（来源：天津日报） 转自：天津日报 观照轩秉持"器之为美，器之为用"的核心理念，坚守传统文人瓷绘"诗、书、画、印、情"的精髓，携手 天津及全国艺术家推陈出新，凝练出独具特色的"津派艺术瓷"风格。我们深挖天津历史文化与城市发展 底蕴，打造津城风貌、非遗传承、时代庆典等多元主题作品，涵盖海河景致、葛沽宝辇、叶嘉莹诗词意 境、国家会展中心雄姿等30余种题材、近10万件作品，兼具艺术价值与实用属性，成为记录天津发展、 彰显时代精神的载体，已斩获"中国旅游商品""天津礼物"等多项国家级、市级荣誉。 近年来，观照轩接连亮相国家级、国际重要场合，文化影响力持续攀升。2024年产品入驻故宫文创店， 与古典美学交相辉映；2025年亮相天津夏季达沃斯论坛"文化之夜"、上合组织天津峰会，艺术瓷与文创 作品进驻外交部服务中心，被爱好者带至全球40余个国家。上合组织天津峰会期间，观照轩作品更是成 为国礼与国宴用瓷，提供逾两万件精美瓷器，以瓷为媒讲述中国故事，这份成就得益于天津对文化产业 的鼎力支持。 "老字号"的生命力，在于与时代同频共振。为此，观照轩深挖文化底蕴，以权威与艺术力量让品牌文化 可视化。同时，秉持活态传承理念，践行"非遗 ...

活动期间，与会嘉宾围绕赋能老字号发展等主题进行观点交流，多家老字号企业代表分享了拓展新业态 等方面的实践经验。此外，天津市老字号协会"老字号品牌发展专委会"在会上正式揭牌成立。 （来源：天津日报） 本报讯（记者 马晓冬）日前，我市召开老字号传承创新赋能发展大会，会上发布《津门老字号认定管 理办法》及焕新标识，并为津门老字号企业现场授牌。 转自：天津日报 观照轩以津派艺术瓷为特色，去年被认定为津门老字号。观照轩主理人、陈氏制瓷（手绘）制作技艺第 五代传承人赵彦菊说："未来我们会设计更多适应市场需求的文创产品，兼顾文化内涵、品质和情绪价 值，让艺术更好地走进生活。" 截至目前，我市共有213个津门老字号，其中，中华老字号达72个。市商务局相关负责人表示，我市将 继续营造老字号高质量发展的良好环境，引导老字号把握消费升级趋势，加速数字化转型，拓展市场空 间，为天津国际消费中心城市建设注入文化动力和品牌能量。 ...

马年即将到来，特展推出一系列以"马"为主题的白瓷作品。无论是奔腾矫健的骏马形象，还是融合 传统意象的创意造型，这些"彩蛋"展品皆以温润如玉的"中国白"为载体，在传递吉祥寓意的同时，也展 现出白瓷艺术在当代语境下的多元表达。 作为第36届上海旅游节重点项目与沪闽文化深度合作的典范，"万象本色——'中国白·德化瓷'上海 艺术大展"共接待观众83万人次，连续刷新上海美术馆近十年来的单日观众人数纪录。 为进一步延伸"万象本色"大展的美学魅力与影响力，上海美术馆与中共徐汇区委宣传部携手，将这 批新入藏的白瓷珍品引入徐家汇书院，推出"万象本色——'中国白·德化瓷'徐汇艺术特展"。展览以上海 美术馆德化瓷馆藏为线索，将"中国白"的清澈与温润嵌入社区肌理，让市民在书院的静读氛围和街区的 日常行走之间，通过更松弛、更贴近日常的方式，重新体会器物之美背后那份恒久的文明记忆。 记者 阮佳雯 德化白瓷《神话》入藏上海美术馆了。这件由福建省工艺美术大师连德理创作的"玉漱公主"白瓷作 品，创造了"远看似纱，近观为瓷"的视觉奇迹，此前在社交平台掀起打卡热潮…… 昨天，"万象本色"德化白瓷捐赠仪式在上海美术馆（中华艺术宫）举行，以连紫华、连 ...

Core Viewpoint - The "China White" International Ceramic Art Forum and the final results of the fourth "China White" International Ceramic Art Competition highlight the ongoing innovation and expression among Chinese ceramic artists, particularly the younger generation, in the realm of ceramic art [1][3]. Group 1: Event Overview - The fourth "China White" International Ceramic Art Forum was held in Xiamen, Fujian, on January 16, showcasing the final results of the competition [1]. - The competition received submissions from 845 artists across 50 countries, with 994 works entered, and 96 pieces from 20 countries making it to the final evaluation [1]. Group 2: Awards and Recognition - The first prize was awarded to the French work "Here Was Water," while the second prizes went to "Haze and Hope" and "Silent Echoes." The third prizes were awarded to "Metamorphosis," "Threshold of Coherence," and "Binding and Breakthrough - Series 3" [3]. - Claudia Casali, director of the International Museum of Ceramics in Faenza, emphasized the importance of international exhibitions and competitions in fostering connections and economic opportunities within the ceramic industry [3]. Group 3: Cultural Significance - Bai Ming, director of the Ceramic Art Committee of the China Artists Association, stated that the "China White" competition serves as a bridge for emotional and creative expression, transcending ideological and cultural differences [3]. - The exhibition accompanying the competition presents a diverse interpretation and creative transformation of the unique cultural symbol of "China White," showcasing its historical significance and future potential [3].

Core Viewpoint - The exhibition "Poetic Heart of All Things - Zhang Wenbing Ceramic Art Exhibition" showcases the aesthetic exploration and creative practice of ceramic artist Zhang Wenbing, highlighting the vitality of Chinese ceramic art in contemporary cultural contexts [1] Group 1: Exhibition Details - The exhibition is held at the China Arts and Crafts Museum and features 100 works by Zhang Wenbing, reflecting his artistic journey [1] - The displayed pieces include ceramics and ceramic paintings, primarily adorned with floral patterns such as lotus and peony, showcasing a fresh and elegant style [1] Group 2: Artist Background - Zhang Wenbing (1966-2014) was a professor at Jingdezhen Ceramic University, known for his efforts to revitalize craftsmanship in the industrial era, blending traditional heritage with modern artistic styles [1] - The curator of the exhibition, Chen Haibo, emphasizes Zhang's dual role as an educator and an innovative artist deeply rooted in tradition [1]

Core Viewpoint - The article discusses the revival of the ancient Wuzhou kiln culture in Jinhua, Zhejiang, through innovative ceramic art that connects traditional craftsmanship with modern aesthetics [1][5]. Group 1: Cultural Heritage and Innovation - The Wuzhou kiln, known for its mature celadon production since the Eastern Han Dynasty, reached its peak during the Tang and Song dynasties, being recognized as the third best in China by Lu Yu in "The Classic of Tea" [3][4]. - The "Chengyun Youxin" series of ceramic sculptures incorporates the unique milky glaze technique of the Wuzhou kiln, with each piece exhibiting distinct color variations during the firing process, symbolizing individuality [3][4]. Group 2: Design Philosophy and Community Engagement - The design philosophy emphasizes minimalism, aiming to make cultural products relatable and integrated into daily life rather than being didactic [4]. - The establishment of a complete cultural industry chain allows for interactive experiences, such as pottery workshops for children, fostering a connection between ceramic art and the public [4]. Group 3: Global Outreach and Cultural Dialogue - The Wuzhou kiln culture is gaining international recognition, showcased at events like the Osaka Expo and the Milan Intangible Cultural Heritage Exhibition, conveying contemporary Chinese culture through its unique aesthetic [5]. - The belief that the best culture is life itself underlines the importance of making intangible cultural heritage relevant to modern aesthetics for effective transmission [5].

Core Viewpoint - Recently, Jingdezhen Yucheng Art Ceramics Co., Ltd. was established with a registered capital of 500,000 RMB, focusing on art-related activities and services [1] Group 1: Company Overview - The legal representative of Jingdezhen Yucheng Art Ceramics Co., Ltd. is Liang Chengzhen [1] - The company has a registered capital of 500,000 RMB [1] Group 2: Business Scope - The company is involved in the import and export of artworks, subject to necessary approvals [1] - General business activities include cultural and artistic creation, organization of cultural exchanges, and wholesale of arts and crafts (excluding ivory and its products) [1] - The company also engages in professional design services, technical services, and the manufacturing and sales of special ceramic products [1] - Additional services include art agency, retail of arts and crafts, and appraisal services for artworks and collectibles [1]

Core Viewpoint - The exhibition "Not Just White - Chinese Dehua Porcelain Exhibition" has been postponed to November 2025, showcasing the rich history and cultural significance of Dehua porcelain, which is celebrated for its unique qualities and artistic depth [1][3]. Summary by Sections Exhibition Overview - The exhibition features over 90 pieces, divided into three sections: the first section traces the origins of porcelain over 3,700 years, reflecting the daily lives and rituals of ancient people; the second section showcases the evolution of white porcelain from the Song to the Qing dynasties, highlighting its aesthetic and cultural significance; the third section explores how Dehua porcelain has transcended its utilitarian roots to become a medium for diplomatic expression and cultural representation [2]. Cultural Significance - Dehua porcelain, known as "Chinese White," is praised for its pure white color and smooth texture, symbolizing the pursuit of beauty and cultural values in Chinese society. The exhibition aims to provide a new perspective on the multifaceted nature and spiritual essence of Dehua ceramics [1][2]. Exhibition Details - The exhibition has been rescheduled to take place at Tsinghua University Art Museum, specifically in Hall 14 on the fourth floor, starting from November 16, 2025 [3].

Core Viewpoint - The fourth "Taoxichuan Cup" Children's and Youth Ceramic Works Exhibition has opened in Jingdezhen, showcasing over 1,000 ceramic works that reflect the imagination and creativity of children [1][3]. Group 1: Exhibition Overview - The exhibition is supported by the geographical advantages of Jingdezhen, known as the "Porcelain Capital," and has received multi-faceted support, leading to its successful organization [3]. - The event features a growing scale and increasingly professional works, as ceramic art has been incorporated into national new teaching materials [3]. - The exhibition will run until October 4, co-hosted by the Central Academy of Fine Arts, Jingdezhen Ceramic University, and Jingdezhen Ceramic Culture and Tourism Holding Group [5]. Group 2: Awards and Recognition - Awards such as the Best Production Award and Exhibition Nomination Award were presented, aimed at appreciating children's creative enthusiasm rather than judging the value of the works [3]. - The establishment of these awards encourages institutions to continue exploring possibilities in children's aesthetic education [3]. Group 3: Participant Insights - A 12-year-old participant, Zhang Xihong, shared her journey in ceramic art, highlighting her perseverance and creativity in overcoming challenges [5]. - The selection of exhibited works was based on a voting system, ensuring participation from various regions and encouraging involvement from ethnic minorities and special needs children [5]. - A total of 726 works from elementary school students and teacher courseware were displayed at the Taoxichuan Art Museum, while 349 works from high school, middle school, and preschool groups were exhibited at the Jingdezhen Ceramic University Museum [5].

Core Insights - The article highlights the integration of modern technology, such as 3D printing, into traditional ceramic arts in Jingdezhen, China, showcasing how international artists are revitalizing ancient techniques through diverse cultural influences [1][3][5]. Group 1: Artists and Their Innovations - Michael May, an American ceramic artist, utilizes 3D printing to create ceramic designs, blending traditional techniques with modern technology, and aims to inspire local students through his unique teaching methods [1][3]. - Chris Klay from Nigeria, a newcomer to ceramics, finds inspiration in local culture and aims to incorporate African elements into his work, fostering cultural exchange between Africa and China [5][7]. - Srinia Chowdhury from India expresses her admiration for Jingdezhen as a hub for ceramic art, seeking to expand her artistic boundaries while merging Indian and Chinese artistic traditions [7]. Group 2: Cultural Exchange and Community Impact - The presence of international artists in Jingdezhen, referred to as "foreign Jingdezhen drifters," contributes to a vibrant artistic community, where diverse influences are reshaping the local ceramic landscape [7]. - The article emphasizes the collaborative spirit among artists and local craftsmen, highlighting the mutual exchange of ideas and techniques that enrich the ceramic art scene in Jingdezhen [5][7].