Core Viewpoint - The documentary "Fiume o Morte!" directed by Igor Bezinović explores the historical event of Gabriele D'Annunzio's occupation of Fiume, highlighting the dangers of fascist politics and the impact of media on public memory, while connecting past events to contemporary political issues [1][3][22]. Group 1: Film Overview - The film combines historical footage with contemporary reenactments, allowing local citizens to participate in the recreation of the 1919 occupation of Fiume, thus revealing the dangers of fascist politics and the intrusion of media into public memory [3][4][10]. - It received the highest honor, the Golden Tiger Award, at the Rotterdam International Film Festival, recognized for its experimental and rebellious nature [1][3]. Group 2: Historical Context - The story is set in Rijeka (formerly Fiume), where the aftermath of World War I led to a political vacuum and ethnic conflicts over the city's governance, with competing factions causing violence [4][5]. - D'Annunzio's rise to power during this chaotic period is depicted through a satirical lens, showcasing how he capitalized on the situation to declare the occupation of Fiume [5][12]. Group 3: Narrative Techniques - The film employs a unique narrative structure that integrates historical images with citizen performances, creating multiple narrative voices and revealing the emptiness of historical footage [6][8]. - It uses juxtaposition of past and present imagery to critique the official narratives and highlight the performative nature of political events [8][10]. Group 4: Ideological Implications - D'Annunzio's understanding of media's power is emphasized, as he utilized photography to promote his political ideology, which later influenced fascist propaganda techniques [11][12]. - The film critiques the glorification of D'Annunzio as a heroic figure, instead focusing on the ordinary soldiers and their sacrifices, thus challenging the traditional heroic narrative [17][19]. Group 5: Conclusion and Reflection - The film ultimately serves as a cautionary tale about the dangers of political absurdity and the need for vigilance against the repetition of history, urging viewers to critically assess historical narratives and the role of media [22][23]. - The closing imagery of bridges symbolizes the connection between past and present, reinforcing the importance of remembering historical events to prevent future atrocities [23].

香港尖沙咀，商务印书馆旗舰店人来人往。一进门，以红色为主色调的"中国人民抗日战争暨世界反法 西斯战争胜利80周年"主题书展格外醒目。贴上"本月推介"标签的《中华人民共和国简史》《中国国情 知识读本》《港九大队志（增订版）》等书籍，引得读者纷纷驻足。 "我们拿出书店最好的位置，不是简单地做图书展销，而是希望通过这个主题书展弘扬伟大抗战精神， 进一步激发香港读者的爱国情怀。"香港联合出版集团旗下零售商、联合新零售（香港）有限公司董事 总经理尹惠玲介绍，9月3日至10月1日，该公司运营的三联书店、中华书局、商务印书馆门市将展出约 300种抗战主题图书。 "香港悦读周2025"暨"2025香港阅读+"、第三十五届香港书展、"中华文化节2025"和"夏日图书馆节 2025"……香港市民对于国家历史、文化、政治、经济等国情方面的阅读需求与日俱增，今年以来，一 系列文化活动也带动香港阅读氛围高涨，国情类读物持续走热。 读万卷书，还要行万里路。今年暑期，黑龙江哈尔滨热闹的早市迎来一群特殊的小客人，他们来自"华 夏博览看今朝"香港青少年研学团。"为什么要来看早市？"有学生不解。"一看你就没读过作家迟子建的 《烟火漫卷》，早市上 ...

备受瞩目的电影《731》将于9月18日起在中国内地及香港、澳门地区正式公映，同时将在澳大利亚、新 西兰、美国、加拿大、韩国等国家同步上映。 该片自宣发以来便获得空前关注，截至16日，在猫眼平台"想看"人数已突破448.9万，创下内地电影历 史最高纪录，预售票房更突破8700万元人民币，展现出观众对影片的强烈期待。 9月17日下午，影片全球首映仪式在哈尔滨隆重举行。总制片人张望表示："80年前，我们用鲜血赢得和 平；80年后，我们以电影守护记忆。《731》就像一盏灯，照亮那些可能被遗忘的角落。" 在香港，《731》将于18日全线上映。据目前安排，港澳地区首映日当天已有55间戏院排片约200场。为 突显纪念意义，影艺戏院（JP）特别选在晚7时31分举行首映礼，寓意深刻。 受害者家属隋小光和朱玉芬表示，希望通过这部电影让全世界了解历史真相，特别是让日本民众认识这 段黑暗历史，促使日本政府向受害者家属道歉。 《731》以电影艺术的形式再现历史真相，必将引发港澳同胞的情感共鸣，进一步增强国民的历史认知 和民族认同。影片在香港、澳门的全面上映，将为市民提供一个了解历史、缅怀先烈的重要契机。 （文章来源：央视新闻） 影片未 ...

新华社香港8月18日电（黄茜恬）"铭记历史、缅怀先烈、珍爱和平、开创未来：中国人民抗日战争 暨世界反法西斯战争胜利80周年"论坛，18日在香港科学馆举行，逾250名嘉宾出席论坛。 随后，围绕"抗战胜利与中国共产党的中流砥柱作用""抗日战争在世界反法西斯战争中的地位和作 用"及"香港在中国抗战中的独特贡献"三大主题，中国社会科学院近代史研究所所长夏春涛、浙江大学 历史学院教授陈红民、香港史专家刘蜀永等发表了演讲。 在全国人大常委会委员李慧琼和港区全国人大代表召集人陈勇主持的分享环节，东江纵队司令员曾 生之子曾凯平分享了当年父辈艰苦抗战的事迹。三人表示，胜利来之不易，要将这段抗日历史传承给下 一代，让年轻一代厚植保家卫国情怀，深刻明白今日和平局面的珍贵。 此次论坛由香港民建联和招商局港口控股有限公司联合主办，招商局集团支持，中国社会科学院台 港澳研究中心、香港中国学术研究院协办，旨在深化港人对国家历史的认识，强化港人的民族认同与国 家意识，同时呼吁社会各界珍爱和平。 香港特区行政长官李家超通过视频致辞表示，特区政府积极传承伟大抗战精神，增强市民的爱国情 怀。特区政府将结合爱国主义教育、国家安全教育和中华文化教育， ...

Core Viewpoint - The recent donation of artifacts related to the South Overseas Chinese workers to the China Overseas Chinese History Museum enriches the museum's collection and revives the historical memory of these workers who contributed significantly to the anti-Japanese war efforts between 1939 and 1942 [3][6]. Group 1: Historical Significance - Over 3,200 young South Overseas Chinese responded to Chen Jiageng's call, abandoning their stable lives abroad to support the war effort by transporting military supplies and repairing vehicles along the treacherous Burma Road [3][5]. - Artifacts such as a blood-stained folding army bed and a rusted toolbox tell the stories of the sacrifices made by these workers, highlighting their bravery and dedication during challenging conditions [3][5][9]. Group 2: Artifact Donations - The museum received multiple artifacts, including a folding army bed used by Guo Liucheng and a toolbox belonging to Li Feipeng, which serve as tangible records of the South Overseas Chinese workers' contributions [7][8]. - The donation process was initiated after a call for contributions from descendants of these workers, showcasing a strong desire to preserve their legacy [7][8]. Group 3: Educational Initiatives - The museum plans to feature these artifacts in upcoming exhibitions, including a special exhibition titled "Ten Thousand Miles Together—Overseas Chinese and the Anti-Japanese War," which aims to recreate historical scenes and educate the public about the contributions of the South Overseas Chinese workers [7][10]. - Various outreach activities, such as community exhibitions and school programs, are planned to share the stories of these workers with younger generations [7][10]. Group 4: Legacy and Inspiration - The spirit of the South Overseas Chinese workers continues to inspire their descendants, who are actively engaged in community service and legal advocacy for overseas Chinese [8][10]. - The historical narrative of these workers emphasizes themes of patriotism, resilience, and the importance of cultural identity, providing valuable lessons for contemporary society [10].

Core Viewpoint - Brazilian football is deeply embedded in the national identity and culture, serving as a means for social mobility and fostering a sense of national unity among diverse social and racial groups [1][5]. Group 1: Historical Development of Football in Brazil - Charles Miller introduced standardized football rules to Brazil, leading to the establishment of organized competitions in São Paulo [2]. - By 1904, there were around 60 to 70 football clubs in São Paulo, with attendance at matches reaching up to 6,000 for finals [2]. - The emergence of factory teams helped popularize football among the working class, promoting social integration across different classes and races [2]. Group 2: Racial Dynamics in Brazilian Football - The success of mixed-race players like Arthur Friedenreich in the 1919 South American Championship highlighted football as a pathway for social advancement for Afro-Brazilians [3]. - In 1921, a political decision barred mixed-race players from the national team, reflecting the racial discrimination prevalent in Brazilian society [3][4]. - The 1938 World Cup saw the inclusion of two Afro-Brazilian players, marking a significant moment in the fight against racial exclusion in football [4]. Group 3: Football as a Cultural Phenomenon - Football has become a foundational element of Brazilian national identity, celebrated in poetry and public discourse as a symbol of national pride [5]. - The success of players like Pelé in the 1958 World Cup further solidified football's role in shaping Brazil's cultural landscape and international reputation [5]. - Brazilian football embodies the country's complex social and racial dynamics, providing a unique perspective for understanding national identity and unity [5].

Core Points - The 2025 (乙巳) Public Ceremony for the Ancestor of Chinese Culture, Fuxi, was held in Tianshui, Gansu Province, with simultaneous ceremonies in New Taipei City, Taiwan, marking the 12th consecutive year of joint celebrations across the strait [1][2] - The event was attended by approximately 750 representatives from both sides, emphasizing the cultural significance and shared heritage of the Chinese people [2][5] - Fuxi is recognized as the cultural ancestor of the Chinese nation, credited with initiating civilization and establishing the Eight Trigrams [2][3] Group 1 - The ceremony in Tianshui began at 9:50 AM, featuring traditional rituals such as reading the sacrificial text, bowing in respect, and offering floral tributes [1][2] - Former Kuomintang Chairman Ma Ying-jeou attended the ceremony, expressing hope that young people from both sides would deepen their cultural pride and work together for a better future [1][2] - The event was organized by various governmental bodies, including the State Council's Hong Kong and Macao Affairs Office and Taiwan Affairs Office, highlighting its official recognition and support [2][5] Group 2 - In New Taipei City, the ceremony also commenced at 9:50 AM, with a performance by kindergarten children, symbolizing the cultural transmission to younger generations [2][3] - The main officiant, Wang Jin-ping, emphasized the importance of promoting Fuxi's spirit in Taiwan to foster cultural confidence and national identity [2][3] - The participation of young children in the ceremony was noted as a reflection of the ongoing cultural heritage and the connection between people across the strait [3]