Core Viewpoint - The article highlights the cultural significance and community engagement of traditional Chinese dough figurine art, particularly through the works of Huang Xiaoming, who integrates local culture and seasonal themes into his creations [2][4][6]. Group 1: Cultural Significance - Huang Xiaoming's dough figurine artworks, inspired by the 24 solar terms, are showcased at the Zhejiang Provincial Cultural Center, reflecting the rich cultural heritage of Qiantang Jianhua Village [2]. - The 24 solar terms series is a representation of local life and traditions, emphasizing the connection between art and the community's agricultural practices [2][5]. Group 2: Community Engagement - Huang conducts hands-on workshops for children in Jianhua Village, teaching them the art of making dough figurines, which fosters cultural appreciation among the younger generation [4]. - A team of 12 dough figurine enthusiasts has been formed to provide ongoing training in this traditional craft, promoting cultural continuity and community involvement [6]. Group 3: Future Plans and Development - Huang plans to develop a series of creative products based on the dough figurine art, aiming to tap into the cultural product market and enhance local tourism [6]. - The initiative includes creating themed dough figurines that reflect local landmarks and cultural elements, thereby enriching the village's cultural landscape and supporting rural development [6][7].

Core Viewpoint - The article highlights the cultural revitalization and economic development in rural areas of Jiande, Zhejiang Province, through various initiatives that integrate culture, tourism, and community engagement [2][3][12]. Group 1: Cultural Initiatives - Jiande City has leveraged the "New An Poetry Road" cultural belt to enhance rural cultural development, employing a three-dimensional approach involving cultural leaders, special cultural personnel, and rural operators [2]. - The "Singing Jiang" rural choir, initiated by a local resident, has transformed community engagement, shifting villagers' focus from gambling to cultural activities [3]. - The "Eight Rites" culture in Wu Fang Village has been revitalized, serving as a living textbook for villagers and promoting traditional values [4]. Group 2: Economic Development - The "Mirror Economy" in Zhijiang Village has turned local scenery into a profitable venture, with villagers earning between 200 to 500 yuan daily as photography models [6]. - The integration of cultural and tourism activities has led to over 100,000 visitors in 2024, generating more than 8 million yuan in revenue from hospitality and dining [6]. - The establishment of a fossil museum in Li Jia Town has attracted over 20,000 students for educational experiences, contributing to local employment and income growth [7]. Group 3: Talent Development - The introduction of cultural personnel from Hangzhou has fostered local talent, with over 50 villagers participating in cultural services and some becoming instructors [10][11]. - The "1+X+N" talent cultivation system in Santou Town has successfully trained villagers in music, leading to the formation of multiple cultural groups [11]. - The collaboration with local universities has enhanced cultural events, allowing villagers to perform alongside professional artists, enriching the local cultural landscape [11].

Core Perspective - The article discusses the work of curator and educator Zuo Jing, emphasizing the importance of integrating rural and urban development, and the need for genuine cultural and community engagement in rural areas rather than superficial artistic projects [2][5][10]. Group 1: Zuo Jing's Background and Philosophy - Zuo Jing has been dedicated to rural development since 2007, focusing on comprehensive rural social design [2][5]. - He has organized various cultural projects and exhibitions, creating public cultural spaces that connect urban and rural communities [5][6]. - Zuo critiques the trend of "artistic rural construction," arguing that true rural development requires thoughtful design rather than mere artistic expression [5][6]. Group 2: Urban-Rural Relationship - Zuo advocates for a new urban-rural relationship where cities support and complement rural areas, reversing historical resource disparities [8][10]. - He believes that the perception of urban superiority over rural areas must change, promoting equal cultural rights and opportunities for rural residents [11][12]. - The article highlights the emergence of a "new nomadic" lifestyle among young people, who are increasingly drawn to rural areas for their lower living costs and quality of life [21][22]. Group 3: Cultural Projects and Community Engagement - Zuo's initiatives include the "Children's Aesthetic Education Program" in Daanpo, which has become a model for integrating cultural education in rural settings [27][29]. - He emphasizes the importance of creating spaces that foster genuine community engagement and cultural exchange between urban and rural populations [26][35]. - The article mentions Zuo's plans to promote rural culture internationally, showcasing the changes and developments in Chinese rural areas [46]. Group 4: Future Directions and Challenges - Zuo expresses a desire to shift the narrative from "rural construction" to a broader theme of "global, rural," addressing the challenges faced by rural areas in the context of globalization [37][38]. - He aims to attract urban resources to rural areas while also showcasing the value of rural culture to urban populations [43][46]. - The article concludes with Zuo's ongoing projects, including efforts to establish an ecological museum in a historical mining town, highlighting the need for sustainable development practices [36][41].

Group 1 - The core idea of the news is the collaboration between international students and local cultural representatives in Zhejiang to explore cultural revitalization through innovative design and traditional arts [1][16] - The "Fashion Qingzha" summer practice team engaged in cultural exchanges and hands-on experiences in ancient villages, highlighting the unique charm of rural China [1][16] - The initiative aims to showcase the cultural wisdom and warmth of Chinese folklore to the international community [1] Group 2 - The practice team visited the ancient village of Yechangbu, experiencing the intricate craftsmanship of local woodcarving and the historical significance of the artifacts [5][7] - The team also explored the ecological and cultural revival of the ancient village of Tantai, which dates back to the Southern Song Dynasty, emphasizing the integration of history and modernity [10][12] - The cultural exchange included immersive experiences in traditional arts, such as woodblock printing and the Tantai horse lantern performance, fostering a deeper understanding of Chinese culture among international participants [8][13][15] Group 3 - The discussions during the cultural representative meeting focused on talent cultivation and innovative rural development, showcasing the successful collaboration between local and international participants [16] - The project aims to create replicable models for ecological, cultural, and industrial development in rural revitalization efforts across Zhejiang and beyond [16]

Core Viewpoint - The integration of contemporary art into the traditional village of Songzhuang has revitalized the community, attracting tourists and enhancing local culture and economy through artistic initiatives [6][11]. Group 1: Art and Cultural Integration - The "Weaving" modern art museum in Songzhuang village showcases collaborative artworks created by local villagers and artists, featuring traditional crafts such as bamboo weaving and Zhuang ethnic ribbon weaving [6][7]. - The theme exhibition "Unwoven Realm" has drawn visitors from various regions, highlighting the fusion of traditional village life with contemporary art [6][7]. - The village's transformation began in 2016 with restoration efforts that preserved its historical architecture, leading to a resurgence in tourism [6][8]. Group 2: Community Engagement and Economic Impact - The establishment of the art museum faced initial skepticism from villagers, but through community discussions and assurances of reversible design, local support was garnered [8][9]. - The village has seen a 20% annual increase in tourist numbers, with projected cultural tourism revenue exceeding 5 million yuan in 2024 [10][11]. - Villagers have actively participated in artistic creation, leading to the commercialization of their works as cultural products, enhancing their income and community spirit [10][11].

Core Insights - The opening of the "Reverse Light Flying" photography aesthetic museum in Zhijiang Village marks a significant development in the local photography industry, enhancing the appeal of the area to tourists and photographers [1][2] - The initiative aims to create a sustainable "lens economy" that benefits local residents and businesses, promoting shared prosperity through photography [1][2] Group 1: Photography Industry Development - The establishment of the "Reverse Light Flying" museum is part of a broader effort to deepen the photography industry in the region, with products like "Misty Morning Breakfast" and "Sunset by the River" gaining popularity [1] - The museum differentiates itself by offering unique photography experiences that capture the essence of rural landscapes and cultural aesthetics, rather than conventional urban photography [1] Group 2: Community Engagement and Recognition - Cultural commissioner Zhang Hong's efforts have led to the successful introduction of the museum and the Zhejiang Oil Painting Academy's creative base in Zhijiang Village, enhancing local cultural offerings [2] - Zhijiang Village has been recognized as a "Characteristic Village for Artistic Rural Construction" by the Zhejiang Provincial Federation of Literary and Art Circles, highlighting the success of the local cultural initiatives [2] - Future plans include hosting international events and competitions to further integrate cultural tourism with local economic development, aiming for a harmonious relationship between environmental beauty and industrial revitalization [2]

Group 1 - The National Art Fund's 2025 annual training project for artistic talent, focusing on "Art Rural Construction and Public Art Creation Talent Training," has commenced at Jiangsu University of Technology, lasting 60 days [1] - The training aims to cultivate and deliver innovative talents for the beautification of rural public environments and the organization of various cultural and artistic activities [1] - The project was applied for in June of the previous year, received funding approval in January, and officially opened for nationwide enrollment on February 28 [1] Group 2 - A total of 50 students were selected from 135 applicants after expert evaluation and public announcement [1] - To ensure training quality and meet diverse learning needs, Jiangsu University of Technology has invited authoritative experts and scholars from the fields of rural revitalization and public art [1] - The training will cover various stages, fields, and levels, utilizing concentrated lectures, exchange visits, and seminars to explore the value and significance of artistic rural construction and public art creation [1][2]

Core Insights - The article highlights the successful integration of art and tourism in Nanhai District, Foshan, through the Earth Art Festival, which has revitalized local economies and attracted young entrepreneurs [1][2][3][4][5] Group 1: Economic Impact - The Earth Art Festival has attracted 2.77 million visitors over two editions, leading to the establishment of over 30 cafes, dessert shops, and other hospitality businesses [1] - A coffee shop in Yanjiao Ancient Village achieved sales of 120,000 yuan in its first month and saw sales triple during the Spring Festival, selling 1,000 cups daily [2] - The festival has contributed to the creation of a new cultural tourism economy, with local businesses experiencing significant increases in customer traffic and sales [3][4] Group 2: Community Engagement - The festival emphasizes local participation, with community members actively involved in the creation and operation of art projects, fostering a sense of ownership and pride [3][4] - Young entrepreneurs, such as Wu Kaining, have returned to their hometowns to start businesses, leveraging the festival's popularity to attract visitors [3] - The initiative has led to the formation of local cultural tourism companies, enhancing community collaboration and economic development [4][5] Group 3: Cultural Revitalization - The festival has awakened historical cultural memories and integrated local traditions into the tourism experience, such as the revival of traditional boat culture [4][5] - The establishment of art studios and experience spaces by artists has contributed to a vibrant cultural scene, attracting both locals and tourists [4] - The development of water-based tourism routes has created a comprehensive cultural consumption landscape, enhancing the overall visitor experience [4][5]