumer demands [4] Group 3 - Local governments are focusing on increasing spending on people's livelihoods, with a notable 21.1% year-on-year growth in social spending in Zhejiang province [5] - The emphasis on frugality and avoiding extravagance is seen as a core value of the government, aligning with the broader goal of improving citizens' quality of life [5] - The combination of material and spiritual civilization is deemed necessary for national strength and rejuvenation, promoting high-quality development and living standards [6]

Core Insights - The article emphasizes the importance of encouraging consumption while opposing waste, highlighting the need for a balanced approach to economic growth and sustainability [1][6]. Group 1: Consumer Behavior and Economic Growth - The article discusses the case of a drone enthusiast who, taking advantage of a trade-in policy, invested in a drone setup, reflecting a shift towards effective demand and quality supply in the consumer market [2]. - The growth of the civil drone industry in China is noted as a significant contributor to the low-altitude economy, creating new job opportunities and promoting high-quality employment [2]. - The article stresses that encouraging consumption and opposing waste leads to more effective growth, aligning with sustainable economic development [2]. Group 2: Green Consumption - A case study of an electric vehicle owner illustrates the benefits of green consumption, where participation in a vehicle-to-grid program can yield financial returns while reducing carbon emissions [3]. - The shift towards green products is highlighted, with policies supporting green consumption becoming increasingly influential in consumer choices [3]. - The article argues that opposing waste is not about reducing consumption but about enhancing the quality of life and meeting the growing demands for better living standards [3]. Group 3: Cultural Consumption - The article highlights the rising trend of cultural consumption, with increased attendance at performances and events, indicating a shift in consumer preferences towards experiences rather than material goods [4]. - The growth in ticket sales and cultural events reflects a change in consumer behavior, where value is placed on quality experiences [4]. - The integration of culture and commerce is seen as a new landscape for consumption, fostering regional development and enhancing local brands [4]. Group 4: Government Spending and Social Welfare - The article presents a case of local government spending in Zhejiang, where a significant portion of the budget is allocated to social welfare rather than extravagant expenditures, reflecting a commitment to improving citizens' lives [5]. - The increase in social spending by 21.1% year-on-year indicates a focus on investing in people and enhancing public welfare [5]. - The government's approach to fiscal responsibility is framed as a means to build public trust and ensure that resources are directed towards meaningful social initiatives [5].

Group 1: Cultural and Artistic Development - China Oriental Performing Arts Group has a rich artistic tradition of over 70 years, focusing on music and dance to promote cultural dialogue and showcase a positive image of China [1][2] - The group has successfully launched stage art masterpieces, such as the dance poetry drama "Only This Green," which has topped China's dance drama box office for three consecutive years and has performed over 800 shows nationwide [1] - The group actively explores new technologies and platforms, collaborating with institutions like the Palace Museum to revitalize local cultural resources and engage younger audiences through social media [2] Group 2: Technological Innovation and Social Impact - ZTE Corporation emphasizes the importance of technology with a human touch, deploying solar communication bases in Liberia and innovative RF technology in South Africa to enhance connectivity in remote areas [3][4] - The company has initiated projects like "Youjian Xue Classroom" in Yunnan to provide remote education and ecological monitoring networks in Qinghai to protect wildlife [3] - ZTE aims to create a smart, green, and safe future through technology that benefits society [4] Group 3: Brand Value through Innovation and Culture - Gu Yu Biotechnology Group focuses on high-quality development through technological innovation and cultural heritage, establishing a research center and a multidisciplinary team for product development [5][6] - The company has achieved significant advancements in ingredient purity and absorption rates through proprietary technologies, enhancing its skincare products [6] - Gu Yu integrates Chinese cultural elements into its branding and product design, winning international design awards and promoting social responsibility initiatives [6] Group 4: Global Recognition of Chinese Manufacturing - Gree Electric Appliances aims to enhance global recognition of Chinese manufacturing through innovative technologies, demonstrated by successful tests in extreme conditions [7][8] - The company has contributed to international standards for refrigeration compressors, showcasing its commitment to quality and global communication [7] - Gree emphasizes that innovation is about improving lives and building trust in its products on the international stage [8] Group 5: Supply Chain Digital Transformation - JD Industrial is focused on enhancing supply chain efficiency and integration to support the digital transformation of the industrial sector [9][10] - The company has launched initiatives to reduce supply chain costs significantly, with projections indicating a potential reduction of approximately 6.77 trillion yuan in costs for Chinese industrial enterprises [9] - JD Industrial is developing tailored supply chain solutions for various industries to facilitate rapid digital implementation [10] Group 6: Artificial Intelligence in Brand Experience - The China Internet Network Information Center highlights the transformative impact of artificial intelligence on production and brand value, emphasizing the need for brands to integrate AI into user experiences [11][12] - The growth of generative AI in China is marked by an expanding user base and advancements in model capabilities, which can enhance brand interactions [11] - Future brand strategies should focus on embedding products and services into users' lives, ensuring sustainable growth through effective governance of AI technologies [12] Group 7: Industrial Innovation and Core Competitiveness - Shaanxi Construction Group is transitioning from a traditional construction company to a comprehensive service provider, focusing on innovation and project diversification [13][14] - The company has established multiple research centers and innovation alliances to enhance its technological capabilities and project execution [13] - Shaanxi Construction Group aims to contribute to high-quality development in the construction industry while expanding its international influence [14] Group 8: High-Quality Development in Yunnan - Yunnan Province is accelerating its development as an open hub for trade with South Asia and Southeast Asia, focusing on green energy and unique agricultural products [15][16] - The province has achieved significant renewable energy capacity and is promoting its agricultural exports, with notable achievements in flower and coffee production [16] - Yunnan is enhancing its transportation networks to support trade and connectivity, positioning itself as a key player in regional economic partnerships [16][17]

Core Viewpoint - The Palace Museum, celebrating its 100th anniversary as a museum, symbolizes the evolution of China's cultural heritage and its commitment to serving the public while preserving historical artifacts [1][17]. Collection and Preservation - As of the end of 2024, the Palace Museum's collection exceeds 1.95 million items, marking the fifth round of artifact inventory and preservation efforts [2]. - The museum has conducted five major inventory efforts over the past century, with a significant increase in the number of artifacts from over 1.8 million in 2010 to the current figure [3]. - The museum prioritizes the safety and cultural value of artifacts, reflecting its mission to protect the roots of Chinese civilization [3]. Historical Significance and Challenges - The museum faced significant challenges during the war, including the largest and longest artifact relocation in history to protect national treasures from invasion [4]. - After the establishment of New China, the government allocated over 20 million yuan for the restoration of the museum's ancient buildings, leading to the completion of over 430 projects in the first decade [4][5]. - The museum was listed as a national key cultural relic protection unit in 1961 and became a UNESCO World Heritage site in 1987, marking a new phase in its preservation efforts [4]. Modernization and Technological Integration - The museum has implemented a comprehensive security and preservation system, including modernized storage facilities and a multi-layered security approach [6]. - The integration of technology and cultural heritage has created a sustainable development model, showcasing the museum's commitment to both preservation and public engagement [6]. Public Engagement and Accessibility - Since its opening in 1925, the museum has focused on making cultural heritage accessible to the public, with visitor numbers increasing from 1 million in 1949 to over 15 million in 2012 [10]. - The museum has adopted a visitor management system to balance accessibility with the preservation of artifacts, including daily visitor limits and advanced data analysis for crowd management [10][11]. - Various initiatives have been launched to enhance visitor experience, including improved facilities, educational programs, and digital engagement [11][12]. Cultural Innovation and Global Influence - The museum has embraced creative transformation, allowing artifacts to be integrated into contemporary life and culture, exemplified by successful exhibitions and cultural products [14][16]. - The Palace Museum has become a platform for international cultural exchange, enhancing the global influence of Chinese culture through exhibitions and collaborations [15][16]. - Digital initiatives, such as virtual reality experiences and online platforms, have expanded the museum's reach and engagement with younger audiences [16]. Future Vision - The museum aims to become a world-class institution that not only preserves historical memory but also inspires future creativity and cultural exchange [17].

Core Viewpoint - The classic dance poetry drama "Only This Green," produced by China Oriental Performing Arts Group, successfully showcased Chinese culture in Los Angeles, providing an "Oriental aesthetic feast" for the audience [1][3]. Group 1: Performance Details - "Only This Green" is inspired by the Northern Song dynasty landscape scroll "A Thousand Li of Rivers and Mountains," depicting a young researcher from the Palace Museum experiencing the creation of the artwork through seven chapters [3][5]. - The performance incorporates various artistic elements such as stage design, costumes, and music, allowing overseas audiences to appreciate the profound depth of Chinese culture [3][5]. Group 2: Audience Reception - Many audience members expressed being deeply impressed by the exquisite performance, with Hollywood manager Karin Sterling stating her love for Chinese culture and hoping more friends would enjoy the show [3]. - Another audience member, Thomas Markov, praised the dance, costumes, and music, noting that the performance conveyed cultural significance without the need for words [3]. Group 3: Tour Information - The Los Angeles performance marks the third stop of the North American summer tour for "Only This Green," which will continue to Vancouver, Seattle, and Houston over the course of nearly a month [6]. - This is the second time the production has performed in North America this year, aiming to promote the overseas dissemination of excellent traditional Chinese culture and facilitate cultural exchange [5].

Group 1: Cultural and Tourism Industry Development - The cultural and tourism industry is experiencing significant growth, with increasing audience engagement in theaters and the integration of intangible cultural heritage into daily life [1] - The "red culture" is highlighted as a vital part of national identity, with efforts to make historical narratives resonate with younger generations through immersive experiences [1] - The Chongqing Hongyan Revolutionary History Museum aims to attract 10.2 million visitors in 2024, emphasizing the importance of storytelling that connects emotionally with the audience [1] Group 2: Community Engagement in Cultural Activities - The Dongguan Cultural Center operates as an "open cultural center," providing year-round access for residents to engage in performances, exhibitions, and artistic learning [2] - The center's mission is to enhance public access to the arts and promote the inheritance of traditional culture, aiming to elevate the artistic literacy of the community [2] - The increasing audience for performances indicates a growing appreciation for traditional culture, as expressed by performers who find fulfillment in cultural resonance with the audience [2] Group 3: Tourism and Local Craftsmanship - Tour guides play a crucial role in enhancing the visitor experience by sharing engaging stories about local history and culture, thereby representing the image of the tourism destination [3] - The integration of traditional crafts, such as bamboo weaving, into modern markets is exemplified by local artisans who leverage their skills to create products that appeal to contemporary aesthetics [3][4] - The bamboo weaving industry not only preserves cultural heritage but also contributes to local economic development by providing employment opportunities [4]

Group 1 - The event held by the State Council Information Office focused on promoting high-quality development in culture and tourism, enriching people's lives [1] - Representatives from various cultural and tourism sectors shared their experiences and initiatives aimed at enhancing cultural engagement and tourism [1] - The emphasis was placed on the importance of storytelling in tourism, with guides and performers highlighting the need for continuous learning and innovation to effectively convey cultural narratives [2] Group 2 - The development of a "no-wall" cultural center model was discussed, aiming to make cultural resources more accessible to the public [1] - The bamboo weaving industry in Guizhou has adopted a cooperative model that integrates local farmers, enhancing employment opportunities and preserving cultural heritage [2] - The significance of traditional arts and crafts in local economies and cultural identity was underscored, with a focus on sustainable development and community involvement [2]

Group 1 - The core idea emphasizes the transformation of quality cultural resources into tangible happiness experiences for urban and rural development, enhancing people's lives through cultural engagement [1] - The phenomenon of "art breaking boundaries" is highlighted, showcasing how performances like the dance drama "Only This Green" have ignited public interest in traditional Chinese aesthetics through a combination of online and offline experiences [2][3] - National art troupes are actively engaging with communities, bringing high-quality performances to the public, which fosters a deeper connection between art and daily life [3] Group 2 - The development of new cultural spaces, such as the "24-hour Lighted Book House" and "Cultural Stations," reflects a shift in public cultural services from mere availability to quality, enhancing community cultural engagement [4][6] - The rise of rural cultural activities, such as "Village Super" events and seasonal village performances, illustrates the growing popularity of local culture and community participation in creative expressions [7][10] - The integration of traditional craftsmanship with modern entrepreneurial efforts, such as young artisans reviving heritage crafts, showcases the role of culture in rural revitalization and community identity [10]