文化观察：创新之火如何"唤醒"千年婺州窑？ 中新网金华11月23日电(林波 曹丹)在浙江金华古婺窑火艺术馆里，陈列着《乘云游心》系列陶瓷雕塑。 三件作品《气定》《神闲》《云游》分别采用立、坐、卧的黄大仙造型，即将在金华山黄大仙文化节上 亮相。 《乘云游心》系列陶瓷雕塑。(资料图，受访者供图) 如今，这场始于金华的婺州窑文化对话，正不断走向世界。从日本大阪世博会中国馆到意大利米兰非遗 展，古婺窑火的陶瓷作品带着东方美学的独特韵味，以"无声语言"向世界讲述着中国文化的当代故事。 "大器不言，匠道守一。"方益进说，"最好的文化就是生活本身。现在的非遗都是过去人们的日常生 活。只有让非遗活在当下，走入当代人的生活，符合当代的审美，才能更好地传承下去。"(完) 《乘云游心》系列继承了婺州窑的乳浊釉工艺。每件作品在烧制过程中，釉色都会发生独特变化。"就 像每个人都是独一无二的，每件作品也各不相同。"方益进指着作品上自然形成的紫色釉彩说。 在古婺窑火艺术馆展厅里，传统与创新交融并存。《鸿运当头》茶具的设计灵感来自清代官员的顶戴， 体现了"万绿丛中一点红"的意境；《听雨》茶具则取材于"孤舟蓑笠翁"的诗句，从上面看下去，就像水 ...

Core Viewpoint - The article highlights the historical and cultural significance of the Tengwang Pavilion, detailing its numerous reconstructions and its role as a symbol of Chinese literary heritage and modern cultural integration [1][2][3]. Group 1: Historical Significance - The Tengwang Pavilion has been rebuilt 28 times over the past thousand years, with an average lifespan of less than 46 years for each version, reflecting the changing times and craftsmanship [1]. - The pavilion was originally built in 653 AD by Li Yuanbing, and it has inspired many renowned poets throughout history, including Wang Bo, who famously wrote "Tengwang Ge Xu" [1]. Group 2: Modern Reconstruction - The latest reconstruction began in 1985, based on sketches by Liang Sicheng, aiming to blend traditional architectural styles with modern design elements [2]. - The current structure features unique architectural elements, such as three different facades, breaking the traditional norm of uniformity in ancient towers [2]. Group 3: Cultural Integration - The pavilion serves as a living cultural symbol, transcending its physical structure to embody the essence of civilization [2]. - Modern innovations, such as holographic projections and VR experiences, enhance visitor engagement and connect traditional culture with contemporary interests [2]. - The expansion of free visiting areas in 2024 aims to integrate the pavilion more deeply into the urban landscape, promoting cultural tourism [3].

Core Insights - The article highlights the rich cultural heritage and ongoing innovation in the traditional Chinese brush-making industry, particularly in Wengang Town, Nanchang City, Jiangxi Province, which produces 80% of the country's brushes and has a history of over 1,600 years [1][17]. Group 1: Traditional Craftsmanship - Wengang Town is recognized as the "Hua Xia Pen Capital," with many villages preserving the traditional craft of brush-making [1]. - Zhou Fang Village is noted for its extensive history and scale in brush production, where 128 intricate steps are involved in the brush-making process [1][3]. - Zhou Pengcheng, a national-level intangible cultural heritage inheritor, emphasizes the importance of precise material selection and craftsmanship in producing high-quality brushes [2][3]. Group 2: Innovation and Market Evolution - The brush-making industry has evolved from traditional handcrafting to modern business practices, with younger artisans like Li Xiaoping transitioning from craftsmen to business managers [5][7]. - The industry has seen a resurgence since the 1980s, with new generations of artisans integrating modern marketing strategies and educational backgrounds into the traditional craft [5][7]. Group 3: Cultural Promotion and Market Expansion - The demand for traditional brushes is growing, particularly among younger consumers interested in Chinese culture and older individuals seeking hobbies [9][11]. - The use of e-commerce and live streaming has enabled artisans to reach a global audience, promoting traditional culture and products internationally [11][12]. - Educational initiatives, such as workshops for children, aim to foster appreciation for traditional brush-making techniques and cultural heritage [13]. Group 4: Future Prospects and Standards - The brush-making industry is focusing on establishing industry standards to ensure quality and preserve traditional techniques while encouraging innovation [16]. - The development of a regional public brand, "Yanshu's Hometown, Jinxian Brush," aims to enhance the visibility and marketability of the local brush-making industry [16].

Group 1 - The core viewpoint emphasizes the importance of culture as a key element in promoting high-quality development and meeting the growing needs of people's lives [6] - During the "14th Five-Year Plan" period, cultural creativity and services are experiencing significant upgrades, showcasing the unprecedented power of culture [6] - The article highlights the increasing cultural satisfaction and happiness that define contemporary life [6] Group 2 - The rise of micro-short dramas as a new cultural industry in the digital age is noted, with over 30,000 dramas launched last year, reaching nearly 700 million users by mid-2025 [18][20] - The report indicates that successful micro-short dramas resonate emotionally, culturally, and narratively with audiences, enhancing their cultural experience [18][19] - The article discusses the potential of micro-short dramas to serve as a medium for social positivity and cultural heritage transmission, contributing to the enrichment of people's spiritual lives [20] Group 3 - The article reflects on the growing interest in traditional culture among younger audiences, driven by innovative expressions and a supportive cultural environment [15] - The success of productions like "My Grand View Garden" is attributed to the increasing cultural confidence and the innovative efforts of traditional artists [13][15] - The narrative emphasizes the importance of storytelling and cultural authenticity in engaging audiences and fostering a deeper appreciation for traditional arts [19]

Core Perspective - The article emphasizes the transformative role of corporate foundations in reshaping the public welfare ecosystem in China, aligning corporate strengths with social needs and national strategies to foster sustainable development and long-term benefits for the supported groups [1][9]. Group 1: Corporate Social Responsibility - The Xin'ao Public Welfare Charity Foundation, established in 2005, has developed a comprehensive public welfare ecosystem covering various fields such as environmental protection, education, culture, rural revitalization, and disaster relief, serving as a vivid example of corporate philanthropy in China over the past two decades [1][8]. - The foundation promotes green low-carbon initiatives, encouraging employees to engage in sustainable practices through events like "Xin'ao Public Welfare Day," which includes activities such as waste sorting and water resource protection [2][3]. Group 2: Education and Research Support - The foundation has shifted its focus from traditional hardware donations to a holistic support system for education, including programs that empower students and enhance teacher capabilities, reflecting a transition from "blood transfusion" assistance to "co-prosperity" development [4][9]. - Significant investments in higher education and research, such as funding the construction of an engineering building at Peking University, facilitate collaboration between industry and academia, enhancing the practical application of research outcomes [4][5]. Group 3: Cultural Innovation and Promotion - The foundation actively promotes Chinese traditional culture through innovative initiatives, such as the "Belt and Road: Great Wall International Folk Culture and Arts Festival," fostering international cultural exchange and understanding [6][7]. - Efforts to modernize and popularize traditional culture include immersive theatrical experiences and community engagement activities, making cultural heritage accessible to the public [6][7]. Group 4: Achievements and Future Directions - Over the past twenty years, the foundation has positively impacted 120,000 students and over 10,000 teachers through various educational projects, and has responded to disasters across more than 170 cities and three overseas countries [8][9]. - The foundation aims to continue leading public welfare innovation and expanding its impact, transitioning from a mere donor to a proactive leader in the philanthropic sector, thereby contributing to the broader goal of common prosperity in society [9].

Group 1 - The article highlights the artistic journey of Tian Qinxin, the president of the China National Drama Theatre, emphasizing her significant contributions to the theater industry [1][11] - Tian Qinxin's early life and experiences, including her rigorous training in gymnastics and traditional Chinese opera, shaped her resilience and passion for drama [2][4][7] - Her diverse educational background and experiences in various artistic fields have enriched her directorial skills, allowing her to create unique theatrical works [5][8] Group 2 - Tian Qinxin's artistic creations blend multiple elements, showcasing her deep understanding of dance, opera, and drama, which sets her work apart on stage [10][11] - Her innovative use of multimedia and technology in performances has brought traditional Chinese culture to life in contemporary settings, gaining both national and international acclaim [11][13] - The article emphasizes the importance of cultural heritage and innovation in Tian Qinxin's work, reflecting a broader trend in the arts industry towards integrating traditional elements with modern expressions [8][11]

Core Viewpoint - The article highlights the cultural significance and ongoing innovation of Yangliuqing woodblock New Year paintings, emphasizing their historical roots and contemporary relevance in the context of tourism and cultural heritage preservation. Group 1: Cultural Heritage and Tradition - Yangliuqing woodblock New Year paintings have a history of over 400 years, originating from the Song dynasty, flourishing in the Ming dynasty, and reaching their peak in the Qing dynasty, recognized as a national intangible cultural heritage [5] - The unique style of Yangliuqing paintings is a result of the blending of artistic techniques from southern and northern Chinese painters, influenced by the local wood carving skills [6] - The craftsmanship involves five key processes: outlining, carving, printing, painting, and mounting, with the painting process being particularly intricate, requiring nearly 20 detailed steps for facial features alone [8] Group 2: Innovation and Modernization - The seventh-generation inheritor of the art, Zhang Hong, emphasizes the importance of innovation in keeping the art form relevant, integrating contemporary aesthetics and zodiac themes into new works [8][9] - The Yangliuqing ancient town has undergone a transformation into a "2.0 version," incorporating immersive experiences that blend traditional art with modern tourism, enhancing visitor engagement [11] - The town's commercial activities have seen significant growth, with total revenue reaching approximately 15.6 million yuan, a year-on-year increase of 106.4%, and visitor numbers reaching about 3.24 million, up 115.8% [15] Group 3: Cultural Integration and Community Engagement - The integration of Yangliuqing paintings with other cultural elements, such as tea art, has created unique experiences for visitors, allowing them to engage with the art form in interactive ways [14] - The development of various cultural and creative products, including practical items like bags and T-shirts featuring traditional designs, reflects a commitment to making the art accessible and appealing to a broader audience [18][19] - Collaborations with local universities have introduced fresh creative ideas, ensuring the continued evolution of Yangliuqing culture while maintaining its core essence [19]

Group 1 - Guizhou Province is actively promoting the protection of folk art copyrights to aid in the transmission and innovation of traditional culture, establishing a unique path for copyright protection that aligns with local realities [1] - The province has developed cultural and creative products that blend traditional and modern elements, making traditional culture a "new fashion" while continuously advancing copyright protection efforts [1][2] - Guizhou has established a copyright registration platform utilizing blockchain technology to provide efficient and secure services for folk art creators, enhancing copyright service capabilities [1][3] Group 2 - The province organizes regular activities such as live streaming sales, cloud exhibitions, and copyright protection forums, leveraging cultural exchange platforms to build the "Guizhou Copyright Brand" [2] - Guizhou is promoting folk art works like Miao embroidery and wax dyeing at international exhibitions to increase their visibility and influence [2] - The province has registered over 60,000 folk art works and conducted more than 280 copyright knowledge training sessions, supporting over 4,300 creative enterprises and individual studios [3] Group 3 - Guizhou aims to further integrate resources to strengthen the foundation of folk art copyright protection and enhance the value of folk art copyrights, showcasing the province's diverse ethnic culture on a larger stage [4]

Core Viewpoint - The exhibition "New Chapter of Art: Special Exhibition of New Creations from China's Top Ten Art Academies" showcases the creative works of emerging artists from leading Chinese art institutions, reflecting diverse artistic explorations and profound thoughts [1][2]. Group 1: Exhibition Overview - The exhibition will take place from June 28 to October 31 at the Different CIRCLE Contemporary Art Center [2]. - It features over 50 outstanding works across various fields, including painting, sculpture, installation art, and new media art, creating a rich and multidimensional artistic matrix [2]. Group 2: Artistic Diversity - In the painting section, meticulous lines of fine brushwork contrast with the expressive ink of freehand painting [2]. - The sculpture area showcases the interplay of metal and wood, combining traditional joinery with modern forms, highlighting the limitless possibilities of materials and craftsmanship [2]. - The new media art section utilizes cutting-edge technologies like digital projection and artificial intelligence, transforming art from static displays into immersive experiences [2]. Group 3: Engagement Activities - The organizers will host a series of activities, including "Young Artists' Creation Salon" and "Interdisciplinary Art Workshops," inviting seasoned scholars and curators to engage in deep dialogues with participating students [2]. - This exhibition serves as a concentrated display of the achievements in contemporary art education and signifies the infinite possibilities for the future development of Chinese art [2].

Group 1 - The "Zhejiang Week" event at the 2025 Osaka Expo has commenced, showcasing Zhejiang's cultural heritage and innovation [1][2] - The exhibition features two main thematic areas: "The Source of Jiangnan, Continuation of Cultural Heritage" focusing on traditional crafts like celadon and silk, and "Innovative Craftsmanship, New Inheritance" highlighting product innovation and technological upgrades [1] - The exhibition atmosphere is vibrant, with numerous visitors admiring works from national and provincial intangible cultural heritage inheritors, showcasing the revival of traditional crafts [1] Group 2 - The display of non-heritage skills such as Song Dynasty tea ceremony and Hangzhou embroidery has garnered significant interest from attendees [2] - Over twenty innovative products from historical classic industries were showcased, blending cultural essence with modern aesthetics and market demands [2] - The exhibition aims to comprehensively present Zhejiang's achievements in the protection, inheritance, and innovative development of historical classic industries to the international community [2]