央广网北京10月8日消息（总台中国之声记者韩雪莹 江西台记者李先 黄肇）据中央广播电视总台中国之声 《新闻纵横》报道，毛笔，中国传统文房四宝之一，承载着厚重的文化底蕴。被冠以"华夏笔都"之名的江西省南 昌市进贤县文港镇，早在东晋时期就有墨迹浸润笔端，毛笔制作技艺延续1600多年，于2021年被列入国家级非物 质文化遗产代表性项目名录。如今，全国80%的毛笔都产自文港。 文港镇的不少村庄都保留着制作、销售毛笔的传统，若论及规模之宏大、历史之悠久，则非周坊村莫属。笔 传匠心，深刻制笔基因的周坊村，近年来从发展毛笔制作传统手工业，到鼓励毛笔文创产品开发，再到依托毛笔 文化促进文旅融合发展，笔锋中的守正与创新，让穿越千年时光的笔韵风华依旧。中国之声特别策划《我们村 的"王牌"》8日推出《墨香氤氲处，笔锋见真章》。 文港镇东南，中国传统村落周坊村坐落于抚河之畔。墨香氤氲的村巷里，家家户户的笔匠屏息凝神，128道繁 复的毛笔制作工艺流转指尖。国家级非遗项目文港毛笔制作技艺代表性传承人周鹏程也在埋头赶制一批新笔头， 根根笔毫经其反复梳选、对齐，毫尖如笋、腰身如锥，成品书写时能助力字迹行云流水、刚柔相济。 周鹏程说："一支毛 ...

《人民日报》（2025年10月07日 第 08 版） 推动高质量发展，文化是重要支点；满足人民日益增长的美好生活需要，文化是关键要素。 "十四五"时期，文化创造活力涌动，文化服务迭代升级。从键盘敲出的文学篇章，到舞台绽放的艺术光彩，从触 手可及的公共文化设施，到数字空间的文艺新业态，文化的力量得到前所未有的彰显，文化获得感、幸福感正有 力定义着今天我们的美好生活。 ——编 者 用文化给生活充电 王震敏 我来自江西九江，主要从事茶文化推广工作，但我还有一个自己很珍视的身份——夜校学员。过去3年时间 里，我在九江濂溪区工人文化宫夜校先后上过茶艺课、插花课、古琴课和声乐课。每逢有课的日子，我都会提前 定上闹钟，婉拒其他聚会，雷打不动地出现在课堂上。 选择上夜校，主要还是出于兴趣爱好。生活日复一日，忙忙碌碌，总要找到一些乐趣嘛！像插花课上学的那 样，花材的色调、姿态得协调才好看，才有神韵。生活也得有不同的色彩，动和静、忙和闲也得协调，才有意 思。 我们夜校的课程里，最火的莫过于董福顺老师的声乐课。董老师是"网红"老师，经常将一些上课时的有趣视 频片段发在网上，粉丝很多，课要靠抢的。他讲课通俗易懂，说起如何运气、如何发 ...

Core Perspective - The article emphasizes the transformative role of corporate foundations in reshaping the public welfare ecosystem in China, aligning corporate strengths with social needs and national strategies to foster sustainable development and long-term benefits for the supported groups [1][9]. Group 1: Corporate Social Responsibility - The Xin'ao Public Welfare Charity Foundation, established in 2005, has developed a comprehensive public welfare ecosystem covering various fields such as environmental protection, education, culture, rural revitalization, and disaster relief, serving as a vivid example of corporate philanthropy in China over the past two decades [1][8]. - The foundation promotes green low-carbon initiatives, encouraging employees to engage in sustainable practices through events like "Xin'ao Public Welfare Day," which includes activities such as waste sorting and water resource protection [2][3]. Group 2: Education and Research Support - The foundation has shifted its focus from traditional hardware donations to a holistic support system for education, including programs that empower students and enhance teacher capabilities, reflecting a transition from "blood transfusion" assistance to "co-prosperity" development [4][9]. - Significant investments in higher education and research, such as funding the construction of an engineering building at Peking University, facilitate collaboration between industry and academia, enhancing the practical application of research outcomes [4][5]. Group 3: Cultural Innovation and Promotion - The foundation actively promotes Chinese traditional culture through innovative initiatives, such as the "Belt and Road: Great Wall International Folk Culture and Arts Festival," fostering international cultural exchange and understanding [6][7]. - Efforts to modernize and popularize traditional culture include immersive theatrical experiences and community engagement activities, making cultural heritage accessible to the public [6][7]. Group 4: Achievements and Future Directions - Over the past twenty years, the foundation has positively impacted 120,000 students and over 10,000 teachers through various educational projects, and has responded to disasters across more than 170 cities and three overseas countries [8][9]. - The foundation aims to continue leading public welfare innovation and expanding its impact, transitioning from a mere donor to a proactive leader in the philanthropic sector, thereby contributing to the broader goal of common prosperity in society [9].

Group 1 - The article highlights the artistic journey of Tian Qinxin, the president of the China National Drama Theatre, emphasizing her significant contributions to the theater industry [1][11] - Tian Qinxin's early life and experiences, including her rigorous training in gymnastics and traditional Chinese opera, shaped her resilience and passion for drama [2][4][7] - Her diverse educational background and experiences in various artistic fields have enriched her directorial skills, allowing her to create unique theatrical works [5][8] Group 2 - Tian Qinxin's artistic creations blend multiple elements, showcasing her deep understanding of dance, opera, and drama, which sets her work apart on stage [10][11] - Her innovative use of multimedia and technology in performances has brought traditional Chinese culture to life in contemporary settings, gaining both national and international acclaim [11][13] - The article emphasizes the importance of cultural heritage and innovation in Tian Qinxin's work, reflecting a broader trend in the arts industry towards integrating traditional elements with modern expressions [8][11]

Core Viewpoint - The article highlights the cultural significance and ongoing innovation of Yangliuqing woodblock New Year paintings, emphasizing their historical roots and contemporary relevance in the context of tourism and cultural heritage preservation. Group 1: Cultural Heritage and Tradition - Yangliuqing woodblock New Year paintings have a history of over 400 years, originating from the Song dynasty, flourishing in the Ming dynasty, and reaching their peak in the Qing dynasty, recognized as a national intangible cultural heritage [5] - The unique style of Yangliuqing paintings is a result of the blending of artistic techniques from southern and northern Chinese painters, influenced by the local wood carving skills [6] - The craftsmanship involves five key processes: outlining, carving, printing, painting, and mounting, with the painting process being particularly intricate, requiring nearly 20 detailed steps for facial features alone [8] Group 2: Innovation and Modernization - The seventh-generation inheritor of the art, Zhang Hong, emphasizes the importance of innovation in keeping the art form relevant, integrating contemporary aesthetics and zodiac themes into new works [8][9] - The Yangliuqing ancient town has undergone a transformation into a "2.0 version," incorporating immersive experiences that blend traditional art with modern tourism, enhancing visitor engagement [11] - The town's commercial activities have seen significant growth, with total revenue reaching approximately 15.6 million yuan, a year-on-year increase of 106.4%, and visitor numbers reaching about 3.24 million, up 115.8% [15] Group 3: Cultural Integration and Community Engagement - The integration of Yangliuqing paintings with other cultural elements, such as tea art, has created unique experiences for visitors, allowing them to engage with the art form in interactive ways [14] - The development of various cultural and creative products, including practical items like bags and T-shirts featuring traditional designs, reflects a commitment to making the art accessible and appealing to a broader audience [18][19] - Collaborations with local universities have introduced fresh creative ideas, ensuring the continued evolution of Yangliuqing culture while maintaining its core essence [19]

Group 1 - Guizhou Province is actively promoting the protection of folk art copyrights to aid in the transmission and innovation of traditional culture, establishing a unique path for copyright protection that aligns with local realities [1] - The province has developed cultural and creative products that blend traditional and modern elements, making traditional culture a "new fashion" while continuously advancing copyright protection efforts [1][2] - Guizhou has established a copyright registration platform utilizing blockchain technology to provide efficient and secure services for folk art creators, enhancing copyright service capabilities [1][3] Group 2 - The province organizes regular activities such as live streaming sales, cloud exhibitions, and copyright protection forums, leveraging cultural exchange platforms to build the "Guizhou Copyright Brand" [2] - Guizhou is promoting folk art works like Miao embroidery and wax dyeing at international exhibitions to increase their visibility and influence [2] - The province has registered over 60,000 folk art works and conducted more than 280 copyright knowledge training sessions, supporting over 4,300 creative enterprises and individual studios [3] Group 3 - Guizhou aims to further integrate resources to strengthen the foundation of folk art copyright protection and enhance the value of folk art copyrights, showcasing the province's diverse ethnic culture on a larger stage [4]

Core Viewpoint - The exhibition "New Chapter of Art: Special Exhibition of New Creations from China's Top Ten Art Academies" showcases the creative works of emerging artists from leading Chinese art institutions, reflecting diverse artistic explorations and profound thoughts [1][2]. Group 1: Exhibition Overview - The exhibition will take place from June 28 to October 31 at the Different CIRCLE Contemporary Art Center [2]. - It features over 50 outstanding works across various fields, including painting, sculpture, installation art, and new media art, creating a rich and multidimensional artistic matrix [2]. Group 2: Artistic Diversity - In the painting section, meticulous lines of fine brushwork contrast with the expressive ink of freehand painting [2]. - The sculpture area showcases the interplay of metal and wood, combining traditional joinery with modern forms, highlighting the limitless possibilities of materials and craftsmanship [2]. - The new media art section utilizes cutting-edge technologies like digital projection and artificial intelligence, transforming art from static displays into immersive experiences [2]. Group 3: Engagement Activities - The organizers will host a series of activities, including "Young Artists' Creation Salon" and "Interdisciplinary Art Workshops," inviting seasoned scholars and curators to engage in deep dialogues with participating students [2]. - This exhibition serves as a concentrated display of the achievements in contemporary art education and signifies the infinite possibilities for the future development of Chinese art [2].

Group 1 - The "Zhejiang Week" event at the 2025 Osaka Expo has commenced, showcasing Zhejiang's cultural heritage and innovation [1][2] - The exhibition features two main thematic areas: "The Source of Jiangnan, Continuation of Cultural Heritage" focusing on traditional crafts like celadon and silk, and "Innovative Craftsmanship, New Inheritance" highlighting product innovation and technological upgrades [1] - The exhibition atmosphere is vibrant, with numerous visitors admiring works from national and provincial intangible cultural heritage inheritors, showcasing the revival of traditional crafts [1] Group 2 - The display of non-heritage skills such as Song Dynasty tea ceremony and Hangzhou embroidery has garnered significant interest from attendees [2] - Over twenty innovative products from historical classic industries were showcased, blending cultural essence with modern aesthetics and market demands [2] - The exhibition aims to comprehensively present Zhejiang's achievements in the protection, inheritance, and innovative development of historical classic industries to the international community [2]

Core Insights - The article highlights the successful integration of traditional craftsmanship with contemporary aesthetics through the works of Li Xuewu, a master of Luoyang Peony Porcelain, showcased at the China Arts and Crafts Expo [2][8] - The event serves as a significant platform for promoting Chinese ceramic culture and facilitating cultural exchange among artisans from various regions [2][3] Industry Development - The China Arts and Crafts Expo has been growing in scale and influence, providing opportunities for artisans to showcase their skills and for traditional crafts to gain momentum [2][8] - The Luoyang Peony Porcelain, which combines the rich history of Tang Dynasty white porcelain with peony culture, is positioned as a cultural symbol and a vehicle for promoting traditional Chinese craftsmanship [3][4] Market Expansion - The Luoyang Peony Porcelain has seen increased tourism, with 10.34 million visitors and a total revenue of 8.293 billion yuan during the Peony Cultural Festival, indicating its role as a cultural brand [3] - The brand aims to enhance its market presence and recognition through innovative designs and products that appeal to younger consumers, including the "Little Gardener" series [7][8] Innovation and Technology - Li Xuewu's team is focused on integrating modern technology with traditional craftsmanship, including plans to develop a ceramic robot that interacts with users and educates them about heritage culture [7][8] - The company holds numerous patents, including 19 invention patents and over a thousand design patents, showcasing its commitment to innovation in the cultural creative industry [7][8]

Group 1: Cultural Innovation and Tradition - The Dragon Boat Festival is experiencing a transformation where traditional customs are being modernized, emphasizing both speed and aesthetics in dragon boat racing [1] - The introduction of new flavors of zongzi, such as chocolate and pineapple, reflects the adaptability of traditional foods to contemporary tastes, ensuring their relevance beyond the festival [2] - The evolution of traditional items like the handmade sachet into fashionable accessories illustrates the intersection of traditional culture and modern design, enhancing their appeal to younger generations [2] Group 2: Cultural Survival and Relevance - In a fast-paced society, adhering strictly to traditions may render cultural practices obsolete; innovation is essential for keeping traditions alive [3] - The new trends during the Dragon Boat Festival maintain the core cultural values of family, reunion, and health, indicating that cultural essence remains intact despite changes [3] - The ongoing challenge for traditional festivals is to balance innovation with cultural integrity, ensuring that they remain vibrant and relevant in contemporary society [3]