青春期的孩子，要"疏"不要"堵"，简单的禁止或强行没收电子产品，不但会影响亲子关系，还可能让孩 子的阅读沉迷于"地下"，变得更隐蔽，更不好监管。所以，家长要抱着融入的态度，跟孩子"对话"，而 不是抱着家长式的权威跟孩子"对抗"。可以先肯定孩子，夸赞其爱读书的好习惯。然后聊一聊哪部小说 吸引了她，吸引她的原因是什么，让孩子也推荐几部她喜欢的小说，家长也亲自去看看，看完后平和地 跟孩子聊聊感想，碰撞一下思维，还可以在孩子说得好的时候大力肯定其有思想，取得孩子的信赖。 时间长了，就以自己看网络小说太伤眼睛为由，买一些跟网络小说同类型或同名的纸质书，摆放在家中 的各个角落，如客厅的沙发扶手上、餐厅的餐边柜上、卫生间的洗衣机上、卧室的床头边等，让书籍随 手可取，随时可翻阅，营造阅读的空间。家长一定要真正阅读纸质书，给孩子做表率，当读到真正吸引 人的纸质书时，也可以推荐给孩子，不必期待孩子很快来阅读，在吃饭聊天时讲个书中有趣的故事情 节，夸赞一下主人公的精彩表现，营造阅读的氛围，吸引孩子。这需要长期的坚持和耐心的等待，不能 急于求成。 当孩子周末用电子产品看网络小说时间太长时，家长可坦诚地表达担忧，如"担心眼睛会受损，视 ...

"十五五"规划建议提出，"引导规范网络文学、网络游戏、网络视听等健康发展""鼓励更多文化企业和 优秀文化产品走向世界"。如今，中国网络文学以其独特的叙事魅力与传播活力，成为数字时代中华文 明传播的创新形态，为提升中华文明传播力影响力增添新动能。 美国读者莉娜蕾娅表示，她喜欢中国文化，一直对中国文化的丰富性非常着迷。她对网络小说兴趣非常 浓厚，它在蓬勃发展。 墨西哥读者达格佐表示，目前感觉看一辈子都看不完，他能看到中国的网络小说，古老神秘的东方文 化，他身边很多人都喜欢看。 海外活跃用户约2亿 市场韧性强劲 《2024中国网络文学蓝皮书》显示，截至2024年底，中国网络文学用户规模达5.75亿人，占网民规模的 51.9%。 2024年，中国网络文学海外活跃用户约2亿人，新增注册用户3000万人。2024年，出海市场营收达48.15 亿元，同比增长10.68%，展现出强劲的市场韧性。 科技破题多语种翻译 增作品提效率降成本 科技赋能使网络文学国际传播机制不断完善。阅文起点国际网站显示，2025年，新增AI翻译作品超1万 部，多个语种的翻译规模实达2024年3.5倍。AI驱动翻译量年增近300%，译作效率提升百倍、 ...

央视网消息："十五五"规划建议提出，"引导规范网络文学、网络游戏、网络视听等健康发展""鼓励更多文化企业和优秀文化产品走 向世界"。如今，中国网络文学以其独特的叙事魅力与传播活力，成为数字时代中华文明传播的创新形态，为提升中华文明传播力影 响力增添新动能。 美国读者莉娜蕾娅表示，她喜欢中国文化，一直对中国文化的丰富性非常着迷。她对网络小说兴趣非常浓厚，它在蓬勃发展。 墨西哥读者达格佐表示，目前感觉看一辈子都看不完，他能看到中国的网络小说，古老神秘的东方文化，他身边很多人都喜欢看。 海外活跃用户约2亿 市场韧性强劲 《2024中国网络文学蓝皮书》显示，截至2024年底，中国网络文学用户规模达5.75亿人，占网民规模的51.9%。 2024年，中国网络文学海外活跃用户约2亿人，新增注册用户3000万人。2024年，出海市场营收达48.15亿元，同比增长10.68%，展 现出强劲的市场韧性。 科技赋能使网络文学国际传播机制不断完善。阅文起点国际网站显示，2025年，新增AI翻译作品超1万部，多个语种的翻译规模实达 2024年3.5倍。AI驱动翻译量年增近300%，译作效率提升百倍、译作成本降低九成。 网络文学平台海 ...

Group 1 - The core viewpoint of the news is the introduction of measures by Hangzhou to support the establishment of a special economic zone for BRICS countries, enhancing economic and trade cooperation with these nations [1][2]. - The BRICS Special Economic Zone China Cooperation Center was officially established in Hangzhou in March this year, serving as a high-level platform for cooperation among BRICS countries [2]. - The measures include promoting bilateral investment, supporting the establishment of overseas economic and trade cooperation parks in BRICS countries, and encouraging participation in infrastructure projects [2][3]. Group 2 - Hangzhou aims to improve customs clearance efficiency for imports and exports to BRICS countries, exploring return supervision processes for cross-border e-commerce [3]. - The city is also developing a cross-border e-commerce export consolidation center and a dedicated green channel for importing fresh products from BRICS countries [3]. - From January to May, exports to BRICS countries increased by 17% year-on-year, with total import and export volume reaching 93.597 billion yuan, highlighting the growing importance of the BRICS market for Hangzhou's foreign trade [3].

Core Insights - The concept of "emotional value" has gained popularity in recent years, indicating a shift in consumer preferences towards emotional experiences alongside traditional product quality [1][2] - Emotional value has become a standard for evaluating artistic works, particularly in the context of internet literature and media, which are increasingly sensitive to market demands and consumer emotions [2][3] Group 1: Emotional Value in Society - Emotional value is seen as a necessity in a high-intensity, fast-paced society, especially for young people facing workplace pressures [2] - The internet provides a platform for individuals to express and share their emotions, allowing various emotional states to be represented and articulated [2] Group 2: Artistic Expression and Emotional Engagement - While emotional expression is important, there is a caution against reducing emotions to mere commercial products, as this can lead to superficial engagement [3][4] - Traditional literary theories emphasize the depth of emotional expression, suggesting that lasting emotional connections arise from profound and universal themes rather than transient feelings [4] Group 3: The Role of Quality in Artistic Creation - Artistic creation should not merely cater to fleeting emotional responses but should aim to elevate emotions into deeper, more meaningful experiences [5] - The internet offers opportunities for high-quality artistic works that inspire individuals to create a better life, highlighting the importance of not wasting this potential [5]

Core Viewpoint - The concept of "internet literature" has gained widespread acceptance in the literary community, becoming a significant aspect of contemporary Chinese literature, influenced by the unique characteristics of internet media [1][2]. Group 1: Impact of Internet Media on Literature - Internet media has transformed the landscape of Chinese literature, creating a new ecological environment for literary expression through diverse platforms such as BBS forums, blogs, and social media [2][3]. - The user base for online literature in China has reached 575 million, with over 20 million writers and more than 30 million online works, indicating a massive engagement in this literary form [2][3]. Group 2: Characteristics of Online Literature - Online literature is characterized by its grassroots nature, allowing individuals from various professional backgrounds to express themselves, thus broadening the scope of contemporary literary writing [3][4]. - The integration of different cultural elements and genres in online literature has led to a rich tapestry of narratives, blending traditional and modern themes [4][5]. Group 3: Reader-Author Interaction - The internet facilitates real-time interaction between authors and readers, fostering a collaborative spirit in the creation of online literature, where reader feedback significantly influences the writing process [6][7]. - Online literature has expanded the types of literary works available, drawing from both classical Chinese literature and global influences, thus revitalizing traditional literary forms [7][8]. Group 4: Evolution of Reading Habits - The shift towards online reading has surpassed traditional book reading in China, marking a significant change in how literature is consumed and appreciated [8].

Group 1 - Qujiang Cultural Tourism's controlling shareholder, Xi'an Qujiang Tourism Investment (Group) Co., Ltd., plans to auction 12 million shares, representing 10.48% of its holdings and 4.70% of the company's total equity, due to a court notice [1] - The auctioned shares are currently frozen, but the company asserts that this will not affect its operations or lead to changes in its controlling shareholder or actual controller [1] - Short-term market sentiment may be impacted, raising concerns about the financial stability of companies in the cultural tourism sector, although long-term effects may diminish if Qujiang Cultural Tourism maintains strong performance [1] Group 2 - The newly opened "Pang Dou Lai" hypermarket in Haining, Zhejiang, is considering a name change due to its similarity to "Pang Dong Lai," which has attracted significant attention [2] - The founder, Du Jianming, has indicated that the name can be changed and is seeking suggestions from the public, highlighting the importance of brand naming and market positioning in the retail industry [2] - This incident underscores the intense competition in the retail sector and the critical nature of trademark protection [2] Group 3 - According to the 2024 China Online Literature Development Research Report, the online literature market in China reached a scale of 43.06 billion, growing by 6.8% year-on-year, while the IP market surged to 298.56 billion, up 14.6% [3] - The number of online literature authors has surpassed 30 million, reaching 31.198 million, with a total of 41.651 million works and 575 million users, reflecting a 10.58% increase [3] - The report indicates a rapid development phase for the online literature industry, with significant commercial value and opportunities for growth across various sectors, including literature, film, animation, and gaming [3] Group 4 - Multiple platforms, including Douyin, WeChat, Taobao, and Kuaishou, have announced the removal of a number of inappropriate micro-short dramas, with Douyin intercepting 223 such dramas in April alone [4] - The removal of these dramas reflects a tightening regulatory environment aimed at purifying content and promoting a healthier ecosystem for quality content creators [4] - This trend emphasizes the necessity for creators to adhere to legal standards and societal norms, pushing the industry towards a "quality first" approach for long-term prosperity [4]