Core Viewpoint - The exhibition "Not Just White - Chinese Dehua Porcelain Exhibition" has been postponed to November 2025, showcasing the rich history and cultural significance of Dehua porcelain, which is celebrated for its unique qualities and artistic depth [1][3]. Summary by Sections Exhibition Overview - The exhibition features over 90 pieces, divided into three sections: the first section traces the origins of porcelain over 3,700 years, reflecting the daily lives and rituals of ancient people; the second section showcases the evolution of white porcelain from the Song to the Qing dynasties, highlighting its aesthetic and cultural significance; the third section explores how Dehua porcelain has transcended its utilitarian roots to become a medium for diplomatic expression and cultural representation [2]. Cultural Significance - Dehua porcelain, known as "Chinese White," is praised for its pure white color and smooth texture, symbolizing the pursuit of beauty and cultural values in Chinese society. The exhibition aims to provide a new perspective on the multifaceted nature and spiritual essence of Dehua ceramics [1][2]. Exhibition Details - The exhibition has been rescheduled to take place at Tsinghua University Art Museum, specifically in Hall 14 on the fourth floor, starting from November 16, 2025 [3].

Core Viewpoint - The fourth "Taoxichuan Cup" Children's and Youth Ceramic Works Exhibition has opened in Jingdezhen, showcasing over 1,000 ceramic works that reflect the imagination and creativity of children [1][3]. Group 1: Exhibition Overview - The exhibition is supported by the geographical advantages of Jingdezhen, known as the "Porcelain Capital," and has received multi-faceted support, leading to its successful organization [3]. - The event features a growing scale and increasingly professional works, as ceramic art has been incorporated into national new teaching materials [3]. - The exhibition will run until October 4, co-hosted by the Central Academy of Fine Arts, Jingdezhen Ceramic University, and Jingdezhen Ceramic Culture and Tourism Holding Group [5]. Group 2: Awards and Recognition - Awards such as the Best Production Award and Exhibition Nomination Award were presented, aimed at appreciating children's creative enthusiasm rather than judging the value of the works [3]. - The establishment of these awards encourages institutions to continue exploring possibilities in children's aesthetic education [3]. Group 3: Participant Insights - A 12-year-old participant, Zhang Xihong, shared her journey in ceramic art, highlighting her perseverance and creativity in overcoming challenges [5]. - The selection of exhibited works was based on a voting system, ensuring participation from various regions and encouraging involvement from ethnic minorities and special needs children [5]. - A total of 726 works from elementary school students and teacher courseware were displayed at the Taoxichuan Art Museum, while 349 works from high school, middle school, and preschool groups were exhibited at the Jingdezhen Ceramic University Museum [5].

Core Insights - The article highlights the integration of modern technology, such as 3D printing, into traditional ceramic arts in Jingdezhen, China, showcasing how international artists are revitalizing ancient techniques through diverse cultural influences [1][3][5]. Group 1: Artists and Their Innovations - Michael May, an American ceramic artist, utilizes 3D printing to create ceramic designs, blending traditional techniques with modern technology, and aims to inspire local students through his unique teaching methods [1][3]. - Chris Klay from Nigeria, a newcomer to ceramics, finds inspiration in local culture and aims to incorporate African elements into his work, fostering cultural exchange between Africa and China [5][7]. - Srinia Chowdhury from India expresses her admiration for Jingdezhen as a hub for ceramic art, seeking to expand her artistic boundaries while merging Indian and Chinese artistic traditions [7]. Group 2: Cultural Exchange and Community Impact - The presence of international artists in Jingdezhen, referred to as "foreign Jingdezhen drifters," contributes to a vibrant artistic community, where diverse influences are reshaping the local ceramic landscape [7]. - The article emphasizes the collaborative spirit among artists and local craftsmen, highlighting the mutual exchange of ideas and techniques that enrich the ceramic art scene in Jingdezhen [5][7].

Core Points - The International Ceramic Studio at Jingdezhen Ceramic University has been successfully included in the recommended list of Sino-foreign youth social practice activity bases, following its previous recognitions as a cultural exchange base and educational practice base [1][2] - The studio has hosted nearly 3,000 students and visiting artists from over 60 countries since its establishment in 2016, conducting more than 70 lectures and over 50 exhibitions [1][2] - The studio aims to promote international cultural exchange and enhance academic standards through various projects, including artist residencies and student exchange programs [2] Group 1 - The International Ceramic Studio was established in 2016 as a collaborative effort between Jingdezhen Ceramic University and American universities, focusing on international cultural exchange [2] - The studio has developed a significant international influence by serving as a platform for diverse educational exchanges and promoting the internationalization of ceramic culture [2] - The university plans to leverage its recent recognition to deepen international cooperation in ceramic education and enhance cultural exchanges [2] Group 2 - The presence of international artists in the studio contributes to a broader understanding of Chinese culture and facilitates cultural exchange [3] - The studio's activities have led to the emergence of various ceramic art parks, enhancing the international visibility of Jingdezhen's ceramic culture [3]