图片自上而下分别为河南南阳黄山遗址出土的玉璜，山西西吴壁遗址墓葬出土的铜、陶礼器，安徽凌家 滩遗址出土的玉版。 资料图片 前不久，2025年中国考古新成果于中国社会科学院考古论坛发布，首次在"六大发现"之外增设研究成果 发布环节。由高星、付巧妹、张弛等学者领衔的10项重要研究成果，涵盖从旧石器早期到唐代的漫长历 史，涉及微痕分析、古DNA测序、聚落考古等多种技术方法，从中可以看到中国考古学正从由发现主 导向由前沿科技与理论推动的深刻转型。 解读文明赓续的脉络 中华文明的连续性不仅载录于史书典籍中，更镌刻在物质文化与基因血脉的深处。多学科手段、方法的 运用，使我们有能力借古人不经意间留下的一鳞半爪，窥见文明赓续的脉络。 利用微痕分析与残留物检测技术，高星团队确认云南甘棠箐遗址中35件木质材料系古人类精心制作、长 期使用的专业工具，主要用于挖掘植物根茎等作为食物。为测定这些木器的年代，古生物地层学、古地 磁学、光释光和电子自旋共振等多种方法被交叉使用，最终检验、确认它们制作于距今约30万年前的旧 石器时代早期，是迄今东亚地区所见最古老的木器。这项发表于国际知名学术期刊《科学》上的研究， 有力反驳了过往认为中国旧石 ...

铸牢中华民族共同体意识是新时代党的民族工作的主线，是马克思主义民族理论中国化时代化的重大成 果，是实现中华民族伟大复兴中国梦的必然要求和根本保障。习近平总书记深刻指出："民族团结是我 国各族人民的生命线，中华民族共同体意识是民族团结之本。"这一重要论述，深刻揭示了中华民族共 同体意识作为国家认同、民族凝聚和文化整合核心枢纽的战略地位，明确了其在构建"休戚与共、荣辱 与共、生死与共、命运与共"的中华民族共同体中的精神纽带作用。高校作为立德树人的主阵地、意识 形态建设的前沿和青年价值观塑造的关键场域，必须自觉肩负起培育各族青年对伟大祖国、中华民族、 中华文化、中国共产党、中国特色社会主义高度认同（即"五个认同"）的历史使命，将铸牢中华民族共 同体意识全面融入人才培养全过程。课程思政建设作为新时代高等教育落实立德树人根本任务的战略举 措，其价值引领、知识传授与能力培养有机统一的独特优势，为系统化、常态化、制度化推进中华民族 共同体意识教育提供了科学路径与实践抓手。 加强理论武装，夯实思想根基 理论清醒是政治坚定的前提，认知深化是情感认同的基础。课程思政赋能中华民族共同体意识培育，首 要在于构建逻辑严密、层次清晰、覆 ...

Core Viewpoint - The dance performance "Silk Road Ancient Rhythm," derived from the original large-scale dance drama "Kizil," is set to be showcased at the 2026 CCTV Spring Festival Gala, highlighting the cultural heritage of the ancient Kizil region and its artistic significance [1][14]. Group 1: Performance and Preparation - The dance drama "Kizil" recently completed a successful national tour across seven cities, culminating in Harbin on December 13, 2025, which laid a strong audience foundation for its Spring Festival performance [4]. - The segment selected for the Spring Festival focuses on the most authentic and vibrant aspects of Kizil music and dance, serving as a condensed television expression of the drama's core aesthetics [4]. Group 2: Artistic Inspiration and Creation - The choreography of "Silk Road Ancient Rhythm" draws direct inspiration from the "Heavenly Palace Musicians" depicted in the murals of Kizil Cave 38, as well as other representative murals from the Kizil grottoes [5][14]. - The creative team, led by director Tong Ruirui, conducted extensive field research in Xinjiang and collaborated with experts in archaeology and art history to ensure historical accuracy in the dance's movements, costumes, and visual effects [7][9]. Group 3: Visual and Aesthetic Design - The visual design of the performance creates an immersive aesthetic space that facilitates dialogue between ancient and modern civilizations, utilizing cutting-edge multimedia technology to recreate the atmosphere of the Kizil grottoes [10]. - The artistic advisor, Professor Chang Shana, integrated common elements from both Kizil and Dunhuang art into the design, emphasizing the cultural exchange along the Silk Road and showcasing the richness of Chinese culture [10][11]. Group 4: Cultural Significance - The transition from the national tour to the Spring Festival performance represents not just a successful dance program but also a profound expression of cultural confidence, demonstrating the powerful impact of traditional culture rooted in historical depth and artistic refinement [14].

（来源：天津日报） 转自：天津日报 "何以中国"的问题是一直存在的。如果细细追问，这一个问题就会变成两个：一是"什么是中国"，定义 其内涵；二是"为何形成中国"，追溯其过程。 当然历史的价值远远不止呈现，我们了解自己的过去，是希望能回答"我们是谁，从何而来，将往何 去"的终极问题。不同于世界其他远古文明，中华文明能够延续发展至今的内在脉络是什么？为什么我 们的文字、礼俗、思想和民族精神能始终相承而未中断？这个文明古国如此强的韧性和生命力是从何时 开始，又是如何造就的？要回答这些问题，我们不仅要延伸探索历史的时间维度，也要有观察古代社会 的多重视角，更要能把握住历史变化的宏观节奏。而这些，都需要由考古学的重要发现与研究来实现。 纪录片《何以中国》的初衷是将最新的考古学发现和成果视觉化地记录下来。而现在这本书，去除了动 态复原的历史场景，文稿的学术性和艺术性得到了更为凝练的呈现。我们可以很不谦虚地说，支撑文稿 形成的考古材料和观点都是非常前沿的，甚至很多还在研究当中。我们希望通过这样一些兼具了学术性 和前沿性的考古学成果来支撑、来帮助大家构建一部和以往的叙事有所不同的万年中国史。 其实中国并不缺少对于"我们是什么 ...

□刘嘉耘 站在阴山南麓极目远眺，黄河在这里挥洒出一个巨大的"几"字。这片被黄河臂弯温柔环抱的土地，古人 称之为"河南地"。 她不是黄河以南的中原腹地，而是东起云中，西至朔方，北抵阴山余脉，南至秦昭襄王长城旧址。考古 发现显示该区域包含今内蒙古巴彦淖尔、包头及鄂尔多斯地区，汉代文献记载其核心区域"东西千二百 里，南北八百里"——它既是军事地理上的锁钥之地，更是文明交融的天然熔炉。 这里既有"大漠孤烟直"的苍茫，又有"稻花香里说丰年"的温婉，两种截然不同的气质在这片土地上奇妙 交融。 一 《史记•秦始皇本纪》：(三十二年)始皇乃使将军蒙恬发兵三十万人北击胡，略取河南地。即河套以南 之地。 《诗经·小雅》中"王命南仲，往城于方"的记载，或许正是周王室经略此地的文学印证。而蒙恬北逐匈 奴后"筑亭障以逐戎人"的烽燧遗址，至今仍在乌拉山下依稀可辨。令人惊叹的是，在当地发现的匈奴贵 族墓葬中，既有草原风格的青铜箭簇，也有秦汉瓦当。这些深埋地下的物证，无声地诉说着一个被史书 忽略的真相：早在卫青霍去病北击匈奴之前，中原文明与草原文明早已在这里悄然融合。 二 当历史进入秦汉之际，河南地突然从文明交融的舞台变成了金戈铁马的战场。 ...

看过南海沉船，了解了纹章瓷，咱们去北京大运河博物馆三层11号展厅的"经纬织山河——河北隆化鸽 子洞藏元代丝织品展"欣赏织金绣锦的精妙绝伦。 从展览名字便可见这批珍贵文物的与众不同。1999年，河北省承德市隆化县茶棚村的几位少年在附近山 洞中玩耍时，偶然发现了几十件元代的洞藏文物，轰动全国。策展人介绍，这批文物以元代的衣物、布 料等丝织品为主，部分衣物呈现典型的元代特征，并可看出蒙汉融合的特征。展览通过"王朝新制 衣冠 共融""花开富贵 样出新裁""瑞鸟呈祥 金锦西来"三个单元，阐释鸽子洞藏元代丝织品中袍服冠戴、百态 纹样等所蕴含的规制礼仪、精湛工艺与文化内涵，以物证史，生动诠释中华民族"多元一体"和中华文明 连续性、包容性、创新性的伟大特质。展览时间将持续至3月22日。 偶然发现洞藏珍贵文物 这批文物的发现颇有些戏剧性。 隆化县文化与旅游局得知此事后，立即派出县文物管理所（博物馆）的专业人员调查。从韩文贵及村民 手中接收了第一批文物，并实地勘察鸽子洞。初步收集的文物经专家判断可能属元代。当年4月，时任 县博物馆馆长孙慧君专程赴北京向国家文物局汇报。国家文物局的专家组在抵达隆化后，对文物进行了 为期三天的细致鉴 ...

Core Insights - The article discusses the contributions of Guo Dashun to the study of Hongshan culture, emphasizing his role in archaeological discoveries and his academic lineage from Su Bingqi, a prominent figure in Chinese archaeology [1][2][3]. Group 1: Contributions to Hongshan Culture - Guo Dashun is recognized as the leading figure in Hongshan culture, having led significant archaeological excavations that revealed important artifacts, establishing Hongshan as one of the three major sources of Chinese civilization over 5,000 years ago [1]. - He proposed a new understanding that there should be a structure of higher significance than the "Goddess Temple" within the Hongshan culture [1]. - Recent discoveries in Hebei, including a large number of Hongshan cultural relics, suggest that the culture may have migrated southward during its peak [2]. Group 2: Academic Influence and Legacy - Guo Dashun, a disciple of Su Bingqi, continues to advocate for the idea that Hongshan culture is a direct root of Chinese civilization, emphasizing the importance of Su's academic thoughts in contemporary archaeology [1][2]. - The article highlights the significance of Su Bingqi's theories, particularly the continuity of Chinese civilization and the importance of ritual systems, which Guo Dashun elaborates on in his discussions [5][6]. - Guo Dashun's reflections on Su Bingqi's legacy indicate that his academic contributions remain relevant in current archaeological discourse, particularly in understanding the origins of Chinese civilization [17][18]. Group 3: Archaeological Methodology and Perspectives - The article discusses the need for a combination of archaeological findings and historical texts to reconstruct ancient history, emphasizing that archaeological evidence should validate historical narratives [29][30]. - Guo Dashun advocates for a collaborative approach between archaeologists and historians to enhance the understanding of ancient cultures, suggesting that archaeological methods should be applied to historical research [36]. - The discussion includes the importance of diverse perspectives in archaeology, encouraging a "hundred schools of thought" approach to foster deeper insights into ancient civilizations [28].

Core Insights - The article emphasizes the significance of archaeological discoveries in understanding the origins and development of Chinese civilization, highlighting the 2024 National Top Ten Archaeological Discoveries as a means to explore this theme [1][4]. Group 1: Archaeological Discoveries - The Yunnan JinNing HeBo Suo site revealed numerous artifacts, including pottery, bronze, iron, jade, and wooden lacquerware, along with thousands of bamboo slips and over a thousand seal impressions, indicating a sophisticated administrative system [2]. - The discoveries at the JinNing HeBo Suo site have shifted the focus of archaeological research in Southwest China, leading to the identification of Han dynasty city sites and official buildings, which are crucial for understanding the governance and national integration during the Qin and Han periods [2]. - The Kashgar Mo'er Temple site in Xinjiang illustrates the spread of Buddhism in ancient Xinjiang and confirms the region's historical role as a melting pot of multiple ethnicities and cultures [3]. Group 2: Cultural Significance - The article discusses the role of border archaeology in enhancing the understanding of the historical interactions among various ethnic groups, contributing to the formation of a unified Chinese nation [4]. - The findings from archaeological sites, such as the SuYuKou kiln site in Ningxia, provide insights into the cultural exchanges and integration between different ethnic groups, particularly in the context of porcelain production during the Song dynasty [3][4]. - The ongoing discoveries in border archaeology are expected to continuously enrich the narrative of Chinese civilization's diversity and unity, reinforcing the collective identity of the Chinese nation [4].

Core Points - The exhibition "Chang'an 2300 Miles - Archaeological Achievements of the Xiong'an Ancient State Ruins" opened at the China Archaeological Museum, showcasing over 130 artifacts including exquisite relics such as a Tang Dynasty white jade lotus seat and gilded bronze Buddha [1] - The Xiong'an Ancient State Ruins is a significant archaeological project in Hebei's Xiong'an New Area, with joint excavations conducted by the Chinese Academy of History and Hebei Provincial Institute of Cultural Relics and Archaeology for eight years [1] - The site has revealed a dual city structure and remnants of Han and Tang city walls, Sui and Tang wells, and a Tang Dynasty temple, indicating its historical importance as the administrative center of the Han and Tang dynasties [1] Artifact Highlights - Notable artifacts include two ceramic dragon heads discovered at the Tang Dynasty temple site, which were restored over six months and are being displayed to the public for the first time [1] - The common characteristics of the unearthed artifacts reflect a civilization that is "open, inclusive, and diverse," highlighting the cultural exchange between the cities of Mo and Chang'an, which are over 2300 miles apart according to historical records [1]

Core Viewpoint - The opening of the Lingjiatan Archaeological Site Museum marks a significant milestone in showcasing the archaeological achievements and historical value of the Lingjiatan site, which represents the early civilization of the "Ancient State Era" over 5,000 years ago [1][3]. Summary by Relevant Sections - **Museum Overview** - The museum features a unique architectural design with a courtyard layout and rammed earth walls, located at the center of the Lingjiatan National Archaeological Park in Anhui Province [1]. - It will officially open for trial operation in May 2025, displaying approximately 1,100 artifacts including pottery, jade, stone, and bone tools [1]. - **Cultural Significance** - The Lingjiatan site is a key archaeological site representing the first phase of the "Ancient State Era," crucial for understanding the civilization process in the lower Yangtze River region [3]. - The site exhibits advanced spatial planning and functional zoning, highlighting the early inhabitants' sophisticated understanding of community organization [3]. - **Exhibition Highlights** - Notable artifacts include a jade double tiger head ornament, symbolizing ancient alliance systems, and various jade items that reflect the spiritual world of the Lingjiatan culture [6][9]. - The museum's core exhibit features the "King's Tomb," which reveals early burial customs and the significance of jade in funerary practices, with over 340 burial items, including 210 jade artifacts [10]. - **Technological Integration** - The museum employs modern technology such as VR and 3D displays to enhance visitor experience, allowing them to engage with historical contexts and artifacts interactively [10]. - The integration of the museum with the archaeological site aims to provide a comprehensive understanding of the cultural heritage and the development of early Chinese civilization [10].