本报北京11月21日电(记者施芳)2025北京.中国文物国际博览会上，"基于分布式账本技术的文物艺术品 追踪系统元数据标准"正式发布。据介绍，该标准是由中国主导制定的全球首个文物艺术品溯源元数据 国际标准。从此世界各国的文化数字化交往有了统一的通用语言，国际交流和传播将使用中国制定的底 层规则推动全球文博行业的数字化进程，同时也将为互联网、虚拟现实等各类应用文物艺术品数字场景 提供对话桥梁。 ...

Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [1][2] - The cultural industry is projected to achieve an operating income of 19.14 trillion yuan in 2024, representing a 37.7% increase compared to 2020 [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creation, with the National Arts Fund supporting 3,568 projects in creation, performance, exhibition, and talent development [2] Group 2 - The need to break through outdated concepts and institutional barriers is highlighted as essential for achieving high-quality development, with simplified processes aiding the integration of micro-short dramas into the cultural and internet sectors [3] - The focus on problem-oriented approaches aims to clear obstacles and enhance the development of new productive forces, thereby expanding the space for economic and social growth [3] - Continuous reform and innovation in institutional mechanisms are crucial for enhancing the dynamism and vitality of economic and social development, contributing to the success of Chinese-style modernization [3]

展望"十五五"时期经济社会发展，一项必须遵循的原则就在于坚持全面深化改革，推动生产关系和生产 力、上层建筑和经济基础、国家治理和社会发展更好相适应，持续增强发展动力和社会活力。抓好体制 机制创新，打通制约高质量发展的堵点卡点，让各类生产要素顺畅流动，成为一项必须完成好的任务。 在线下，"百年守护"特展吸引八方来客，《五牛图》《清明上河图》等国宝文物展露真容；来线上，数 字故宫"大门常打开"，文物建筑的"数字分身"收获好评；周边产品，角楼咖啡、故宫口红，深厚底蕴有 了更具创意的新鲜表达……百岁故宫，今天正以更丰富的打开方式，带给人们酣畅淋漓的文化享受。 文博事业繁荣发展背后，少不了全面深化改革的有力托举。过去，文博行业管理存在文物藏品阐释利用 不够、人才队伍相对薄弱、内部管理水平不高等不少问题。2021年，9部门联合出台《关于推进博物馆 改革发展的指导意见》，明确提出优化征藏体系、提升保护能力、强化科技支撑、提高展陈质量等多项 改革任务。作为承载中华5000多年文明和文化成果精品的殿堂，故宫博物院近年来在文物保护利用、数 字文化建设、文化传播创新等方面取得突破性进展，为让中华优秀传统文化融入现代生活、增强人民群 ...

Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [1][2][3] - The cultural industry in China is projected to achieve a revenue of 19.14 trillion yuan in 2024, reflecting a 37.7% increase compared to 2020, driven by reforms and innovations in the sector [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creations, with the National Arts Fund supporting 3,568 projects, indicating a robust support system for the arts [2] Group 2 - The need to break down outdated concepts and institutional barriers is highlighted as essential for achieving high-quality development, with specific reforms like "classification and layered review" simplifying processes and fostering innovation [3] - The integration of technology and cultural sectors is being facilitated by lowering entry barriers in key areas such as telecommunications, internet, education, culture, and healthcare, promoting orderly development [3] - The ongoing reforms aim to enhance the dynamism and vitality of economic and social development, positioning China for sustainable modernization [3]

中国经济网北京11月18日讯（记者 成琪）11月17日，"中华文明起源系列——'看·见殷商'"展览总结暨博物馆高质量发展研讨会在北京大运河博物馆（首 都博物馆东馆）举行。北京市委宣传部、北京市文物局、北京广播电视台、"看·见殷商"展览借展单位、中央在京博物馆等44家单位的120位代表出席会议， 共同回顾"看·见殷商"展览的创新实践，并就新时代博物馆高质量发展的路径展开深入研讨。 下午的研讨会围绕"文博高质量发展"和"博物馆展陈建设"两大主题展开分组讨论，为博物馆发展建言献策。文博高质量发展研讨会上，与会代表围 绕"体制机制改革""文商旅体融合""博物馆职业伦理"等议题展开深入探讨；首都博物馆展陈建设研讨会则聚焦"一馆六址"差异化发展路径。 本次研讨会既是对"看·见殷商"展览经验的系统总结，更是对博物馆未来发展的前瞻谋划。与会代表表示，在文化强国建设背景下，博物馆不仅要收藏 过去，更要参与构建未来，加强跨界融合，以更开放的姿态、更丰富的形式、更优质的服务，让文物活起来，让文化传下去。 作为首都博物馆在深化文化文物单位改革试点下推出的首个大型展览，"看·见殷商"自筹备之初便备受关注。展览以殷商文明为核心，通过文物 ...

Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [2][3] - The cultural industry is projected to achieve an operating income of 19.14 trillion yuan in 2024, representing a 37.7% increase compared to 2020 [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creation, with the National Arts Fund supporting 3,568 projects in creation, performance, exhibition, and talent [2] Group 2 - The need to break through outdated concepts and interests that solidify barriers is highlighted as essential for achieving high-quality development [3] - The simplification of processes through "classification and layered review" has facilitated the integration of micro-short dramas into the arts and internet sectors [3] - Continuous reform and innovation in systems are deemed crucial for enhancing the dynamism and vitality of economic and social development, contributing to the long-term stability of Chinese modernization [3]

Core Viewpoint - The integration of technology and cultural heritage is transforming the way museums present artifacts, enhancing audience engagement and cultural confidence through immersive experiences [1][4]. Group 1: Cultural Heritage Activation - The concept of "cultural co-creation" emphasizes the importance of activating cultural relics and engaging audiences to foster a deeper cultural appreciation [1][4]. - The Nanjing Museum's VR exhibition of the "Kunyu Wanguo Quantu" showcases how technology can revitalize static artifacts into dynamic experiences, attracting significant audience interest [1][2]. Group 2: Innovative Product Development - Museums like the Henan Museum are creatively merging cultural relics with culinary experiences, such as coin-shaped chocolates, to appeal to younger audiences and enhance cultural engagement [2]. - Successful cultural products, like those from the Forbidden City, demonstrate the effectiveness of combining artistic and practical elements to meet consumer needs for both material enjoyment and spiritual experience [2]. Group 3: Audience Interaction and Experience - The use of VR technology allows visitors to interact with historical narratives, such as experiencing the voyages of Zheng He through immersive storytelling, enhancing both credibility and engagement [3][4]. - The shift from passive observation to active participation transforms museums into cultural communities where audiences can contribute to the narrative [3][4]. Group 4: Future Opportunities - The ongoing popularity of cultural tourism and the integration of technology present new opportunities for the activation and transformation of cultural resources [4]. - Emphasizing protection, activation, content quality, experience optimization, and innovative supply will sustain the momentum of cultural heritage engagement and enrich public cultural life [4].

Core Insights - The Beijing Cultural Relics Development Think Tank held its reorganization meeting and seminar on November 10, 2023, at the Confucius Temple and Guozijian Museum [1] Group 1: Think Tank Formation and Structure - The Beijing Cultural Relics Development Think Tank was officially established in July 2022 by the Beijing Municipal Bureau of Cultural Heritage [1] - The first session of the think tank included 65 experts, while the current session has expanded to 151 experts, incorporating professionals from the National Cultural Heritage Administration, Tsinghua University, Peking University, and major museums [1] - The expert group is organized into four specialized committees: cultural relics protection, archaeology, museums, and a comprehensive committee, with an additional special committee for the central axis as needed [1] Group 2: Achievements and Contributions - Since its establishment, the think tank has organized over 20 specialized seminars to enhance the scientific and professional nature of decision-making related to museum city construction, cultural relics technology innovation, and the planning of the 870th anniversary of Jinzhongdu [1] - The think tank has provided consulting advice over 190 times on topics such as the evaluation of the 14th Five-Year Plan, international cultural relics exchange cooperation, and the design of central axis signage [1]

Core Insights - The conference focused on the integration of artificial intelligence (AI) with cultural heritage protection, aiming to enhance the preservation, transmission, and utilization of cultural relics [2][6] - The event gathered over 60 representatives from various cultural and heritage organizations, emphasizing the importance of digital transformation in the cultural sector [1][2] Group 1: Opportunities and Innovations - The Vice Mayor of Yancheng highlighted the need to leverage AI for cultural heritage, promoting digital collection, intelligent management, and immersive displays to revitalize cultural narratives [2] - Jiangsu Province has successfully utilized digital methods to innovate cultural relic displays, attracting over 2.1 million visitors through initiatives like "Exhibitions at Your Doorstep" [2] - The President of the Chinese Society of Cultural Relics emphasized the urgency of protecting and transmitting China's rich cultural resources, noting significant advancements in AI applications for cultural heritage [2][3] Group 2: Technological Applications - The Director of the Chinese Cultural Relics Information Center outlined plans for enhancing information technology capabilities across the industry to support high-quality development in cultural heritage [3] - Various speakers presented case studies on the use of AI and GIS for dynamic monitoring and scientific decision-making in cultural resource management [3][4] - The Yancheng Museum showcased its digital transformation efforts, including immersive experiences and AR-guided tours, which have garnered over 40 million online interactions and 2.56 million visitors [3][6] Group 3: Challenges and Frameworks - A researcher from Nanjing Museum discussed the limitations of AI in museum applications and proposed a "layered governance" framework for controlled implementation [5] - The Director of the Sichuan Cultural Exchange and Information Center emphasized the need for a data ecosystem that integrates protection, development, utilization, and feedback [5] - The Deputy Director of the Yuanmingyuan Management Office presented innovative practices in virtual restoration and interactive experiences to narrate cultural stories [5] Group 4: Future Directions - The conference concluded with a focus on the importance of digital protection, intelligent research, and innovative utilization of cultural heritage as a mission for the future [6] - The Yancheng Museum aims to continue building a digital resource library for Chinese salt culture, deepening the integration of technology and culture [3][6]

Core Viewpoint - The Greek government plans to enhance security measures at museums and archaeological sites nationwide in response to a recent robbery at the Louvre Museum in Paris, aiming to protect cultural heritage and artifacts [1] Group 1: Security Measures - The Greek Ministry of Culture and the Ministry of Citizen Protection are collaborating to develop a security plan that includes deploying approximately 300 special security personnel dedicated to the safety of cultural institutions, with the new guards expected to start in the first quarter of 2026 [1] - Currently, security responsibilities at these institutions are primarily handled by civil staff from the Ministry of Culture [1] Group 2: Risk Assessment - The Ministry of Culture will conduct a security assessment to identify museums housing rare artifacts and artworks as high-risk locations for enhanced protection [1] Group 3: Context of Recent Events - The robbery at the Louvre Museum involved the theft of several pieces of jewelry, which remain missing [1] - Greece has a history of art theft, including notable incidents in 2012 when works by Picasso and other masters were stolen from the National Gallery in Athens, and a theft occurred at the Archaeological Museum of Ancient Olympia in the same year [1]