Core Viewpoint - The documentary "Fiume o Morte!" directed by Igor Bezinović explores the historical event of Gabriele D'Annunzio's occupation of Fiume, highlighting the dangers of fascist politics and the impact of media on public memory, while connecting past events to contemporary political issues [1][3][22]. Group 1: Film Overview - The film combines historical footage with contemporary reenactments, allowing local citizens to participate in the recreation of the 1919 occupation of Fiume, thus revealing the dangers of fascist politics and the intrusion of media into public memory [3][4][10]. - It received the highest honor, the Golden Tiger Award, at the Rotterdam International Film Festival, recognized for its experimental and rebellious nature [1][3]. Group 2: Historical Context - The story is set in Rijeka (formerly Fiume), where the aftermath of World War I led to a political vacuum and ethnic conflicts over the city's governance, with competing factions causing violence [4][5]. - D'Annunzio's rise to power during this chaotic period is depicted through a satirical lens, showcasing how he capitalized on the situation to declare the occupation of Fiume [5][12]. Group 3: Narrative Techniques - The film employs a unique narrative structure that integrates historical images with citizen performances, creating multiple narrative voices and revealing the emptiness of historical footage [6][8]. - It uses juxtaposition of past and present imagery to critique the official narratives and highlight the performative nature of political events [8][10]. Group 4: Ideological Implications - D'Annunzio's understanding of media's power is emphasized, as he utilized photography to promote his political ideology, which later influenced fascist propaganda techniques [11][12]. - The film critiques the glorification of D'Annunzio as a heroic figure, instead focusing on the ordinary soldiers and their sacrifices, thus challenging the traditional heroic narrative [17][19]. Group 5: Conclusion and Reflection - The film ultimately serves as a cautionary tale about the dangers of political absurdity and the need for vigilance against the repetition of history, urging viewers to critically assess historical narratives and the role of media [22][23]. - The closing imagery of bridges symbolizes the connection between past and present, reinforcing the importance of remembering historical events to prevent future atrocities [23].

Core Points - The article highlights the increasing interest in patriotic literature and cultural activities in Hong Kong, particularly in relation to the 80th anniversary of the victory in the Anti-Japanese War and World Anti-Fascist War [1] - There is a growing demand for books related to Chinese culture, history, and national identity among Hong Kong residents, driven by various cultural events and initiatives [2][4] Group 1: Cultural Events and Initiatives - The "China People's Anti-Japanese War and World Anti-Fascist War Victory 80th Anniversary" themed book exhibition features around 300 titles, aiming to promote patriotic spirit and national pride among readers [1] - The "Hong Kong Reading Week 2025" and other cultural festivals are contributing to a heightened reading atmosphere in Hong Kong, with a notable increase in the popularity of national condition literature [1] - The "Colorful China" children's book series is gaining traction, appealing to parents interested in bilingual education and cultural awareness for their children [2] Group 2: Youth Engagement and Education - The "Hong Kong Youth Reading Month" initiative has attracted over 500,000 participants since its inception in 2020, promoting a diverse range of literature including classic works and books on national achievements [4][5] - The engagement of Hong Kong youth in reading and cultural exchange is evident through their participation in study tours to mainland China, where they connect literature with real-life experiences [3] - The upcoming reading month will focus on books that highlight China's development achievements, responding to the curiosity of students about national progress [5]

Core Viewpoint - The film "731" is set to premiere on September 18 in mainland China, Hong Kong, and Macau, with simultaneous releases in countries like Australia, New Zealand, the United States, Canada, and South Korea, generating significant anticipation among audiences [1][2]. Group 1: Audience Engagement - The film has garnered unprecedented attention, with over 4.489 million people expressing interest on the Maoyan platform, setting a record for the highest number of "want to see" entries in mainland China's film history [1]. - Pre-sale box office revenue has exceeded 87 million RMB, indicating strong viewer expectations [1]. Group 2: Cultural and Historical Significance - The film aims to illuminate historical truths about the atrocities committed by the Japanese military during World War II, with the producer emphasizing the importance of remembering history [1][2]. - The premiere in Hong Kong is particularly symbolic, with 55 theaters scheduled to show approximately 200 screenings on the opening day, and a special premiere event timed at 7:31 PM to highlight its significance [1]. Group 3: International Reception - Chinese students studying abroad are actively engaging with the film, inviting peers to view it and discuss its historical context, which challenges previous misconceptions about the events depicted [2]. - Family members of victims express hope that the film will raise global awareness of historical truths, particularly among the Japanese public, and encourage official apologies from the Japanese government [2].

Core Viewpoint - The forum commemorating the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War emphasizes the importance of historical remembrance, patriotism, and national security in Hong Kong's development [1][2]. Group 1: Government and Leadership Statements - Hong Kong Chief Executive Lee Ka-chao highlighted the government's commitment to instilling patriotism and historical awareness among the youth, aiming to cultivate future contributors to Hong Kong and the nation [1]. - The Chairman of the Hong Kong Federation of Trade Unions, Chan Kwok-keen, stressed that maintaining national security is essential for safeguarding peace and stability in Hong Kong, which is an integral part of China [1]. - The Chairman of China Merchants Group, Zhong Guodong, expressed the hope of collaborating with various sectors to seize opportunities for peaceful development and contribute to the stability and prosperity of Hong Kong and the nation [1]. Group 2: Academic and Historical Contributions - The forum featured discussions on three main themes: the role of the Communist Party in the victory, the significance of the Anti-Japanese War in the global context, and Hong Kong's unique contributions during the war [2]. - Notable speakers included scholars from the Chinese Academy of Social Sciences and Zhejiang University, who emphasized the importance of passing down the history of the Anti-Japanese War to future generations [2]. - The event aimed to deepen Hong Kong residents' understanding of national history and strengthen their national identity and consciousness [2].

Core Viewpoint - The recent donation of artifacts related to the South Overseas Chinese workers to the China Overseas Chinese History Museum enriches the museum's collection and revives the historical memory of these workers who contributed significantly to the anti-Japanese war efforts between 1939 and 1942 [3][6]. Group 1: Historical Significance - Over 3,200 young South Overseas Chinese responded to Chen Jiageng's call, abandoning their stable lives abroad to support the war effort by transporting military supplies and repairing vehicles along the treacherous Burma Road [3][5]. - Artifacts such as a blood-stained folding army bed and a rusted toolbox tell the stories of the sacrifices made by these workers, highlighting their bravery and dedication during challenging conditions [3][5][9]. Group 2: Artifact Donations - The museum received multiple artifacts, including a folding army bed used by Guo Liucheng and a toolbox belonging to Li Feipeng, which serve as tangible records of the South Overseas Chinese workers' contributions [7][8]. - The donation process was initiated after a call for contributions from descendants of these workers, showcasing a strong desire to preserve their legacy [7][8]. Group 3: Educational Initiatives - The museum plans to feature these artifacts in upcoming exhibitions, including a special exhibition titled "Ten Thousand Miles Together—Overseas Chinese and the Anti-Japanese War," which aims to recreate historical scenes and educate the public about the contributions of the South Overseas Chinese workers [7][10]. - Various outreach activities, such as community exhibitions and school programs, are planned to share the stories of these workers with younger generations [7][10]. Group 4: Legacy and Inspiration - The spirit of the South Overseas Chinese workers continues to inspire their descendants, who are actively engaged in community service and legal advocacy for overseas Chinese [8][10]. - The historical narrative of these workers emphasizes themes of patriotism, resilience, and the importance of cultural identity, providing valuable lessons for contemporary society [10].

Core Viewpoint - Brazilian football is deeply embedded in the national identity and culture, serving as a means for social mobility and fostering a sense of national unity among diverse social and racial groups [1][5]. Group 1: Historical Development of Football in Brazil - Charles Miller introduced standardized football rules to Brazil, leading to the establishment of organized competitions in São Paulo [2]. - By 1904, there were around 60 to 70 football clubs in São Paulo, with attendance at matches reaching up to 6,000 for finals [2]. - The emergence of factory teams helped popularize football among the working class, promoting social integration across different classes and races [2]. Group 2: Racial Dynamics in Brazilian Football - The success of mixed-race players like Arthur Friedenreich in the 1919 South American Championship highlighted football as a pathway for social advancement for Afro-Brazilians [3]. - In 1921, a political decision barred mixed-race players from the national team, reflecting the racial discrimination prevalent in Brazilian society [3][4]. - The 1938 World Cup saw the inclusion of two Afro-Brazilian players, marking a significant moment in the fight against racial exclusion in football [4]. Group 3: Football as a Cultural Phenomenon - Football has become a foundational element of Brazilian national identity, celebrated in poetry and public discourse as a symbol of national pride [5]. - The success of players like Pelé in the 1958 World Cup further solidified football's role in shaping Brazil's cultural landscape and international reputation [5]. - Brazilian football embodies the country's complex social and racial dynamics, providing a unique perspective for understanding national identity and unity [5].

Core Points - The 2025 (乙巳) Public Ceremony for the Ancestor of Chinese Culture, Fuxi, was held in Tianshui, Gansu Province, with simultaneous ceremonies in New Taipei City, Taiwan, marking the 12th consecutive year of joint celebrations across the strait [1][2] - The event was attended by approximately 750 representatives from both sides, emphasizing the cultural significance and shared heritage of the Chinese people [2][5] - Fuxi is recognized as the cultural ancestor of the Chinese nation, credited with initiating civilization and establishing the Eight Trigrams [2][3] Group 1 - The ceremony in Tianshui began at 9:50 AM, featuring traditional rituals such as reading the sacrificial text, bowing in respect, and offering floral tributes [1][2] - Former Kuomintang Chairman Ma Ying-jeou attended the ceremony, expressing hope that young people from both sides would deepen their cultural pride and work together for a better future [1][2] - The event was organized by various governmental bodies, including the State Council's Hong Kong and Macao Affairs Office and Taiwan Affairs Office, highlighting its official recognition and support [2][5] Group 2 - In New Taipei City, the ceremony also commenced at 9:50 AM, with a performance by kindergarten children, symbolizing the cultural transmission to younger generations [2][3] - The main officiant, Wang Jin-ping, emphasized the importance of promoting Fuxi's spirit in Taiwan to foster cultural confidence and national identity [2][3] - The participation of young children in the ceremony was noted as a reflection of the ongoing cultural heritage and the connection between people across the strait [3]