"信仰之光·热血丰碑"板块发布10部凝聚信仰力量的诚意之作。其中，《伟大的长征》以中央红军长征 为主线，讴歌中国共产党人坚定的理想信念和百折不挠的革命精神；《星火征途》《醒来》致敬中华儿 女的坚韧力量和不屈精神，诠释信仰如何在艰难险阻中淬炼成钢；《谍报上不封顶》展现硝烟年代地下 党员的大义凛然与家国情怀；《战争和人》通过两代人的命运抉择，反映出中国共产党是历史和人民的 必然选择。 《小城大事》海报 1月9日，中央广播电视总台发布2026"大剧看总台"电视剧片单，官宣55部总台大剧及3部精品短剧，其 中5部大剧《小城大事》《生命树》《太平年》《好好的时光》《主角》将于新春开播。 "时代脉动·万千气象"板块发布13部佳作，从人间烟火展现时代发展的蓬勃力量。其中，《冬去春来》 以年轻人的追梦故事生动诠释"幸福是奋斗出来的"；《小芳出嫁》传递主人公勇敢面对人生挑战的励志 能量；《永不妥协》展现检察官在复杂案件中坚持"天理、国法与人情"的统一；《狂流》以汽车产业商 战为背景，展现从燃油到新能源的转型升级；《无可替代》讲述当代年轻人为幸福打拼的故事。 "短章精萃·剧耀风华"板块发布3部精品短剧。《看得见风景的窗》紧扣"绿 ...

Core Viewpoint - The company aims to be a leading business media outlet in China, focusing on technology, AGI, and societal evolution while providing reliable information and insights to help readers understand complex changes in the world [4][5]. Group 1: Company Overview - The company, established on April 1, 2019, has a team of 49 members with an average age of 31.8 years, and has documented significant companies, figures, and business events in China over the past six years [2]. - The company emphasizes professionalism and believes in the power of written content to engage human curiosity and rationality [6]. Group 2: Content and Audience Engagement - The company seeks to create content that prompts readers to reflect and understand the complexities of the world, aiming to provide reliable information and highlight overlooked voices [5]. - The company aspires to host the best interviews with contemporary Chinese entrepreneurs [5]. Group 3: Recruitment and Work Environment - The company is looking for writers with a deep understanding of business, technology, and social change, who can tell stories, conduct interviews, and analyze complex systems [7]. - The company values quality over quantity in reporting, with a KPI of one long report per month, allowing ample time for investigation and revision [8]. Group 4: Compensation and Resources - The company offers competitive salaries within the industry [9]. - The company provides excellent interview resources and a supportive team environment, with offices located in Beijing and Shanghai [11].

Core Insights - Micro-short dramas have become a significant form of cultural consumption in the digital age, with a user base projected to reach 696 million by June 2025, accounting for 68% of internet users [1] - Over 70% of users have developed a habit of watching micro-short dramas, with 36.19% watching daily and 38.15% several times a week [1] - The rapid growth of micro-short dramas reflects profound social changes and demographic shifts, catering to diverse preferences across different age groups and social backgrounds [1] User Demographics - The audience for short dramas is increasingly diverse, with 36% aged 18-30, 31% aged 31-40, and 17% aged 41-50 [2] - The 50+ age group constitutes 15% of the audience, indicating a significant penetration of digital media among older adults [3] - Female users dominate the viewership at 55.8%, particularly among younger women aged 18-34, who are the most likely to pay for content [3] Market Characteristics - Short dramas have a broad urban penetration, with 33.04% of users from fourth-tier cities and below, while new first-tier and first-tier cities account for 25% [4] - Popular themes include urban romance and female empowerment, reflecting societal trends and preferences across various demographics [4] Social and Cultural Context - The rise of micro-short dramas is linked to significant social changes, including delayed marriage, lower birth rates, and evolving relationship dynamics [5] - The format caters to the fast-paced lifestyle of modern society, allowing for efficient use of fragmented time [6][10] - The cultural narrative of short dramas resonates with diverse audiences, providing relatable content that reflects contemporary societal issues [5] Technological Influence - The widespread adoption of smartphones and apps has facilitated the accessibility of micro-short dramas, with 93.8% of internet users engaging with short videos by December 2024 [10] - The low production cost and rapid output of short dramas enable a variety of content that meets the needs of different audience segments [11] Future Prospects - The "short drama+" model is seen as a promising channel for cultural dissemination, with potential for high engagement and social impact [12] - The format's characteristics, such as low cost and high participation, position it as a vehicle for promoting quality cultural content [13] - To enhance the quality and societal impact of short dramas, there is a need for improved regulatory frameworks and audience engagement mechanisms [14]