【决胜"十四五"】 光明日报记者 于园媛 这条"主线"，串起美术创作的一颗颗"珍珠"。 2021年7月15日，中国共产党历史展览馆正式面向社会公众开放。广场上，五大主题雕塑《旗帜》《信 仰》《伟业》《攻坚》《追梦》雄伟矗立，震撼人心。这五组雕塑由中国美术馆、中央美术学院、中国 美术学院、清华大学美术学院、鲁迅美术学院等单位共同参与创作。 雕塑《旗帜》犹如一面迎风招展的巨大党旗，气势如虹，金色的党徽光辉夺目。创作者、中国美术馆原 馆长吴为山介绍，为实现最佳效果，旗帜弧面没有选择机械制造，而是他与50位工人一起手工打磨而 成。"在锻造不锈钢的每个锤声里，都寄托着我们对党的忠诚、对这面永远飘扬的旗帜的敬意。"他说。 "十四五"期间，中国美术界聚焦建党百年、脱贫攻坚、中国式现代化等重大主题，不断推出精品力 作。"庆祝中国共产党成立100周年大型美术创作工程"完美收官，"光辉历程 时代丹青——主题美术作 品创作计划（2025—2027年）"等专项工程稳步推进，一批彰显时代精神、展现中国气象、反映人民生 活的作品涌现。 赓续红色血脉，凝聚精神力量—— 在中国科学院合肥物质科学研究院，了解"人造太阳"全超导托卡马克装置；在 ...

（来源：嘉兴日报） 转自：嘉兴日报 ■记者 杨永昌 通讯员 沈彩萍 汤真言 "嘉兴文化底蕴深厚，历史文化和革命文化交相辉映、源远流长，是一片值得深耕的沃土。"姚建新这样 形容他眼中的嘉兴。 嘉兴有着7000年人类文明史、2500年文字记载史、1700年建城史以及100多年的党史，这片土地自古人 文荟萃、才俊辈出。对于"政协委员是什么、要干什么"，来自市政协文化艺术界的姚建新委员有着清晰 而坚定的理解。他履职的重要内容，就是紧密结合自身在文联工作的实践与思考，提交一份份提案，开 展一场场联系界别群众活动。从文艺创作引导到文化人才培养，从传统文化保护到现代文化传播，他正 为嘉兴全力推进高水平文化强市建设贡献智慧与力量。 这份迫切，来自扎实的一线观察。姚建新发现，虽然专业院团在改革中调整，但嘉兴戏剧力量始终在顽 强生长——市文联下属协会人才济济，民间剧社也如雨后春笋。然而，这些"文艺火种"却因缺乏固定场 地与持续演出，陷入"演完就散、难以持续"的困境。 "为了一场纪念活动投入全力排戏，可庆典一过，剧本就封箱入库了。"姚建新对此感到痛心。没有舞台 的持续锤炼，剧目的提升与人才的成长都无从谈起。 问题看在眼里，对策成于 ...

(乡村行·看振兴)浙江云和：景村融合助力水库移民村"鱼跃龙门" 中新网丽水12月11日电(傅飞扬 管丽芬)冬日时节，浙江丽水云和湖波光粼粼。 当地紧水滩镇龙门村的码头前，准备登船前往仙宫景区的队伍排起长龙；不远处的"龙门鱼馆"里，游客 品尝热气腾腾的有机鱼头煲；隔壁"龙门落日"咖啡馆外，年轻人举起手机，以粉色蔷薇城堡墙作为背景 拍照打卡。 美好的画面来之不易——20世纪80年代，紧水滩水电站蓄水，村民后靠迁移，成了水库移民。曾以渔耕 为业的龙门村，一度因网箱养殖粗放发展导致水质恶化，渔家乐也由于业态单一陷入"留不住客"的困 境。 "我们守着绿水青山，却不知道如何将它转化成金山银山。"龙门村党总支书记颜元成回忆说。转机出现 在2022年，中国美术学院风景建筑设计研究院专家团队进驻，以"艺术乡建"为内核，开启了村庄的唤醒 之路。 专家团队以"乡村规划师"身份，与镇干部组成"产业发展规划团"，陪村民"边走、边看、边画、边改"： 杂乱街巷被清理，库湾堆积的垃圾一扫而空；闲置老屋修缮为"龙门艺栈"，旧街升级为复古渔街，废弃 角落变身景观草坪；寓意吉祥的"鱼跃龙门"观景平台拔地而起，让古老祝福成为可驻足的风景…… "打造 ...

无论选择什么样的发展道路，以何种艺术形式参与乡村建设，各地的艺术乡建都应重视对自然环 境、传统格局、历史遗存的传承与保护，维护乡村的特色风貌。只有从人与自然、传统与现代、个人与 社区和谐共生的角度出发，具有文化品质的艺术服务才能兼具厚度与内涵。 艺术乡建应回归以人为本的初衷，发挥艺术的服务功能，打造真正的宜居乡村。浙江湖州安吉县山 川乡的乡建实践就提供了艺术深入生活的良好样本：通过更新老屋结构、活化闲置空间，重塑兼具传统 韵味与现代功能的居住环境；以艺术设计打造共享茶室、文化礼堂等公共空间，让其成为邻里交流、情 感联结的"乡村客厅"；在基础设施上实行"微更新、微改造"，以更人性化的方式改善出行、照明与生活 便利度，实现村民生活品质的持续提升。 艺术乡建不应单纯地停留在空间美化，更要实现文化建设与经济发展的良性互促，建设宜业乡村。 在机制层面，推动乡政府、村集体与艺术机构的联动共建，形成资金投入、项目规划、运营管理的系统 化格局。以创意赋能乡土资源，促进一二三产业有机融合，打造乡村新业态。在实施层面，挖掘地方特 色资源，打造独具辨识度的地域IP，借助乡村文旅、非遗工坊、手作集市、创意民宿等方式，创造更多 高质量 ...

Core Points - The 2025 China Farmers' Harvest Festival Village Song Competition finals successfully concluded in Jianhe County, Guizhou, with the "Ge Zhi Jiang" rural choir from Xiaya Town, Jiande City winning third place, becoming the only team from Zhejiang to reach the "national top ten" [2] - The competition, organized by the China Rural Magazine under the Ministry of Agriculture and Rural Affairs, aims to explore and promote the village song elements in agricultural culture, enriching the spiritual and cultural life of farmers [2] - The "Ge Zhi Jiang" choir, established only a year and a half ago, has grown from a few members to over 50, with the oldest member over seventy years old, showcasing the community's commitment to cultural engagement [2] Group 1 - The choir's performance expressed joy for the harvest, love for their hometown, and pride in development, reflecting the cultural significance of the event [2] - Wu He, the choir leader and a "rural dreamer," emphasized the importance of not remaining passive and fulfilling promises to the choir members [2] - The choir's success highlights the impact of grassroots cultural initiatives in rural areas, contributing to the revitalization of rural culture in Zhejiang [3] Group 2 - Jiande City has leveraged "artistic rural construction" to bring quality cultural resources to the grassroots level, enhancing community engagement through cultural special commissioners and "rural dreamer" teams [3] - As one of Zhejiang's second batch of "artistic rural construction" characteristic villages, Zhijiang Village focuses on building a cultural brand and promoting humanistic rural development [3] - The "Ge Zhi Jiang" choir serves as a replicable and promotable model for enriching farmers' cultural lives and stimulating rural development [3]

Core Viewpoint - The article discusses the systematic deployment of art-driven rural development in China, initiated by Sichuan Fine Arts Institute, highlighting its successful practices and the establishment of a sustainable model for integrating art into rural life and community building [1][2][4]. Group 1: Art and Rural Development Initiatives - The "Art and Beautiful Countryside" work plan (2025-2027) was jointly issued by seven departments of the Central Propaganda Department, aiming to promote art in rural construction across the country [1]. - Sichuan Fine Arts Institute began its art-driven rural development journey in 2012, accumulating replicable experiences through various projects in different regions [1][2]. - The establishment of the Art and Rural Research Institute in 2018 marked a significant step in creating a systematic approach to art in rural development [2]. Group 2: Community Engagement and Trust Building - The most challenging aspect of art-driven rural development is breaking down psychological barriers between artists and villagers to establish genuine emotional connections and trust [3]. - The "art consultation" concept has been implemented, where artists and students live and work closely with villagers, integrating art into daily life and community affairs [3]. Group 3: Sustainable Development and Innovation - To ensure sustainable development, the focus is on maintaining the vitality of art in rural areas even after artists leave, utilizing ceremonial festivals and digital infrastructure to keep the community engaged [4]. - Projects like the "Youyang Rural Art Season" have been created to embed art into agricultural rhythms, fostering new local customs [4]. - The establishment of the "People's Art Co-Creation Society" in Youyang exemplifies a collaborative model that transcends material construction to achieve effective governance through art [4]. Group 4: Long-term Impact and Educational Integration - Over 13 years of exploration, the transformation of art from a mere aesthetic element to a social method that revitalizes rural areas has been observed [4]. - The continuous efforts of art institutions in integrating art education and talent cultivation into the broader rural revitalization process provide ongoing innovative momentum for cultural enrichment [4].

Core Insights - The event "Hushan Chuan Shi: Sound and Picture Feast in the Village" was inaugurated on October 20, featuring 16 artists from Central and Eastern Europe engaging in immersive experiences and creative dialogues in Changdai Village, Hangzhou [1] - The initiative promotes the integration of international art with local life, fostering emotional resonance among participants from diverse backgrounds [1] Group 1: Event Overview - The event includes activities such as sketching, interacting with local villagers, and celebrating with students from Zhejiang Conservatory of Music, emphasizing cultural exchange [1] - Belgian-Chinese artist Yao Yizhi expressed pride in the beauty of Changdai Village, highlighting its cultural heritage and natural environment [1] - Alban Tixier, a lute player, praised the stunning scenery of the tea gardens and reservoirs, noting the village's remarkable beauty [1] Group 2: Changdai Village Characteristics - Changdai Village is located in the core area of Longwu Tea Town, near prominent art institutions, which contributes to its rich tea industry and artistic atmosphere [1] - Over 300 resident artists have formed an "art chain" around the village, with regular artistic activities enhancing the local cultural landscape [1] - The "Art Village Chief" team is working on improving the village's overall appearance, including designing housing plans and revitalizing public cultural spaces [1] Group 3: Economic Impact - The integration of resident artists has led to effective synergy between cultural creation, tourism, and agricultural products [1] - In 2024, the "Baihua Cong Handmade Park," founded by resident artist Liu Jike, is projected to achieve an annual sales revenue of 210 million yuan, while tourism income (including agricultural sales) is expected to reach 77.87 million yuan [1] - The collective economic income of the village is anticipated to be 4.413 million yuan, showcasing a unique path of development that combines tea culture with artistic rural construction [1]

Core Insights - The core idea emphasizes that rural areas should not merely replicate urban models but instead find their unique development paths [1] Group 1: Rural Development Initiatives - The book "苕北作田记" provides an in-depth analysis of the historical, cultural, geographical, and institutional aspects of eight villages in the Yuhang District, including Yong'an Village, exploring their development practices [1][2] - The transition from being mere recorders to actively participating in the "Yushang Daoxiang" project reflects a commitment to rural revitalization through art-based initiatives [2] Group 2: Art-Based Rural Revitalization - The "Art Rural Construction" plan consists of three steps: establishing history, building platforms, and creating models, with the establishment of the Qiaobei Art Museum serving as a platform for rural development [2] - The recent book sharing event served as a platform for resource connection and deep discussions on development strategies for Yong'an Village, highlighting the importance of community engagement [2] Group 3: Future Vision - The Yuhang District aims to leverage the Qiaobei Art Museum as a window connecting the village with the world, showcasing local products and attracting artists to enhance economic benefits and spiritual richness [3]

Core Viewpoint - The recent art exhibition "Danqing Huijin Xiu, Walking Together on the Road to Common Prosperity" showcases over a hundred artworks from artists in three regions, emphasizing ecological beauty, rural transformation, and cultural heritage under the guiding principle that "lucid waters and lush mountains are invaluable assets" [2] Group 1 - The exhibition features both professional artists and local enthusiasts, highlighting the exploration and achievements in ecological protection, rural transformation, and cultural inheritance across the three regions [2] - The 219 Provincial Road serves as a vital link connecting the three areas, creating an ecological corridor, cultural corridor, and a pathway to common prosperity [2] - The event is described as not just an art exhibition but a celebration of collaborative achievements in building a prosperous community, showcasing the practical application of the "art in rural construction" concept [2] Group 2 - The three regions have consistently adhered to the "art in rural construction" approach, integrating art into rural life and enhancing community engagement [3] - Future plans include deepening the integration of ecological protection and industrial development through art, promoting the ideals of ecological beauty, industrial prosperity, and wealth for the people in rural revitalization [3]

Group 1 - The core viewpoint emphasizes that "spiritual common prosperity" is becoming an important dimension for measuring rural development quality under the strategy of comprehensive rural revitalization [1] - The event "Qingfeng Rumo·Heyun Danqing" organized by Xie Jing'an and the "Lakeside Sixty Families" Calligraphy and Painting Society aims to bring artistic creation from urban galleries to rural areas, breaking down cultural resource barriers and reconstructing the rural cultural ecology [1] - This transformation redefines the urban-rural cultural relationship and is a key part of achieving spiritual common prosperity [1] Group 2 - To achieve sustainable spiritual common prosperity, a long-term mechanism is needed to promote the deep integration of art and rural areas [2] - A multi-stakeholder collaborative cultural governance structure should be established, involving government, art institutions, local elites, and villagers [2] - The integration of "art + industry" should be developed to make cultural arts a new growth point for rural economy [2] - Cultivating local cultural talents is essential to enhance the self-sustaining ability of rural culture [2] - The practice of Xie Jing'an shows that art-driven rural construction injects cultural momentum into rural revitalization and explores a new path for comprehensive human development through cultural empowerment [2]