Group 1 - The forum on cultivating online civilization was held as part of the 2025 China Online Civilization Conference, focusing on the theme of "Using Digital Intelligence Technology to Cultivate a New Civilized Atmosphere" [1] - The National Centre for the Performing Arts is leveraging digital technology to create a "Smart Theatre" and aims to build a global digital cultural dissemination platform [3] - The Communist Youth League is exploring the use of digital technology to guide youth in cultivating online civilization and promoting core socialist values [5] Group 2 - Tsinghua University is utilizing AI to enhance ideological and political education for students, ensuring comprehensive support and engagement through tools like "Qing Xiao Da" [8][9] - China National Railway Group is promoting social civilization through initiatives like "High-speed Train Viewing China" and the "My Railway Scenery" campaign, which encourages public participation [9][10] - The Dunhuang Academy has digitized 300 caves and created an immersive online exhibition, enhancing the preservation and academic study of cultural relics [12] Group 3 - An expert from the University of Science and Technology of China discussed the role of AI in promoting cultural progress, emphasizing its potential as a tool for social governance innovation [14] - The Vice President of iFlytek highlighted the importance of placing human values at the core of technology to foster social civilization [16]

Core Insights - The visit to the Guangdong-Hong Kong-Macao Greater Bay Area (GBA) by foreign diplomats and business leaders highlighted the region's potential as an "innovation blue ocean" with numerous opportunities for investment and collaboration [1][4]. Group 1: Technological Advancements - The GBA showcases significant technological advancements, such as Tencent's immersive "Digital Dunhuang" experience and the agricultural drones from Guangzhou XAG Technology Co., which exemplify the region's drive for innovation and industrial upgrade [2][3]. - The Shenzhen-Hong Kong-Guangzhou technology cluster has ranked second globally in the World Intellectual Property Organization's 2023 Global Innovation Index for four consecutive years, indicating strong integration of industrial clusters and innovation capabilities [2]. Group 2: Investment Opportunities - The visit allowed participants to explore new sectors like biomedicine and low-altitude economy, leading to a refreshed understanding of the GBA's development potential and plans for investment in cutting-edge fields [3][4]. - The GBA's collaborative platforms in areas like smart driving and robotics have sparked interest among foreign investors, with many expressing intentions to further explore investment opportunities [4][5]. Group 3: Regional Cooperation - There is a growing recognition of the need for regional cooperation, with foreign diplomats noting the mutual benefits of GBA enterprises seeking to expand internationally and foreign companies looking to enter the mainland market [4][6]. - The GBA is seen as a model for dual empowerment, where Hong Kong acts as a gateway for international resources while the mainland cities provide a robust market and innovation ecosystem [4][7]. Group 4: Quality of Life and Talent Attraction - The GBA is increasingly recognized for its quality of life, with a focus on creating a balanced environment that attracts talent and investment, as evidenced by the positive feedback from visiting diplomats [6][7]. - The region's development has led to the formation of a "one-hour living circle," enhancing the convenience for residents and fostering a vibrant community that supports innovation and entrepreneurship [7][8].

Group 1: Cultural Development and Heritage Protection - The 2025 Cultural Power Construction Summit Forum held in Shenzhen focused on deepening cultural system reforms and stimulating cultural innovation [1][2] - The forum featured a sub-forum on "Cultural Heritage Protection and Inheritance," emphasizing the importance of preserving traditional culture and heritage as a foundation for national identity [2][3] - Experts highlighted the need for a "big cultural perspective" in cultural heritage protection, advocating for collaboration between local governments and academic institutions to avoid fragmentation and commercialization [3][4] Group 2: New Trends in Literature and Art - The "New Mass Literature" emerged as a focal point, characterized by its accessibility and relevance to the public, prompting discussions on its implications for contemporary writing [6][7] - New Mass Literature is seen as a transformative movement that shifts the focus from "how to write" to "what to write" and "who is writing," reflecting the lived experiences of ordinary people [7][8] - The rise of digital technology and media convergence is reshaping literary forms, leading to new narrative paradigms and enriching the cultural landscape [7][9] Group 3: Technology and Cultural Innovation - The integration of technology and culture is creating new opportunities, with discussions on AI-generated content (AIGC) and its potential to enhance artistic creation and cultural dissemination [9][10] - Digital technologies are crucial for the preservation of cultural heritage, exemplified by the "Digital Dunhuang" initiative, which has amassed over 400TB of digital resources for global cultural exchange [10][11] - The advent of large model technologies is revolutionizing cultural content production, promoting democratization of creativity and intelligent production processes [11]

Group 1 - The first humanoid robot fighting competition, "Zhongqing Robot Free Fighting Championship: Mecha King," will be held in Shenzhen in December 2025, marking a significant event in the robotics industry [1][3] - In 2024, Guangdong's industrial robot production is expected to reach 240,000 units, accounting for over 40% of the national total, indicating strong growth in the robotics sector [3] - Shenzhen aims to cultivate 10 robot companies valued over 10 billion yuan by 2027, positioning the competition as a platform for technology validation and talent development [3] Group 2 - The 21st China (Shenzhen) International Cultural Industries Fair attracted over 35,000 attendees from 110 countries, highlighting the global interest in cultural and technological integration [3] - The fair featured a newly established artificial intelligence exhibition area, showcasing the intersection of AI and cultural industries [3] - A forum on "AI Technology Empowering Cultural Development and Innovation" emphasized China's commitment to technological advancement and innovation in cultural sectors [5] Group 3 - AI is rapidly reshaping various industries, with tools and technologies enhancing productivity and creativity for individual cultural creators [7] - The integration of AI in cultural preservation, such as the digital restoration of Dunhuang's Mogao Caves, demonstrates the potential of technology in enhancing cultural experiences [5][7] - Policies announced at the fair aim to promote high-quality development in key cultural sectors, including film, performing arts, and animation, indicating a strategic focus on cultural industry growth [8]

Group 1: Cultural and Technological Integration - The launch of the world's first immersive participatory museum, "Digital Cave of Scriptures," aims to promote the global digital dissemination of Dunhuang culture through advanced technologies like game engines and high-definition scanning [1] - The integration of new technologies such as artificial intelligence, virtual reality, and digital twins expands the creative, production, dissemination, and consumption spaces for culture, offering limitless possibilities [1] Group 2: AIGC in Artistic Creation - AIGC (Artificial Intelligence Generated Content) technology can enhance various stages of artistic creation, leading to improvements in quality, generation, efficiency, and cost reduction [3] - Despite facing challenges in values, ethics, computing power, data, and costs, AIGC is expected to rapidly develop disruptive production capabilities, presenting new opportunities for artistic creation [3] Group 3: New Paradigms in Creation - Breakthroughs in large model technology are expected to democratize creation, eliminate technical barriers, and enable individuals to produce content with the efficiency of professional teams [4] - The future may see the rise of more micro or even one-person creative companies, as individual creators can leverage AI tools to handle entire production processes in fields like film [4] Group 4: Cultural Communication and Multilingual Systems - The fusion of culture and technology serves as a bridge connecting tradition and modernity, facilitating the coexistence and mutual appreciation of diverse cultures [6] - Multilingual intelligent systems will shift the focus of Chinese cultural dissemination from mere translation accuracy to capturing cultural essence, requiring advanced emotional recognition and semantic reasoning capabilities [6] Group 5: Innovations in Translation and Cultural Understanding - The translation function of platforms like Xiaohongshu goes beyond simple dictionary replacements, addressing the diversity of human civilization and the nuances of social emotions [6][7] - The integration of natural language processing, optical character recognition, and computer vision allows for a transition from "text conversion" to "cultural decoding," enhancing the ability to understand and convey cultural meanings [7]

敦煌研究院与腾讯公司联合打造的全球首个基于区块链的数字文化遗产开放共享平台"数字敦煌开放素 材库"，将敦煌莫高窟等石窟遗址及敦煌藏经洞文献的高清数字资源档案通过素材库向全球开放，满足 大众及科研人员考古、出版、线上展示、线下展览、文创开发等不同应用领域的需求。据苏伯民介绍， 截至目前，该平台的访问量已达543万人次，实现了数字资源在更大范围内的共享与传播。 苏伯民现场展示了敦煌研究院推出的全球首个超时空参与式博物馆"数字藏经洞"。"数字藏经洞"利用游 戏引擎和高清扫描技术，1:1复原了藏经洞，支持多语言，通过沉浸式体验促进敦煌文化的全球数字化 传播和跨文明对话。 （文章来源：深圳商报） 【深圳商报讯】（记者刘欣怡王海荣）5月27日上午，在文化和科技融合发展论坛上，敦煌研究院院长 苏伯民以"数字技术赋能文化遗产活态传承"为主题进行发言，分享了敦煌石窟数字化保护的发展历程， 探讨了数字技术对中华优秀传统文化国际传播的影响。 苏伯民在发言中回顾了敦煌石窟数字化保护的历程。他表示，早在20世纪90年代，敦煌研究院便提出 了"数字敦煌"的概念，经过多年实践，研究院形成了一套系统化的工作流程。截至2024年底，敦煌研究 ...

Group 1 - The integration of cultural and technological strengths is enhancing China's hard and soft power, with a focus on AI technologies providing new opportunities for cultural creation [1] - Generative AI (AIGC) is seen as a transformative force in artistic creation, with potential to improve quality, efficiency, and reduce costs [1] - Multilingual technologies are redefining cultural communication, emphasizing emotional recognition and semantic reasoning over mere translation accuracy [1] Group 2 - Companies like Xiaohongshu are leveraging multimodal AI models and dynamic learning mechanisms to transition from direct translation to cultural adaptation [2] - The Dunhuang Academy has launched the world's first participatory digital museum, "Digital Caves," utilizing game engines and high-definition scanning technology for global cultural dissemination [2] - AI technologies are reshaping organizational structures, leading to the emergence of more micro and even solo creative companies [2]

来源：中国新闻网 中国工程院院士丁文华作题为"AIGC赋能艺术创作的思考"的演讲。他提出，在艺术创作过程中，恰当 使用AIGC(利用人工智能自动生成内容的技术)，可有效赋能各环节，实现提质、生成、增效、降本的 作用。尽管AIGC发展在价值观、创作伦理、算力、数据、成本等多方面都面临着巨大挑战，但AIGC未 来可能快速形成颠覆性生产能力，需要各界密切关注，把握这一轮次技术发展为艺术创作带来的全新机 遇。 文化和科技融合发展论坛圆桌对话。论坛主办方供图 哈尔滨工业大学(深圳)特聘校长助理、计算与智能研究院院长张民在题为《语言智能赋能文化传播》的 演讲中提到，从翻译工具到文化桥梁，多语言技术正在重新定义文化传播的可能性。它不仅是理解中国 的钥匙，更是推动世界文化多样性共生与互鉴的基石。 敦煌研究院院长苏伯民以"数字敦煌"品牌建设为例，分享新技术为文化遗产保护利用打造新平台的经 验。据介绍，截至2024年，敦煌研究院已形成超400TB数字资源，建成840TB分布式存储系统与高效数 字资产管理平台，树立了世界文化遗产存储管理新典范。其推出的全球首个超时空参与式博物馆 ——"数字藏经洞"，通过沉浸式体验促进敦煌文化的全球 ...