Core Insights - The industry is experiencing a "long drama anxiety," but long dramas are not failing; instead, serialized works are becoming a crucial support for stable performance [1][3] - The release of the "21 Regulations" by the broadcasting authority has provided a more flexible production and broadcasting environment for serialized and seasonal dramas [3][4] - Serialization is increasingly seen as a necessary working method for producers, shifting from a post-success discussion to a pre-project evaluation criterion [4][5] Group 1: Industry Trends - Serialized works occupy half of the top 10 highest-rated Chinese dramas on Douban, indicating a strong market response [1] - Producers are now prioritizing projects that can be developed into long-term IPs, reflecting a shift in focus from standalone success to sustainable content [4][5] - The industry is moving towards a model where different content forms, such as films, long dramas, and short dramas, are integrated under a single IP system [11][12] Group 2: Production Strategies - Producers are increasingly adopting a "pre-judgment" approach, assessing the potential for serialization before project initiation [5][10] - The development of multiple related projects in parallel is becoming common, allowing for a more cohesive narrative and character development [7][8] - The use of advanced technologies and AI in production processes is enhancing efficiency and quality, making the production of serialized content more manageable [25][27] Group 3: Audience Engagement - Serialization allows for a longer relationship cycle between content and viewers, fostering trust and engagement [21][22] - The feedback loop between creators and audiences is crucial for adjusting content in real-time, enhancing the relevance and appeal of serialized dramas [23][24] - The industry is focusing on creating content that resonates with audiences, ensuring that stories are compelling enough to maintain viewer interest over time [22][28]

本报讯（沈阳日报、沈报全媒体记者盖云飞）12月26日，沈阳市电影电视家协会召开第六次会员代表大 会，选举产生了新一届理事会和主席团，王君当选协会新一届主席团主席，白清秀、金海涛、费晨光、 侯勇、郭志英、梁强当选副主席，侯勇兼任秘书长。 过去五年，市影视家协会在创作生产、人才培养、活动开展、理论评论、自身建设等方面取得了显著成 绩。围绕中国共产党成立100周年等重大时间节点以及乡村振兴等时代主题，组织创作了《风展红旗如 画》《画说西迁》《与你飞翔》《一撞飞天》《绿水青山好日子》等一批生动反映了时代变迁和人民心 声的优秀作品，充分发挥了影视"轻骑兵"的独特作用。《守望青春》《有事找彪哥》等多部作品获得国 家级奖项，《一"网"情深》《东北喜事》等系列作品获得省级奖项。 （来源：沈阳日报） 转自：沈阳日报 ...

该剧由TVB港星魏骏杰首次跨界微短剧领域领衔主演，讲述蓉城蜀锦刺绣技艺大家杜锦绣守护非遗传承的故事。短剧实力演员代文君则挑起女 主大梁，饰演非遗传承人杜锦绣。两人搭档演绎的代际冲突与文化坚守，成为剧集重要看点。 据介绍，《锦绣山河》从场景到文化内核都植根于成都这片土地，剧集全部在成都取景拍摄。 转自：成都日报锦观 "成都造"非遗微短剧 《锦绣山河》上线 本报讯 （成都日报锦观新闻记者 王茹懿 受访单位供图） 12月26日，由成都传媒集团（成都传媒产业集团）旗下成都天府影业有限公司作为第 一出品方，联合成都诗婢家文化有限责任公司等共同打造的非遗题材微短剧《锦绣山河》在红果平台上线。 ...

Core Insights - The overarching theme for Shandong in 2025 is "resilience," reflecting a strong foundation and growth amidst changing times [3] - The "Good Shandong" weekly publication has produced 46 issues and 75 in-depth reports throughout the year, highlighting various aspects of Shandong's culture, economy, and community [2] Group 1: Cultural Highlights - The year began with the popular ancient costume drama "The Color of the Country," which boosted the "Three Goods" of Shandong [2] - The community in Qufu engaged in traditional practices, such as creating Spring Festival couplets, showcasing the cultural richness of the region [2] - The sweetness of the cherries from Wulian and the bountiful harvest of saltwater shrimp along the Bohai Sea were emphasized as local agricultural successes [2] Group 2: Economic Developments - The "Yantai Snow Apple," cultivated through generations, represents the dedication to scientific breeding and the extension of the industrial chain [3] - The commercial second-hand vehicles from Liangshan have reached 56 countries, transforming from local heroes to international traders, showcasing the region's trade capabilities [3] Group 3: Community and Social Impact - The story of "Sister Sesame," a disabled entrepreneur, illustrates the power of resilience and her impact on the livelihoods of hundreds in her community [3] - The publication aims to document and share positive stories from Shandong, emphasizing the importance of recognizing and spreading good narratives [3]

Core Insights - London's creative industry has become the third largest sector, generating over £50 billion in economic benefits, following finance and real estate [2][17] - The creative sector contributes 12.6% to London's total economic output, with a 46.1% increase in gross value added (GVA) from 2010 to 2019, the highest growth among all UK regions [17][18] - The sector's success is attributed to strategic top-level design, high aggregation of creative industries, and a favorable capital environment [10][11][18] Industry Development - The creative industry in London began to take shape as a global leader in the late 1990s, with the establishment of a special task force by then-Prime Minister Tony Blair to elevate creative economy development to a national strategy [6][9] - The introduction of the term "creative industries" in 1998 marked a significant shift towards an innovation-driven economy, attracting over one-third of the UK's creative talent [6][8] Economic Impact - The creative industry has consistently generated over £50 billion in economic output, making it a vital pillar for sustainable urban development [2][17] - In the 2019-2020 fiscal year, the creative sector contributed £13 billion in taxes, accounting for 8% of all tax revenues in London [17] Capital Environment - London's position as an international financial center provides a robust capital market that supports the creative industry, particularly in sectors like film, gaming, and esports [18][20] - The city hosts over 1,600 fintech companies, ranking first globally, and is a hub for fintech unicorns, fostering a unique environment for innovation [20] Policy Support - The London Economic Council's report emphasizes the importance of supporting grassroots cultural organizations, ensuring their representation in cultural policy-making [16] - Various targeted support plans have been implemented to promote the integration of creative individuals and industries, reflecting a pragmatic approach to urban development [15][16]

【《飞驰人生3》成首部定档2026年春节档影片】12月26日下午，博纳影业宣布，其参与出品、韩寒编 剧并执导、沈腾领衔主演的电影《飞驰人生3》官宣定档2026年春节。 《中国经营报》记者通过多个网络平台了解到，这也是第一部定档2026年春节档的影片。 公开资料显示，该片由上海亭东影业有限公司、天津猫眼文化传媒有限公司、大麦娱乐（北京）有限公 司、北京博纳影业集团有限公司、中国电影产业集团股份有限公司、浙江开心麻花影业有限公司、万达 影视传媒有限公司、浙江横店影业有限公司出品。 《飞驰人生》系列均在春节档上映。其中，首部于2019年春节档上映，取得17.28亿元票房；《飞驰人 生2》则是2024年春节档票房亚军，获得33.61亿元的累计票房。 車車 编剧/导演 / 三 频 | 主 | you come was a ani 931 ez ex all the more the sere and the series and the sent and the sent of the sent of the sent and the sent of the sent and the sent and the seri ...

每经AI快讯，*ST大晟（SH 600892，收盘价：3.77元）12月26日晚间发布公告称，公司第十二届第十二 次董事会会议于2025年12月26日在深圳市福田区景田北一街28-1邮政综合楼6楼公司会议室以通讯表决 方式召开。会议审议了《关于获得债务豁免暨关联交易的议案》等文件。 2024年1至12月份，*ST大晟的营业收入构成为：网络游戏占比92.31%，影视剧占比7.29%，其他占比 0.4%。 截至发稿，*ST大晟市值为21亿元。 每经头条（nbdtoutiao）——对话马斯克脑机接口"一号受试者"：大脑植入芯片23个月，我正重新夺回 人生的独立 （记者 曾健辉） ...

短剧市场火爆不是一天两天了，参与短剧产业的相关企业已超10万家，这之中除了MCN机构、传统影 视公司、广告公司、品牌方和零散个人工作室外，还有不少以网文为主要业务优势的数字内容公司，基 于庞大的网络文学资源，以网络文学为主要业务的数字内容公司目前是短剧市场上不容小觑的强劲力 量，2024年下半年起零星出现了一些出版传媒集团试水微短剧，比如吉林出版集团出品了微短剧《我心 滚烫》，全景展现中国产业工人与国家发展同频共振的奋斗画卷，也有出版社在专业领域里进行了探 索，比如人民法院出版社凭借自身的法律科普优势，推出了"跟着微短剧来学法"微短剧创作计划，策划 出品《楷模》《檐下浮生》等短剧，其中有不少作品入选了"网络视听节目精品创作传播工程"扶持节 目，短剧品质精良。 但总体来说，以出版纸质图书为主的传统出版社进军微短剧并且深度参与制作而非简单挂名的仍然比较 少。至于传统出版机构比较少深度涉猎微短剧制作的原因，此前人民法院出版社副总编辑袁登明曾对外 做出过解释，出版机构影视化创作偏向"主流"，有内容审查、尺度限制，很难适应微短剧强反转、强冲 突的创作倾向。在合规前提下策划的项目，短剧平台会认为不够有吸引力、不够尺度、不 ...

为了还原真实历史，创作团队查阅大量权威资料，邀请军事专家全程把关，大到战役时间线、战术部署 逻辑，小到部队徽章样式、战士服装质地，都逐一考证打磨，力求在历史真实与艺术表达之间找到完美 平衡。 影片于今年2月至4月在贵州实景拍摄，剧组精准匹配当年战役的季节与气候，成功复刻出雾锁河谷、雨 浸山路的真实战场环境。从战马装备到战地工事，所有场景搭建和道具制作都严格依据史料，创作团队 用匠心打磨每一个细节，只为让观众在观影时能"穿越"回长征岁月，真切感受红军在群山间迂回穿插的 艰难与壮烈。 此外，由博纳影业投资出品的《克什米尔公主号》已进入后期制作阶段。影片聚焦于1955年震惊中外 的"克什米尔公主号"事件。 12月26日，博纳影业（001330）参与投资并承制的大型史诗电影《四渡》正式发布海报与预告，并宣布 将于2026年红军长征胜利90周年之际登陆全国院线。 同日，博纳影业作为重要出品方的《飞驰人生3》宣布定档春节，该片延续韩寒执导、沈腾主演的黄金 组合，飞驰人生系列影片前两部累计票房已超50亿元，票房号召力稳固。 申奥导演新作《用武之地》已于12月24日开启全国超前点映，首轮点映收获观众好评力荐，该片博纳影 业参 ...

Group 1 - The core point of the news is that Baiana Qiancheng announced a major asset restructuring plan to acquire 100% of Zhonglian Century through a combination of share issuance and cash payment, aiming to enhance its competitive edge in the digital marketing sector [1] - The share issuance price for the acquisition is set at 4.8 yuan per share, representing a discount of approximately 9.94% compared to the pre-suspension price of 5.33 yuan per share [1] - After the transaction, Zhonglian Century will become a wholly-owned subsidiary of Baiana Qiancheng, and the actual controller of the company will remain unchanged, ensuring no change in control or restructuring listing [1] Group 2 - Zhonglian Century has demonstrated strong profitability, with projected revenues of 736 million yuan, 1.382 billion yuan, and 1.003 billion yuan for the first three quarters of 2023, 2024, and 2025 respectively, and net profits of approximately 151 million yuan, 177 million yuan, and 177 million yuan [2] - Baiana Qiancheng's stock experienced a significant increase, reaching a limit up of 20% upon resumption of trading, with a current price of 6.4 yuan per share and a total market capitalization of 6.028 billion yuan [2] - Baiana Qiancheng's financial performance has been under pressure, with revenues of 469 million yuan, 432 million yuan, and 739 million yuan from 2022 to 2024, and consecutive losses in 2023 and 2024, with net profits of -186 million yuan and -393 million yuan respectively, reflecting a substantial decline [2] Group 3 - The downward trend in Baiana Qiancheng's performance continues into 2025, with a revenue of 177 million yuan in the first three quarters, a year-on-year decrease of 73.43%, and a net profit of -67.54 million yuan, down 24.89% year-on-year [3]