Core Points - The 14th China Arts Festival and the 18th Wenhua Award final evaluation will open on October 15 in Chengdu, Sichuan, with seven works from Jiangsu nominated [1] - Jiangsu artists are dedicating their time during the National Day holiday to refine their performances for the national stage [1] Group 1: Performance Highlights - The Xiju "Heroes and Daughters" combines Jiangnan opera's warmth with a grand war theme, exploring modern expressions of Xiju art [2] - The national dance drama "Dream of the Red Chamber" has performed over 300 shows since its trial in 2021, with a focus on precision and emotional expression [2][3] - The Yangju "Zheng Banqiao" is being meticulously refined with over 100 performers involved in continuous rehearsals and discussions [3] Group 2: Musical Contributions - The Suzhou National Orchestra's "Ode to Rivers, Lakes, and Seas" will showcase eight movements that reflect the spirit of Jiangsu's waterways [4] - The performance aims to convey the cultural essence of Jiangsu through diverse musical expressions [4] Group 3: Small Productions - The Wenhua Award has introduced 15 new awards for short plays and performances, providing grassroots troupes with more opportunities [5] - The Huai Opera "My In-Laws Are Too Strict" and "Catch the Bus" are nominated, showcasing local flavor and humor [5][6] - The Salt City Huai Opera's "Catch the Bus" has been condensed from over 40 minutes to 25 minutes while retaining its essence [6]

8月11日，演员在江苏大剧院原创民族舞剧《红楼梦》新闻发布会现场合影。新华社发 新华社澳门8月11日电（记者齐菲、刘刚）江苏大剧院原创民族舞剧《红楼梦》将于15日至17日亮 相澳门文化中心。 主办方11日在此间举行新闻发布会介绍，这是民族舞剧《红楼梦》首次在澳门演出。作品以贾宝玉 与林黛玉、薛宝钗的情感故事为主线，分为"入府""幻境""省亲""花葬"等12舞段，每段相对独立，最终 串联起完整叙事。 江苏大剧院副总经理、民族舞剧《红楼梦》监制李斯思表示，2021年江苏大剧院把《红楼梦》以舞 蹈形式搬上舞台，是对文学经典和传统文化的致敬。相信这部根植于中华文化沃土的舞剧，将以其独特 的审美追求，深邃的精神内涵和极富震撼力的舞台表现为澳门观众带来情感共鸣。 8月11日，剧中刘姥姥的饰演者宋玉龙在新闻发布会上发言。新华社发 "经典名著有一个共性，讲的都是关于人的故事。"剧中刘姥姥的饰演者宋玉龙受访时说，希望观众 可以走进剧院，去感受舞台上发生的每一刻。 民族舞剧《红楼梦》曾获第十三届中国舞蹈"荷花奖"，截至目前已在海内外40座城市完成逾360场 演出。 ...

Core Viewpoint - The original ethnic dance drama "Dream of the Red Chamber" from Jiangsu Grand Theatre debuted in Hong Kong on August 8, receiving enthusiastic support from local citizens, particularly the youth audience [1][6]. Group 1: Performance Details - The performance attracted a large audience, primarily composed of young people, with some attendees dressed in traditional Hanfu [2]. - The show included a 30-minute warm-up segment featuring the "Twelve Beauties of Jinling" presenting flowers that symbolize their unique characteristics [2]. - The main performance lasted 140 minutes, showcasing classic scenes such as "Daiyu Enters the Jia Mansion" and "Daiyu Buries the Flowers," creating a visually and aurally immersive experience [4]. Group 2: Audience Reception - The audience response was overwhelmingly positive, with many expressing that the performance exceeded their expectations and was stunning [4]. - A Hong Kong audience member remarked on the elegance of the dancers and the dreamlike quality of the performance, highlighting the deep cultural heritage and unique charm of traditional Chinese aesthetics [4]. Group 3: Ticket Sales and Additional Performances - The Hong Kong performances continued the trend of high demand seen during mainland tours, with tickets for three shows selling out quickly after their release on April 15 [6]. - To accommodate the demand, an additional performance was scheduled for August 9, which also sold out rapidly [6]. Group 4: Cultural Significance - The performance is part of the "National Style and Rhythm" series, aimed at showcasing the charm of traditional Chinese culture to Hong Kong citizens [9]. - The initiative also included a special rehearsal event for over 300 local youth and community members, emphasizing the program's commitment to making quality stage performances accessible to young audiences [9].

Core Insights - The performing arts industry is entering a strong growth cycle driven by robust market demand, with projected total revenue of 79.629 billion yuan in 2024, representing a 39.14% increase compared to 2019 [1] - The industry not only enriches people's cultural lives but also generates significant economic benefits, becoming a prominent consumer and cultural highlight [1] Industry Development - The performing arts sector in China has seen remarkable growth, with original works like the national dance drama "Dream of the Red Chamber" and the play "Longan's Lychee" in high demand, showcasing the vitality of local creativity [1] - Advanced technologies such as digital light and shadow, holography, and VR/AR are widely applied, leading to profound changes in artistic expression, operational models, and consumer experiences [1] - The concert economy is particularly noteworthy, with major artists' tours sparking a trend of "cross-city viewing," significantly boosting comprehensive consumption in the tourism and cultural sectors [1] Challenges - Despite the positive growth, there are issues such as a shortage of quality performing arts works and talent, leading to phenomena like "sold-out" tickets and scalping [2] - There is a lack of innovation and a prevalence of homogenization in the industry, with a need for new products and formats to reach diverse audiences [2] - The industry faces challenges such as an incomplete supply chain and an unbalanced market mechanism, resulting in resources concentrating in first-tier cities while third and fourth-tier cities struggle with a lack of professional venues and quality performances [2] Recommendations for Growth - To maintain vitality in the performing arts economy, it is essential to produce more high-quality works and support the creation and promotion of excellent productions [3] - Embracing digitalization to create a "dual performance integration" ecosystem that combines offline shows with online broadcasts is encouraged [3] - Cities with a shortage of professional venues should plan and construct or renovate small and multifunctional theaters to address facility gaps [3] Industry Integration - The integration of "performing arts + technology," "performing arts + cultural tourism," and "performing arts + consumption" is gaining momentum, with a focus on developing immersive technologies and intelligent performance equipment [4] - Encouraging localities to explore cultural "rich mines" and create unique performing arts as city "business cards" is recommended [4] - Policies should be more precise and governance more orderly, including simplifying performance approval processes and supporting innovative development of capable and distinctive performing arts enterprises [4]

Core Viewpoint - The original ethnic dance drama "Dream of the Red Chamber" by Jiangsu Grand Theatre has successfully captivated Taiwanese audiences, showcasing the profound heritage and unique charm of traditional Chinese aesthetics [1][2]. Group 1: Performance Details - The performance began on June 19 and is scheduled to run until June 22 at the Taipei Performing Arts Center [3]. - The audience primarily consisted of younger individuals, with many attendees dressed in traditional Hanfu, indicating a strong interest in cultural heritage [1]. - The show featured classic scenes from the novel, such as "Daiyu Enters the Jia Mansion" and "Daiyu Buries the Flowers," blending classical literature with modern aesthetics [1]. Group 2: Audience Reception - The performance lasted two hours and was met with enthusiastic applause and cheers, with the audience expressing that the experience exceeded their expectations [1][2]. - All performances were sold out, highlighting the popularity of the show among Taiwanese viewers [2]. Group 3: Artistic Elements - The production skillfully integrates various elements such as dance, costumes, scenery, and music, vividly bringing the classic scenes of "Dream of the Red Chamber" to life on stage [2]. - The director emphasized the innovative approach to presenting the literary masterpiece, aiming to convey the underlying Eastern aesthetic to Taiwanese audiences [2].

Core Viewpoint - The original ethnic dance drama "Dream of the Red Chamber" by Jiangsu Grand Theatre premiered in Taipei on June 19, receiving a warm welcome from Taiwanese audiences [1][2]. Group 1: Performance Details - The premiere took place at the Taipei Performing Arts Center, with nearly full attendance and tickets sold out immediately upon release [1]. - The performance will continue in Taipei until June 22, with three additional shows scheduled in the following days [2]. Group 2: Artistic Direction and Reception - Directed by young dance artists Li Chao and Li Xing, the focus of the performance is to convey warmth and emotion, allowing familiar characters to be "seen" by the audience [2]. - The scriptwriter Cui Lei emphasized that the creation process respects the original spirit of the novel while incorporating modern aesthetics [2]. - The actress playing Xue Baochai, Wang Minrui, expressed her excitement about meeting Taiwanese audiences for the first time and felt their enthusiasm [2]. Group 3: Previous Success and Recognition - Prior to the Taipei performances, the ethnic dance drama "Dream of the Red Chamber" completed over 300 performances in 34 cities across mainland China, attracting more than 500,000 viewers [2]. - The production won the 13th China Dance "Lotus Award" for dance drama in 2023 [2].

Group 1: Core Insights - Nanjing is becoming a popular destination for cultural and sports events, attracting tourists through immersive experiences that combine entertainment and consumption [1][2][3] - The economic impact of major events, such as the 2025 World Indoor Athletics Championships, has been significant, generating direct economic effects of 102 million yuan and indirect effects of 220 million yuan [2] - The integration of cultural and sports events with tourism is creating new consumption patterns, enhancing visitor engagement and driving local economic growth [4][6] Group 2: Event and Tourism Statistics - In 2024, Nanjing hosted 12,890 commercial performances, generating approximately 1.9 billion yuan in ticket sales, with a 33.9% increase in the number of performances in Q1 2025 compared to the previous year [3] - During the May Day holiday, Nanjing's cultural tourism consumption reached 6.24 billion yuan, with 3.52 billion yuan coming from non-local tourists, marking a 23.4% year-on-year increase [5] - The average daily revenue for 200 monitored sports consumption enterprises in Nanjing during the May Day holiday was 97,650 yuan, reflecting a 12.5% increase compared to the previous year [7] Group 3: Future Developments - Nanjing plans to enhance its sports industry by promoting high-quality development of key events, integrating shopping and sports experiences, and developing small-scale boutique events [8] - The city aims to deepen its cultural tourism brand, focusing on night-time products and experiences to increase visitor stay duration [8] - Future initiatives will include a variety of deep tourism experiences, such as cultural, sports, wellness, and shopping tours, to further stimulate consumption [8]