2026年元旦，雷峰塔迎来了一年一度的登高迎新活动。作为"西湖十景"中承载千年记忆的文化地 标，这里不仅见证了《白蛇传》的浪漫传说，更在辞旧迎新之际，以一场"登峰纳吉，福运加马"的主题 活动将传统文脉与时代趣味巧妙融合，为市民游客带来一场别具仪式感的迎新之旅。 农历丙午马年即将到来，"马"在中国传统文化中向来象征着拼搏进取与步步高升。本次活动紧扣这 一吉祥寓意，创新设计"过关斩将"互动环节，使游客在登塔过程中，不仅能领略各层丰富的文化陈设 ——从复刻《白蛇传》场景的东阳木雕，到再现吴越造塔历史的壁画，从吟咏"雷峰夕照"的诗词木刻， 到揽胜西湖的全景瓯塑——更需完成与楼层文化相关的趣味任务。游客或需答出含"马"字的成语，或要 辨认《新白娘子传奇》中的经典台词，在知识竞答与沉浸式体验中步步登高，深度感知雷峰塔的独特魅 力。 活动现场，"马"字成语成为贯穿始终的文化线索，游客在互动中既收获了知识，又寄托了对新一年 进取向上的美好期盼。登临塔顶后，大家可俯瞰西湖美景，体验迎新手作，以"步步高升"的姿态共同迎 接马年的到来。 这场持续十余年的登高迎新传统，如今已不仅是一场节日活动，更是雷峰塔以其深厚的历史底蕴与 不断的 ...

"书法送福"以墨香传递新年祝愿、"状元蹴鞠"借传统运动点燃互动热情、"状元花艺秀"以雅致美学装点 节日氛围……现场活动内容丰富、形式多样，一系列动静相宜、古今交融的趣味活动，不仅满足了不同 年龄段游客的参与需求，更让人们在亲身互动中，感受到传统文化在当代焕发的勃勃生机。 本次活动由南明区中华南路街道办事处主办。2026年1月1日至3日，曹状元街区还将举行"弦音贺岁·状 元迎新"管弦乐专场音乐会、"街角讲堂·状元故事会"等活动。 转自：贵州日报 本报讯 2025年12月31日，南明区曹状元街区洋溢着浓厚的节日氛围，"潮玩迎新·状元贺岁"主题跨年活 动在此举行。活动通过精心设计的趣味体验，为市民游客打造了一场兼具文化底蕴与欢乐氛围的节日盛 宴。 （贵阳日报融媒体记者 冉婷林） （《曹状元街区举办趣味活动》由贵阳日报为您提供，转载请注明来源，未经书面授权许可，不得转载 或镜像。） ...

巡演将于2026年1月17日献演于呼和浩特体育中心综合体育馆。接下来，《印象》内蒙古马头琴音乐会 还将在更多城市奏响。 来源：中国青年报客户端 中国青年报客户端讯（中青报·中青网记者 石佳）12月28日，《印象》内蒙古马头琴专场音乐会亮相北 京市二七剧场，拉开全国巡演序幕。 作为内蒙古自治区推动国有文艺院团市场化转型的重点实践项目，《印象》内蒙古马头琴专场音乐会由 内蒙古自治区党委宣传部主办，乌审旗马头琴乐团、鄂尔多斯市乌兰牧骑联袂演绎。此前，该音乐会已 在鄂尔多斯大剧院首演。 当晚音乐会演出融合马头琴、长调、呼麦等蒙古族传统艺术形式，同时融入中国鼓、唢呐、京胡等国乐 元素，与交响乐交织呈现。音乐会由指挥家叶尔达执棒，演绎了《万马奔腾》《鸿雁》《茉莉花》《夜 深沉》等经典与新编曲目，融合《云宫迅音》《最炫民族风》等流行音乐作品。 歌唱演员乌兰图雅说："这场演出可以说是百花齐放，以马头琴为载体，展示内蒙古文化与不同地区文 化元素的交流碰撞。这说明我们的优秀传统文化也在传承中不断创新，与时代同频共振。" ...

每日甘肃网讯（新甘肃·每日甘肃网记者 李小龙 崔李平）12月27日上午，兰州大学文学院与龙王池四库书院共建学生实习实践基地协议签署 及揭牌活动在永登县龙王池四库书院礼乐殿堂举行。此举标志着双方在推动中华优秀传统文化传承创新、深化院企协作、构建产学研一体化育 人平台方面迈出实质性步伐。 12月27日，兰州大学文学院与龙王池四库书院共建学生实习实践基地协议签署及揭牌活动在永登县龙王池四库书院礼乐殿堂举行 活动中，兰州大学文学院的师生们深入四库书院典籍馆藏区、礼乐殿堂等地，近距离观摩了《钦定四库全书》系列、历代《大藏经》《道藏》 等珍贵文献，以及礼乐中华展演等传统文化呈现形式。深厚的文化积淀与沉浸式体验场景，让在场师生深受震撼，对中华优秀传统文化的传承 与创新有了更直观而深刻的理解。 随后，双方负责人共同签署合作协议，并为"兰州大学文学院学生实习实践基地"揭牌。兰州大学文学院为龙王池四库书院捐赠《中国古代文论 的融通与开拓》《文学真原》等国学经典品读系列等书籍。8位学生代表还以"中华优秀传统文化的创新性发展"为主题进行了学术分享，展现 出青年学子对传统文化传承的深入思考。 龙王池四库书院院长徐灵光表示，此次合作是" ...

文化观察：创新之火如何"唤醒"千年婺州窑？ 中新网金华11月23日电(林波 曹丹)在浙江金华古婺窑火艺术馆里，陈列着《乘云游心》系列陶瓷雕塑。 三件作品《气定》《神闲》《云游》分别采用立、坐、卧的黄大仙造型，即将在金华山黄大仙文化节上 亮相。 《乘云游心》系列陶瓷雕塑。(资料图，受访者供图) 如今，这场始于金华的婺州窑文化对话，正不断走向世界。从日本大阪世博会中国馆到意大利米兰非遗 展，古婺窑火的陶瓷作品带着东方美学的独特韵味，以"无声语言"向世界讲述着中国文化的当代故事。 "大器不言，匠道守一。"方益进说，"最好的文化就是生活本身。现在的非遗都是过去人们的日常生 活。只有让非遗活在当下，走入当代人的生活，符合当代的审美，才能更好地传承下去。"(完) 《乘云游心》系列继承了婺州窑的乳浊釉工艺。每件作品在烧制过程中，釉色都会发生独特变化。"就 像每个人都是独一无二的，每件作品也各不相同。"方益进指着作品上自然形成的紫色釉彩说。 在古婺窑火艺术馆展厅里，传统与创新交融并存。《鸿运当头》茶具的设计灵感来自清代官员的顶戴， 体现了"万绿丛中一点红"的意境；《听雨》茶具则取材于"孤舟蓑笠翁"的诗句，从上面看下去，就像水 ...

Core Viewpoint - The article highlights the historical and cultural significance of the Tengwang Pavilion, detailing its numerous reconstructions and its role as a symbol of Chinese literary heritage and modern cultural integration [1][2][3]. Group 1: Historical Significance - The Tengwang Pavilion has been rebuilt 28 times over the past thousand years, with an average lifespan of less than 46 years for each version, reflecting the changing times and craftsmanship [1]. - The pavilion was originally built in 653 AD by Li Yuanbing, and it has inspired many renowned poets throughout history, including Wang Bo, who famously wrote "Tengwang Ge Xu" [1]. Group 2: Modern Reconstruction - The latest reconstruction began in 1985, based on sketches by Liang Sicheng, aiming to blend traditional architectural styles with modern design elements [2]. - The current structure features unique architectural elements, such as three different facades, breaking the traditional norm of uniformity in ancient towers [2]. Group 3: Cultural Integration - The pavilion serves as a living cultural symbol, transcending its physical structure to embody the essence of civilization [2]. - Modern innovations, such as holographic projections and VR experiences, enhance visitor engagement and connect traditional culture with contemporary interests [2]. - The expansion of free visiting areas in 2024 aims to integrate the pavilion more deeply into the urban landscape, promoting cultural tourism [3].

Core Insights - The article highlights the rich cultural heritage and ongoing innovation in the traditional Chinese brush-making industry, particularly in Wengang Town, Nanchang City, Jiangxi Province, which produces 80% of the country's brushes and has a history of over 1,600 years [1][17]. Group 1: Traditional Craftsmanship - Wengang Town is recognized as the "Hua Xia Pen Capital," with many villages preserving the traditional craft of brush-making [1]. - Zhou Fang Village is noted for its extensive history and scale in brush production, where 128 intricate steps are involved in the brush-making process [1][3]. - Zhou Pengcheng, a national-level intangible cultural heritage inheritor, emphasizes the importance of precise material selection and craftsmanship in producing high-quality brushes [2][3]. Group 2: Innovation and Market Evolution - The brush-making industry has evolved from traditional handcrafting to modern business practices, with younger artisans like Li Xiaoping transitioning from craftsmen to business managers [5][7]. - The industry has seen a resurgence since the 1980s, with new generations of artisans integrating modern marketing strategies and educational backgrounds into the traditional craft [5][7]. Group 3: Cultural Promotion and Market Expansion - The demand for traditional brushes is growing, particularly among younger consumers interested in Chinese culture and older individuals seeking hobbies [9][11]. - The use of e-commerce and live streaming has enabled artisans to reach a global audience, promoting traditional culture and products internationally [11][12]. - Educational initiatives, such as workshops for children, aim to foster appreciation for traditional brush-making techniques and cultural heritage [13]. Group 4: Future Prospects and Standards - The brush-making industry is focusing on establishing industry standards to ensure quality and preserve traditional techniques while encouraging innovation [16]. - The development of a regional public brand, "Yanshu's Hometown, Jinxian Brush," aims to enhance the visibility and marketability of the local brush-making industry [16].

Group 1 - The core viewpoint emphasizes the importance of culture as a key element in promoting high-quality development and meeting the growing needs of people's lives [6] - During the "14th Five-Year Plan" period, cultural creativity and services are experiencing significant upgrades, showcasing the unprecedented power of culture [6] - The article highlights the increasing cultural satisfaction and happiness that define contemporary life [6] Group 2 - The rise of micro-short dramas as a new cultural industry in the digital age is noted, with over 30,000 dramas launched last year, reaching nearly 700 million users by mid-2025 [18][20] - The report indicates that successful micro-short dramas resonate emotionally, culturally, and narratively with audiences, enhancing their cultural experience [18][19] - The article discusses the potential of micro-short dramas to serve as a medium for social positivity and cultural heritage transmission, contributing to the enrichment of people's spiritual lives [20] Group 3 - The article reflects on the growing interest in traditional culture among younger audiences, driven by innovative expressions and a supportive cultural environment [15] - The success of productions like "My Grand View Garden" is attributed to the increasing cultural confidence and the innovative efforts of traditional artists [13][15] - The narrative emphasizes the importance of storytelling and cultural authenticity in engaging audiences and fostering a deeper appreciation for traditional arts [19]

Core Perspective - The article emphasizes the transformative role of corporate foundations in reshaping the public welfare ecosystem in China, aligning corporate strengths with social needs and national strategies to foster sustainable development and long-term benefits for the supported groups [1][9]. Group 1: Corporate Social Responsibility - The Xin'ao Public Welfare Charity Foundation, established in 2005, has developed a comprehensive public welfare ecosystem covering various fields such as environmental protection, education, culture, rural revitalization, and disaster relief, serving as a vivid example of corporate philanthropy in China over the past two decades [1][8]. - The foundation promotes green low-carbon initiatives, encouraging employees to engage in sustainable practices through events like "Xin'ao Public Welfare Day," which includes activities such as waste sorting and water resource protection [2][3]. Group 2: Education and Research Support - The foundation has shifted its focus from traditional hardware donations to a holistic support system for education, including programs that empower students and enhance teacher capabilities, reflecting a transition from "blood transfusion" assistance to "co-prosperity" development [4][9]. - Significant investments in higher education and research, such as funding the construction of an engineering building at Peking University, facilitate collaboration between industry and academia, enhancing the practical application of research outcomes [4][5]. Group 3: Cultural Innovation and Promotion - The foundation actively promotes Chinese traditional culture through innovative initiatives, such as the "Belt and Road: Great Wall International Folk Culture and Arts Festival," fostering international cultural exchange and understanding [6][7]. - Efforts to modernize and popularize traditional culture include immersive theatrical experiences and community engagement activities, making cultural heritage accessible to the public [6][7]. Group 4: Achievements and Future Directions - Over the past twenty years, the foundation has positively impacted 120,000 students and over 10,000 teachers through various educational projects, and has responded to disasters across more than 170 cities and three overseas countries [8][9]. - The foundation aims to continue leading public welfare innovation and expanding its impact, transitioning from a mere donor to a proactive leader in the philanthropic sector, thereby contributing to the broader goal of common prosperity in society [9].

Group 1 - The article highlights the artistic journey of Tian Qinxin, the president of the China National Drama Theatre, emphasizing her significant contributions to the theater industry [1][11] - Tian Qinxin's early life and experiences, including her rigorous training in gymnastics and traditional Chinese opera, shaped her resilience and passion for drama [2][4][7] - Her diverse educational background and experiences in various artistic fields have enriched her directorial skills, allowing her to create unique theatrical works [5][8] Group 2 - Tian Qinxin's artistic creations blend multiple elements, showcasing her deep understanding of dance, opera, and drama, which sets her work apart on stage [10][11] - Her innovative use of multimedia and technology in performances has brought traditional Chinese culture to life in contemporary settings, gaining both national and international acclaim [11][13] - The article emphasizes the importance of cultural heritage and innovation in Tian Qinxin's work, reflecting a broader trend in the arts industry towards integrating traditional elements with modern expressions [8][11]