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人们从未忘记中山舰(以物鉴史)
Ren Min Ri Bao· 2025-05-23 21:56
1986年5月,湖北省文物部门向国家文物局正式提出动议:打捞中山舰。1988年,国家文物局批复同 意。1988年5月、1994年3月,海军南海舰队和北海舰队对中山舰进行了两次水下探摸,探明了中山舰的 沉没方位等重要信息,在舰尾右侧还发现"中山"两字。1995年和1996年,重庆长江救助打捞公司再对中 山舰进行了水下探摸。1996年11月,在孙中山诞辰130周年之际,中山舰打捞工程正式启动。1997年1月 武汉市中山舰博物馆中修复后的中山舰。 田豆豆摄 时光荏苒,人们从未忘记中山舰。1997年,长眠于长江江底近60年的中山舰被打捞出水,成为中国最大 的可移动抗战文物。如今,修复后的中山舰承载着历史的烽烟,被静静安放在武汉市中山舰博物馆。 中山舰原名永丰舰,于1910年由清政府从日本订购。当时,清政府投巨资建立的中国海军,经过1894年 中日甲午战争,其主力损失殆尽。"永丰舰就是为重建海军而生。"武汉市中山舰博物馆馆长刘新阳介 绍,1911年辛亥革命爆发,永丰舰于1913年竣工,由中华民国支付尾款接收并编入海军。由于永丰舰曾 在孙中山先生领导的"护法运动"等历史事件中立下赫赫战功,为纪念孙中山先生,永丰舰改名中山 ...
被特批在故宫拍照,气场全开,网友:中国美绝了
凤凰网财经· 2025-05-23 12:51
Core Viewpoint - The article emphasizes the cultural and historical significance of the Forbidden City, highlighting its architectural beauty and the rich history behind its artifacts, while promoting a special book that encapsulates this heritage. Group 1: Cultural Significance - The colors red, yellow, and blue symbolize the grandeur and history of the Forbidden City, representing 600 years of imperial legacy and timeless craftsmanship [2][4]. - The Forbidden City is not just an architectural marvel but a living history of Chinese civilization, housing 1.86 million artifacts that reflect the aesthetic values and artistic achievements of ancient China [15][18]. Group 2: Historical Narratives - The article recounts poignant historical moments, such as Emperor Shunzhi's grief for his wife and Emperor Yongzheng's dedication to his work, illustrating the human stories behind the palace [6][9][11]. - It critiques the portrayal of the Forbidden City in media, which often focuses on sensationalized narratives, overshadowing the true historical depth and the significance of its collections [14][15]. Group 3: Book Promotion - A special book titled "The Most Beautiful Forbidden City" is introduced, featuring a comprehensive collection of artifacts from four major palaces, aiming to provide an immersive experience of Chinese art and history [27][28]. - The book is presented as a lifelong treasure, designed to enhance understanding of architectural aesthetics and Eastern art, making it suitable for both personal enjoyment and as a gift [30][71]. Group 4: Visual and Artistic Value - The book includes over 400 representative works, showcasing the evolution of Chinese aesthetics from various dynasties, and is described as a visual feast that captures the essence of Chinese culture [115][139]. - It features high-quality reproductions and detailed photography, allowing readers to appreciate the intricate details of the artifacts and artworks [142][146]. Group 5: Accessibility and Pricing - The book is offered at a promotional price of 399 yuan, significantly lower than its original price of 1298 yuan, making it more accessible to a wider audience [63][160]. - Additional gifts are included with the purchase, enhancing the value proposition for potential buyers [67][164].
在劳动中放歌
Ren Min Ri Bao· 2025-05-02 22:01
Core Viewpoint - The article explores the evolution and significance of labor songs in Chinese culture, highlighting their role in expressing the spirit of resilience and hard work throughout history [1][4]. Group 1: Historical Context - Labor songs, such as the earliest form "lifting encouragement song," have been part of Chinese culture since ancient times, as recorded in texts like "Lüshi Chunqiu" and "Shijing" [1]. - The tradition of singing during labor has been a way for Chinese people to express their life wisdom and collective spirit over the centuries [1]. Group 2: Types of Labor Songs - "Haozi" (labor songs) serve as a direct expression of workers' lives, with various types corresponding to different labor activities, such as boatmen's songs and agricultural work songs [2]. - "Mountain songs" represent individual expressions of labor, characterized by rich content and free rhythm, often improvised and reflecting the laborers' experiences [2]. - "Short tunes" are more widely spread and cover various aspects of life, serving as a form of everyday expression in both urban and rural settings [3]. Group 3: Modern Developments - The transition from traditional agricultural society to modern production methods has led to new forms of labor music, with songs like "Zanmen Gongren You Liliang" emerging during the industrial era [4]. - Despite changes in labor methods and song forms, the essence of resilience and the spirit of the Chinese people remain embedded in these songs, as evidenced by contemporary performances that evoke strong emotional responses [4].
“行走的课堂”寻迹“中国精神” 让“大课”入目入耳入心 《探寻经典诗文足迹》启动第二季
Jie Fang Ri Bao· 2025-04-21 01:42
Core Viewpoint - The series "Exploring the Footsteps of Classic Poetry and Literature" aims to integrate traditional Chinese culture with modern education, enhancing students' understanding of national spirit and historical context through immersive experiences [1][2][3]. Group 1: Educational Approach - The program combines various subjects, including language, history, and art, to create a comprehensive educational experience that emphasizes the importance of classic literature in understanding national identity [4][6]. - It features field trips to historical sites related to the literature studied, allowing students to engage with the material in a tangible way, thus transforming static text into dynamic learning experiences [6]. Group 2: Cultural Significance - The series highlights the dual aspects of "Chinese spirit," focusing on patriotism and innovation, which are essential for fostering a sense of national pride among students [3]. - It emphasizes the importance of classic works like "The Ode to the Yellow River" and "The Long March," linking them to contemporary issues and encouraging students to reflect on their relevance today [4][6]. Group 3: Practical Implementation - The program has successfully completed its first season and is now launching a second season, which will include new classic texts, further expanding its educational reach [6]. - Teachers are actively involved in guiding students through these experiences, ensuring that the lessons are not only informative but also emotionally resonant [6].