本次展览策展人、上海市中国陶瓷艺术家协会会长陈海波说，张闻冰不仅是一位教育工作者，也是一位 深植传统、勇于创新的艺术实践者。他希望通过这场展览，让观众深入了解张闻冰的艺术世界，感受他 作品中的诗意与力量。 本报电（记者赖睿）12月6日，"诗心万象——张闻冰陶瓷艺术展"在中国工艺美术馆（中国非物质文化 遗产馆）开幕。本次展览由上海市中国陶瓷艺术家协会等主办，以100件作品展现陶瓷艺术家张闻冰的 美学探索和创作实践，体现了中国陶瓷艺术融入当代文化场景的活力。 展览现场陈列着以瓷、综合装饰材料创作的瓷器、瓷画等，图案以荷花、牡丹等花卉为主，清新素雅， 装饰意味浓郁，体现了艺术家对陶瓷材料、装饰技法的理解和对东方审美意趣的坚守。张闻冰（1966— 2014年），景德镇陶瓷大学教授，他致力于在工业时代激活手工艺神韵，形成兼具传统底蕴与现代性的 艺术风格。 ...

文化观察：创新之火如何"唤醒"千年婺州窑？ 中新网金华11月23日电(林波 曹丹)在浙江金华古婺窑火艺术馆里，陈列着《乘云游心》系列陶瓷雕塑。 三件作品《气定》《神闲》《云游》分别采用立、坐、卧的黄大仙造型，即将在金华山黄大仙文化节上 亮相。 《乘云游心》系列陶瓷雕塑。(资料图，受访者供图) 如今，这场始于金华的婺州窑文化对话，正不断走向世界。从日本大阪世博会中国馆到意大利米兰非遗 展，古婺窑火的陶瓷作品带着东方美学的独特韵味，以"无声语言"向世界讲述着中国文化的当代故事。 "大器不言，匠道守一。"方益进说，"最好的文化就是生活本身。现在的非遗都是过去人们的日常生 活。只有让非遗活在当下，走入当代人的生活，符合当代的审美，才能更好地传承下去。"(完) 《乘云游心》系列继承了婺州窑的乳浊釉工艺。每件作品在烧制过程中，釉色都会发生独特变化。"就 像每个人都是独一无二的，每件作品也各不相同。"方益进指着作品上自然形成的紫色釉彩说。 在古婺窑火艺术馆展厅里，传统与创新交融并存。《鸿运当头》茶具的设计灵感来自清代官员的顶戴， 体现了"万绿丛中一点红"的意境；《听雨》茶具则取材于"孤舟蓑笠翁"的诗句，从上面看下去，就像水 ...

天眼查App显示，近日，景德镇禹成艺术陶瓷有限公司成立，法定代表人为梁成镇，注册资本50万人民 币，经营范围为许可项目：艺术品进出口（依法须经批准的项目，经相关部门批准后在许可有效期内方 可开展经营活动，具体经营项目和许可期限以相关部门批准文件或许可证件为准）一般项目：文艺创 作，组织文化艺术交流活动，工艺美术品及收藏品批发（象牙及其制品除外），工艺美术品及礼仪用品 销售（象牙及其制品除外），专业设计服务，技术服务、技术开发、技术咨询、技术交流、技术转让、 技术推广，特种陶瓷制品制造，特种陶瓷制品销售，会议及展览服务，艺术品代理，工艺美术品及收藏 品零售（象牙及其制品除外），艺（美）术品、收藏品鉴定评估服务（除依法须经批准的项目外，凭营 业执照依法自主开展经营活动）。 ...

Core Viewpoint - The exhibition "Not Just White - Chinese Dehua Porcelain Exhibition" has been postponed to November 2025, showcasing the rich history and cultural significance of Dehua porcelain, which is celebrated for its unique qualities and artistic depth [1][3]. Summary by Sections Exhibition Overview - The exhibition features over 90 pieces, divided into three sections: the first section traces the origins of porcelain over 3,700 years, reflecting the daily lives and rituals of ancient people; the second section showcases the evolution of white porcelain from the Song to the Qing dynasties, highlighting its aesthetic and cultural significance; the third section explores how Dehua porcelain has transcended its utilitarian roots to become a medium for diplomatic expression and cultural representation [2]. Cultural Significance - Dehua porcelain, known as "Chinese White," is praised for its pure white color and smooth texture, symbolizing the pursuit of beauty and cultural values in Chinese society. The exhibition aims to provide a new perspective on the multifaceted nature and spiritual essence of Dehua ceramics [1][2]. Exhibition Details - The exhibition has been rescheduled to take place at Tsinghua University Art Museum, specifically in Hall 14 on the fourth floor, starting from November 16, 2025 [3].

Core Viewpoint - The fourth "Taoxichuan Cup" Children's and Youth Ceramic Works Exhibition has opened in Jingdezhen, showcasing over 1,000 ceramic works that reflect the imagination and creativity of children [1][3]. Group 1: Exhibition Overview - The exhibition is supported by the geographical advantages of Jingdezhen, known as the "Porcelain Capital," and has received multi-faceted support, leading to its successful organization [3]. - The event features a growing scale and increasingly professional works, as ceramic art has been incorporated into national new teaching materials [3]. - The exhibition will run until October 4, co-hosted by the Central Academy of Fine Arts, Jingdezhen Ceramic University, and Jingdezhen Ceramic Culture and Tourism Holding Group [5]. Group 2: Awards and Recognition - Awards such as the Best Production Award and Exhibition Nomination Award were presented, aimed at appreciating children's creative enthusiasm rather than judging the value of the works [3]. - The establishment of these awards encourages institutions to continue exploring possibilities in children's aesthetic education [3]. Group 3: Participant Insights - A 12-year-old participant, Zhang Xihong, shared her journey in ceramic art, highlighting her perseverance and creativity in overcoming challenges [5]. - The selection of exhibited works was based on a voting system, ensuring participation from various regions and encouraging involvement from ethnic minorities and special needs children [5]. - A total of 726 works from elementary school students and teacher courseware were displayed at the Taoxichuan Art Museum, while 349 works from high school, middle school, and preschool groups were exhibited at the Jingdezhen Ceramic University Museum [5].

Core Insights - The article highlights the integration of modern technology, such as 3D printing, into traditional ceramic arts in Jingdezhen, China, showcasing how international artists are revitalizing ancient techniques through diverse cultural influences [1][3][5]. Group 1: Artists and Their Innovations - Michael May, an American ceramic artist, utilizes 3D printing to create ceramic designs, blending traditional techniques with modern technology, and aims to inspire local students through his unique teaching methods [1][3]. - Chris Klay from Nigeria, a newcomer to ceramics, finds inspiration in local culture and aims to incorporate African elements into his work, fostering cultural exchange between Africa and China [5][7]. - Srinia Chowdhury from India expresses her admiration for Jingdezhen as a hub for ceramic art, seeking to expand her artistic boundaries while merging Indian and Chinese artistic traditions [7]. Group 2: Cultural Exchange and Community Impact - The presence of international artists in Jingdezhen, referred to as "foreign Jingdezhen drifters," contributes to a vibrant artistic community, where diverse influences are reshaping the local ceramic landscape [7]. - The article emphasizes the collaborative spirit among artists and local craftsmen, highlighting the mutual exchange of ideas and techniques that enrich the ceramic art scene in Jingdezhen [5][7].

Core Points - The International Ceramic Studio at Jingdezhen Ceramic University has been successfully included in the recommended list of Sino-foreign youth social practice activity bases, following its previous recognitions as a cultural exchange base and educational practice base [1][2] - The studio has hosted nearly 3,000 students and visiting artists from over 60 countries since its establishment in 2016, conducting more than 70 lectures and over 50 exhibitions [1][2] - The studio aims to promote international cultural exchange and enhance academic standards through various projects, including artist residencies and student exchange programs [2] Group 1 - The International Ceramic Studio was established in 2016 as a collaborative effort between Jingdezhen Ceramic University and American universities, focusing on international cultural exchange [2] - The studio has developed a significant international influence by serving as a platform for diverse educational exchanges and promoting the internationalization of ceramic culture [2] - The university plans to leverage its recent recognition to deepen international cooperation in ceramic education and enhance cultural exchanges [2] Group 2 - The presence of international artists in the studio contributes to a broader understanding of Chinese culture and facilitates cultural exchange [3] - The studio's activities have led to the emergence of various ceramic art parks, enhancing the international visibility of Jingdezhen's ceramic culture [3]