历经一个多月的火热征集，第六届"童心绘安全 筑梦话平安"杭州市青少年主题绘画比赛初评工作 圆满落幕。1688幅画作充满童真与想象力，不仅数量较去年增加561件，整体创作水平也再上新台 阶。"不少作品对'平安'主题的深入理解、精准表达，令人惊喜。"大赛评审表示。 六载精心耕耘，"童心绘安全 筑梦话平安"绘画比赛已成为颇具影响力的青少年美育平台。本届大 赛影响力继续扩大，参赛范围从杭州扩展至省内其他地区，甚至成都、银川等省外城市。除了个人创作 者，更有106所学校与艺术机构集体报名，共同绘就"平安"长卷。 今年大赛，小学组收到1292件作品，中学组与幼儿组共有396件作品。杭州青少年活动中心美术部 专家团队受邀进行初评，最终494件优秀作品成功进入终评。 随着赛事宣传与引导不断深化，"平安"这一主题在孩子们笔下越发具象且多彩。今年，围绕"有纠 纷，找调解、到综治中心"和"人人讲安全、个个会应急，人人能自救、个个会逃生，查找身边安全隐 患"的比赛主题，小画家们以天马行空的构思，创作出一幅幅颇具童趣的作品。 "作品巧妙融入了梅花、松树、如意等传统吉祥符号，以及彩带、烟花、烛光等节日元素，用画笔 诠释对平安喜乐的向往， ...

近日，杭州市第十七届中小学生陶艺大赛与第十五届"童画杭州名人"主题绘画大赛作品征集正式启 动。 以"遇见·西湖十景"为主题，邀请创作者以陶土为媒介，将西湖的烟波画桥、亭台楼阁凝于指尖。 通过捏塑、釉彩，让苏堤春晓的柔柳在陶器上摇曳，让雷峰夕照的余晖在窑火中定格。陶艺不仅是技艺 的锤炼，更是对杭州人文底蕴的深度解读——以陶塑景，以器传情，在泥土的呼吸中唤醒湖山的诗意与 永恒。 奖项设置：将按小学组、中学组（初中和高中）两个组别，分陶塑类、器皿类进行评奖，各设一、 二、三等奖若干，优秀组织奖、优秀指导教师若干。 作品提交：1.电子表格提交：参赛学校将《杭州市第十七届中小学生陶艺大赛报名推荐表》和《杭 州市第十七届中小学生陶艺大赛作品标签卡》电子版发送至组委会邮箱（ceramic_art@163.com）进行 报名，截至2025年12月15日。2.递交作品：作品原件于2025年12月21日至12月22日（9:00至16:00）送至 杭州西湖博物馆总馆南宋官窑馆区（南复路60号）作品递交处。赛事咨询电话：0571-86584699。联系 人：张老师、黄老师。 第十五届"童画杭州名人"主题绘画大赛主题诠释 以"遇见·西 ...

方寸盆盎间的"微观山水"遇上杭州园林的古典雅致，会是怎样一场"对话"？近日，"雅正景华 美美 与共"2025第三届浙江省小微盆景精品展暨杭州市优秀盆景作品展在杭州郭庄拉开帷幕，展览将持续至 11月9日。 本届小微盆景展分浙江省小微盆景精品、杭州市优秀盆景作品两大展区，展出盆景作品120余件 （组），同时设置盆景文化科普展区，看点不断、艺趣无穷。 在浙江省小微盆景精品展区，70余件（组）作品独立成型、姿态万千，将大自然的雄山秀水、古树 名木浓缩于咫尺，让观众体味大师们在迷你空间中勾勒出的山水意境。杭州市优秀盆景作品展区共展示 49件单品及3组组合作品，主打本土特色，将杭州盆景艺术与西湖山水深度交融。 值得一提的是，传统的盆景植物往往以五针松、黑松、真柏等松柏类为主，此次展览上，观众能看 到别有一番韵味的桑树盆景。 此外，盆景文化科普展区专题介绍中国盆景艺术大师——潘仲连先生的艺术人生；40余幅意境悠远 的绘画作品同步在郭庄展厅内展出，古朴的画风与盆景交相映衬，尽显"湖山入画、盆中藏景"的独特韵 味。 ...

位于上海浦东金桥的EKA·天物曾为上海航海仪器总厂，在历经多年改造后，成为多维复合空间的创意园区。园区 内保留下的车间等区域，既是工业历史的痕迹，也成为艺术展示的平台。10月31日，以扶持青年艺术家而知名的 拉古纳国际艺术奖在此举办了亚洲首展，汇聚了来自全球多地的100余位艺术家的百余件作品，讲述青年艺术家的 多元创作。 铜堡 拉古纳国际艺术奖自2006年于威尼斯诞生、由意大利国家现当代艺术协会（MoCA）与拉古纳艺术奖组委会 （Arte Laguna srl）联合打造，意在推动全球艺术创新、促进多元文化交流，扶持青年艺术人才。该艺术奖涉及绘 画、雕塑、影像、数字艺术等多种媒介，吸引全球数十个国家的艺术家参与。今年是拉古纳奖建立二十周年，奖 项创始人劳拉·加仑(Laura Gallon)表示，此次上海展是对奖项成立二十周年的特殊纪念。 智通财经记者了解到，"EKA·天物"占地面积100亩的园区内，拥有遍布锯齿形屋顶的车间、高耸的仓库与质朴的 红砖建筑。其前身为上海航海仪器总厂，讲述着工业遗产的历史变迁。自2021年起，厂房历经改造升级，成为集 创意设计、艺术展览、创意零售、特色餐饮、文化体验及公共活动于一体的 ...

Core Viewpoint - The exhibition organized by Xiling Seal Art Society and Yomiuri Shimbun in Tokyo showcases the artistic contributions of 48 Japanese honorary members since the society's establishment in 1904, highlighting cultural exchanges between China and Japan [1]. Group 1 - The exhibition features a total of 120 works, including calligraphy, seal carving, and painting created by the honorary members [1]. - The event also presents valuable historical materials, images, and documents related to the cultural exchanges between the Japanese artists and the Chinese art community [1].

Core Insights - Morgan Stanley analysts emphasize that Pop Mart's platform value is underestimated by the market, focusing too much on individual IP ceilings rather than the company's core long-term investment value in platform incubation [1][4]. Group 1: IP Growth Potential - The Twinkle Twinkle IP showcased strong market demand at the Beijing Toy Expo, with products selling out quickly, indicating its potential as a significant revenue contributor from 2025 onwards [2]. - Crybaby's lifestyle product line, with an average price exceeding 250 RMB, demonstrates substantial sales growth potential, although plush toy demand is currently limited by supply constraints [2]. Group 2: Global Expansion and IP Diversification - Pop Mart has four regional sales segments, primarily sourcing its IP from Greater China, with exceptions like Crybaby from Thailand and Peach Riot from the U.S. The company has significant potential to tap into artist resources in the U.S., Europe, Japan, and Southeast Asia [3]. - The report notes that each new IP requires a sufficiently large local market to generate initial momentum, making the focus on Greater China a natural choice for early IP development [3]. Group 3: Platform Capability as Core Investment Value - Analysts argue that the true investment value lies in Pop Mart's platform capabilities rather than just the success of individual IPs, which is often misjudged by investors [4]. - Data shows that Labubu accounted for only 6% of group sales two years ago, while now it is globally recognized, with Crybaby and Twinkle Twinkle also gaining strong market attention [4]. - The implied PEG ratio of approximately 1.4 for the years 2025-2027 is considered reasonable for a high-growth consumer company with global expansion potential [4].

Core Points - The 29th National Primary and Secondary School Painting and Calligraphy Competition summary and award ceremony was held from the 28th to the 31st, with over 1,600 participants including award-winning students, teachers, and representatives from organizing units [1] - The competition received over 1.75 million entries from students across all provinces, regions, and municipalities in China, featuring various types of works including painting, calligraphy, photography, modeling, and digital art [1] - An exhibition titled "Art Blossom Space: Yanbian Tour" showcased 332 selected outstanding works from over 1 million entries [1] Educational Insights - The Director of the China Children’s Center emphasized the importance of aesthetic education as a crucial part of the holistic education system, which enhances aesthetic literacy, moral character, mental health, and fosters innovation [2] - The evaluation of the works adhered to the principle of "professionalism as the measure, education as the foundation," assessing the alignment with the theme, balance between professionalism and childlike innocence, and overall visual impact [2] - The National Primary and Secondary School Painting and Calligraphy Competition has been held for 29 years, establishing itself as a significant national-level public welfare art education event [2]

Core Viewpoint - The "China-France Art Dialogue" exhibition showcases a deep cultural exchange through various art forms, highlighting the artistic dialogue between China and France [1][3]. Group 1: Exhibition Overview - The exhibition features works from renowned artists including Jean Anguera, Chen Weinong, and Zhang Yi, encompassing sculptures, paintings, and ink art [1][3]. - The event was attended by over 120 guests from both China and France, including diplomats and cultural officials, emphasizing its significance in cultural diplomacy [1][3]. Group 2: Artistic Contributions - Jean Anguera's sculptures explore the relationship between humans and nature, merging architectural and geographical elements to express a poetic "geographical emotion" [3]. - Chen Weinong's works utilize ink, oil painting, and calligraphy to create a cross-cultural dialogue, blending Eastern aesthetics with Western abstraction [3]. - Zhang Yi combines traditional photography with painting techniques, producing unique visual rhythms that reflect the fusion of Eastern and Western artistic languages [3]. Group 3: Forum and Future Initiatives - A forum titled "Concepts, Techniques, and Aesthetic Expression" was held to facilitate in-depth discussions among artists and cultural figures regarding the responsibilities and innovations in art [4]. - Since the launch of the "China-France Art Dialogue" project in March 2024, the Paris Chinese Cultural Center has successfully hosted multiple high-quality events, attracting professionals from various fields to explore the possibilities of art in a multicultural context [5].