陈剑莹在工作中。 "95后"导演陈剑莹： 陈剑莹 《有一场雪》海报。 《海边升起一座悬崖》海报。 从《海边升起一座悬崖》荣获第75届戛纳国际电影节短片金棕榈，到筹备3年的长片首作《有一场雪》 即将上映，"95后"女导演陈剑莹用15年的深耕与坚持，在电影行业走出了一条独属于自己的道路。 这位土生土长的黑龙江哈尔滨姑娘，带着东北人骨子里的坚韧与乐观，在理想与现实的平衡中，以细腻 的女性视角勾勒光影世界。近日，华西都市报、封面新闻"帧心——中国电影诞生120周年系列人物报 道"小组在北京专访了陈剑莹。作为本次系列报道中最年轻的电影人，她真诚地分享了自己与电影的不 解之缘、创作理念，以及对行业的思考。 受电影《泰坦尼克号》启蒙 15岁拍摄第一部短片 陈剑莹与电影的情缘，也许早在她4岁时便已悄然缔结。"当时是我第一次看电影《泰坦尼克号》，具体 情节已不记得，却唯独对最后两人趴在木板上告别的场景印象深刻，当时莫名其妙就哭了出来。"她回 忆道，那种突如其来的情感冲击，让她在潜意识里埋下了对电影的好奇。"我觉得电影能触发人的情 感，这种感性的力量在我心里扎了根。" 17岁那年，一部关于詹姆斯·卡梅隆拍摄电影《泰坦尼克号》的前 ...

林克 500亿元——12月13日，2025年中国电影总票房突破了这个数字，这意味着相较于去年总票房的425亿 元，今年中国院线电影的商业成绩取得了不小的进步。但回顾2025年的中国院线，谈及中国电影未来的 时候，听到最多的声音反而是"危机"，这一年除了《哪吒之魔童闹海》占据了全年票房近三分之一，绝 大多数电影的票房成绩低于预期。 回望2025年中国院线电影，分布不均、"赢者通吃"是一个基本的印象，全年不是没有爆款电影，而是它 们占据了过多的注意力和排片资源。但是在影院生存已经面临危机的情况下，院线的做法也只能说是自 救。从数据来看，截至2025年10月底，国内年净增影院233家，银幕1588块，增长最快的地区是县一级 影城。但不能忽视的是，一边是新开的影院，一边也有大量影院关停，很多地方的影城上座率也偏低。 与此同时，短视频、短剧和AI正在更加深刻地影响电影创作。人们对电影的观看和期待都在发生改 变，可以想象，新技术继续发展下去，电影这门拥有一百多年历史的艺术也必将适应新的可能性。乐观 地想，无数人曾断言"电影已死"，但它依然顽强地活着，并且在持续更新。 魔 童 来 归 次 开 年 风 时候 第二 M ™ 處 ...

中国著名电影编剧，1950年生于北京，现定居西安。 代表作《霸王别姬》《活着》《秦颂》《图雅的婚事》等。 如果细数中国电影诞生120年以来出现过的"神作"，那《霸王别姬》和《活着》一定榜上有名。而同时 作为这两部电影的编剧，芦苇可以说是中国电影界的一个传奇，初中未毕业的他自学成才，成为了中国 影坛不可忽视的重要人物。 自学成才的名编剧芦苇： ①《霸王别姬》海报。②《秦颂》海 芦苇接受采访。周琴 摄 报。③《活着》海报。 人物名片 芦苇 近日，华西都市报、封面新闻"'帧心'——中国电影诞生120周年系列人物报道"小组记者在成都专访编 剧芦苇。在长达一个小时的对谈里，从创作心得到行业现状，芦苇毫无保留地分享自己的思考与感悟， 字里行间满是对电影创作事业的赤诚与热爱。 好电影的标准 心有所感即为佳 今年9月，芦苇在第二届金熊猫奖评委会电影单元担任评委，谈及自己的评审标准，他的回答质朴而纯 粹："我没有什么固定的评审标准，我既是一个评委，也是一个普通观众，我跟大家一样，看电影的时 候心有所感、心有所动的，我就喜欢。"在他看来，电影的核心魅力在于情感共鸣，那些让人看不懂、 摸不清表达意图的作品，自然难以获得认可。 在第 ...

Core Viewpoint - The film "Seediq Bale" is being re-released in mainland China on December 12 and 13, coinciding with the National Memorial Day for the Nanjing Massacre victims, presenting the complete four-and-a-half-hour version of the film that depicts the armed resistance of the Seediq people against Japanese colonial rule during the Wushe Incident in 1930 [2][3][4]. Group 1: Film Background and Significance - "Seediq Bale" first premiered in Taiwan in 2011, marking a significant moment for indigenous history and colonial violence to be presented on a mainstream platform as a commercial film [4]. - The film's return raises questions about its contemporary relevance and how it is perceived in today's context [4][21]. - The director, Wei Te-sheng, reflects on the historical context of the film and the challenges of portraying such a complex narrative without altering its original message [4][22]. Group 2: Director's Journey and Challenges - Wei Te-sheng entered the film industry during a decline in Taiwanese cinema, where many professionals shifted to television for stability, making filmmaking a high-risk endeavor [6]. - His initial experiences in the industry were marked by difficulties in assembling a competent crew, leading him to question his career path [6][7]. - A pivotal moment in his career was witnessing indigenous protests, which inspired him to explore the Wushe Incident and its historical significance [9][10]. Group 3: Script Development and Historical Context - The writing process for "Seediq Bale" was challenging due to the need to balance the brutal realities of the Wushe Incident with a nuanced understanding of the historical context [10][11]. - Wei Te-sheng aimed to present the complexities of the indigenous experience under colonial rule, avoiding simplistic moral judgments [11][12]. - The film's narrative structure was designed to gradually reveal the impact of colonial oppression, starting from cultural practices before delving into the violent conflict [12]. Group 4: Production and Market Dynamics - The production of "Seediq Bale" faced significant financial challenges, with initial funding difficulties and skepticism from investors regarding the film's commercial viability [13][14]. - Wei Te-sheng made a bold decision to invest his own money in a short prequel to demonstrate his commitment and ability to produce a successful film [14][19]. - The eventual success of "Seediq Bale" at the box office, surpassing previous records, was attributed to its ability to engage audiences and create a shared cultural experience [19][20]. Group 5: Contemporary Relevance and Impact - The re-release of "Seediq Bale" prompts a reevaluation of its themes and messages in light of current societal issues, emphasizing the role of film as a medium for reflection and action [21][22]. - Wei Te-sheng emphasizes that impactful cinema should not only evoke emotions but also inspire viewers to take action in their lives [23][24].

国际影坛大师云集第七届海南岛国际电影节 詹姆斯·卡梅隆将在《阿凡达：火与烬》中国首映之际，举办科技与叙事融合的特别大师班。作为 电影技术革新的引领者，他将分享对电影制作未来的思考，探讨技术创新如何持续拓展电影表达的边 界。 四场大师班共话电影未来 海南日报三亚12月1日电(海南日报全媒体记者 李艳玫)第七届海南岛国际电影节将于12月3日至9日 在三亚举办，本届电影节大师班汇聚了电影美术、国际策展、表演艺术与科技叙事四大领域的代表人物 ——黄文英、马可·穆勒、朱丽叶·比诺什、詹姆斯·卡梅隆，他们将以各自独特的视角，分享对电影创作 的思考与实践，为行业和影迷呈现一场多元而立体的思想对话。 黄文英大师班以"光影中的诗：在三个世界之间，走向自己的电影"为主题，呈现她从美术指导到导 演的创作转型。曾以《刺客聂隐娘》《海上花》等作品获得国际认可的她，将分享三十年来如何在武 侠、江湖与现代三个美学世界中穿行，并最终找到属于自己的电影语言。她的经历展现了华语电影视觉 美学从传统走向当代的创作路径。 国际策展人马可·穆勒则将从"电影节的另一面"出发，梳理全球电影节策展理念的演变，探讨中国 电影从第五代导演至今在国际舞台上的表达 ...

Core Insights - The 38th China Golden Rooster Awards highlighted a shift in the film industry towards storytelling and character development, with lower-budget films like "Good Things" receiving significant recognition [1][5] - The awards showcased a variety of performances and narratives that resonate with contemporary audiences, emphasizing the importance of emotional connection and cultural relevance in filmmaking [4][5] Group 1: Awards and Recognitions - "Good Things" won Best Feature Film, Best Actress, and Best Supporting Actress, reflecting the awards' encouragement of well-told stories over high production costs [1] - Actor Yi Yangqianxi won Best Actor for his role in "Little Me," marking a maturation in his acting skills and a departure from stereotypes surrounding disabled characters [2] - "Detective Chinatown 1900" directors Chen Sicheng and Dai Mo received Best Director for their innovative storytelling within the "Detective Chinatown" universe [3] Group 2: Storytelling and Character Development - The emphasis on character depth and relatable narratives was evident, with actors like Liu Haoran undergoing significant physical transformations to embody their roles authentically [3] - "The Lychee of Chang'an" successfully bridged historical and contemporary themes, allowing modern audiences to connect with ancient stories through relatable character experiences [4][5] - The awards underscored the necessity for filmmakers to engage with audiences on an emotional level, making storytelling and character portrayal essential elements of modern cinema [5]

Core Points - The 38th China Golden Rooster Awards took place in Xiamen, with "Good Things" winning Best Feature Film and Yi Yangqianxi winning Best Actor for "Little Me" [1][2] - The awards featured a record number of 212 participating films, showcasing a diverse range of genres including mainstream, art films, and commercial blockbusters [2] Awards Summary - Best Feature Film: "Good Things" [1] - Best Actor: Yi Yangqianxi for "Little Me" [1] - Best Actress: Song Jia for "Good Things" [1] - Best Director: Chen Sicheng and Dai Mo for "Detective Chinatown 1900" [1] - Best Supporting Actor: Yuan Fuhua for "Dumpling Queen" [1] - Best Supporting Actress: Zhong Chuxi for "Good Things" [1] - Best Art Film: "Nezha: Birth of the Demon Child" [1] - Best Directorial Debut: "Old Gun" by Gao Peng [1] - Best Mid-to-Low Budget Feature: "May You Live Long" [1] - Best Documentary/Educational Film: "Your Voice" [1] - Best Children's Film: "Shining Youth: Aerial Relay" [1] - Best Opera Film: "Double Butterfly Fan" [1] - Best Foreign Language Film: "Still Tomorrow" [1] - Best Screenplay: Chen Maoxian and Zheng Weiji for "Breaking Hell" [1] - Best Sound: Wang Danrong for "Volunteer Army: Life and Death Battle" [1] - Best Editing: Zhou Xinxia for "The Pain of My Mother and Me" [1] - Best Art Direction: Han Zhong and Ma Xiaofei for "Decoding" [1] - Best Music: Zhai Jinyan for "Lychee of Chang'an" [1] - Best Cinematography: Zhao Fei for "Volunteer Army: Life and Death Battle" [1] Special Awards - Special Jury Award: "Volunteer Army: Life and Death Battle" [2] - Lifetime Achievement Award: Qiao Zhen and Xiao Guiyun [2]

Group 1: Shanghai International Art Events - The 7th Shanghai International Art Trading Week will take place from November 13 to 17, featuring the largest exhibition area in history with multiple venues involved [1] - The 13th ART021 Art Fair will showcase Southeast Asian galleries for the first time, creating a new platform for "Belt and Road" cooperation [1] - Over 100 art activities will be held during the art week, including art fairs, auctions, galleries, and museums, with the 15th Shanghai Biennale already opened on November 8 [1] Group 2: Exhibitions and Themes - The exhibition "A Language: The Art of Film Storyboarding and Other Visual Languages" at Prada Rongzai will feature storyboards from 30 filmmakers, highlighting the creative process in filmmaking [2][3] - The 15th Shanghai Biennale, themed "Do Flowers Hear Bees?", explores interspecies communication and encourages sensory experiences beyond visual perception [5] - The dual exhibition "Waves and Flows" at Shanghai Jiushi Art Museum connects cultural dialogues between Shanghai and Hong Kong, showcasing works from artists Chen Youjian and Ouyang Yingji [8] Group 3: Art Historical Context - The exhibition "10-60" at Long Museum (West Bund) presents works from nearly 500 artists born between the 1910s and 1960s, reflecting on artistic responses to their times [10] - The exhibition "Reviving the Old: The Retro and Innovation of Bronze Ware from the Song, Yuan, Ming, and Qing Dynasties" at Shanghai Museum East focuses on the evolution and significance of bronze artifacts in Chinese history [12][13] - The exhibition "Rediscovering Time: The Second China Contemporary Video Art Annual" at Shanghai Duolun Modern Art Museum emphasizes the importance of individual identity in the context of contemporary image art [17]

Core Viewpoint - The 2025 Beijing Cultural Forum successfully concluded, featuring prominent guests including French actress Juliette Binoche, highlighting the importance of cultural exchange between China and France [1][11]. Group 1: Juliette Binoche's Career - Juliette Binoche has a celebrated career spanning over 40 years, known for her deep acting skills and performances in works by renowned directors such as Krzysztof Kieślowski and Abbas Kiarostami [3][4]. - She won the Best Actress award at the Venice Film Festival for her role in "Three Colors: Blue" [4]. - Binoche received the Best Actress award at the Berlin International Film Festival and an Oscar for her role in "The English Patient" [6]. - Her filmography includes notable works like "The Lovers on the Bridge" and "Prague" [9]. Group 2: 2025 Beijing Cultural Forum - The forum featured a series of events titled "Wind Moves, Shadows Change - Sino-French Image Dialogue," commemorating significant anniversaries in film history and promoting cultural exchange [11]. - The event gathered a strong lineup of Chinese representatives, including directors and actors, alongside a prestigious French delegation led by former Prime Minister Jean-Pierre Raffarin [13][14]. Group 3: Binoche's Directorial Debut - Binoche's directorial debut, "The Dance of Us," premiered in Asia at the Beijing forum, showcasing her commitment to the Chinese market [16]. - The film is a documentary that captures the creative process of a dance collaboration between Binoche and choreographer Akram Khan, highlighting the artistic journey [17]. - Binoche expressed her gratitude for the support from her sister, who filmed the rehearsal process, and discussed the extensive editing process that shaped the final film [21]. Group 4: Artistic Philosophy and Future Collaborations - Binoche shared her insights on love and relationships, emphasizing the importance of understanding and accepting differences in a partnership [24]. - She expressed a desire to continue participating in Sino-French cultural exchanges and showed enthusiasm for potential collaborations with young Chinese filmmakers like Bi Gan [26][29]. - Binoche articulated her belief that the value of art transcends market performance, advocating for the creation of meaningful works that reflect unique perspectives and truths [27][29].

Group 1 - The film "Nanjing Photo Studio" has recently been released in overseas markets such as North America, Australia, New Zealand, and Malaysia, aiming to convey China's perspective on historical narratives related to World War II [1][3] - The success of the film is attributed to its narrative approach of "seeing the big picture through small details" and "immersive emotional expression," using the everyday medium of "photographs" to reflect the brutal history of the Nanjing Massacre [1][2] - The film's creation is grounded in rigorous historical research, including the study of Iris Chang's "The Rape of Nanking," which provided inspiration for key scenes and character development [2] Group 2 - The character "Ito" in the film symbolizes Japanese militarism and fascism, showcasing the hypocrisy and cruelty of Japanese imperialism through his seemingly benign actions [2] - The film's overseas release coincides with the 80th anniversary of China's victory in the War of Resistance against Japan, emphasizing the importance of reaffirming historical truths against distorted narratives [3]