游戏 《黑神话:悟空》 戏剧 昆副全本《牡丹亭》 顾中国版权金奖作日 第十届中国国际版权博览会暨2025国际版权论坛10月16日在山东青岛开幕。 第十届中国国际版权博览会 暨2025国际版权论坛 10月16日开幕 图书 《我的阿勒泰》 电影 《哪吒之魔童闹海》 电视剧 《西北罗月》 此间举行的中国版权金奖颁奖仪式上，图书《我的阿勒泰》、电影《哪吒之魔童闹海》、电视剧《西北岁月》、游戏《黑神话：悟空》、戏剧 昆剧全本《牡丹亭》、综艺节目《国家宝藏·展演季》等6部作品获颁中国版权金奖作品奖；人民教育出版社有限公司等5家单位获颁推广运用 奖；上海市浦东新区人民法院知识产权审判庭等5家单位获颁保护奖；青岛市新闻出版局等4家单位获颁管理奖。 中国版权金奖由中国国家版权局与世界知识产权组织联合设立，是我国版权领域最高奖项。 （文章来源：新华社） ...

Core Viewpoint - The 2025 Beijing International Drama Invitation Exhibition opened on October 11 in Beijing, featuring a new production of "Hamlet" by Beijing People's Art Theatre as the opening play [1] Group 1: Event Overview - The exhibition will last for one and a half months, showcasing 14 works from 9 countries including Italy, Georgia, France, Germany, Austria, the UK, Spain, Bulgaria, and China [1] - The event will also include supporting activities such as drama workshops, high-definition film screenings, art lectures, and drama appreciation sessions [1]

金秋十月，在天津市和平区五大道先农大院，天津首家二次元沉浸式体验馆迎来了首批客人。随着《大理寺日志》主题快闪店"喵遇咖啡"在 国庆假期正式亮相，观众不再只是这部国产动漫作品的"旁观者"，而是可以真正走进故事中和角色"同框"。 新华社记者宋瑞、马博文 新华社天津10月6日电 题：天津：消费新体验绘出黄金周经济新图景 走进店内，仿佛踏入动漫的平行时空。吧台旁陈列着大量原创周边，为粉丝提供了丰富的收藏选择。Cosplay自由行、角色互动等活动吸引不 少动漫迷提前在社交媒体上预约打卡。 "二次元文化符合新一代年轻人的消费方式，而天津本土国潮动漫与天津历史街区的联动更带来了新的消费体验。"天津生态城产业园运营管 理有限公司总经理杨琨说。 10月1日，观众在天美艺术街区圆厅剧场观看经典剧目。（受访者供图） 剧场以网络热门剧集《唐朝诡事录》为原型开发，通过"国潮+沉浸体验"拓展文化消费新空间，也进一步激活传统文化IP的市场潜力。 "我们希望通过前沿技术，让传统文化'活'起来。"天津百年中原商业发展有限公司总经理助理焦天昱说，"这一项目不仅是娱乐体验，更是文 化传承的创新尝试，也大大激发了年轻人对传统文化的喜爱。" 夜幕降临 ...

Group 1 - The cultural performance market has seen a continuous rise in popularity during the National Day and Mid-Autumn Festival holidays, featuring a variety of artistic expressions such as concerts, dramas, dances, and creative animation exhibitions [1] - The National Grand Theatre's concert "Motherland, I Sing for You" showcased classic melodies, allowing the audience to immerse themselves in a strong sense of national pride and joy during the holiday [5] - The third China (Jilin) Animation Conference integrated digital technology with animation art, collecting over 410 works and exploring new trends in industry development [8] Group 2 - The 14th China Dance Lotus Award evaluated contemporary and modern dance works, highlighting recent domestic creative achievements and showcasing the vitality and innovation of dance artists [10] - The 16th Zhejiang Provincial Drama Competition featured 25 major and 7 minor plays, attracting enthusiastic audiences and demonstrating the popularity of various traditional drama forms [14] - The 12th National Farmers Photography Exhibition presented 116 works that authentically depict the development and changes in contemporary rural China [17]

Core Insights - The 25th "Co-Build Cup" cultural performance event was successfully held in the Jiacheng Night Moon Cultural Park, showcasing the unique cultural heritage of the Mishi Street area through various theatrical performances [1][2] - The event featured a range of theatrical genres, including drama, acrobatics, and experimental theater, highlighting the diverse artistic ecosystem in Mishi Street [1] - Four professional theater troupes, including the Zhejiang Drama Troupe and Hangzhou Acrobatic Troupe, are collaborating to create a rich cultural experience that appeals to all age groups [1] Group 1 - The event "Come to Mishi, Watch Drama" aims to integrate theatrical scenes into public spaces, breaking down traditional theater barriers [2] - The initiative seeks to create a consumption effect where drama becomes a link between the past and future, as well as between culture and daily life [2] - Future plans include transforming drama into a "consumption anchor point" through tangible and accessible consumption scenarios [2] Group 2 - The Zhejiang Drama Troupe focuses on mainstream creations and classic cultural interpretations, while the Hangzhou Acrobatic Troupe combines high-level skills with Jiangnan aesthetics [1] - The Hangzhou Hive Theater attracts younger audiences with avant-garde theatrical IP, and Zhejiang Dachuan Culture specializes in family-oriented stage plays [1] - The collaboration among these troupes forms a "professional troupe + diverse business" theatrical ecosystem, enhancing the cultural experience in Mishi Street [1]

Core Insights - The 19th China Drama Festival recently concluded in Hangzhou, showcasing 42 high-quality performances and innovating the paths of drama creation and dissemination for the development of drama arts in the new era [1][3] Group 1: Festival Overview - The festival featured 30 outstanding performances from 21 provinces, autonomous regions, and municipalities, with an additional 12 performances in Wenzhou, covering 20 types of drama including traditional operas, spoken dramas, musicals, and puppet shows [1][2] - The opening play "Northbound," adapted from a novel by Xu Zechen, intertwines historical and contemporary narratives, highlighting the cultural significance of the Grand Canal [1][2] Group 2: Diversity and Innovation - The festival included a variety of traditional and contemporary adaptations, such as Cantonese opera "Cheng Ying Saves the Orphan" and Kunqu opera "The World of the Sayings," showcasing the richness and diversity of Chinese drama [2][3] - The selection of performances reflects a microcosm of China's drama ecology, featuring both widely popular genres and rare local forms, thus providing a platform for endangered art forms [2] Group 3: Artistic Evaluation and Cultural Impact - Critics emphasized the festival's broad selection criteria, including long-standing popular adaptations and traditional plays, promoting a balanced view of mainstream themes and the portrayal of ordinary people's lives [3] - The festival aims to promote Chinese aesthetic values and ideals while advocating for simplicity in stage presentations, highlighting regional characteristics of various drama forms [3] Group 4: Community Engagement and Sustainability - The festival attracted both established and emerging talents, with participation from professional troupes and university groups, reflecting a vibrant artistic landscape [4] - In addition to performances, the festival hosted workshops and discussions to cultivate drama criticism talent, emphasizing the importance of international perspectives [4] - A notable initiative was the "Everyone One Kilogram, Drama Carbon Neutrality" campaign, which engaged approximately 1.4 million participants, contributing over 2,000 tons of green energy, demonstrating a commitment to sustainability [4]

Core Insights - The 19th China Drama Festival concluded in Hangzhou, showcasing 42 performances across 20 genres, highlighting the vitality of contemporary drama creation [1] - The festival emphasized a "people's festival" approach, offering low-priced tickets and cultural tourism discounts to enhance public engagement [1] - Various activities, including drama "flash mobs" and campus outreach, were organized to attract younger audiences and promote the integration of drama arts into urban life [1] Industry Developments - The festival held 10 discussion sessions with experts and creators to analyze and improve theatrical works, focusing on industry trends [1] - A special seminar on improving drama criticism was conducted, alongside the launch of a training program for drama critics aimed at cultivating talent with international perspectives and innovative spirit [1] - The China Drama Festival, established in 1988, occurs biennially, with the 20th edition set to return to Hangzhou [1]

Core Viewpoint - The 19th China Drama Festival, held in Hangzhou, showcased 42 high-quality performances and introduced innovative approaches to optimize drama creation and dissemination, marking a significant moment for the inheritance and development of drama art in the new era [1][3]. Group 1: Festival Overview - The festival lasted for 21 days and featured 30 performances from 21 provinces, including various forms of drama such as traditional operas, musicals, and puppet shows, highlighting the achievements in China's drama art creation [1][2]. - The opening play "Beijing-Hangzhou" was adapted from a novel that intertwines historical and contemporary narratives, reflecting the unique charm of Chinese cultural imagery [1]. Group 2: Diversity of Performances - The festival included a variety of classic adaptations, such as Cantonese opera "Cheng Ying Saves the Orphan" and Kunqu opera "The World of the Sayings," showcasing different dramatic forms and styles [2]. - The selection of 42 performances represents a microcosm of China's drama ecology, featuring both widely popular genres and rare local forms, thus enriching the diversity of the drama landscape [2]. Group 3: Artistic Evaluation and Innovation - Critics noted that the festival expanded its repertoire to include long-standing popular traditional plays, emphasizing a balanced understanding of innovative themes and the portrayal of ordinary people's lives [3]. - The festival promotes the aesthetic spirit of the Chinese nation, advocating for simplicity in stage presentation while highlighting regional characteristics of various drama forms [3]. Group 4: Engagement and Community Involvement - The festival attracted both established and emerging talents, with participation from professional troupes and university groups, reflecting a vibrant scene in Chinese drama [4]. - Activities included public cultural events and a carbon-neutral initiative that engaged over 1.4 million participants, contributing more than 2,000 tons of green energy, demonstrating a commitment to sustainability [4].

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

Core Ideas - The 19th China Drama Festival showcases innovation in the arts, breaking the "premiere-only" barrier and encouraging continuous improvement in performances [1][4][6] - The festival features a diverse range of 42 performances, including traditional and contemporary forms, highlighting the richness of Chinese theatrical arts [2][3] - The festival promotes a long-term vision for theatrical works, emphasizing quality and audience engagement over short-term accolades [5][7] Group 1: Festival Overview - The festival runs for 21 days in Hangzhou, organized by various cultural associations and local government [1] - It includes 42 selected performances across 20 theatrical genres, showcasing both well-known and rare regional forms [2] Group 2: Artistic Innovation - The festival encourages a shift from script revision meetings to performance enhancement sessions, involving expert feedback to refine selected works [3] - Emphasis is placed on diverse storytelling and contemporary themes, with a mix of traditional and modern productions [3] Group 3: Audience Engagement - The festival aims to enhance cultural appreciation among the public by prioritizing performances that resonate with audiences [7] - Activities such as "flash performances" and lectures are designed to integrate drama into urban life, breaking down barriers between stage and audience [11] Group 4: Sustainability and Technology - The festival promotes green practices, advocating for low-carbon event management and the use of recyclable materials in stage design [11] - There is a focus on utilizing new technologies in theatrical productions while maintaining the integrity of the art form [9][10]