Core Viewpoint - The article discusses the efforts of the Qiqihar Circus to attract younger audiences by blending traditional training with modern technology, highlighting the challenges and strategies involved in this transition [2][5]. Group 1: Historical Context and Achievements - Qiqihar Circus, with a history of 73 years, is one of the few state-owned acrobatic troupes registered under the name "circus" in China [2]. - The circus has gained international recognition, participating in various competitions and winning awards, such as the bronze medal at the 2007 Second International Circus Festival in Spain [3][4]. - The troupe has been designated as a "National Cultural Export Key Enterprise" by multiple government departments, reflecting its cultural significance [4]. Group 2: Training and Talent Acquisition - The rigorous training and pursuit of excellence are fundamental to the circus's unique artistic style, characterized as "passionate, explosive, rough, and bold" [4]. - There has been a decline in new talent entering the circus, with only about 13-14 new recruits in the past decade, attributed to parents' reluctance to let their children endure the hardships of acrobatics [6]. - The circus has started recruiting from the Hebei Wuqiao Acrobatic Art School, focusing on students who are committed to making acrobatics a lifelong career [6]. Group 3: Challenges and Perceptions - The perception of circus performances among younger generations is often limited to outdated animal acts, leading to a lack of interest in attending shows [7][9]. - Young performers express the need for the circus to adapt to contemporary tastes, suggesting the incorporation of elements like "Guochao" (national trend) and "anime" into performances [10][11]. Group 4: Modernization and Competition - The Qiqihar Circus is facing competition from market-driven circuses that quickly adapt to modern audience preferences, utilizing advanced technology and immersive experiences [11]. - The Harbin Sunac Paradise Circus, for example, employs 360-degree surround light technology and immersive theater design, appealing more to younger audiences [11]. - The Qiqihar Circus acknowledges the need for improvements in stage design and branding to enhance its appeal to the younger demographic [11].

Group 1 - The core viewpoint of the article emphasizes the importance of strengthening practical cooperation between China and Italy amidst a complex international landscape, which will benefit both parties and the world [1][2] - The report highlights that China and the EU have formed a strong economic symbiotic relationship, with bilateral trade expected to reach $785.8 billion in 2024, making each other their second-largest trading partners [1][3] - Italy's economy is significantly impacted by U.S. tariff policies, with exports to the U.S. accounting for 4% of its GDP, indicating the need for resilience and openness in international trade [2][3] Group 2 - The report indicates that 2024 marks an important year for China-Italy relations, celebrating the 20th anniversary of their comprehensive strategic partnership and the 700th anniversary of Marco Polo's death [3] - There is considerable potential for cooperation in the service sector, with China planning to expand its service industry, which includes telecommunications, education, and healthcare, providing new opportunities for collaboration with Italy [3][4] - The two countries can learn from each other in the field of artificial intelligence, with Italy able to adopt China's advanced practices in AI application, while China can benefit from Italy's regulatory frameworks [4]

Group 1 - The event "China's Eyes - A Decade Review of National Intangible Cultural Heritage Representative Inheritors Recording Work" was held at the National Library, marking the conclusion of the 2025 "Intangible Cultural Heritage Lecture Month" [1][3] - The lecture was led by Tian Miao, Deputy Director of the Social Education Department (China Memory Project Center) of the National Library, who guided attendees through an immersive exhibition and thematic speech, reflecting on the ten-year journey of recording national intangible cultural heritage inheritors [1][3] - The "Intangible Cultural Heritage Lecture Month" is a brand activity launched by the National Library in 2013, held annually around the Cultural and Natural Heritage Day in June, becoming an important platform for promoting intangible cultural heritage knowledge in China [3] Group 2 - Over the past decade, intangible cultural heritage workers, experts, and recording teams have engaged deeply with inheritors, systematically documenting their skills and memories, emphasizing the significance and value of this recording work [3] - The 2025 "Intangible Cultural Heritage Lecture Month" collaborated with various intangible cultural heritage protection centers, hosting themed exchange activities in provinces like Guizhou, Zhejiang, and Hunan, showcasing the essence of "Intangible Heritage Makes Life Better" [3]

Group 1 - The traditional festivals of Kaiyang Festival and Xieyang Festival in Xiangshan are recognized as national intangible cultural heritage and have been integrated with the local economy, boosting the development of fisheries, tourism, and related industries [1] - Postal Savings Bank of Ningbo has provided financial services to support the protection and inheritance of intangible cultural heritage, injecting financial resources into traditional festival activities [1] Group 2 - The Kaiyang Festival marks the beginning of the fishing season for Xiangshan fishermen, who face financial challenges in preparing necessary supplies like diesel and fishing gear [2] - Fisherman Wu Hongbin sold his old boat and invested over 7 million yuan in a new vessel, but faced cash flow issues for renovations and equipment purchases, which were alleviated by a 3.04 million yuan ship mortgage loan from Postal Savings Bank [2] - Wu also utilized the bank's "Express Loan" product to secure an additional 300,000 yuan for diesel reserves ahead of the festival [2] Group 3 - The intangible cultural heritage extends to various segments of the fishing industry, with companies like Ningbo Tiannan Aquatic Products Co., Ltd. actively participating in seafood procurement during the festival [3] - Tiannan Aquatic Products reported daily transaction volumes exceeding 1 million yuan, necessitating sufficient working capital to support operations [3] - The company invested over 31 million yuan in expanding its facilities and equipment, leading to liquidity challenges, which were addressed by a 12 million yuan credit facility from Postal Savings Bank [3][4] Group 4 - Postal Savings Bank has developed specialized financial products to support the intangible cultural heritage-related industry chain, including flexible credit support for small and micro enterprises in the fishing sector [4] - The bank has conducted financial literacy campaigns to educate fishermen and businesses about financial policies, enhancing their financial awareness [4] - The bank aims to continue its efforts in supporting the transmission of intangible cultural heritage and economic development in the fishing community [4]

Core Insights - The "Italy Development Report (2024-2025)" highlights the necessity for pragmatic cooperation between China and Italy amidst a complex international landscape, emphasizing mutual benefits and global impact [1][2] Economic Cooperation - China and the EU have established a strong economic symbiotic relationship, with bilateral trade expected to reach $785.8 billion in 2024, making each other their second-largest trading partners [1] - Italy's economy is significantly affected by U.S. tariff policies, with exports to the U.S. accounting for 4% of its GDP, highlighting the importance of diversifying trade partnerships [2] Strategic Partnerships - 2024 marks a significant year for China-Italy relations, celebrating the 20th anniversary of their comprehensive strategic partnership and the 700th anniversary of Marco Polo's death, with various agreements signed to enhance cooperation [3] - The action plan for 2024-2027 aims to deepen collaboration across various sectors, including cultural exchanges and strategic alignment [3] Sectoral Opportunities - There is considerable potential for cooperation in the service sector, with China planning to expand its service industry, particularly in telecommunications, education, and healthcare, which aligns with Italy's strengths in tourism, healthcare, and education [3] - In artificial intelligence, both countries can learn from each other, with Italy looking to adopt China's advanced practices in AI application while China can benefit from Italy's regulatory frameworks [4] Cultural Exchange - Both countries hold significant cultural heritage, being recognized for their non-material cultural heritage, which presents opportunities for mutual learning and collaboration in preservation efforts [4]

Core Viewpoint - The event held on July 20, 2025, in Beijing focused on the launch of the book "Chinese Embroiderers" and the promotion of intangible cultural heritage, emphasizing the importance of preserving and innovating traditional Chinese embroidery culture [1][3][5]. Group 1: Event Overview - The event was organized by the Electronic Industry Press and featured notable guests including experts and leaders in the field of publishing and cultural heritage [1]. - The book "Chinese Embroiderers" represents a significant effort to document and promote Chinese embroidery culture through various media, including books and documentaries [3][5]. Group 2: Cultural Significance - The publication of "Chinese Embroiderers" is seen as a new exploration in the protection of intangible cultural heritage, aiming to spread Chinese culture globally [3]. - The event highlighted the integration of technology and traditional culture, showcasing a multi-faceted approach to cultural preservation [1][5]. Group 3: Contributions and Donations - The event included a donation segment where various cultural artifacts and the book were donated to the Capital Library, marking a significant step in the preservation of Chinese embroidery as part of the national collection [10][15]. - The donations included not only the book but also documentaries and embroidery works, creating a comprehensive approach to cultural transmission [10][15]. Group 4: Future Initiatives - The Electronic Industry Press plans to continue exploring innovative ways to promote traditional culture through various media formats, including books and documentaries [6]. - The Beijing City Library aims to build a more complete intangible cultural heritage gene bank and is actively seeking contributions from various sources to enhance its collection [15].

Core Viewpoint - The implementation details for the protection of intangible cultural heritage in Sanya have been established, focusing on a comprehensive protection system and the allocation of special funds to support various aspects of heritage preservation [1][2]. Group 1: Implementation Details - The "Implementation Details for the Protection of Intangible Cultural Heritage" will take effect on September 1 and remain valid until September 1, 2030, consisting of 7 chapters and 67 articles [1]. - A "five-in-one" protection system is constructed, covering special fund management, project evaluation, recognition of representative inheritors and groups, demonstration base management, and cultural ecological protection area establishment [1]. Group 2: Funding and Support - Special funds will be established to support nine key areas, including resource investigation and representative project protection, with inheritors receiving an annual subsidy of 6,000 yuan per person for activities such as teaching and research [1]. - Different types of projects will receive tailored protection, with an emphasis on regional protection for folk literature and customs, tourism integration for traditional music and dance, and encouragement for the development of modern cultural products in traditional crafts [1]. Group 3: Inheritor and Group Recognition - An innovative recognition system for "inheritor groups" has been established, providing equal protection for groups with two or more members collaborating and mastering core skills [2]. - Inheritors are required to fulfill obligations such as training successors, preserving physical materials, and submitting annual reports, with evaluations every two years [2].

Core Points - The event titled "Lonely Theater Troupe, No Longer Alone" was held at the National Library of China, focusing on the historical development and contemporary transmission of the national intangible cultural heritage project, puppet theater (Shaoyang cloth bag opera) [1][3] - The event featured a documentary about Liu Yong'an, a national intangible cultural heritage representative inheritor, showcasing his life and experiences in the art of puppet theater [3] - Liu Yong'an shared his 50-year journey in the craft, while his grandson Liu Yu also participated, discussing the evolution of Shaoyang cloth bag opera from his childhood to the present [3] Event Details - The event included live performances of Shaoyang cloth bag opera, allowing attendees to experience the traditional art form firsthand [3] - The "Intangible Cultural Heritage Lecture Month" initiative was launched by the National Library in 2013, with the 2025 edition featuring six planned exchange and sharing activities [3] - Future collaborations are planned with provincial intangible cultural heritage protection centers in Guangdong and Shandong [3]

Core Viewpoint - The article highlights the successful preservation and development of the traditional art form "Quzi Opera" in Baiyin City, Gansu Province, emphasizing its cultural significance and ongoing efforts to innovate and engage the community [1][3][4]. Group 1: Cultural Heritage Preservation - Baiyin City has adopted a work policy focused on "protection first, rescue priority, reasonable use, and inheritance development" for the preservation of non-material cultural heritage, particularly Quzi Opera [3]. - The city has established two Quzi Opera training centers and one inheritance base, nurturing over 60 professional performers and creating a diverse team of inheritors [3][5]. Group 2: Artistic Innovation and Community Engagement - Recent efforts include the revival of traditional plays like "Xixiangdiao" and the creation of modern works such as "Nostalgia" and "Hope in the Fields," which reflect contemporary themes like rural revitalization [3]. - The Baiyin District Xixiangdiao Art Troupe, founded in 2017, actively engages in the transmission of Quzi Opera, public performances, and academic research, showcasing a strong community commitment to this art form [5]. Group 3: Future Development Plans - Future initiatives will focus on enhancing protection efforts through a collaborative model involving inheritors, platforms, and cultural centers, with an emphasis on discovering endangered tunes, training young inheritors, and digital preservation [5].

Core Viewpoint - The 2025 International (Shanghai) Intangible Cultural Heritage Protection Forum emphasizes the importance of international cooperation and cultural exchange in preserving intangible cultural heritage, showcasing diverse practices from various countries [1][3]. Group 1: Forum Overview - The forum, hosted by the Shanghai Museum of Arts and Crafts, Shanghai Arts and Crafts Vocational College, and Shanghai Intangible Cultural Heritage Protection Center, has become a significant cultural brand in Shanghai, promoting international exchange and cooperation in intangible heritage protection [3]. - The theme of this year's forum is "Each Beauty Its Own," focusing on international cooperation, cultural identity, social participation, and technological innovation in the field of intangible heritage [3]. Group 2: Cultural Presentations - The forum featured presentations from cultural leaders and artists from countries such as Uzbekistan and Kyrgyzstan, highlighting their traditional crafts and the historical significance of their intangible cultural heritage [4][5]. - The director of the National Museum of History and Culture of Kyrgyzstan discussed the importance of rock art in documenting the lives of ancestors, showcasing the evolution of artistic expression over centuries [4]. Group 3: Cultural Exchange and Influence - The director of the Indonesian Museum of Ceramics and Fine Arts presented research on the influence of Chinese culture on Indonesian culture, particularly in batik designs, illustrating the impact of cross-cultural exchanges [7]. - The forum included interactive experiences showcasing various Chinese traditional crafts, allowing international guests to engage with the cultural heritage of China [7]. Group 4: Challenges and Opportunities in Craftsmanship - The forum addressed the challenges faced by traditional crafts in the modern economy, emphasizing the need for innovation and adaptation to avoid the loss of traditional techniques [9][12]. - The president of the Uzbekistan National Art Institute highlighted government support for traditional crafts, including financial subsidies and tax incentives, which have revitalized interest in handmade products [12]. Group 5: Education and Future of Craftsmanship - Educational institutions in China are innovating their curricula to integrate traditional craftsmanship with modern skills, preparing students for diverse career paths in the arts and crafts sector [12][13]. - The president of Nanjing University of the Arts emphasized the need to integrate intangible heritage into daily life and modern design aesthetics to seize new market opportunities [13].