湖北省荆门市博物馆郭店楚简展厅内，游客正通过触摸屏点选竹简查看释文。 赵 平摄（人民图片） 今天，故宫博物院的游客们，无论喜欢哪件展品，都可以在"数字文物库"中寻找文物精细影像，还可以 在"全景故宫"中随时随地沉浸式游览故宫建筑；到甘肃敦煌参观莫高窟，游客们会先在数字展示中心观 看影片后再参观洞窟，还可以戴上VR眼镜，沉浸式走进莫高窟特窟285窟…… 数字文博，已经改变了全国各地博物馆与观众之间的互动关系。不管博物馆是否开门，观众都可以随时 获得沉浸式体验，欣赏高清文物，跟文物"聊天"，虚拟参与到考古挖掘、文物修复等诸多流程中。 在数字世界，博物馆"不打烊"。 让古建与文物"活"起来 今年10月，故宫宣布数字文物库更新，新增5万件院藏文物的高清数字影像，平台文物总数突破15万 件，用户可以随时随地博古赏新、学习研究。 河南省洛阳市隋唐大运河文化博物馆数字展馆里，游客在进行VR体验。 张光辉摄（人民图片） 付晓方摄（人民图片） 游客在河南省安阳市殷墟博物馆参观。该馆在展览手段和展示效果上运用了人工智能、多媒体等数字技 术，给公众带来沉浸式体验。 闫 鑫摄（人民图片） 作为国内很早进行数字化探索的博物馆，故宫在" ...

Core Viewpoint - The integration of technology and cultural heritage is transforming the way museums present artifacts, enhancing audience engagement and cultural confidence through immersive experiences [1][4]. Group 1: Cultural Heritage Activation - The concept of "cultural co-creation" emphasizes the importance of activating cultural relics and engaging audiences to foster a deeper cultural appreciation [1][4]. - The Nanjing Museum's VR exhibition of the "Kunyu Wanguo Quantu" showcases how technology can revitalize static artifacts into dynamic experiences, attracting significant audience interest [1][2]. Group 2: Innovative Product Development - Museums like the Henan Museum are creatively merging cultural relics with culinary experiences, such as coin-shaped chocolates, to appeal to younger audiences and enhance cultural engagement [2]. - Successful cultural products, like those from the Forbidden City, demonstrate the effectiveness of combining artistic and practical elements to meet consumer needs for both material enjoyment and spiritual experience [2]. Group 3: Audience Interaction and Experience - The use of VR technology allows visitors to interact with historical narratives, such as experiencing the voyages of Zheng He through immersive storytelling, enhancing both credibility and engagement [3][4]. - The shift from passive observation to active participation transforms museums into cultural communities where audiences can contribute to the narrative [3][4]. Group 4: Future Opportunities - The ongoing popularity of cultural tourism and the integration of technology present new opportunities for the activation and transformation of cultural resources [4]. - Emphasizing protection, activation, content quality, experience optimization, and innovative supply will sustain the momentum of cultural heritage engagement and enrich public cultural life [4].

Group 1 - The number of registered museums in China has reached 7,046, with 43,000 exhibitions planned for 2024, attracting 1.491 billion visitors, a year-on-year increase of 15.5% [1] - The rise of digital cultural exhibitions has created a wave of interest in cultural heritage, facilitated by the innovative ideas of digital curators [1] - Digital curators like Zhang Likun are transforming traditional artifacts into digital representations using technologies such as 3D modeling and laser scanning [3][5] Group 2 - Zhang Likun, a digital curator at Nanjing Museum, has transitioned from a network technician to a digital curator, reflecting the growing demand for digital talent in museums [3][5] - The digital project for the precious collection "Kunyuan Wanguo Quantu" is a significant initiative, with Zhang Likun as a key member of the curatorial team [3][5] - The digital presentation of cultural heritage is a collaborative effort requiring coordination among various professionals, highlighting the complexity of the digital curation process [5][9] Group 3 - The team is preparing for the initial acceptance of the digital project after nearly a year of preparation, showcasing the meticulous nature of the process [5][7] - Positive feedback from experts during the VR exhibition indicates the project's success, yet the team remains focused on further preparations for the official launch [9] - Digital curators are creating immersive experiences that allow audiences to engage with cultural heritage in innovative ways, effectively opening a "time capsule" of history [9][11]