文旅演出

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近3000张门票免费预约!上海户外交响音乐会带火假日文旅消费
Sou Hu Cai Jing· 2025-10-08 09:41
上海市静安区文化和旅游局副局长 徐卫华:1日到4日,上海市静安区各个景区的游客数量同比增长20%以上,超300万人次。 转载请注明央视财经 编辑:潘煦 (央视财经《第一时间》)当夜色降临上海展览中心,上海歌剧院交响乐团、合唱团和中国上海国际艺术节节日乐团,在户外喷水池广场为观众献上普罗科 菲耶夫的《罗密欧与朱丽叶》芭蕾组曲选段和由德国作曲家卡尔·奥尔夫改编的中世纪诗篇力作《布兰诗歌》。给观众们带来了不一样的艺术体验。 自2023年起,中国上海国际艺术节连续三年在上海展览中心户外喷水池广场打造户外音乐会,吸引了众多海内外观众的热捧,已然成为一张上海城市文化名 片。 中国上海国际艺术节中心党总支书记 杨佳露:这个演出是全公益的,免费预约,今年近3000张门票一经开放就全部预约完毕。 同时,在周边的商圈,观众们还可以凭借音乐会的票根享受消费折扣和停车优惠,让艺术演出成为拉动当地文旅消费的新动力。 ...
解锁吃住行优惠福利 小小票根如何成为城市消费“流量入口”
Yang Shi Xin Wen Ke Hu Duan· 2025-10-05 03:17
千架无人机腾空而起,勾勒长城雄浑轮廓、云水相映的诗意画卷,"看见 云水之城""遇见 长城经典"等演出以交响乐、民乐和鸣。假期首日,怀柔黄花城水 长城游客量同比提升75%,收入同比提升80%。文化节同步打造"长城生活市集"迎来开门红。 在成都武侯祠,"画卷三国 幻境美学"场景成了假期最热打卡点,假期首日十万游客走进沉浸式主题演出,与表演人员互动。川剧变脸、古彩戏法、传统木 偶戏等多个活动,尽显蜀地艺术魅力。 "为一场演出打卡一座城",这两年已然成为文旅消费的一个新潮流。这个假期,多地再度推出可凭演出、观影、比赛票根,解锁吃住行玩一系列优惠福利。 文化演出市场,在这个国庆假期有什么新看点?票根为什么能成为城市消费的"流量入口"?票根经济火爆,又反映出当前我国文旅消费正在发生怎样的变 化? 文化演出都有哪些好看的?去北京黄花城水长城和成都武侯祠看一看,体验从在"景中游"到成"剧中人"。 在北京黄花城水长城,2025长城文化节怀柔专场已经拉开序幕。 看完演出,这趟旅行还远没有结束。今年以来,"票根经济"持续火热,一张小票根带动起消费的长链条。住宿餐饮、景区门票、商圈福利,假期期间,在很 多地方,这张小小票根再次成为游 ...
万字解读RWA,旅游融资的另一种可能性
Sou Hu Cai Jing· 2025-08-14 07:55
Core Insights - RWA (Real World Assets) tokenization is gaining traction in the financial sector, particularly in tourism financing, offering new avenues for capital raising and reducing reliance on traditional bank loans [1][2][5] Group 1: Understanding RWA - RWA refers to the tokenization of real-world assets, enabling them to be traded and fractionalized like cryptocurrencies, thus enhancing liquidity and investment accessibility [4][6] - The RWA model allows tourism assets to be converted into digital certificates, enabling investors to receive dividends without affecting ownership [4][6] Group 2: Advantages of RWA in Tourism Financing - RWA provides innovative financing channels for tourism assets, allowing large, illiquid assets to be divided into smaller tokens for global investors, thus lowering costs and increasing liquidity [6][7] - It democratizes investment opportunities, enabling ordinary investors to participate in high-value tourism assets with lower capital requirements [6][7] Group 3: Market Potential of RWA - The global RWA market is projected to reach $255 billion by June 2025, with significant growth expected in the asset tokenization sector, potentially reaching $16.1 trillion by 2030 [8][22] - RWA is seen as a bridge connecting tourism assets with global capital, providing new financing possibilities and revitalizing the industry [8][22] Group 4: RWA Case Studies in Tourism - The first RWA digital island project in Dalian, China, aims to revitalize idle tourism resources, showcasing the potential of RWA in local tourism development [10] - The "Swordsman Panda" IP asset RWA project in Hong Kong demonstrates the ability to tokenize cultural IP rights, attracting a younger demographic and international investors [11] Group 5: RWA Applications in Tourism - RWA can be applied to ticket revenue rights of major tourist attractions, allowing investors to hold tokens and receive dividends based on ticket sales [12] - The model can also be utilized for vacation rental and hotel management rights, enabling fractional ownership and investment in high-end properties [12][13] Group 6: Challenges and Solutions in RWA - Compliance issues pose significant challenges for RWA in tourism financing, particularly regarding the classification of tokens as securities [14][16] - Solutions include clearly defining asset attributes to avoid securities classification, limiting investor access to qualified individuals, and adhering to regulatory frameworks [16][19] Group 7: Technological Support for RWA - Blockchain technology underpins RWA by ensuring transparent and immutable records of asset ownership and revenue rights [21][22] - Smart contracts automate revenue distribution and token transfers, enhancing efficiency and reducing human error in transactions [21][22]
印象大红袍香港上市获备案通知书,拟发行不超过4151.50万股 | 新三板公司香港上市
Sou Hu Cai Jing· 2025-06-14 06:45
Group 1 - The China Securities Regulatory Commission (CSRC) issued a notice regarding the overseas issuance and listing of Impression Dahongpao Co., Ltd., allowing the company to issue up to 41,515,000 overseas listed ordinary shares on the Hong Kong Stock Exchange [3]. - The company must report any significant events to the CSRC during the period from the issuance of the notice until the completion of the overseas listing [3]. - After the overseas listing, the company is required to report the listing status to the CSRC within 15 working days [3]. Group 2 - Impression Dahongpao Co., Ltd. is headquartered in Wuyishan, Fujian Province, and was established in 2009, focusing on cultural tourism services and the performance of "Impression Dahongpao" [6]. - The company ranks eighth in China's cultural tourism performance market based on sales revenue generated from cultural performances in 2023 [6]. - The company was listed on the New Third Board on January 20, 2017, with the stock code 870608.NQ, and submitted its prospectus to the Hong Kong Stock Exchange on January 15, 2025, with Everbright Securities as the sole sponsor [6].
锋尚文化:Q1营收持续增长,探索文化科技创新-20250521
HUAXI Securities· 2025-05-21 13:25
Investment Rating - The report maintains an "Accumulate" rating for the company [1][6] Core Views - The company reported a revenue of 579 million yuan in 2024, a year-on-year decrease of 14.42%, and a net profit of 41.77 million yuan, with a proposed cash dividend of 2.1 yuan per 10 shares, down 68.94% year-on-year [2] - In Q1 2025, the company achieved a revenue of 94 million yuan, a significant increase of 171.12% year-on-year, but reported a net loss of 1.32 million yuan [2] - The company is focusing on cultural and technological innovation, exploring C-end business through immersive experiences and AR technology [4][5] Summary by Sections Revenue and Profitability - The company's gross margin in 2024 was 32.14%, down 5.23 percentage points year-on-year, with the gross margin for large cultural performances at 28.65% and cultural tourism performances at 34.22% [3] - The company had a total order backlog of 368 million yuan at the end of 2024, with 87.88 million yuan from large cultural performance projects and 280 million yuan from cultural tourism projects [3] Business Strategy - The company has been transitioning from B-end large events to C-end cultural tourism consumption since 2022, with projects like the Shanghai 632 project generating 32.20 million yuan in revenue and 7.67 million yuan in net profit in 2024 [4] - The company is leveraging technology in its projects, including the use of low-altitude drone performances and online cultural entertainment content [4] Market Outlook - The "first launch economy" has been identified as a key task by the central economic work conference, which is expected to boost domestic demand and benefit the cultural tourism sector [5] - The tourism economy index has shown a year-on-year increase of 2.1%, indicating a positive trend in the industry [5] Financial Forecast - Revenue projections for 2025-2027 are 693 million yuan, 783 million yuan, and 866 million yuan respectively, with net profits expected to be 140 million yuan, 153 million yuan, and 167 million yuan [6][9] - The report forecasts an EPS of 0.73 yuan, 0.80 yuan, and 0.87 yuan for the same period, with corresponding P/E ratios of 36, 33, and 30 times [6][9]
锋尚文化(300860):Q1营收持续增长,探索文化科技创新
HUAXI Securities· 2025-05-21 12:48
Investment Rating - The investment rating for the company is "Accumulate" [1] Core Views - The company reported a revenue of 579 million yuan in 2024, a year-on-year decrease of 14.42%, and a net profit of 41.77 million yuan, with a proposed cash dividend of 2.1 yuan per 10 shares, a decrease of 68.94% year-on-year [2] - In Q1 2025, the company achieved a revenue of 94 million yuan, a year-on-year increase of 171.12%, but reported a net loss of 1.32 million yuan [2] - The company is focusing on cultural and technological innovation, exploring C-end business through immersive experiences and AR technology [4] Summary by Sections Revenue and Profitability - The company's gross margin in 2024 was 32.14%, down 5.23 percentage points year-on-year. The gross margin for large cultural performances was 28.65%, down 8.80 percentage points, while the cultural tourism performance margin was 34.22%, down 0.96 percentage points [3] - The company had a total order backlog of 368 million yuan at the end of 2024, with 87.88 million yuan from large cultural performance projects and 280 million yuan from cultural tourism performance projects [3] Business Strategy - The company has been transitioning from B-end large events to C-end cultural tourism consumption since 2022, with projects like the Shanghai 632 project generating 32.20 million yuan in revenue and 7.67 million yuan in net profit in 2024 [4] - The company is leveraging technology in cultural performances, including the use of AR, 3D technology, and drone shows to enhance user experience [4] Market Outlook - The "first launch economy" has been identified as a key task by the central economic work conference, which is expected to boost domestic demand and benefit the cultural tourism sector [5] - The tourism economy index has shown a year-on-year increase of 2.1%, indicating a positive trend in the industry [5] Financial Forecast - Revenue projections for 2025-2027 are 693 million yuan, 783 million yuan, and 866 million yuan respectively, with net profits expected to be 140 million yuan, 153 million yuan, and 167 million yuan [6] - The estimated EPS for 2025-2027 is 0.73 yuan, 0.80 yuan, and 0.87 yuan, with corresponding PE ratios of 36, 33, and 30 times [6]