Group 1 - During the National Day and Mid-Autumn Festival, nearly 80 exhibitions and cultural activities will be launched in Beijing's museums [1][2] - The exhibition "The Prosperous Scene of the Empire in the Depths of the Imperial Tombs" opened on September 22, showcasing over 180 artifacts from the Han Dynasty [1][4] - The "Peach Blossom Stone" exhibition at the Capital Museum highlights the contributions of the Western Xia culture to the development of a multi-ethnic Chinese nation [1][3] Group 2 - Various cultural activities will be held to share national sentiments, including weekend study activities at the Xiangshan Revolutionary Memorial Museum and astronomy-themed events at the Beijing Planetarium [2][6] - The Beijing Olympic Museum will host micro-lectures on the history of the Olympic movement in China, emphasizing national pride [2][5] - Special Mid-Autumn activities will be organized by major museums, such as a glaze experience event at the Beijing Ancient Architecture Museum [2][4] Group 3 - The "Cultural Market" event at the Beijing Ancient Architecture Museum will feature over a thousand cultural and creative products from more than 20 museums [4][5] - The "Moonlight at the Great Wall" Mid-Autumn Gala will be held at the Juyongguan Great Wall, broadcasted nationwide [4][6] - The China Agricultural Museum will present an art exhibition themed around "Seeds" to celebrate the upcoming harvest festival [6]

Core Viewpoint - The film "731," which reflects the war crimes of the Japanese Army's Unit 731, premiered in Kuala Lumpur, Malaysia, on September 24, and is set to be released in major cinemas across Malaysia on September 25. The film aims to educate audiences about this dark chapter in history and promote peace [1]. Group 1: Film Premiere and Audience Reception - The premiere attracted over a thousand attendees, including political, business, cultural figures, media representatives, and film enthusiasts [1]. - The film uses the experiences of ordinary people to reveal the atrocities committed by Unit 731, leaving the audience deeply shocked and creating a somber atmosphere [1]. Group 2: Educational Significance - Malaysian audience member Liu Qinghua emphasized the film's educational value for the younger generation, highlighting the importance of understanding history to prevent its repetition and the potential negative impacts on the world [1]. - The film's distributor representative, Wang Meilian, expressed the hope that this historically significant and internationally valuable work would resonate with Malaysian viewers, combining emotional depth with a reminder to confront history and uphold peace [1].

Core Viewpoint - The exhibition in Jilin Province serves as a comprehensive presentation of over 300 years of modern history, highlighting the region's cultural heritage and its spirit of resilience and development [1][14][26]. Summary by Sections Exhibition Overview - The exhibition spans 4,400 square meters with 9 major sections and 28 interconnected units, featuring over 1,200 historical images, 70 charts, and more than 1,000 valuable artifacts [16][21]. - It aims to present a clear narrative of Jilin's history, using a linear storytelling approach that combines time and events [16][17]. Historical Context - The exhibition begins its narrative from 1644, focusing on the Qing Dynasty's policies that shaped the region's ecological and historical landscape [17][18]. - It emphasizes the struggles and triumphs of the Jilin people, showcasing significant events from the past, including resistance against oppression and contributions to national development [18][24]. Cultural Significance - The exhibition highlights Jilin's role as a cradle for various industries and cultural movements in New China, including the automotive and aviation sectors [24][25]. - It features artifacts that represent the spirit of sacrifice and dedication of the Jilin people during revolutionary times, reinforcing the region's historical importance [24][25]. Educational Impact - The exhibition serves as a historical education tool, aiming to inspire current and future generations by connecting them with their heritage [22][26]. - It includes newly discovered archival materials that provide deeper insights into the region's past, enhancing the educational value of the exhibition [21][22].

Core Viewpoint - The article discusses the significance of the film "Nanjing Photo Studio," which reflects on the Nanjing Massacre, emphasizing the importance of historical education and the need to remember past atrocities without promoting hatred [2][3][4][6]. Group 1: Historical Context and Film Reception - The year marks the 80th anniversary of the victory in the Anti-Japanese War and the global victory over fascism, highlighting the unresolved historical grievances in China due to Japan's lack of acknowledgment and remorse for its wartime actions [1]. - "Nanjing Photo Studio" has achieved significant success during the summer release, reigniting discussions about the Nanjing Massacre in public discourse [2]. - The film is praised for its restrained portrayal of the massacre from the perspective of ordinary citizens, avoiding sensationalism while effectively conveying the horror of the events [3]. Group 2: Concerns and Criticism - Some critics argue that the film is too violent for children, suggesting it promotes "hate education," while others believe it is essential for children to understand historical truths [4][5][6]. - The director of the film aims to encourage viewers to cherish peace and remember history rather than incite hatred, emphasizing the importance of historical awareness [6]. Group 3: Comparative Historical Education - The article compares how different countries, such as the United States and Australia, approach historical education regarding World War II, noting that they do not shy away from discussing atrocities committed by Japan [9][10][11]. - It questions whether similar criticisms of "hate education" apply to these countries, suggesting that understanding history is crucial for preventing future conflicts [12][14]. Group 4: Parental Responsibility and Historical Awareness - The article emphasizes the role of parents in educating their children about historical truths, advocating for a balanced approach that fosters understanding rather than hatred [22][23][24]. - It argues that children should learn about the Nanjing Massacre and other historical events to develop their own informed perspectives, ensuring they do not fall prey to misinformation [25][26][27].

Group 1 - The article emphasizes the importance of museums in preserving and transmitting human civilization, serving as a bridge connecting the past, present, and future [1] - Xi Jinping has consistently shown great concern for the development of museums, highlighting the need to "activate the vitality of excellent traditional Chinese culture" [1][12] - Under Xi Jinping's support, China has entered a rapid development phase for museums, with an average annual increase of over 200 museums in the past decade, resulting in a museum for every 20.63 thousand people [6] Group 2 - Xi Jinping has advocated for museums to have unique characteristics rather than merely large-scale constructions, as seen in his support for the Longquan Celadon Museum [2][5] - The construction of various museums, such as the Quanzhou Overseas Transportation History Museum and the Minyue Wang City Museum, has been supported by Xi Jinping during his tenure [2] - The article highlights Xi Jinping's visits to numerous revolutionary museums and memorials, which he refers to as the "red gene pool" of the Party and the nation, emphasizing the importance of educating the public about revolutionary history [11][10] Group 3 - Xi Jinping's visits to museums often include inquiries about historical artifacts and their significance, reflecting his deep appreciation for Chinese civilization and culture [14][15] - The article notes that Xi Jinping has called for the protection and utilization of cultural heritage, emphasizing the need for innovative exhibition methods to bring historical artifacts to life [18] - The importance of museums in cultural education and historical transmission is reiterated, with Xi Jinping stressing the need for traditional culture to evolve and thrive in contemporary society [18]