走进影院看大片，已经成为不少中国人过春节的"新年俗"。今年春节假期，《飞驰人生3》《惊蛰无 声》《熊出没·年年有熊》《镖人：风起大漠》等多部影片集中上映，点燃电影市场。据猫眼专业版数 据：截至2月19日0点10分，2026年春节档（2月15日—23日）总票房（含预售）达23.92亿。大年初一单 日总场次数超59.5万场，刷新中国影史大年初一单日场次数纪录。 近日，江苏南通圆融广场，一场场精彩的"电影+"活动火热举办。 这边，"非遗+电影"的文创市集里，电影元素手办备受消费者青睐；那边，"苏超"南通队主力球员惊喜 亮相，现场欢呼声与掌声此起彼伏。 "两天卖了近200件手办，电影文创成了过节新礼物。"一名手工产品摊主的话语中，满是欣喜。 制作端，人工智能增强影视工业的含"智"量，硬核科技正将新型影视基地打造为"未来片场"；放映端， 以CINITY为代表的高格式影厅持续发力，特效银幕惊艳出圈；场景端，头戴式显示设备让观众一秒"穿 越"进影片场景，获得沉浸式体验。随着电影与科技的全链条深度融合，电影产业正稳步登上技术高 峰，呈现"新新向荣"的发展态势。 今年春节假期，江苏举办电影生活嘉年华活动，推出一系列促进电影消费 ...

Group 1 - The core theme of the news is the successful cultural exhibition "Spring Breeze and Galloping Hooves - Horse Culture Special Exhibition" at the Hohhot Museum, which has become a popular destination during the Spring Festival holiday [1][2] - The exhibition features 145 precious cultural relics from nine cultural institutions in the region, showcasing the deep-rooted horse culture in Inner Mongolia through various historical artifacts [1][2] - The museum's activities during the Spring Festival include hands-on experiences such as making horse-shaped paper cuts and traditional printing, which blend traditional customs with intangible cultural heritage [2][3] Group 2 - The exhibition is organized into four thematic units: "Heavenly Gifted Steeds," "The Way of Riding," "Galloping Together," and "Eternal Steeds," highlighting the historical significance of horses in Chinese civilization and cultural exchanges among different ethnic groups [1] - The museum aims to create an engaging cultural experience by integrating intangible heritage, artistic installations, and urban exploration, allowing visitors to connect with history in a meaningful way [2] - The event reflects a growing trend of celebrating the New Year in culturally rich ways, enhancing cultural confidence and providing a deeper, more meaningful experience during the festive season [3]

Core Viewpoint - The CMG Fourth Annual Chinese TV Drama Awards, held in Zhuhai, serves as a key platform for showcasing the achievements of the Chinese TV drama industry and setting the direction for future developments, particularly in the context of the "14th Five-Year Plan" and the upcoming "15th Five-Year Plan" [1][8]. Group 1: Industry Recognition and Talent Development - The awards ceremony highlights the collaboration between on-screen talent and behind-the-scenes creators, emphasizing the importance of both in producing quality dramas [3][5]. - Notable awards were given to established actors like Sun Li and Yang Mi, as well as emerging talents, showcasing a diverse range of performances and the industry's generational talent development [3][5]. - The "Behind the Scenes" segment allowed creators to share their stories, reinforcing the value of craftsmanship in the industry and promoting a broader appreciation for the collaborative nature of drama production [5][6]. Group 2: Historical Context and Future Planning - The ceremony reflects on historical narratives while also setting a forward-looking agenda, emphasizing the dual role of the event as both a commemorative and a guiding force for the industry [6][8]. - A special segment featured descendants of historical figures, linking the past with the present and highlighting the role of TV dramas in preserving national memory and cultural identity [6][8]. - The launch of the "15th Five-Year Plan" for quality TV drama creation marks a strategic initiative to outline the industry's development path for the next five years, showcasing the commitment of the Central Radio and Television Station as a leading media entity [8][10]. Group 3: Domestic and Global Perspectives - The awards ceremony provided a comprehensive review of the 2025 Chinese TV drama landscape, showcasing a variety of themes and genres, including realistic narratives and historical dramas [10][11]. - The establishment of the "Annual Overseas Broadcast Drama" award recognizes works that have successfully engaged in cross-cultural storytelling, enhancing the global appeal of Chinese dramas [11]. - The success of dramas like "Cang Hai Chuan" and "Da Sheng Yi Ren" in international markets reflects the growing narrative capabilities and cultural influence of Chinese television, promoting a positive image of China globally [11].

转自：贵州日报 金妮 2026年央视春晚舞台上，周深演唱的《吉量》余音绕梁，更动人的是舞台上56名身着各民族服饰的普通 孩子。其中12个孩子，来自"贵州村T"。聚光灯下，他们昂首迈步，脚下的T台，正是一条通往广阔世 界的成长之路。 贵州凯里苗侗风情园，一条50米长的风雨长廊被改造成了T台。走上这个T台的，不是专业模特，而是 身穿自家盛装的寻常村民。从"贵州村T"到全国春晚，这群孩子身上穿的，大多由母亲或外婆一针一线 亲手缝制。针线里缝着的，是手艺的传承，更是祖辈的嘱托。这份刻在骨子里的文化自信，是他们昂首 前行的底气。 这份底气，来自日常的浸润，也来自开放的舞台。近年来，贵州深入实施"四大文化工程"，丹寨锦鸡舞 跳进大课间，苗族银饰锻造技艺走进课后服务，侗族大歌回荡在乡村学校。孩子们在校园里触摸文脉， 筑牢自信根基。与此同时，"村BA""村超""村T"等"村字号"平台向每一个普通孩子敞开大门，不设门 槛、不问出处，只要热爱，就能登场。从山间田埂到中国国际时装周，从联合国气候大会到14亿人瞩目 的春晚，孩子们一步步走向更广阔的世界。 45天的并肩排练，40多个民族的相聚相融，这段经历本身就是一堂成长课。孩子们学 ...

转自：贵州日报 这场返场展演，既是对春晚荣光的延续，更是一次文化的"寻根之旅"。古阿新告诉记者："这里是'村 T'发源地，好多小朋友和家长也想回到这个最初的地方看一看。"正是这份"最初"的情结，让56个家庭 从北京归来后，第一时间站上了家乡的T台。 每个孩子走完后，都收到了凯里市政府颁发的奖状。一张薄薄的纸，承载的却是家乡对孩子们最质朴的 认可。 这个春节，贵州"村字号"文化完成了一次动人的闭环——从大山走向世界，又从世界回到大山。央视春 晚的舞台让世界看见了贵州乡村的文化自信，而凯里风雨长廊的这场返场展演，则让这份自信在家乡的 土地上深深扎根。正如古阿新所说，春晚不是终点站——这群孩子的路还很长，"村T"的路也还很长。 ...

Core Viewpoint - The dance performance "Silk Road Ancient Rhythm," derived from the original large-scale dance drama "Kizil," is set to be showcased at the 2026 CCTV Spring Festival Gala, highlighting the cultural heritage of the ancient Kizil region and its artistic significance [1][14]. Group 1: Performance and Preparation - The dance drama "Kizil" recently completed a successful national tour across seven cities, culminating in Harbin on December 13, 2025, which laid a strong audience foundation for its Spring Festival performance [4]. - The segment selected for the Spring Festival focuses on the most authentic and vibrant aspects of Kizil music and dance, serving as a condensed television expression of the drama's core aesthetics [4]. Group 2: Artistic Inspiration and Creation - The choreography of "Silk Road Ancient Rhythm" draws direct inspiration from the "Heavenly Palace Musicians" depicted in the murals of Kizil Cave 38, as well as other representative murals from the Kizil grottoes [5][14]. - The creative team, led by director Tong Ruirui, conducted extensive field research in Xinjiang and collaborated with experts in archaeology and art history to ensure historical accuracy in the dance's movements, costumes, and visual effects [7][9]. Group 3: Visual and Aesthetic Design - The visual design of the performance creates an immersive aesthetic space that facilitates dialogue between ancient and modern civilizations, utilizing cutting-edge multimedia technology to recreate the atmosphere of the Kizil grottoes [10]. - The artistic advisor, Professor Chang Shana, integrated common elements from both Kizil and Dunhuang art into the design, emphasizing the cultural exchange along the Silk Road and showcasing the richness of Chinese culture [10][11]. Group 4: Cultural Significance - The transition from the national tour to the Spring Festival performance represents not just a successful dance program but also a profound expression of cultural confidence, demonstrating the powerful impact of traditional culture rooted in historical depth and artistic refinement [14].

Core Viewpoint - The integration of intangible cultural heritage (ICH) with tourism is increasingly attracting visitors, especially during festive seasons like the Spring Festival, showcasing a blend of traditional and modern cultural elements [1][18]. Group 1: Cultural Events and Activities - The popularity of ICH activities, such as the "Iron Flower" performances, has surged, with many cities incorporating these events into their local culture, making them accessible to the public [2][16]. - During the Spring Festival, various cultural events, including lantern festivals and traditional performances, are being organized, with significant participation from local communities and tourists [6][11]. - The "Datang Qian Denghui" event in Guangzhou features a large-scale performance with over a thousand participants in traditional attire, highlighting the growing interest in traditional culture among younger demographics [11][19]. Group 2: Economic Impact and Consumer Engagement - The rise in ICH activities is seen as a strategy for commercial districts and scenic areas to enhance their cultural tourism appeal, transforming one-time visitors into repeat customers through immersive experiences [17][19]. - Data from Meituan Travel indicates a 200% year-on-year increase in searches for "ICH experiences" during the Spring Festival, reflecting a growing consumer interest in cultural tourism [16]. - The integration of ICH with commercial activities is crucial for maximizing consumer engagement, as seen in the innovative "Lantern Festival + Temple Fair" model that encourages participation and spending [17][19]. Group 3: Challenges and Opportunities - Despite the growth in ICH activities, there is a need for more distinctive offerings to avoid consumer fatigue, as similar events across different regions may diminish the unique appeal [18][20]. - There is an identified gap in the depth of cultural exploration and creativity in some tourism projects, suggesting that further innovation is needed to fully leverage the potential of ICH [19][20]. - Policymakers are encouraged to develop more targeted support for ICH initiatives, promoting local cultural projects while allowing for market-driven innovations [20].

#周深[超话]#【#周深春晚节目顶流审美#】#周深和贵州村T把文化自信秀给世界#2月16日，央视春晚 上，@卡布叻_周深 和"贵州村T"小朋友带来的《吉量》引发网友热议。周深与中华民族大家庭的孩子 们用歌声讲述了《山海经》中日行千里、能乘风而行的神马《吉量》的故事。生长于贵州贵阳的周深， 与家乡文化深情对话；身着各民族传统服饰的"贵州村T"小朋友，自信展示中华民族精神气韵。这不仅 是一次节目表演，更是文化自信的展示，质朴的乡土表达，也能成"顶流审美"。让每一个穿自己民族服 饰的人，都能自信地走上来，从贵州乡土出发，到被世界看见，"贵州村T"，把民族自信秀给世界，让 世界看见民族之美，为了这一刻，无论走了多久，都是值得的。贵州"村字号"，将继续讲述精彩！不少 网友看了节目后纷纷表示："民族服装真好看，小朋友穿着显得更可爱了。""是'吉量'也是'脊梁'，寓意 非常好。""民族大团结，56个民族一个都不能少！"（@贵州日报官微 ） ...

Core Viewpoint - The "2026 'Yue Mei Village Evening' New Year Celebration" has gained popularity by integrating local culture and community participation, showcasing a vibrant cultural feast that promotes rural revitalization and cultural confidence [10][14][39]. Group 1: Event Overview - The "Yue Mei Village Evening" activities began on January 16, 2026, with over 20 demonstration points already hosting events before the New Year's Eve [10][12]. - The events feature a blend of local flavors, showcasing community spirit and cultural heritage through various performances [11][14]. - The first event in Guangzhou attracted over 80,000 online and offline viewers, highlighting the community's pride and engagement [34][36]. Group 2: Cultural Significance - The initiative aims to strengthen cultural confidence and promote Xi Jinping's thoughts on socialism with Chinese characteristics in rural areas [16][18]. - The activities are designed to enrich the spiritual and cultural lives of the people, reinforcing the cultural identity of the Chinese nation [39][41]. - The "Yue Mei Village Evening" represents a shift from traditional performances to a more participatory model, empowering local communities [41][62]. Group 3: Community Involvement - The events emphasize the role of local residents as primary participants, with many performances featuring community members [62][66]. - In various villages, local talents have taken center stage, showcasing original performances that reflect their cultural heritage [66][70]. - The events have successfully attracted participation from all age groups, fostering community bonds and enhancing local cultural vibrancy [96][98]. Group 4: Economic and Social Impact - The "Yue Mei Village Evening" serves as a platform for local economic development, with activities promoting local products and businesses [106][120]. - The events have facilitated community engagement and collaboration, enhancing social cohesion and governance at the grassroots level [102][104]. - The initiative has also contributed to the integration of agriculture, culture, and tourism, promoting sustainable rural development [138][140].

可仅仅一年之后，画风骤变。今年的武术节目里，机器人的动作之精准、与人类互动之流畅，简直判若 两"机"。但真正让我心头一颤的，不是技术的飞跃，而是节目中悄然翻转的"权力"关系。 最具象的表达，藏在沈腾与马丽的那个微电影里。当一个功成名就的喜剧演员，竟然沦落到"无戏可 演"，四处求职碰壁，最终只能通过老搭档求到一个"为机器人服务"的机会时，那种荒诞感直击人心。 镜头里，机器人甩给他一个人类几乎无法完成的剧本，而沈腾为了那份工作，只能咬着牙接下，拼尽全 力去演绎一出赞美机器人的歌剧。 【文/观察者网专栏作者 新之】 2026年的马年春晚落幕了。每年的初一，春晚无疑会是媒体平台上所有人热议的话题，各花入各眼的节 目，以及整台晚会的质量，都得接受大众的评判。 今年春晚，满眼都是机器人、AI、无人机、新能源电车……看完之后，我脑海里挥之不去的，是两个 极具隐喻色彩的瞬间。 第一个，是关于机器人的进化。去年，当机器人扭着秧歌、甩着手绢登上舞台时，我们还能带着一种居 高临下的幽默感调侃：哪怕你是终结者，到了中国春晚也得入乡随俗，穿花棉袄、转手绢，笨拙里透着 几分滑稽。那是人类对科技的一种善意且傲慢的"驯化"。 那时的歌里，" ...