Core Insights - The film industry is facing challenges with insufficient supply and fluctuating audience preferences, making it difficult for films to secure release dates [1] - The competition among established directors and emerging talents is intensifying, with a focus on diverse genres and star-studded casts to attract audiences [1] - The market has become more competitive, and filmmakers must work harder to win over viewers [1] Domestic Films - "Mysterious Land" directed by Cao Baoping is highly anticipated, having gained popularity through a short video on social media before its release [5] - "Biao Ren: Wind Rises in the Desert" directed by Yuen Woo-ping features a star-studded cast including Wu Jing and Jet Li, and is based on a popular comic series [6][9] - "Silent Awakening" directed by Zhang Yimou is set to explore national security themes and features a notable cast, including Yi Yangqianxi and Zhu Yilong [11][12] - "Catching Spies" directed by Feng Xiaogang is a film adaptation of a previous successful TV series, with a focus on the evolution of cinema [14] - "Turning Flower" directed by Jia Ling is her third directorial work, focusing on a family drama with themes of redemption [17] - "Miss Cube" directed by Bai Xue tells a story about aging and societal prejudice, featuring Michelle Yeoh [19] - "Love Without Boundaries" directed by Li Ruijun explores the love story of a middle-aged couple facing sudden life changes [21] - "Dining Table" directed by Wu Jing depicts the evolving friendship between two characters amidst life changes [23] Overseas Films - "Avengers 5: Day of Destruction" directed by the Russo brothers is seen as a necessary project for Marvel, with mixed audience expectations due to past failures [27] - "Dune 3" directed by Denis Villeneuve is expected to conclude the Dune saga, with a significant budget and returning cast members [29] - "Toy Story 5" is confirmed to be in development by Disney, focusing on the interaction between toys and technology [32] - "Wuthering Heights" directed by Emerald Fennell faces controversy over casting choices and narrative direction [34] - "The Chronicles of Narnia Reboot" directed by Greta Gerwig is set to be released exclusively in IMAX before streaming on Netflix, causing discontent among theater owners [38] - "Cliff Booth Continues Adventure" directed by David Fincher is a sequel to "Once Upon a Time in Hollywood," with a significant budget and high expectations [40] - "The Excavator" directed by Alejandro González Iñárritu features a high budget and explores themes of power and humanity [43] - "Day of Revelation" directed by Steven Spielberg is a sci-fi film exploring extraterrestrial themes, set for a June release [46] - "Odyssey" directed by Christopher Nolan is based on the ancient Greek epic, with a record budget and significant pre-release ticket sales [49]

Group 1 - The total box office for January 2026 surpassed 1 billion, with "Zootopia 2," "Avatar 3," and "Killers of the Flower Moon" ranking as the top three films for the month [1] - The data is sourced from Maoyan Professional Edition, indicating a strong performance in the film industry for January 2026 [1] - The significant milestone of reaching 1 billion in box office revenue reflects positive trends in audience engagement and film production quality [1]

Group 1 - Recent films released include a variety of genres such as comedy, action, suspense, and romance, with titles like "The Place of Arms," "The Sky of Our Fathers," "Point to Stop," "Family Home," "Killing in Hiding," "The Quest of Qin," and "The Days of Him and Her" providing diverse viewing options for audiences [3] - Upcoming imported films such as "New Anaconda," "Eternal Station," "Dangerous Animals," "Dream of Robots," "Extreme Judgment," "Return to Silent Hill," "Wicked Witch 2," and "SpongeBob: Deep Sea Adventure" are set to offer strong lineups and exciting content to meet the diverse viewing preferences of audiences [4] - The industry looks forward to more exciting films being released in 2026, indicating ongoing growth and development in the film sector [6]

Core Insights - The Chinese film market in 2025 is experiencing a recovery, with total box office reaching 51.832 billion, a year-on-year increase of 22% from 42.5 billion in 2024, and total audience numbers reaching 1.238 billion [5][6] - The success of major films like "Nezha: The Devil's Child" with a record-breaking box office of 15.446 billion indicates a return of blockbuster potential, while the number of films grossing over 1 billion has decreased significantly [5][6] - The animation sector has become a significant contributor, with total animation box office exceeding 23 billion, accounting for nearly 40% of the overall market [7][12] - The reliance on established IPs continues, with no new original stories in the top ten box office films, highlighting a trend of sequels and adaptations dominating the market [12][14] Box Office Trends - The box office structure shows a "one strong, few weak" pattern, with a significant drop in mid-tier films, indicating a market imbalance [5][6] - The number of films grossing between 1-5 billion has decreased by over 40%, while the number of films grossing over 10 billion remains stable [5][6] - The top ten films in 2025 reflect a shift in audience preferences, moving away from a single genre to a more diverse range of themes, including historical and action films [5][6] Animation and IP Dominance - Animation films have dominated the box office, with major titles like "Nezha: The Devil's Child" and "Zootopia 2" leading the charge, showcasing the power of established franchises [7][12] - The trend of relying on familiar IPs continues, with no original stories in the top box office films, indicating a potential stagnation in creative storytelling [12][14] Audience Preferences - The audience is increasingly seeking emotional resonance in films, with a notable rise in low-frequency viewers who prefer films that provide emotional outlets [23][24] - The film market is seeing a growing demand for content that resonates with contemporary societal issues, particularly in female-led narratives, although these films are struggling to find commercial success [17][20] International Recognition and Controversies - Chinese films have gained international acclaim, with several awards at major film festivals, enhancing the global presence of Chinese cinema [28][30] - However, controversies surrounding these awards highlight ongoing discussions about the integrity and recognition of the film industry [30] Theatrical Experience and Innovations - The rise of special effect theaters has become a key growth driver, with ticket prices increasing and audience engagement at an all-time high [35][37] - The need for high-quality cinematic experiences is evident, as audiences are willing to pay more for immersive viewing options [35][37]

Core Insights - The total box office revenue for China's film industry reached 51.832 billion yuan in 2025, with a total of approximately 1.632 billion moviegoers, indicating strong growth in both revenue and audience numbers [2] - The rise in movie attendance is attributed to high-quality film content and a shift in viewing habits, with collective viewing experiences gaining popularity [4][6] Group 1: Audience Trends - Collective viewing modes are becoming increasingly popular, with a significant rise in group attendance reported, suggesting a 40% growth trend for 2025 compared to 2024 [4] - Individual movie attendance has also seen a notable increase, with a 23.8% rise in audience numbers and a 31% increase in box office revenue year-on-year [6] Group 2: Market Expansion - The growth in movie attendance is not limited to first-tier cities; 2025 saw record-high audience numbers in 22 provinces and cities, with box office contributions from third and fourth-tier cities approaching those of second-tier cities [8] - Fourth-tier cities achieved a record box office of 11.89 billion yuan, with over 58 third and fourth-tier cities experiencing a box office growth of over 50% [9]

Core Insights - The total box office revenue in China is projected to reach 51.832 billion yuan in 2025, with total audience attendance estimated at approximately 1.632 billion [1] - There is a notable increase in both box office revenue and audience numbers, driven by high-quality film content and changing viewing habits [1] Group 1: Audience Trends - Group viewing has become increasingly popular, combining social interaction with entertainment interests, leading to a significant rise in attendance [2] - The number of group viewers has increased compared to previous years, with a projected growth rate of 40% for 2025 compared to 2024 [2] - Young consumers are contributing to a higher proportion of cinema attendance, resulting in a 23.8% increase in audience numbers and a 31% increase in box office revenue year-on-year [2] Group 2: Market Expansion - The viewing trend is not limited to first-tier cities; 22 provinces and municipalities in China have reported record-high audience numbers, with box office contributions from third and fourth-tier cities nearing those of second-tier cities [2] - Fourth-tier cities achieved a record box office revenue of 11.89 billion yuan in 2025, with over 10 cities experiencing more than 100% year-on-year growth [2] - More than 58 third and fourth-tier cities saw box office growth exceeding 50% in 2025 [2] Group 3: Key Film Releases - The strong performance of the film market is attributed to significant holiday releases, particularly during the Spring Festival, with notable success from domestic animated films like "Nezha: The Devil's Child" [3] - The year-end release of the imported film "Zootopia 2" continued to attract family audiences, breaking previous box office records for imported films [3]

Core Viewpoint - The domestic film market in 2025 saw a significant recovery, with total box office revenue reaching 51.832 billion and total audience attendance at 1.238 billion, both showing over 20% growth compared to the previous year [1][2]. Box Office Performance - The 2025 box office performance was driven by strong showings during key holiday periods, particularly the Spring Festival and summer seasons, which contributed the majority of the growth [2]. - The Spring Festival box office reached a record high of 9.514 billion, a year-on-year increase of 18.69%, largely due to the success of "Nezha 2" [2]. - The summer box office totaled 11.966 billion, reflecting a 2.77% increase from the previous year [2]. Market Structure and Trends - The top 10 films in 2025 included 4 films that grossed over 3 billion and 8 films that surpassed 1 billion, indicating a concentration of box office revenue among a few major titles [3]. - The share of domestic films in total box office revenue was slightly higher than the previous year, but the number of mid-tier films (1-5 billion and 5-10 billion) saw a significant decline, indicating a "winner-takes-all" trend, especially in the animation sector [3]. Investment Opportunities - Despite the overall underperformance of the film industry compared to the market, there are short-term investment opportunities during strong holiday periods [4]. - The film industry index rose by 16.13% in 2025, which was lower than the media index and the Shanghai and Shenzhen 300 index, which increased by 27.17% and 17.66%, respectively [4]. Future Outlook - The film market is expected to continue its recovery in 2026, with projected box office revenue reaching 53.1 billion, supported by a strong lineup of films during key periods [6]. - The recovery of box office revenue is anticipated to positively impact non-box office income, such as merchandise and advertising revenue, as consumer spending on cultural entertainment increases [6].

转自：北京日报客户端 故事悬浮、逻辑崩坏、情感失真……正在上映中的电影《匿杀》虽然票房还不错，却引来不少观众吐 槽。影片口碑的两极分化，折射出当下悬疑类型创作的一大迷思：在追逐反转、叠加社会议题、放大感 官刺激的竞赛中，作品是否已与真实的共鸣和严谨的叙事背道而驰？国产悬疑片应该如何超越短暂爽 感，找到进阶之路？ 《匿杀》太架空，观众难代入 当彭昱畅饰演的断腿少年义无反顾跳到火车头，用他的高科技义肢砸断连接车厢的链条，后面的车厢终 于逐渐减速，他却随着高速失控的火车头坠海……这本是电影《匿杀》中最具英雄主义气质的高潮段 落，却引发观众吐槽：就算真有这样威力无穷的义肢，主角完全可以在后面的车厢砸链条，为什么非要 跳到火车头去送死？ 作为《误杀》《默杀》后的"第三杀"，柯汶利执导的《匿杀》交出了一份高开低走的答卷。连环杀人 案、多重反转、弱者复仇、社会痛点……看似元素叠满，却在过分猎奇的剧情和毫无节制的暴力画面中 失去了核心表达和底层逻辑。 剧照 "这部电影太架空了，整个故事发生在一个虚构的城市里，很多设定距离大家生活很远，没有现实基 础，观众就很难代入。"影评人井润成直言，《匿杀》缺乏让观众产生共鸣的情感抓手。 ...

来源：新华网 1月5日，由大麦娱乐主办、中国台港电影研究会协办的电影《96分钟：列车爆炸案》特别放映活动在中 国电影资料馆小西天艺术影院举行。活动聚焦影片的叙事艺术与人文内核，深入探讨如何以高强度节 奏、精密结构与伦理拷问，打造一部兼具商业质感与思想深度的华语犯罪类型力作。 细腻人性探讨，影片情感内核引发观众共鸣 中国台港电影研究会会长孙向辉在致辞中表示，"《96分钟：列车爆炸案》凭借紧凑的叙事节奏、深刻 细腻的人性探讨和鲜明成熟的类型风格，为中国台湾地区电影创作注入新鲜活力，更成为我们研究台港 电影艺术演进与文化表达的优质范本。" 中国台港电影研究会会长孙向辉 价值导向，片中没有非黑即白的人物，每个人都有着复杂的一面，都在困境中面临着情感选择，影片对 复杂人性的刻画非常深刻到位。" 监制邹介中表示，市场在不断变化，创作始终以引发观众深层感触为核心，而影片传递的守护、责任与 牺牲，正是华语电影与世界共通的情感语言。 主创现身映后揭秘类型突破 作为2025年中国台湾地区电影票房冠军，犯罪动作电影《96分钟：列车爆炸案》自上映以来，便以猎奇 的概念设定与硬核犯罪类型的成熟表达引发广泛关注，赢得票房与口碑的双丰收。 ...

【#肖战一开年就赢麻了#】#肖战用实力撕掉流量标签# 近日，肖战主演的首部电影《得闲谨制》入选 2025观众高满意度影片。据中国电影报道，截止2025年12月25日，《得闲谨制》累计票房为3.64亿，该 影片实现了票房和口碑的双丰收。不可否认的是，肖战凭借《陈情令》《藏海传》等作品，早已拥有领 先的市场号召力，但与此同时，他也长期面临流量争议，不少网友质疑其作品热度与自身实力是否匹 配。而这一次，电影《得闲谨制》的亮眼表现，让观众看到了他的潜力，也助力他完成了从"流量明星" 向实力派演员的转型。据悉，为了演好影片中的莫得闲，肖战做足了准备：不仅查阅大量相关资料，还 特意观察钳工的工作状态，力求贴近角色。与他合作的演员杨新鸣（饰演莫老太爷）也直言意外，他提 到"肖战是重庆人，本以为南京方言对他难度大，没想到开机围读时他整段台词说得非常好，比我准备 得还充分"，称赞其是令人敬佩的年轻演员。（综合中国电影报道）#肖战[超话]# ...