Core Points - The "2025 Shanghai West Kowloon Cultural Week" is a significant cultural event hosted by the West Kowloon Cultural District in Hong Kong, marking its first large-scale cross-disciplinary cultural project outside Hong Kong since its establishment in 2008 [2][3] - The event features over 100 Hong Kong artists and includes various cultural activities such as exhibitions, performances, and dialogues, aimed at deepening cultural cooperation between Shanghai and Hong Kong [2][3] - The M+ exhibition "I.M. Pei: Life and Architecture" has been well-received, attracting approximately 80,000 visitors by June 15, leading to an extension of its run until August 10 [4][6] Cultural Activities - The cultural week includes a variety of performances such as the Cantonese musical "The Great Lawyer," which has received acclaim and is being performed in Shanghai from June 17 to 29 [6][9] - The Hong Kong Palace Museum is presenting the exhibition "Urban Pulse: Reinterpretation of Chinese Traditional Culture" at Zhang Garden, opening on June 20 and running until July 31 [4][7] - Jazz concerts featuring top young musicians from Hong Kong will take place at JZ Club from June 19, showcasing talents like award-winning singer Ashley Lin and world champion harmonica player Cy Leo [9][11] Artistic Collaborations - The event includes a cultural salon on June 21, focusing on the theme "Flowing Landscapes: From Traditional Culture to Contemporary Urban Fabric," featuring discussions with Hong Kong artists and Shanghai's art community [6][11] - Two contemporary dance works, "凝" and "鸣," will be performed at the Shanghai International Dance Center, representing the fusion of Eastern and Western cultural elements [11][12] - The West Kowloon Cultural District has partnered with local coffee brand MANNER COFFEE to create limited-edition art collaborations, enhancing the cultural experience in Shanghai [16]

Core Viewpoint - The exhibition "From Dunhuang to Dazu: The Evolution of Cave Art in China" opened at the Chongqing China Three Gorges Museum, showcasing over 200 artifacts, including national treasures and replicas of cave sites, highlighting the artistic resonance between the two UNESCO World Heritage sites [1][2]. Group 1: Exhibition Details - The exhibition features 200+ exhibits, including 2 national treasures, 15 first-class cultural relics, 10 second-class relics, and 8 third-class relics, along with 6 replicated caves [1]. - It employs a "North Dunhuang, South Dazu" dialogue stage, utilizing a model of "original reproduction + contemporary interpretation" to engage visitors with the artistic heritage [1]. Group 2: Technological Integration - The exhibition utilizes digital twin technology to replicate specific caves from Dunhuang and Dazu, overcoming geographical limitations while ensuring the protection and dissemination of cultural relics [1]. - An immersive experience space is created through advanced digital technology, allowing for innovative interpretations of the evolution of cave art in China [1]. Group 3: Interactive Experience - AI and interactive technology enable visitors to engage with a "Light Up the Thousand-Handed Guanyin" installation, generating real-time images when interacting with electronic screens, simulating the restoration of the Guanyin statue [1]. - A dialogue is facilitated between the Northern Wei period Dunhuang meditation Buddha statue and the Southern Song period Shakyamuni Buddha statue from Dazu, showcasing cross-temporal interactions [1]. Group 4: Collaborative Efforts - The exhibition is a collaborative effort involving multiple institutions, including the Dunhuang Research Academy and the Dazu Rock Carvings Research Institute, and will run until January 5, 2026 [2].

本次展览上，有近百件刘三姐文化档案首次亮相。展品中，彩调剧《刘三姐》剧本第一方案原稿、 1960年5月越南胡志明主席在南宁观看歌剧"刘三姐"后与演员合影照片、1963年6月原中国文化部批复同 意向印度尼西亚华侨提供《刘三姐》有关资料等珍贵档案资料，吸引参观者驻足观看。 原标题：广西首次为"刘三姐"建立文化档案并举办展览 当天活动现场还举行了刘三姐文化档案捐赠仪式，柳州《刘三姐》创作组曾昭文、龚邦榕、邓凡 平、牛秀四位作家签名的创作于1991年的彩调剧《刘三姐》(第九方案)封笔之作的手稿原件，也由其中 的作者曾昭文之子捐赠。另外，广西戏剧院、"刘三姐"扮演者傅锦华女儿傅彬彬等捐赠了相关"刘三 姐"照片，广西壮族自治区档案馆领导为捐赠者们颁发了收藏证书。 日前，第18个国际档案日，由广西壮族自治区档案馆联合南宁市国家档案馆主办的《"民族瑰宝千 年记忆"——刘三姐文化档案展》在南宁开展，这是广西首次为"刘三姐"建立文化档案并举办展览。 参观者在《"民族瑰宝 千年记忆"——刘三姐文化档案展》现场观展。陈冠言 摄 据介绍，"刘三姐"是享誉海内外的一大特色文化品牌。刘三姐从民间传说形态走向社会文化形态， 已成为中国特有的 ...

Group 1 - The 2025 Ming Culture Forum will be held on June 14 at the Global Ming Culture Exchange Center in Changping District, focusing on the theme "Impression of Ming, Heritage of China" [1][2] - The forum will include an opening ceremony, four sub-forums, and a special exhibition of Ming Dynasty cultural relics, utilizing advanced technologies such as VR, AR, and AI for immersive experiences [2][3] - The opening ceremony will feature live broadcasts connecting five significant Ming cultural sites across China, promoting nationwide engagement [2][3] Group 2 - The exhibition will be divided into four thematic units: "Chapter of Ritual System," "Symbol of Dignity," "Elegance of Artifacts," and "Transmission of Culture," aimed at decoding the Ming Dynasty's cultural heritage [3] - The forum will also address the integration of modern technology in cultural heritage protection and exhibition, emphasizing the importance of digital innovation in cultural tourism [3][4] - Changping District has been actively promoting various cultural events and activities to enhance visitor engagement and experience, including the "Ming Tide" Carnival and VR projects [3][4] Group 3 - Beijing is committed to the protection and promotion of its rich cultural heritage, with plans to establish a Global Ming Culture Research Center and implement a three-year action plan for world cultural heritage management [4][5] - The city aims to enhance the understanding and appreciation of Ming culture through collaborative efforts and the establishment of a cultural heritage management alliance [5][6] - The China Ming History Society is focused on deepening research into Ming culture and will support the publication of a popular book titled "He He You Ming" to further disseminate knowledge about this historical period [6]

悉尼中国文化中心兼驻悉尼旅游办事处主任刘东表示，近年来江西在旅游内容创新方面展现了非凡的活 力，博物馆之旅、康养文化之旅、茶文化体验、乡村民宿深度游以及"红色旅游"，为游客提供了更深入 的理解、更深刻的感悟和难忘的回忆。 推介会上播放了"江西的样子"文旅推介片，现场发布了"非遗江西""人文江西""潮玩江西"等5条入境旅 游线路，多项针对入境游客的优惠政策以及航空、酒店、旅行社等配套服务信息，受到与会旅游业界代 表的关注。 中新网悉尼6月6日电(记者薄雯雯)"江西风景独好"澳大利亚"江西日"文化和旅游推广活动6日在悉尼中国 文化中心举行。 该活动由江西省政府新闻办、江西省外办支持，江西省文化和旅游厅、悉尼中国文化中心、中外文化交 流中心共同主办，景德镇市政府新闻办、江西中医药大学附属医院、澳大利亚江西商会协办。 江西省委常委、宣传部长卢小青围绕江西厚重历史底蕴、丰富自然资源以及优美旅游环境，向嘉宾生动 推介"风景独好"的如画江西。她表示，中国和澳大利亚互为重要的旅游客源国和目的地国，在文化和旅 游领域有着巨大的合作潜力。此次江西与澳大利亚的文明互鉴，以陶瓷和中医药为媒，一定能够结出更 多丰硕成果。 中国驻悉尼总 ...

Group 1 - The second China-Uzbekistan Local Cooperation Forum, themed "Harmony and Beauty: Culture of Shaanxi," showcased various cultural elements from Shaanxi, including traditional crafts and products, which received a warm reception from local audiences [1] - The exhibition featured interactive performances, cultural product displays, intangible cultural heritage showcases, and "technology + cultural tourism" products, aimed at presenting Shaanxi's rich history and culture to the people of Uzbekistan [1] - Representatives of intangible cultural heritage from Shaanxi, such as Huazhou shadow puppetry and paper-cutting, participated in the exhibition, expressing hopes for greater international recognition and development of Chinese intangible cultural heritage brands [1] Group 2 - The "Technology + Cultural Tourism" display area featured the "Terracotta Warriors Magical Night" project, allowing participants to experience virtual reality interactions with animated characters from the Qin Dynasty [2] - A cultural product line inspired by iconic Shaanxi landmarks and the giant panda "Qizai" attracted significant interest from visitors, indicating a successful cultural outreach strategy [2] - Local businesses in Uzbekistan showed eagerness to collaborate with Shaanxi representatives, highlighting the potential for cultural exchange and economic cooperation [2]

Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) concluded on May 26, showcasing over 120,000 cultural products from 6,280 institutions across 65 countries and regions, with total participation exceeding 2.2 million [1][3] - The fair emphasized the importance of transactions, with 22 measures implemented to enhance trading capabilities, resulting in 41 signed projects and a record total transaction volume [3][4] - The event featured a significant focus on IP (Intellectual Property) development and protection, with multiple sessions aimed at increasing the commercial value of products and encouraging innovation [4][5] Group 2 - A notable highlight of this year's fair was the introduction of an AI exhibition area, attracting over 60 leading and emerging companies in the AI sector, showcasing innovative applications of AI in cultural experiences [2] - Traditional cultural elements were also enhanced through technology, such as VR experiences of Dunhuang's Mogao Caves and digital restoration of ancient stone inscriptions, demonstrating the trend of "technology + culture" [2] - Non-material cultural heritage projects, such as Sichuan embroidery, gained significant attention, with individual artisans reporting numerous potential clients and increased interest from international organizations [4]

Core Viewpoint - The vitality of cultural arts lies in innovation and creation, exemplified by the enduring legacy and continuous evolution of Dunhuang art, which has become a significant cultural symbol of China [1][5]. Group 1: Historical Context and Development - Over 80 years, generations of artists have followed in the footsteps of Chang Shuhong, integrating Dunhuang aesthetics into their work, leading to significant contributions in various art forms [2]. - The establishment of the Dunhuang Research Institute in 1944 marked a pivotal moment in the preservation and promotion of Dunhuang art, with Chang Shuhong advocating for the study and creation of new art styles rooted in Dunhuang traditions [1][2]. Group 2: Modern Innovations and Applications - The application of digital technology has become a focal point for the creative transformation of traditional Chinese culture, with numerous exhibitions showcasing Dunhuang art through high-precision digital reproductions and immersive experiences [3]. - Recent exhibitions, such as "Like This Mogao," highlight the use of multimedia to enhance the presentation of Dunhuang art, making it accessible to a global audience [3]. Group 3: Contemporary Artistic Practices - Contemporary artists, including Chang Shuhong's daughter, Chang Shana, have successfully incorporated Dunhuang elements into modern architecture and design, reflecting the ongoing relevance of Dunhuang aesthetics [4]. - The collaboration between fashion designers and the Dunhuang Research Institute has led to innovative clothing designs that blend traditional aesthetics with modern sensibilities, showcasing the versatility of Dunhuang art in various cultural contexts [4]. Group 4: Insights and Future Directions - The ongoing practices surrounding Dunhuang aesthetics provide valuable insights into the importance of understanding and applying Chinese styles and spirit in cultural and artistic innovations aimed at future audiences [5].

5月22日，第二十一届深圳文博会开幕。 作为全国万亿级的超级展会平台，深圳文博会今年汇聚了6280家政府组团、文化机构及企业线上线下参 展，覆盖全国、来自全球65个国家和地区的305家海外展商，110个国家和地区的专业观众共赴盛会。 深圳文博会既是文化产业的交流平台，亦是城市文化输出能力的"竞技场"。 在如此数量众多的展区中，上海展区以其核心主题、场馆设计和沉浸式的互动体验，吸引了许多专业观 众的目光。 以上海天文馆的展陈为例，该馆把上古神话与宇宙材质进行巧妙结合，从而打造出了两套极富创意 的"神器"，一套是根据《山海经》制作而成的陨石编磬，另一套则是"纯陨铁1:1金箍棒"微缩版，它们 在上海展区一经亮相，立刻引发关注。当陨石编磬奏出优美音乐时，更是吸引了许多观众纷纷闻讯赶来 打卡留念，成为上海展区极具引流效应的文化符号。 刘健：本届深圳文博会的主题是"创新引领潮流 创意点亮生活"，上海天文馆在文博会上亮相的3件展品 也充分体现了突破和创新。我们平常很少会将天文、音乐和神话三者联系在一起，因此，我们想通过陨 石、磬（古代的打击乐器）、《山海经》中的神兽、《西游记》中的金箍棒等这些互不相关的，但又看 得见、听得 ...

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair (CIF) opened on May 22, 2023, with the theme "Innovation Leads the Trend, Creativity Lights Up Life" [1] - The fair features 6,280 participating organizations, including government groups, cultural institutions, and enterprises, with representation from all 31 provinces and regions in China, as well as 65 countries and regions globally [1] - Over 120,000 cultural products are on display, with more than 4,000 cultural industry investment and financing projects showcased for transactions [1] Group 1: Event Scale and Participation - The CIF has set up 8 exhibition halls covering 160,000 square meters, attracting nearly 300 leading domestic and international brands, including over 60 new entrants [4] - Notable participants include companies like Youke Interactive, DeepSeek, and established brands such as Huawei, Tencent, and NetEase [4] - The introduction of an AI exhibition area features over 60 well-known AI companies, showcasing the integration of new technologies with cultural industries [4] Group 2: Cultural and Economic Impact - The CIF has significantly contributed to the development of Shenzhen's cultural industry, with cumulative transaction volumes exceeding 3 trillion yuan (approximately 430 billion USD) by 2024 [8] - The fair has served over 45,000 cultural enterprises and institutions, facilitating connections for more than 70,000 cultural investment and financing projects [8] - The event highlights the increasing role of technology in driving cultural industries, with successful cultural IPs like "Black Myth: Wukong" and "Nezha 2" gaining international recognition [8] Group 3: International Participation and Collaboration - The "Cultural Creativity China" main exhibition area has expanded from over 1,300 square meters to 3,000 square meters, featuring over 100 domestic institutions and enterprises [9] - This year's CIF has a record number of participants from countries involved in the Belt and Road Initiative, with over 50 of the 65 participating countries being from this group [9] - The international collaboration network has grown from over 60 to 70 global partners, covering nearly 100 countries and regions, showcasing a diverse range of cultural products [9]